Now, something I forgot to mention earlier was that if you looked up the names of these techniques, you'd find they're Buddhism or Hinduism terms (and what they mean). This next one basically means "suffering":
(Saikyū no Uta: Ku) Ninth Verse: Dukkha
Rank: S
Type: Offensive | Supplementary
Range: Short-Long
Chakra Cost: 40
Damage Points: 80
Description: The user, either by manipulating his rings as they are floating or by separating them from his staff first, will cause the six rings to touch together, transferring all of their chakra to a single ring. This ring will then emit a chakra coating over itself as it spins, the chakra acting to help protect and strengthen the ring. The single ring, carrying the chakra of the other five, will then be able to move faster than an average kunai with as much precision as the user wishes, controlling it's direction with the end of their Shakujo. The ring may pierce through up to A-rank techniques without so much as losing momentum due to its small size, high rotation speed, and powerful protective chakra coating, allowing it to pierce through a great deal of defenses to pierce an opponent's body. Even if the opponent dodges, the user can control the direction of the ring with their empty Shakujo. The user may also, as all the chakra is transferred to a single ring, choose to imbue said ring with an elemental nature, giving it the strengths and weaknesses of said nature, as well as basic effects of the element on contact with an opponent (burning with fire, cutting with wind, numbing with lightning, etc.). When the technique has ended, the user must touch each of the fallen rings with their Shakujo to recollect them, as they have lost their chakra.
Note: ~Can only be taught by the master of Shakujo no Kyū-Setsu
~Can only be used once per battle
~The user cannot use any other jutsu while controlling the rings.
~If elemental natures are imbued, then jutsu above S rank for that element cannot be used next turn.
~No Shakujo no Kyū-Setsu techniques may be used for two turns after this technique's usage
A powerful jutsu. First, it takes the power divided among six rings and places it all into one ring. Second, the ring is spinning normally (not like the last technique), and is coated with chakra so as to allow it great power. Third, it moves faster than you can throw a kunai and with extreme precision, directed with the staff of your Shakujo. Fourth, it can pierce A-rank defenses. Fifth, you can add an elemental nature to it if you wish (only one).
Drawbacks to this technique include the fact that if you begin the jutsu while the rings are in motion elsewhere on the field, you've basically lost your Nine Verses of Shakujo ability for the rest of the battle (though there are ways around that fact <.<), as well as rank restriction on the element you infuse with the Shakujo, if you so choose, as well as you can't use other techniques whilst using this.
Now, questions, comments, concerns, what have you? Have at her.
So, a question or two.
The beginning of the technique, do the rings join together to create one, bigger ring? or is it just transfering the rings power into one? If its the latter, what happens to the other rings?
And i like the names lol
All of the names (except for Rotating Blades, Dancing Rings, Six-Point Barrier, and Purgatory) are Buddhist concepts, and I even plan to update the first three of those just to change the names. And the simply transfer power, which means the rings you aren't using fall to the ground harmlessly.
Now defend yourself.
*I pull three kunai from a pouch and throw them towards you. The kunai appear to be in a diagonal line formation, with the left-most kunai (from your perspective) closest, and the right-most kunai furthest away. They are at a level where they would impale your left shoulder, your abdomen, and your right shoulder, respectively and in that order. Flapping off the back of the furthest-most kunai is a tag with unique symbols (ie. you don't recognize it).*
(Saisan no Uta: Dansu Ringu) - Third Verse: Dancing Rings
Rank: C
Type: Offensive | Supplementary
Range: Short-Mid
Chakra Cost: 15 (-5 per turn)
Damage Points: 30
Description: The user channels their chakra through the rings of the Shakujo and causes the rings to separate from the main staff and float around the stationary ring which previously bound them. The user can then manipulate the six rings in the air to deflect average and basic chakra-infused weapons, the ring returning to the staff on its own afterwards. Each ring individually has no more strength than a freeform, chakra-infused kunai, but they may be manipulated freely and can hang in the air around the Shakujo as the user performs other techniques.
Note: ~Can only be taught by the master of Shakujo no Kyū-Setsu
~Lasts 3 turns, or until the user calls the rings back to their Shakujo
Noticing the barrage of kunais coming his way, Obito took the Shakujo and channeled chakra onto the main, and smaller rings. The smaller rings separate from the main staff and begin to float around the Shakujo itself. Each rings are sent out towards the kunais that you threw (two rings per kunai) and are used to deflect the incoming kunais.
A tad overkill, using two rings for one kunai, but I understand. Here is the technique for your affinity:
(Saishū-Tekina Uta: Rengoku) - Final Verse: Purgatory
Rank: S
Type: Supplementary
Range: Short-Mid
Chakra Cost: 40
Damage Points: N/A
Description: The user releases the rings of their Shakujo, which leave the main staff and fly through the air, each to a separate location in order to create a sort of "box" (more akin to a sphere or ellipse) around the user and his opponent. Then, each ring will begin to spin and release the user's chakra from itself, the chakra being drawn to the four rings immediately adjacent to it (chakra will not travel from, say, the ring to the left relative the user, to the right relative the user) in order to form a barrier in the form of a black sphere of chakra around the user and his opponent. While inside the barrier, the only techniques which can be used are those which originate from the user; earth release techniques that manipulate the ground, water release techniques which require a water source, and wind release techniques which manipulate the wind in the atmosphere are a few examples of techniques which cannot be used within the barrier. Because the sphere is comprised of the user's own, dense chakra, seals created by a foreign chakra (that of an opponent or ally), including those required to perform a summoning (ie. the ones that spread out from the hand), need to be of equal or greater potency to take effect, otherwise being "swallowed up" and diluted by the user's chakra. This is to further aid the purpose of the technique, which is to sever the user and the opponent from the environment, and any allies or other enemies nearby. Because the dense chakra also blocks light, it causes the interior of the sphere to be pitch-black, and such renders regular vision useless.
Note: ~Can only be taught by the owner of the Shakujo no Kyū-Setsu style
~Only lasts 3 turns
~The barrier becomes self-sustaining after forming completely
~The barrier can only be destroyed by a concentrated S-ranked technique, or unfocused Forbidden-rank technique, shot at the barrier, meaning all other techniques are contained within the barrier, making wide-scale attacks dangerous for the user as well as the defender
~Can only be used one per battle
~When the barrier disappears, the Shakujo's rings return to the staff and become unusable for four turns
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Separation and encapsulation. With this technique you separate yourself and your opponent from the outside world. Honestly, it's only really useful in specific situations, such as opponents who rely primarily on earth or water techniques. While inside the sphere, everyone is cut off from external resources - drawing lightning or tornadoes down from the sky, drawing water or earth from the ground, etc. is all out the window. Those with foreign chakra cannot place seals on the surface, which means the user can use summonings and place Fuuin seals as they please while their opponent's can't. You're both blocked off of light, as well, meaning either artificial light sources or a different form of sensory location other than sight will be needed. As for encapsulation, wide-scale techniques are contained within the shell, thus concentrating them which can make them more potent, but also gives the potential for backfire (should, say, the wide-spread technique fill the entire sphere).