Oil and Yamato dont mix XD (my attampt at humor)

[Shade]

Good question: Horizontally, from right to left. Beware that I launch my attack:

a. unexpected
b. Just coming from the smoke
c. with a tonfa so the range is extended by 1 foot as well as doubling speed at the point of impact and tripling damage as opposed to a punch.

 

[Scary Yamato]

I'm about to take off dude. so I'll go for broke As you rush me swinging from right to left, I infuse wind chakra into my blade, which makes it extremely sharp and extends the length. I duck below the swing, then thrust my sword into your torso. Since the length of my blade is extended do to the wind chakra this is extremely hard to block.

I gotta go. later dude

 

[Shade]

I'm about to take off dude. so I'll go for broke As you rush me swinging from right to left, I infuse wind chakra into my blade, which makes it extremely sharp and extends the length. I duck below the swing, then thrust my sword into your torso. Since the length of my blade is extended do to the wind chakra this is extremely hard to block.

I gotta go. later dude

I swung at mid-height so you must duck low to avoid it. As stated before my left tonfa is prepared to defend and I see your sword thrust and swing my left tonfa clockwise (In my view) so that the blade gets deflected out to my side.

My right tonfa swings back across from left to right with the same motion as before yet reversed (this is an actual martial arts attack). This time I aim at your head again and your low, so no ducking. My left tonfa is keeping your sword at bay from my body. the fire in my tonfa repels the wind chakra you are emitting from your sword and begins to heat it up extremely quickly from contact, burning your hand. (You most likely will drop your sword)

When I swing my right tonfa back towards you, I use my right leg and kick you in the left shoulder. you get smacked by my tonfa from left to right (my view) and then get kicked back onto the floor. (meantime you drop your sword) I then get close to you and pin your right forearm with my left foot and strike at your throat with my left tonfa. Using my right tonfa to block any interfering attacks.

 

[Scary Yamato]

I swung at mid-height so you must duck low to avoid it. As stated before my left tonfa is prepared to defend and I see your sword thrust and swing my left tonfa clockwise (In my view) so that the blade gets deflected out to my side.

My right tonfa swings back across from left to right with the same motion as before yet reversed (this is an actual martial arts attack). This time I aim at your head again and your low, so no ducking. My left tonfa is keeping your sword at bay from my body. the fire in my tonfa repels the wind chakra you are emitting from your sword and begins to heat it up extremely quickly from contact, burning your hand. (You most likely will drop your sword)

When I swing my right tonfa back towards you, I use my right leg and kick you in the left shoulder. you get smacked by my tonfa from left to right (my view) and then get kicked back onto the floor. (meantime you drop your sword) I then get close to you and pin your right forearm with my left foot and strike at your throat with my left tonfa. Using my right tonfa to block any interfering attacks.

As you deflect my thrust to your left side I roll to your left, avoiding your right tonfa, whcih was swung from (your)right to left. I drop a smokebomb and dissapear. I infuse chakra into my feet and run up the wall and cieling. you do not know my exact location due to the smoke. As I am on the cieling I place a paint boomb on the cieling and cut a hole in the roof right above your head (around the paint bomb). The section of the cieling goes crashing down on you, and the paint bomb goes off as it hits you. I then make my way through the hole and continue on to the second floor.

 

[Shade]

As you deflect my thrust to your left side I roll to your left, avoiding your right tonfa, whcih was swung from (your)right to left. I drop a smokebomb and dissapear. I infuse chakra into my feet and run up the wall and cieling. you do not know my exact location due to the smoke. As I am on the cieling I place a paint boomb on the cieling and cut a hole in the roof right above your head (around the paint bomb). The section of the cieling goes crashing down on you, and the paint bomb goes off as it hits you. I then make my way through the hole and continue on to the second floor.

My Right tonfa is actually going from my LEFT to my RIGHT on a backswing cause you ducked the first swing I had made. This would strike you in the head even if you tried to roll away. Also, the fire in my tonfa ran down your metal sword with wind around it, causing either great pain and you dropping the sword or burns to your hand if you held on to it limiting your right hands effectiveness.
You keep saying you can cut floors and ceilings, but aren't explaining with what or how?

