Oil and Yamato dont mix XD (my attampt at humor)

Who do you think won this spar?


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Shade

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as my two kunai come flying back at me I hold my sword vertically to slice the wire as it passes by. the row of verticle kunai then come at me, Which I then do a downward slice to intercept them all in one swipe. I jump back to maintain my distance from you. I dont know how big the fire blast is but I assume its about the size of a party balloon, but made of fire :p Since there is still some distance between us. as I see the fire ball forming I throw a kunai with a paint tag at the fireball. the paint tag erupts as soon as they meet. since you are still persuing me, you would either run right into this eruption of paint. or stop your persuit of me momentarily to change direction. I use this distraction to dodge the fireball by turning sideways and sidestepping it. just a quick question before I continue, How are you swinging your tonfa as you are coming towards my head in the final bart. is it a an overhead blow, a hortzontal from right to left, or a diagonal?
I sidestep in the direction that you dodge my fireball so that I may dodge the paint.
I continue my attack:

I then close in on you as that attack strikes and with my right tonfa(fuuton) I fake a blow to the head, and because of its increased speed, hit you in the mid-rib section with a swing from right to left (my side). my left tonfa is up to defend as I make sure I am aware of your sword.

the fake is a downwards strike, about 80 degrees. but it is infused with wind chakra which makes me really quick and swift and I change it to hit you in the mid ribs horizontally as you go up to block. You don't yet know it is a fake, so you can't "Expect" it. If you do not go to block it, I will smash your head in from up top.
 

Scary Yamato

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I sidestep in the direction that you dodge my fireball so that I may dodge the paint.
I continue my attack:

I then close in on you as that attack strikes and with my right tonfa(fuuton) I fake a blow to the head, and because of its increased speed, hit you in the mid-rib section with a swing from right to left (my side). my left tonfa is up to defend as I make sure I am aware of your sword.

the fake is a downwards strike, about 80 degrees. but it is infused with wind chakra which makes me really quick and swift and I change it to hit you in the mid ribs horizontally as you go up to block. You don't yet know it is a fake, so you can't "Expect" it. If you do not go to block it, I will smash your head in from up top.

haha yeah I know. that would be messed up if I "expected" it. BTW how is your defending tonfa positioned?
 

Shade

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haha yeah I know. that would be messed up if I "expected" it. BTW how is your defending tonfa positioned?
My left tonfa, infused with Katon chakra is about 2-3 inches below shoulder height on my forearm out in front of me parallel to my chest. My fist is about 6 inches in front of my sternum. With a flick of my wrist the tonfa can go either up or down increasing blocking range by about a foot and my forearm also moves up and down. =superfast blocking
 

Scary Yamato

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My left tonfa, infused with Katon chakra is about 2-3 inches below shoulder height on my forearm out in front of me parallel to my chest. My fist is about 6 inches in front of my sternum. With a flick of my wrist the tonfa can go either up or down increasing blocking range by about a foot and my forearm also moves up and down. =superfast blocking
as you are running toward me (still a couple of meters away) I infuse wind chakra into my blade(extending the length greatly) with my right hand and with my left hand I throw two kunai at once. One at your right foot just as you are about to step on it. this kunai will nail your foot to the floor if unblocked. since you are running straight at me and are about to hit the ground with your right foot, if you change your foots landing point it will cause you to lose your balance. the second one is aimed for your gut. I know you were going to attack with your right hand because you left hand was in a defensive position. and since both of them were thrown at the same time and are spaced far enough apart that even the increased speed will not be able to block by itself, so you most likely will have to block using both tonfa.

once both tonfa are used to block the kunai, since they are low aimed, that leaves your head ungaurded. I swing my sword with my right hand at your neck from my right to my left, but stop right before slicing your neck on your left side with my wind chakra. since this is a spar I wish not to lop your head off
 
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Shade

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as you are running toward me (still a couple of meters away) I infuse wind chakra into my blade(extending the length greatly) with my right hand and with my left hand I throw two kunai at once. One at your right foot just as you are about to step on it. this kunai will nail your foot to the floor if unblocked. since you are running straight at me and are about to hit the ground with your right foot, if you change your foots landing point it will cause you to lose your balance. the second one is aimed for your gut. I know you were going to attack with your right hand because you left hand was in a defensive position. and since both of them were thrown at the same time and are spaced far enough apart that even the increased speed will not be able to block by itself, so you most likely will have to block using both tonfa.

