Drackos
Legendary
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"What we call 'life' is something with an end. Life is a pilgrimage that accrues suffering.
But, it is absolutely not a tale of death and separation."
NAME NICKNAME GENDER AGE CLAN ALIGNMENT | Solomon King of Magic , Grand Caster , Romani Male 815 Ōtsutsuki True Neutral |
APPEARANCE
Being from the Eastern Continent of Tobusekai, Solomon has a foreign, exotic, or otherwise unworldly charm to his appearance that bewilders, enthralls, or otherwise captures the attention of all who meet him. Standing at almost 6ft, he is a tall, handome man with firm features that indicate his self-assured and steadfast nature, and yet they still exude a soft, gentle warmth that convert an otherwise aloof man into one who steals the hearts of all who behold his grace and majesty. Truly, his appearance is the perfect mirror of his reputation as a "gentle, loving King.”
His skin is blessed with the gentle kiss of Tobusekai's sun, giving it a golden hue that puts the finest jewellery to shame, while his hair perfectly contrasts this complexion with a pale, spiritually infused white tone that shimmers a truer gold than even his complexion as the sun drenches it in its warmth. His hair flows freely, cascading down his back to effortlessly reach the back of his calves as it naturally forms into voluminous curved, carved and spiked sections that randomly take shape and form on their own free will, framing his face, and giving him an unmistakable sillhouette. Overall, his hair has an unkempt, yet charming appearance, save for a lone braid that is draped over the left portion of his torso in a regal, sofisticated woven pattern that ends with a loop that doubles back, and vanishes within his sea of golden-white locks. And while, at first glance, Solomon's eyes are sharp and aggresive in shape and tone, the emotion conveyed from them is nothing short of compassionate, empathetic and understanding, helped all the more by his eyes vibrant golden colouration, that rivals, and at times surpasses, his complexion with a gaze that burns like the sun itself.
In regards to attire, nothing but the finest robes would be right for a King to wear, and the finest robes in all of Tobusekai can be found nowhere else but Israel, within the heart of Jerusalem itself. Woven together by the finest crafters of silk and cloth, Solomon wears a pristine white robe with a black waistband, and golden section that curls around his colarbone and shoulderblades, with decorative golden trim throughout. Atop this simple robe he dons a red braid that has a small "tassle-like" attachment at the back, and is woven into a larger braid at the front, which keeps a black, decorative belt fixed to his form. The belt itself has two layered segments that hang down on either side of the front of his legs in a curved, sloped lightning bolt formation, that form an x-shape between his knees, as the front braid from the red cloth hangs in front, kept from unravelling with golden rings. Next, over his robe, and belt, he wears a loose-fitting white cape-like coat, with red detailing, that is draped over his shoulders, giving them a very unique shape, and kept in place by a pair of highly decorative, yet surprisingly effective and functional epaulettes, which are attached to the golden portion of his robes, near the collarbone, and extend down to passed his elbows, giving the illusion of sleeves, and the reality of regality. Finally, Solomon is adorned with various forms of accessories and accoutrement, from rings and bracelets, to necklaces and traditional braids sparingly located on his robes, however, the most prevalent of these are the countless tattoo's which embellish and decorate his already attractive skin. Some are of a decorative nature, with a pattern that weaves in and out of itself to create an intrictate web of tribal-esque patterns, while others conceal a more conventional, applicable nature, namely Fūinjutsu seals.
PERSONALITY
Introverted, enigmatic, and passive; all traits of the third king of Israel. Solomon was a self-assured and laid-back king, one who was loved and respected by the masses as wise and gentle. He has a deep love for humanity, yet sees himself as an outsider to their lives. From birth he was ordained to be king, something that was not in accordance with his own will. Because of this, his early psyche was dispassionate. He was only able to understand humans from an outsider looking in perspective, leading him to be unable to truly sympathize with their joys and sorrows. His half human and half Ōtsutsuki heritage also further compounds his outsider nature toward humanity.
It isn’t until he abdicates from the throne of Israel and travels the world does he finally allow himself to understand human nature to its fullest extent. Having forsaken his ordained position as king he can finally live by his own design, free to pursue the wisdom that he desires. Solomon frequently speaks of wishful thinking, looking toward the future with eyes full of hope for humanity. Likewise, he has a deep reverence for the past. With strangers he is very friendly, but his acceptance of human suffering leads him to a natural aversion to close relationships; he fears losing those he builds close ties with and would much rather limit himself to these superficial relationships. He prefers to be an observer in difficult situations, rather than directly confront the problem.