 

[Scary Yamato]

My Right tonfa is actually going from my LEFT to my RIGHT on a backswing cause you ducked the first swing I had made. This would strike you in the head even if you tried to roll away. Also, the fire in my tonfa ran down your metal sword with wind around it, causing either great pain and you dropping the sword or burns to your hand if you held on to it limiting your right hands effectiveness.
You keep saying you can cut floors and ceilings, but aren't explaining with what or how?

Long morning -_-. sorry I got your attack backwards in my head lets try this one more time, but there is one thing that has been bugging me. I infused wind chara into my blade which made it considerably sharper and increased the length. In the second picture you can see that Asuma's little blade's length ws increased by a foot by infusing it with wind chakra. My sword was thrust (tip first) towards your torso, which means that a pure chakra blade was thrust into your torso, but you blocked the sword itself which means that the chakra blade most likely reached you.

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since your tonfa are hardened steel, and your deflection would most likely hit my sword on the side deflecting it. howevey this momentary contact would hot be enough time for the heat from yout tonfa to travel all the way down your blade, since it was a simple delection and not a struggle. So, my blade remained in my hand. now to get ultra descriptive. Since your previous swing went from right to left with your right arm, you would most likely have a 3-4ft swing radius from your shoulder if swing at shoulder level straight out. since your right arm was crossed over your chest from your previous swing, and is at a downward angle, that reduces the length that you can reach on your left hand side to 1 maybe 2 feet. You deflected my sword with your left tonfa in a clockwaise fashion, meaning you deflected my sword to your left (if it was your clockwise and not my clockwise), so I rolled to my right (your left). This increased the distance away and down from your right arm, leaving me enough room to escape your tonfa. I then droppped the smoke bomb, and run up the wall, placed a paint bomb on the roof above you. Using my sword (infused with wind chakra) I then carved a hole in the roof around the paint bomb, which then fell on you and detonated. I then proceded to the second floor

 

[Shade]

Long morning -_-. sorry I got your attack backwards in my head lets try this one more time, but there is one thing that has been bugging me. I infused wind chara into my blade which made it considerably sharper and increased the length. In the second picture you can see that Asuma's little blade's length ws increased by a foot by infusing it with wind chakra. My sword was thrust (tip first) towards your torso, which means that a pure chakra blade was thrust into your torso, but you blocked the sword itself which means that the chakra blade most likely reached you.

Spoiler

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since your tonfa are hardened steel, and your deflection would most likely hit my sword on the side deflecting it. howevey this momentary contact would hot be enough time for the heat from yout tonfa to travel all the way down your blade, since it was a simple delection and not a struggle. So, my blade remained in my hand. now to get ultra descriptive. Since your previous swing went from right to left with your right arm, you would most likely have a 3-4ft swing radius from your shoulder if swing at shoulder level straight out. since your right arm was crossed over your chest from your previous swing, and is at a downward angle, that reduces the length that you can reach on your left hand side to 1 maybe 2 feet. You deflected my sword with your left tonfa in a clockwaise fashion, meaning you deflected my sword to your left (if it was your clockwise and not my clockwise), so I rolled to my right (your left). This increased the distance away and down from your right arm, leaving me enough room to escape your tonfa. I then droppped the smoke bomb, and run up the wall, placed a paint bomb on the roof above you. Using my sword (infused with wind chakra) I then carved a hole in the roof around the paint bomb, which then fell on you and detonated. I then proceded to the second floor

Case 1: My tonfa is infused with fire chakra, I can deflect a chakra blade of wind, I deflected the extended part quickly so as it will not hit me. It was a close call though.