once both tonfa are used to block the kunai, since they are low aimed, that leaves your head ungaurded. I swing my sword with my right hand at your neck from my right to my left, but stop right before slicing your neck on your left side with my wind chakra. since this is a spar I wish not to lop your head off
Good description.
Ok, I am running at you when this happens, I see the kunai coming towards me, I do move the position of the landing of my right foot a few inches back as to avoid nailing my foot to the floor. However, instead of losing balance I lean forward and perform a roll on the ground, the second kunai would be blocked by my right tonfa swinging quickly (Fuuton Tonfa) to knock it from my path as I begin my roll.
Your sword is swinging at me, but because it is swinging at where my head used to be, and it is a long sword you cannot adjust in time, missing me.
I am able to roll within 1 meter of you. As I rise from the roll my left tonfa become infused with Doton chakra.

- Infusion with Doton chakra will make the tonfa near indestructible and endow the user with a boost of strength. Increases defensive capabilities by being able to block most taijutsu and physical attacks (B and below)

When I am approaching (coming out of roll) you for the last 2 meters, my tonfa are in "ready" position to attack or defend. As I stand (1 meter) I place my left tonfa perpendicular to your sword as to block it. and lunge with my right tonfa at your face, but once again this is just a ruse. I fake the headshot with my fuuton Tonfa, and with it's speed, I swing it from normal forearm position to long point out position towards your heart to strike. I stop before doing so, but it would have stopped your heart from the concussive force of the blow.

Note: 1 meter when I'm done roll
2 meters coming out of roll
 

Scary Yamato

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Good description.
Ok, I am running at you when this happens, I see the kunai coming towards me, I do move the position of the landing of my right foot a few inches back as to avoid nailing my foot to the floor. However, instead of losing balance I lean forward and perform a roll on the ground, the second kunai would be blocked by my right tonfa swinging quickly (Fuuton Tonfa) to knock it from my path as I begin my roll.
Your sword is swinging at me, but because it is swinging at where my head used to be, and it is a long sword you cannot adjust in time, missing me.
I am able to roll within 1 meter of you. As I rise from the roll my left tonfa become infused with Doton chakra.

- Infusion with Doton chakra will make the tonfa near indestructible and endow the user with a boost of strength. Increases defensive capabilities by being able to block most taijutsu and physical attacks (B and below)

When I am approaching (coming out of roll) you for the last 2 meters, my tonfa are in "ready" position to attack or defend. As I stand (1 meter) I place my left tonfa perpendicular to your sword as to block it. and lunge with my right tonfa at your face, but once again this is just a ruse. I fake the headshot with my fuuton Tonfa, and with it's speed, I swing it from normal forearm position to long point out position towards your heart to strike. I stop before doing so, but it would have stopped your heart from the concussive force of the blow.

Note: 1 meter when I'm done roll
2 meters coming out of roll
Very clever and descriptive.

the bad thing about a roll though is that your view of me is temporarily impared and the roll is not instantaneous. As you lean down to begin your roll my first swing the would have stopped at your neck continues to swing and I then swing my arm at a 45 degree angle from my shoulderto the ground in a horizontal fashion (from my left to right this time) just as your feet are beginning to come back into contact with the ground. the wind chakra blade extention of my sword slices your right foot off as it hits the ground and you collapse before you can get close enough to me to attack.
 

Shade

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Very clever and descriptive.

the bad thing about a roll though is that your view of me is temporarily impared and the roll is not instantaneous. As you lean down to begin your roll my first swing the would have stopped at your neck continues to swing and I then swing my arm at a 45 degree angle from my shoulderto the ground in a horizontal fashion (from my left to right this time) just as your feet are beginning to come back into contact with the ground. the wind chakra blade extention of my sword slices your right foot off as it hits the ground and you collapse before you can get close enough to me to attack.
During a roll in a martial arts fight there is a gap where the person is blind. but they are trained to tuck their chin in and regain sight of the opponent as quickly as possible. I regain sight of you as I am tucked in the roll and place my left foot down seeing that you are attacking my right foot.