Solomon’s most important trait is that he refuses to interfere with the natural order, and does not seek to prolong finality. He believes that it is not his place to end human suffering as it is condescending, believing himself to not be superior to any other humans and having no special right to take control of human destiny. In essence, he is convinced that the ideal philosophy is to trust humanity with its future and growth; he would rather the suffering humans face have meaning, rather than erase the suffering altogether. This philosophy frequently brings him into conflict with Goetia, who believes that Solomon should use his magnificent powers to correct the flaws in humanity.
His skin is blessed with the gentle kiss of Tobusekai's sun, giving it a golden hue that puts the finest jewellery to shame, while his hair perfectly contrasts this complexion with a pale, spiritually infused white tone that shimmers a truer gold than even his complexion as the sun drenches it in its warmth. His hair flows freely, cascading down his back to effortlessly reach the back of his calves as it naturally forms into voluminous curved, carved and spiked sections that randomly take shape and form on their own free will, framing his face, and giving him an unmistakable sillhouette. Overall, his hair has an unkempt, yet charming appearance, save for a lone braid that is draped over the left portion of his torso in a regal, sofisticated woven pattern that ends with a loop that doubles back, and vanishes within his sea of golden-white locks. And while, at first glance, Solomon's eyes are sharp and aggresive in shape and tone, the emotion conveyed from them is nothing short of compassionate, empathetic and understanding, helped all the more by his eyes vibrant golden colouration, that rivals, and at times surpasses, his complexion with a gaze that burns like the sun itself.
In regards to attire, nothing but the finest robes would be right for a King to wear, and the finest robes in all of Tobusekai can be found nowhere else but Israel, within the heart of Jerusalem itself. Woven together by the finest crafters of silk and cloth, Solomon wears a pristine white robe with a black waistband, and golden section that curls around his colarbone and shoulderblades, with decorative golden trim throughout. Atop this simple robe he dons a red braid that has a small "tassle-like" attachment at the back, and is woven into a larger braid at the front, which keeps a black, decorative belt fixed to his form. The belt itself has two layered segments that hang down on either side of the front of his legs in a curved, sloped lightning bolt formation, that form an x-shape between his knees, as the front braid from the red cloth hangs in front, kept from unravelling with golden rings. Next, over his robe, and belt, he wears a loose-fitting white cape-like coat, with red detailing, that is draped over his shoulders, giving them a very unique shape, and kept in place by a pair of highly decorative, yet surprisingly effective and functional epaulettes, which are attached to the golden portion of his robes, near the collarbone, and extend down to passed his elbows, giving the illusion of sleeves, and the reality of regality. Finally, Solomon is adorned with various forms of accessories and accoutrement, from rings and bracelets, to necklaces and traditional braids sparingly located on his robes, however, the most prevalent of these are the countless tattoo's which embellish and decorate his already attractive skin. Some are of a decorative nature, with a pattern that weaves in and out of itself to create an intrictate web of tribal-esque patterns, while others conceal a more conventional, applicable nature, namely Fūinjutsu seals.
PERSONALITY
Introverted, enigmatic, and passive; all traits of the third king of Israel. Solomon was a self-assured and laid-back king, one who was loved and respected by the masses as wise and gentle. He has a deep love for humanity, yet sees himself as an outsider to their lives. From birth he was ordained to be king, something that was not in accordance with his own will. Because of this, his early psyche was dispassionate. He was only able to understand humans from an outsider looking in perspective, leading him to be unable to truly sympathize with their joys and sorrows. His half human and half Ōtsutsuki heritage also further compounds his outsider nature toward humanity.
It isn’t until he abdicates from the throne of Israel and travels the world does he finally allow himself to understand human nature to its fullest extent. Having forsaken his ordained position as king he can finally live by his own design, free to pursue the wisdom that he desires. Solomon frequently speaks of wishful thinking, looking toward the future with eyes full of hope for humanity. Likewise, he has a deep reverence for the past. With strangers he is very friendly, but his acceptance of human suffering leads him to a natural aversion to close relationships; he fears losing those he builds close ties with and would much rather limit himself to these superficial relationships. He prefers to be an observer in difficult situations, rather than directly confront the problem.
Solomon’s most important trait is that he refuses to interfere with the natural order, and does not seek to prolong finality. He believes that it is not his place to end human suffering as it is condescending, believing himself to not be superior to any other humans and having no special right to take control of human destiny. In essence, he is convinced that the ideal philosophy is to trust humanity with its future and growth; he would rather the suffering humans face have meaning, rather than erase the suffering altogether. This philosophy frequently brings him into conflict with Goetia, who believes that Solomon should use his magnificent powers to correct the flaws in humanity.
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