Ok, so I miss my tonfa strike, your sword came awfully close to me but tonfas are weapons designed to go against longer weapons such as swords and staves. As you roll away from me, I pull on the ninja wire that I had attached to your left leg earlier. (I know you forgot about that!)
I pull you back towards me and use my right tonfa to block once more.
You are facedown and on foot off the ground being pulled towards me.
I use my my left tonfa to pull off a vertical downwards strike with devastating force upon your back as you come into range.
My feet are prepared to block/attack.

 

[Scary Yamato]

Case 1: My tonfa is infused with fire chakra, I can deflect a chakra blade of wind, I deflected the extended part quickly so as it will not hit me. It was a close call though.

Ok, so I miss my tonfa strike, your sword came awfully close to me but tonfas are weapons designed to go against longer weapons such as swords and staves. As you roll away from me, I pull on the ninja wire that I had attached to your left leg earlier. (I know you forgot about that!)
I pull you back towards me and use my right tonfa to block once more.
You are facedown and on foot off the ground being pulled towards me.
I use my my left tonfa to pull off a vertical downwards strike with devastating force upon your back as you come into range.
My feet are prepared to block/attack.

damn wire. I didnt address it because My character did not know it was there but now he does. My leg gets pulled tripping me. I slice the wire using the wind chakra from my sword to keep myself from having to get closer to you. I flip around so my back faces the ground just as you smoash down with your tonfa. I infuse water chakra into my blade as we struggle to cool my sword down. the mixture of the water chakra and fire chakra cause steam to form; which, if you are over me, causes burns, or if you are slightly away, impares your vision. I use both hands(on on the handle and one supporting the blade) to thrust your tonfa upwards (away from me)and I roll backwards, away from you. I then throw two kunai, one to your left and one to your right. They are throuwn about thigh level. as they pass you the wire connecting the two hit your thights nd cause the kunai to wrap around you. as they wrap, the decreseased velocity causes them to move downward, wrapping your leggs from thigh to ankle. I then follow with shuriken with a paint bomb thrown at your feet, about 3 ft away from you, just out of reach. your bound legs will make it hard for you to escape

 

[Shade]

damn wire. I didnt address it because My character did not know it was there but now he does. My leg gets pulled tripping me. I slice the wire using the wind chakra from my sword to keep myself from having to get closer to you. I flip around so my back faces the ground just as you smoash down with your tonfa. I infuse water chakra into my blade as we struggle to cool my sword down. the mixture of the water chakra and fire chakra cause steam to form; which, if you are over me, causes burns, or if you are slightly away, impares your vision. I use both hands(on on the handle and one supporting the blade) to thrust your tonfa upwards (away from me)and I roll backwards, away from you. I then throw two kunai, one to your left and one to your right. They are throuwn about thigh level. as they pass you the wire connecting the two hit your thights nd cause the kunai to wrap around you. as they wrap, the decreseased velocity causes them to move downward, wrapping your leggs from thigh to ankle. I then follow with shuriken with a paint bomb thrown at your feet, about 3 ft away from you, just out of reach. your bound legs will make it hard for you to escape

When you have both hands on your sword, blocking my left tonfa strike, I use my right tonfa to punch you in the ribs on your side (because I am just to your right)
I do not get burned by steam because I am too your right, but steam won't impair my vision as much as you think it would because I am off to the side a bit.
Anyways, as the steam builds, my right tonfa punches you in the kidney (+20 damage for fire).
As I perform punching motion, I now use the left tonfa to block.
Once again my feet are in swift position to block/attack (good stance)

 

[Scary Yamato]

When you have both hands on your sword, blocking my left tonfa strike, I use my right tonfa to punch you in the ribs on your side (because I am just to your right)
I do not get burned by steam because I am too your right, but steam won't impair my vision as much as you think it would because I am off to the side a bit.
Anyways, as the steam builds, my right tonfa punches you in the kidney (+20 damage for fire).
As I perform punching motion, I now use the left tonfa to block.
Once again my feet are in swift position to block/attack (good stance)

since I am on my back you would not be able to hit my kidney, the best you could do is hit me on my side. as you move to hit my left side with your right tonfa, I bring my left arm down and block it with my left arm, causing pain to my arm, a burn, but is not as bad as getting hit in the side with no protection. I then push up and procede to do the move I detailed in my last post.