I lift my right leg, so that as I conclude my roll I never place my right leg down immediately. my right leg becomes the second step after my roll. At the very moment I detect your attack, my right tonfa which I had stated was in a "ready" position during roll, swings downwards to ensure that I am not sliced. It is at this moment, when coming out of my roll, that I normally would have changed my left tonfa element to Doton. In light of the circumstances, I decide to infuse it with Fuuton chakra instead.

My roll finishes with my right tonfa always keeping your sword and it's chakra at bay. As I approach you, my right hand eventually grips the back of your right wrist as it is crossed over your chest. With my right tonfa blocking your sword being held by your right hand (0.5 meter distance now) I use my left (fuuton) tonfa to strike below your elbow and causing massive nerve damage.
(I hit you where people get that funny bone sensation)
You drop the sword and I then use my right tonfa which is also fuuton to strike the side of your head with a right hook, then my left tonfa does an uppercut to your gut. My right hand grabs your hair and then brings your head to down and I knee you in the face, launching your head back and then I grab your right foot as you fall back all stunned and I hold you up in front of me... sparing your life.
If the battle should get to this point, you have been defeated.

Note: This entire combo is VERY quick as both of my tonfas are infused with fuuton chakra now and are very, VERY difficult to counter in succession. I both dodged and blocked your back swing with my tonfa so as you do not complete the movement.

Do you understand?
 

Scary Yamato

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If you picked up your right foot I would just continue my swing and get your left since they both come down at roughly the same time and my swing was from your right to your left. Because of my angle of attack its easy to raise it a couple of degrees to adjust for the very slight time differnce
 

Shade

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If you picked up your right foot I would just continue my swing and get your left since they both come down at roughly the same time and my swing was from your right to your left. Because of my angle of attack its easy to raise it a couple of degrees to adjust for the very slight time differnce
I both dodged and blocked your back swing with my tonfa so as you do not complete the movement.
I lifted my foot and had also swung my right tonfa to block, it wouldn't be so hard because I am rolling and in a tuck position it is easy to defend feet... SO my attack continues, unless you have something to say.
 

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During a roll in a martial arts fight there is a gap where the person is blind. but they are trained to tuck their chin in and regain sight of the opponent as quickly as possible. I regain sight of you as I am tucked in the roll and place my left foot down seeing that you are attacking my right foot.

I lift my right leg, so that as I conclude my roll I never place my right leg down immediately. my right leg becomes the second step after my roll. At the very moment I detect your attack, my right tonfa which I had stated was in a "ready" position during roll, swings downwards to ensure that I am not sliced. It is at this moment, when coming out of my roll, that I normally would have changed my left tonfa element to Doton. In light of the circumstances, I decide to infuse it with Fuuton chakra instead.

My roll finishes with my right tonfa always keeping your sword and it's chakra at bay. As I approach you, my right hand eventually grips the back of your right wrist as it is crossed over your chest. With my right tonfa blocking your sword being held by your right hand (0.5 meter distance now) I use my left (fuuton) tonfa to strike below your elbow and causing massive nerve damage.
(I hit you where people get that funny bone sensation)
You drop the sword and I then use my right tonfa which is also fuuton to strike the side of your head with a right hook, then my left tonfa does an uppercut to your gut. My right hand grabs your hair and then brings your head to down and I knee you in the face, launching your head back and then I grab your right foot as you fall back all stunned and I hold you up in front of me... sparing your life.
If the battle should get to this point, you have been defeated.

Note: This entire combo is VERY quick as both of my tonfas are infused with fuuton chakra now and are very, VERY difficult to counter in succession. I both dodged and blocked your back swing with my tonfa so as you do not complete the movement.

