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I'm afraid this isn't how morals work. What you are trying to do is simplify morals into boxes of black and white, when the entire concept of morality in the bigger picture includes patches of grey. Taking a life, stealing, hitting someone, changing characteristics of a character(race, gender, sexuality), none of them are cut and dry. All have gray areas that cannot be ignored.
You say that it's not right to increase representation at the expense of others. The thing is, this isn't an expense to white people, or at least, any existing expense to them is 100% negligible. If they were to print a black Batman comic tomorrow, is that really an expense to white people? You really would sit here and tell me that that one comic would put a dent into 77 years of comics featuring white Batman that we would have to go "Eh, maybe we shouldn't?" Your view is very narrow and you're refusing to look at the bigger picture for the sake of simplicity in a topic that is anything but simple.
This video by the Nostalgia Critic shows the complexity of the topic and quite frankly, if you can't approach the topic with regards to its level of complexity and you just try to reduce it to two boxes of universally right or universally wrong, I don't think you have a place in the conversation.
[video=youtube;1WUdQpuVRtw]https://www.youtube.com/watch?v=1WUdQpuVRtw[/video]
Of course not. Which is why we also look at "How much does the side now not being represented have to lose?" And the answer is, white people have nothing to lose. Zip. Zero, from a couple black James Bonds or black Hermoines or black Batmans. And that is why it is fine, because even if there is expense, it's not significant, accountable, or relevant. It simply does not matter because whites have generations upon generations upon generations of legitimate representation to fall back on. Minorities simply do not have that same luxury.
This doesn't make sense. Having one black James Bond run in the near future wouldn't be "taking James Bond for themselves" because they have 10 other white James Bonds in films over the span of 26 movies and half a century. If you think one film run of a few movies will take away half a century's worth of movies and make James Bond "just for blacks," then you have to go.
Same thing goes for one play featuring a black Hermoine. Or a black Batman. Not to mention the countless other white characters that have accompanied these single characters. There are 772 Harry Potter characters, you know how many are black? Five. Out of 772 characters, five of them were explicitly stated or implied to be black while the rest are assumed white. That's 0.6% of the population of Harry Potter as presented to us being black, while the actual number is 3%. I just googled the cast of the Harry Potter movies and the sidebar list had 53 people(there are definitely more.) Out of this list, 3 were minorities with 2 blacks and 1 Asian. And making one more black will be "taking it for themselves?" You're 100% mental if you actually try to say that again.
When I googled the character, it said he was born in an Asian country.
It still doesn't justify the overwhelming gap between white and black representation.
Once again because whites have nothing to lose. China and most Asian countries aren't a kettlepot of cultures like America is. They simply aren't as diverse, so it's more fitting for them to have all-Asian casts, while American media have far less representation than what is actually reflected by the population.
Wrong. It's not about "Whites have done it to us, so let's do it to them." It's about the fact that in the establishment of white supremacist oppression in the United States, the media was one weapon used. Methods of representation for a long time in the United States was used to create a gap between representation of whites and minorities in the media, which was used to perpetuate the rhetoric of white supremacy. In simple terms, propaganda.
Making a white character black now isn't done because "let's see how you like it," it's done to rectify that gap and to rectify that method of representation. Current race changes are done as a response to historical injustices because those historical injustices still continue to have effects in current times, as evident by the fact that there is still an overwhelmingly inexcusable gap in representation.
Irrelevant to what I'm saying.
Yeah I'm not gonna keep arguing with you about your hypocrisy because you've already proven resistant to acknowledge it. I'll touch on a few points and that'll be that.
I'm not against making characters other races, John Stewart was one of my favorite GL's but that's not the same as if they tried to make Hal Jordan black. Black Batman is fine, there's been other Batman before, Black 007 cool, it's just a code name but a black Bruce Wayne or James bond is a different story. If they made another movie about slavery and cast Chinese instead of black no big deal right because Chinese were enslaved in US too, but if they remade roots with a Chinese cast and still called the character Kunta Kinte that wouldn't sit right would it? And it's not solely because there's then less representation, it's also because it's changing something that groups of people connect with on a personal level which is trying to be altered to reach new groups.
For the record Danny Rand was a white American born to another white American who was infatuated with finding a mythical city called K'un L'un which is heavily influenced by Asian culture, particularly Japanese culture. That's where most of the confusion comes from, they hear about K'un L'un and just assume Danny should also look Asian despite not actually coming from there. Hell the city in the comic isn't even technically of this Earth it just appears here every so often. The mantle Iron Fist originates there which Danny wears now so we could, and have in the comic, see an Asian Iron Fist but not Danny Rand, part of his story is the struggle of acceptance among a people who view him as an outsider in every way and if that person looked like them it would take away part of the significance of not judging those on appearances that this title/character tried to impart on readers in the early 70's.
Your argument is the equivalent of going to a picnic with 2 pies seeing a table with 10 and saying give us 4 of those so we're equal. Sure the sums are equal but is the effort? I get why that'd be the route most would pick, it's easier, it's hard to make good new characters but it can be done; Static was one of my favorite Saturday morning cartoons, as I said John Stewart is my 2nd fav Lantern, John Diggle is the best part of Arrow. A problem is we need more black creators who for whatever reason don't seem to be interested in introducing themselves to the fields. How many black authors or directors or producers are there? How many are trying to get in? There's plenty of wealthy black people who could start a production company to help alleviate this lack of representation but how many are? But instead we yell at the white owned studios for not breaking a proven fiscal gaining mold in search of the moral high ground. You don't like how whites depict blacks but you want them to do it more and you don't put any attention on the lack of black owned production companies that could help the effort. I'm done, bye bye.