"I use both hands(on on the handle and one supporting the blade) to thrust your tonfa upwards (away from me)and I roll backwards, away from you. I then throw two kunai, one to your left and one to your right. They are thrown about thigh level. as they pass you the wire connecting the two hit your thights nd cause the kunai to wrap around you. as they wrap, the decreseased velocity causes them to move downward, wrapping your leggs from thigh to ankle. I then follow with shuriken with a paint bomb thrown at your feet, about 3 ft away from you, just out of reach. your bound legs will make it hard for you to escape"

 

[Shade]

since I am on my back you would not be able to hit my kidney, the best you could do is hit me on my side. as you move to hit my left side with your right tonfa, I bring my left arm down and block it with my left arm, causing pain to my arm, a burn, but is not as bad as getting hit in the side with no protection. I then push up and procede to do the move I detailed in my last post.

"I use both hands(on on the handle and one supporting the blade) to thrust your tonfa upwards (away from me)and I roll backwards, away from you. I then throw two kunai, one to your left and one to your right. They are thrown about thigh level. as they pass you the wire connecting the two hit your thights nd cause the kunai to wrap around you. as they wrap, the decreseased velocity causes them to move downward, wrapping your leggs from thigh to ankle. I then follow with shuriken with a paint bomb thrown at your feet, about 3 ft away from you, just out of reach. your bound legs will make it hard for you to escape"

FYI I am to your right, but I'll assume everything happened in that direction.

Very well, your right arm came down to deflect the blow from my right tonfa, I quickly move my right tonfa up to block your sword and bring my left tonfa from my sword to my body to prepare for a strike and then with a split-second pause strike your side again but this time with my left tonfa hitting your ribs, oh I'd say about 4 inches down from your right nipple and 3 inches to the right of it.

I can do this because you need both hands on your sword to push my blocking tonfa off of you. You had moved your right arm off the sword giving me the opportunity to strike once more, but this time it is VERY difficult to block with your right arm.
My right tonfa is still putting pressure on your sword and creating a lot of steam...

 

[Sora.]

Guys Stop arguing why dont you both just call it a draw? simple

 

[Shade]

Guys Stop arguing why dont you both just call it a draw? simple

This is too intense to call a draw and it isn't arguing, it's fighting!

 

[Sora.]

This is too intense to call a draw and it isn't arguing, it's fighting!

same difference why dont i look over the battle and ill call it cuz im not biased

 

[Shade]

same difference why dont i look over the battle and ill call it cuz im not biased

You may watch and view the fight as much as you want. Do not yet call it for it is not over. Also, please don't spam too much.

 

[Scary Yamato]

FYI I am to your right, but I'll assume everything happened in that direction.

Very well, your right arm came down to deflect the blow from my right tonfa, I quickly move my right tonfa up to block your sword and bring my left tonfa from my sword to my body to prepare for a strike and then with a split-second pause strike your side again but this time with my left tonfa hitting your ribs, oh I'd say about 4 inches down from your right nipple and 3 inches to the right of it.

I can do this because you need both hands on your sword to push my blocking tonfa off of you. You had moved your right arm off the sword giving me the opportunity to strike once more, but this time it is VERY difficult to block with your right arm.
My right tonfa is still putting pressure on your sword and creating a lot of steam...

lets take a second to clear things up because I got confused about something I guess. Where is your location right now. I assumed my feet were facing you (my head away from you), since you pulled my towards you with a wire. I flipped onto my back and blocked your downward swing with both hands on my sword. since that was with you left hand and you attacked my to the side with your right, I assumed that meant thet you were to my left hand side.

I can keep both hands on my sword and block your shot to my side, all I had to do was lower my arms and the natural bend brings them down to my side.
When I pushed your tonfa (that was stiking me) away from me, it was to escape, not attack you agian.