Do you understand?
As you block my attempt to chop off your feetwith your right tonfa, I contenplate shifting my sword and slicing you in half but you perpendicular hilt will stopp that. So I retract my blade and jump back to make your you dont get near me with those tonfa. My reach is my best weapon right now. I pull out my last kunai (since I've used so many before this) and hold it with the blade coming from the bottom of my fist, and I gold the flat part of the blade agianst my forarm in a defensive manner. I infuse wind chakra into the kunai as well as my sword. Bring it
 

Shade

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As you block my attempt to chop off your feetwith your right tonfa, I contenplate shifting my sword and slicing you in half but you perpendicular hilt will stopp that. So I retract my blade and jump back to make your you dont get near me with those tonfa. My reach is my best weapon right now. I pull out my last kunai (since I've used so many before this) and hold it with the blade coming from the bottom of my fist, and I gold the flat part of the blade agianst my forarm in a defensive manner. I infuse wind chakra into the kunai as well as my sword. Bring it
ok, so let me get this straight. you can't "foretell" a block so your sword made contact with my right tonfa as I come out of roll.
Forward movement>Backwards movement
So I still get to you quickly, the jump back you made just gave you time enough to pull out a kunai with your left hand, because your sword is still in your right hand and being blocked by my tonfa. Your sword is long due to wind chakra and I am still able to prevent it from crossing back over your chest.

I continue my attack, with one variation: When I strike with my left tonfa into your right elbow to release your sword, I manipulate your right arm with my right tonfa.
If you try to stab me with your left arm, underneath your right arm--> I will use my control of your right arm to drop your arm lower to block your attack with your own arm.
If you try to stab me with your left arm, overtop your right arm--> I will use my control of your right arm to raise your arm, deflecting the blow upwards.

Modifying my combo now, I keep my right tonfa up to neutralize your left arm(kunai arm) and throw a barrage of blows with my right(fuuton) tonfa that are very, very quick. My first strike on your elbow stuns you as it hits a nervebunch, preventing a potential reaction to subsequent blows.


Make sense to you?
 

Scary Yamato

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ok, so let me get this straight. you can't "foretell" a block so your sword made contact with my right tonfa as I come out of roll.
Forward movement>Backwards movement
So I still get to you quickly, the jump back you made just gave you time enough to pull out a kunai with your left hand, because your sword is still in your right hand and being blocked by my tonfa. Your sword is long due to wind chakra and I am still able to prevent it from crossing back over your chest.

I continue my attack, with one variation: When I strike with my left tonfa into your right elbow to release your sword, I manipulate your right arm with my right tonfa.
If you try to stab me with your left arm, underneath your right arm--> I will use my control of your right arm to drop your arm lower to block your attack with your own arm.
If you try to stab me with your left arm, overtop your right arm--> I will use my control of your right arm to raise your arm, deflecting the blow upwards.

Modifying my combo now, I keep my right tonfa up to neutralize your left arm(kunai arm) and throw a barrage of blows with my right(fuuton) tonfa that are very, very quick. My first strike on your elbow stuns you as it hits a nervebunch, preventing a potential reaction to subsequent blows.


Make sense to you?
I dont see how you were albe to prevent me from retracting my sword. my arm was extended with the swing to your feet. all I did was retract my arm, bringing my sword back to me. Its as simple as holding your arm out and then bringing it back in towards your side. plus with my backwards movement, and you just coming out of a roll, I have more than enough room to retract my blade.

So as I see it right now I have my swrod and kunai ready to attack/defend.
so you are swinging with your left arm at my right elbow. that would require a horizontal or outward swinging moting from your left to right to hit an outside extremity such as my elbow. At that moment I rush in.
I thrust my sword forward right my right hand aiming just below your heart, at your left lung. since your left arm is swinging, it should not have enough time to make it back to block. So you would most likely block with your right arm across your left lung. at that moment I bring my left arm down and stab upward with the kunai stabbing just below the bottom of your rib cage on the right, while simultaneously stepping forward with my right foot and stomping on your left knee snapping it backwards.
 

Shade

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I dont see how you were albe to prevent me from retracting my sword. my arm was extended with the swing to your feet. all I did was retract my arm, bringing my sword back to me. Its as simple as holding your arm out and then bringing it back in towards your side. plus with my backwards movement, and you just coming out of a roll, I have more than enough room to retract my blade.

So as I see it right now I have my swrod and kunai ready to attack/defend.
so you are swinging with your left arm at my right elbow. that would require a horizontal or outward swinging moting from your left to right to hit an outside extremity such as my elbow. At that moment I rush in.
I thrust my sword forward right my right hand aiming just below your heart, at your left lung. since your left arm is swinging, it should not have enough time to make it back to block. So you would most likely block with your right arm across your left lung. at that moment I bring my left arm down and stab upward with the kunai stabbing just below the bottom of your rib cage on the right, while simultaneously stepping forward with my right foot and stomping on your left knee snapping it backwards.
Fine,
To actually hit the bunch of nerves at your elbow a person has to swing from down-up vertically.

Nevermind that now, I counter your attack, by as you said yorself, bringing my right tonfa across my body to deflect the sword to my left.
as I throw my arm across my body I rotate on my right foot, using the momentum from the arm I just threw over and duck at the same time.

I am spinning counter-clockwise, bringing my left arm to make a 90 degree bend at my shoulder height, rotating the tonfa in a windmill fashion as I am ducking and spinning, this blocks your kunai stab.

my right leg is the plant leg for the spin, but my left leg is swinging out to perform a sweeping leg kick as I complete the spin. You were prepared to kick with your right leg, so weight is upon your left leg at the moment. as I connect with my sweep kick, taking out your left leg from behind, I am at your 9'o'clock position, rising out of the duck. My left arm still up and touching your left arm, blocking the kunai as I switch grips on my right tonfa to grasp the long end of the shaft.

Coming out of the spin, I had kicked you in the back of the left leg and am reaching with my right tonfa to hook your right shoulder and pull you from behind. After the kick, i make my left leg the plant leg and raise my right knee to connect with your spine behind you.

confusing, but I hope you got that.
 

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Fine,
To actually hit the bunch of nerves at your elbow a person has to swing from down-up vertically.

Nevermind that now, I counter your attack, by as you said yorself, bringing my right tonfa across my body to deflect the sword to my left.
as I throw my arm across my body I rotate on my right foot, using the momentum from the arm I just threw over and duck at the same time.

I am spinning counter-clockwise, bringing my left arm to make a 90 degree bend at my shoulder height, rotating the tonfa in a windmill fashion as I am ducking and spinning, this blocks your kunai stab.

my right leg is the plant leg for the spin, but my left leg is swinging out to perform a sweeping leg kick as I complete the spin. You were prepared to kick with your right leg, so weight is upon your left leg at the moment. as I connect with my sweep kick, taking out your left leg from behind, I am at your 9'o'clock position, rising out of the duck. My left arm still up and touching your left arm, blocking the kunai as I switch grips on my right tonfa to grasp the long end of the shaft.

Coming out of the spin, I had kicked you in the back of the left leg and am reaching with my right tonfa to hook your right shoulder and pull you from behind. After the kick, i make my left leg the plant leg and raise my right knee to connect with your spine behind you.

confusing, but I hope you got that.
no it was very clear. ^-^

My momentum was forward during my stomp on your knee that was dodged, so when you take out my leg, it causes me to stomp on my right foot and buckles my left leg. my left knee and right foot are on the ground (in the position at the bottom of a lunge if you can picture that). you are at my 9-o-clock position and are blocking my left arm, and you just hooked my right shoulder. I roll my shoulder forward, resisting, your pull on me. I then pick my right foot up slightly and spin on my left knee. as I spin clockwise, because of your pull, I swing my right arm out and slash at your right arm with my sword.
 

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no it was very clear. ^-^

My momentum was forward during my stomp on your knee that was dodged, so when you take out my leg, it causes me to stomp on my right foot and buckles my left leg. my left knee and right foot are on the ground (in the position at the bottom of a lunge if you can picture that). you are at my 9-o-clock position and are blocking my left arm, and you just hooked my right shoulder. I roll my shoulder forward, resisting, your pull on me. I then pick my right foot up slightly and spin on my left knee. as I spin clockwise, because of your pull, I swing my right arm out and slash at your right arm with my sword.
Ok,
I see you spinning clockwise with your back turned to me as I am raising me knee upwards. I use my planted left foot, flexing my calf really strong to gain a little more height in the air. My right knee attack no longer become an attack, but rather I have jumped and my right foot lands on your right shoulder, as I raise myself up, I kick you with my left foot in the back of your head. (At this moment, I'm standing on your right shoulder)
since you were spinning clockwise, I went from you 9'0'clock to you 6, directly behind you, preventing you from seeing the kick to the back of your head. (can't dodge, lol)

Right after I kick, I do a 180 turn and land in front of you. You are stunned by a kick to the back of your head and your right arm is swinging backwards.
As I fall in front of you, I prepare my right tonfa to block that kunai you have, keeping an eye on it and using my left tonfa to smash down (80 degree angle) on the right side of your neck as I fall. (fuuton tonfa, quick attack)

this blow should be the end if you should let it occur.
 