In my last two posts I did attack you by using kunai to wrap you and then set an explosive paint tag just out of your reach, to blast you with paint (which signifies an explosion), but you never acknowledged that.

Guys Stop arguing why dont you both just call it a draw? simple

we're not arguing. We're getting our details lined up. we are each trying to visualize this and sometimes we picture different things happenenig. dont worry about it

This is too intense to call a draw and it isn't arguing, it's fighting!

I agree, I dont want this to end yet

same difference why dont i look over the battle and ill call it cuz im not biased

Thats a good idea, but we are not done yet. if we decide to call it a stalemate maybe we will setup a poll or something to see who won.

 

[Shade]

lets take a second to clear things up because I got confused about something I guess. Where is your location right now. I assumed my feet were facing you (my head away from you), since you pulled my towards you with a wire. I flipped onto my back and blocked your downward swing with both hands on my sword. since that was with you left hand and you attacked my to the side with your right, I assumed that meant thet you were to my left hand side.

I can keep both hands on my sword and block your shot to my side, all I had to do was lower my arms and the natural bend brings them down to my side.
When I pushed your tonfa (that was stiking me) away from me, it was to escape, not attack you agian.

In my last two posts I did attack you by using kunai to wrap you and then set an explosive paint tag just out of your reach, to blast you with paint (which signifies an explosion), but you never acknowledged that.



we're not arguing. We're getting our details lined up. we are each trying to visualize this and sometimes we picture different things happenenig. dont worry about it



I agree, I dont want this to end yet



Thats a good idea, but we are not done yet. if we decide to call it a stalemate maybe we will setup a poll or something to see who won.

I like the poll idea if it gets too... complex.

I pulled you with my wire which was in my RIGHT hand, pulling across my body, so that you would be coming from my left and I would strike you when you get in front of me. I would be to your right, everything so far has been ok for this.

I had assumed you had let go of your sword to block my primary attack.
I know that your sword is to block, but I am applying pressure to it and making sure you cannot counter-attack with it. As you needed both hands to push me off roll over and do your kunai attack, I had stopped you from pushing me off by striking you, forcing you to block.

Since this crucial piece of information was left out, my subsequent movements make no sense. May I modify last move? or do I continue with the moment that you pushed off from me?

 

[Scary Yamato]

I like the poll idea if it gets too... complex.

I pulled you with my wire which was in my RIGHT hand, pulling across my body, so that you would be coming from my left and I would strike you when you get in front of me. I would be to your right, everything so far has been ok for this.

I had assumed you had let go of your sword to block my primary attack.
I know that your sword is to block, but I am applying pressure to it and making sure you cannot counter-attack with it. As you needed both hands to push me off roll over and do your kunai attack, I had stopped you from pushing me off by striking you, forcing you to block.

Since this crucial piece of information was left out, my subsequent movements make no sense. May I modify last move? or do I continue with the moment that you pushed off from me?

ok I get it how. I had it in my head theat you were almost straddeling me. now I can picture it. I thought you were ignoring the last part since there was no, "...to keep you from escaping" mentioned ummm. you dont need to edit. We'll just continue from where I pushed off

 

[Shade]

since I am on my back you would not be able to hit my kidney, the best you could do is hit me on my side. as you move to hit my left side with your right tonfa, I bring my left arm down and block it with my left arm, causing pain to my arm, a burn, but is not as bad as getting hit in the side with no protection. I then push up and procede to do the move I detailed in my last post.

"I use both hands(on on the handle and one supporting the blade) to thrust your tonfa upwards (away from me)and I roll backwards, away from you. I then throw two kunai, one to your left and one to your right. They are thrown about thigh level. as they pass you the wire connecting the two hit your thights nd cause the kunai to wrap around you. as they wrap, the decreseased velocity causes them to move downward, wrapping your leggs from thigh to ankle. I then follow with shuriken with a paint bomb thrown at your feet, about 3 ft away from you, just out of reach. your bound legs will make it hard for you to escape"

I saw you do a backroll away from me, I pursue...
You slyly throw two kunai at me. I see a glance of light reflection from between... *thinking, oh damn a wire*... So I do a jump+flip to barely avoid the wired kunai you threw.
Whilst barely dodging the kunai+wire (I am vertical with my head down)
I stick one tonfa out over my head as to intercept the wire passing below me. The wire than folds over this point and the kunai converge.
The kunai do not strike each other but pass by each other, I release the wire swiftly so that now the kunai have turned around and both are heading towards you with the wire once again in between them.
When I am about to land, I throw 4 kunai. The 4 kunai create a vertical line, one goes to your throat, one to your gut, one to your knees and the last one intercepts the paint bomb you threw at me, severing it and essentially diffusing it.

I then follow up by running at you when you are trying to dodge the kunai that I threw at you, (We are about 3 meters apart as I land).
I infuse my right tonfa with fuuton chakra and keep the left with katon.

- Infusion with Katon chakra will create searing burns to the person/animal being struck. +20 damage per strike.
- Infusion with Fuuton chakra will make it so that the users attacks are extremely quick and hit in rapid succession.

As I am running to you, I swipe my right tonfa over my left tonfa which is held straight out and this combines my wind and fire chakra to create a burst of fire that erupts out from my tonfa towards your gut area. (this happens right after you dodge kunai or whatever)
I then close in on you as that attack strikes and with my right tonfa(fuuton) I fake a blow to the head, and because of its increased speed, hit you in the mid-rib section with a swing from right to left (my side). my left tonfa is up to defend as I make sure I am aware of your sword.

 

[Scary Yamato]

I saw you do a backroll away from me, I pursue...
You slyly throw two kunai at me. I see a glance of light reflection from between... *thinking, oh damn a wire*... So I do a jump+flip to barely avoid the wired kunai you threw.
Whilst barely dodging the kunai+wire (I am vertical with my head down)
I stick one tonfa out over my head as to intercept the wire passing below me. The wire than folds over this point and the kunai converge.
The kunai do not strike each other but pass by each other, I release the wire swiftly so that now the kunai have turned around and both are heading towards you with the wire once again in between them.
When I am about to land, I throw 4 kunai. The 4 kunai create a vertical line, one goes to your throat, one to your gut, one to your knees and the last one intercepts the paint bomb you threw at me, severing it and essentially diffusing it.

I then follow up by running at you when you are trying to dodge the kunai that I threw at you, (We are about 3 meters apart as I land).
I infuse my right tonfa with fuuton chakra and keep the left with katon.

- Infusion with Katon chakra will create searing burns to the person/animal being struck. +20 damage per strike.
- Infusion with Fuuton chakra will make it so that the users attacks are extremely quick and hit in rapid succession.

As I am running to you, I swipe my right tonfa over my left tonfa which is held straight out and this combines my wind and fire chakra to create a burst of fire that erupts out from my tonfa towards your gut area. (this happens right after you dodge kunai or whatever)
I then close in on you as that attack strikes and with my right tonfa(fuuton) I fake a blow to the head, and because of its increased speed, hit you in the mid-rib section with a swing from right to left (my side). my left tonfa is up to defend as I make sure I am aware of your sword.

as my two kunai come flying back at me I hold my sword vertically to slice the wire as it passes by. the row of verticle kunai then come at me, Which I then do a downward slice to intercept them all in one swipe. I jump back to maintain my distance from you. I dont know how big the fire blast is but I assume its about the size of a party balloon, but made of fire Since there is still some distance between us. as I see the fire ball forming I throw a kunai with a paint tag at the fireball. the paint tag erupts as soon as they meet. since you are still persuing me, you would either run right into this eruption of paint. or stop your persuit of me momentarily to change direction. I use this distraction to dodge the fireball by turning sideways and sidestepping it. just a quick question before I continue, How are you swinging your tonfa as you are coming towards my head in the final bart. is it a an overhead blow, a hortzontal from right to left, or a diagonal?