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Ok,
I see you spinning clockwise with your back turned to me as I am raising me knee upwards. I use my planted left foot, flexing my calf really strong to gain a little more height in the air. My right knee attack no longer become an attack, but rather I have jumped and my right foot lands on your right shoulder, as I raise myself up, I kick you with my left foot in the back of your head. (At this moment, I'm standing on your right shoulder)
since you were spinning clockwise, I went from you 9'0'clock to you 6, directly behind you, preventing you from seeing the kick to the back of your head. (can't dodge, lol)

Right after I kick, I do a 180 turn and land in front of you. You are stunned by a kick to the back of your head and your right arm is swinging backwards.
As I fall in front of you, I prepare my right tonfa to block that kunai you have, keeping an eye on it and using my left tonfa to smash down (80 degree angle) on the right side of your neck as I fall. (fuuton tonfa, quick attack)

this blow should be the end if you should let it occur.
well then I will not let it occur. With the kick to the back of the head, I am dazed but I know you are no longer back behind me. your right tonfa blocks my left hand kunai stab, I twist my wrist bringing my swod up to block my right hand side from attacks. Your tonfa crashes into my sword and I see your feet in in front of me. I slide my sword inward and impale you. since you were swinging at my neck and I blocked, that means my sword is between your two arms. if your right arms moves to block I hit with my kunai.
 

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how does your sword come into play? you were swinging it BEHIND you with a lot of force? my wind infused tonfa are very quick and surely would have hit before you had the opportunity to block. Also, I did not understand how you manipulated your sword with your wrist? how would you block a downwards motion to the side of your neck with a sword and your arm way off to the side without cutting yourself?
 

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how does your sword come into play? you were swinging it BEHIND you with a lot of force? my wind infused tonfa are very quick and surely would have hit before you had the opportunity to block. Also, I did not understand how you manipulated your sword with your wrist? how would you block a downwards motion to the side of your neck with a sword and your arm way off to the side without cutting yourself?
with the kick to the head, I know you are no longer back there. it takes time for you to come over me and land and then come down to hit. in that time I could have bent my elbow inward (moving my hand back towards me) and turned my wrist so that the sword is vertical blocking my right hand side. I assumed you were attcking my neck with an outward swing, not a downward motion, since nothing was said, and an outward swin would be more likely to hit the neck than a downward swing, which is more likely to strike the trapezious muscle that goes from the neck to the shoulder. so I went with the more debilitating neck attack. also, I have wind chakra in my blade as well, so wouldnt it grant the same effects if wind chakra has similar characteristics? (rhetorical)
 

Shade

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with the kick to the head, I know you are no longer back there. it takes time for you to come over me and land and then come down to hit. in that time I could have bent my elbow inward (moving my hand back towards me) and turned my wrist so that the sword is vertical blocking my right hand side. I assumed you were attcking my neck with an outward swing, not a downward motion, since nothing was said, and an outward swin would be more likely to hit the neck than a downward swing, which is more likely to strike the trapezious muscle that goes from the neck to the shoulder. so I went with the more debilitating neck attack. also, I have wind chakra in my blade as well, so wouldnt it grant the same effects if wind chakra has similar characteristics? (rhetorical)
A) I had stated earlier that when I performed the downward motion attack is was at 80 degrees.

B) I also stated earlier that your arm was moving backwards at the moment I finished my head kick

C) The head kick had to have some type of an effect on your reaction and senses, delaying your motions so that there would be an enough time for me to land the strike.

D)The strike at an 80 degree angle to the side of the neck would be just as debilitating with a weapon as in a crucial spot. It would break your collar bone, leaving your right arm disabled and we would end the match there.

E) You did not clearly state that your sword had the same speed ability as my tonfa. My tonfas range does not extend much like your blade when infused with wind, nor do I expect it to. Considering you did not mention the speed in the description when you first used your wind chakra blade, I did not see it as having any more "hidden powers".

I must leave now. see you soon.
 
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