(Oudated, has Fūinjutsu, Kage Rank and Three CEs) Also as agreed; using health system so I have 160 HP/ 1800 Chakra (1600 + 200)
CW for reference; held by a red cloth on my waist as each hilt protrudes out from either side. (Moegara, Aki no Ko) Cinder, Child of Autumn
Type: Weapon
Rank: S
Range: N/A (Short - Mid for constructs)
Chakra: N/A (Varies)
Damage: N/A (Varies)
Description: This weapon, also known as Child of Autumn are a pair of dual bladed swords - blades composed of chakra infusing metal that responds to it's master without question. Silver blades, decorated with fine red cloth around the hilt with a emblem meaning "Flame". The blades themselves are indestructible by nature though they naturally cannot be utilized as a means of defending against ranked jutsu but can easily deflect freeform projectiles thrown at the user.
Regardless, the weapon's true nature come to life as they are capable of turning pitch black in color, in which the user through contact with the swords can passively produce a large amount of heated ash. The ash will seemingly shed from the blades each time, in which the user is able to control the ash via gestures with swords in hand, causing burn damage and exploding violently. The user, at the cost of a move is capable of shaping the ash into constructs of ash by forcefully mending the ash together in order to form basic shapes, spikes, shields or even waves of ash. This is all up to the user's own imagination of how they desire to form the ash, while the amount of chakra determines the overall power of the constructs ranging from D to S rank. In the case of S-ranks, there is a two-turn cooldown that begins when the constructs can no longer be sustained and the user is unable to use other Fire Techniques above A-rank in the same turn after use. As for A-ranks, there is a one-turn cooldown that begins when the constructs end. Up to two constructs can be made at once, though their power is divided, as well as being able to sustain them by paying a proportionate chakra upkeep (5 for D-B, 10 for A, and 15 for S) to sustain said constructs for up to two turns.
The two swords can also be combined at the hilts in order to form a makeshift sword bow; in which the user may fire off projectiles of ash such as bolts, long thin senbon all made up of explosive hot ash. This ability is A-ranked and can only be used thrice per battle while the arrows themselves move twice the user's base speed.
The last and final ability is rather uncanny though while having the blades in contact with their master; the swords have a rather unique relationship with the element of fire. They passively assist their master by helping reducing the amount of chakra needed to perform techniques by half (including chakra upkeeps) for fire techniques up to B-rank. For those A-rank or above, the reduction is 10 chakra and halved upkeep.*
Note: S-rank and A-rank constructions are each able to be made thrice per event.*
Other Actived/Passively Set Jutsu
Fuuinjutsu:Gādowandā Sealing Arts: Wonder Guard
Type:Supplementary
Rank:A
Range:Short
Chakra:30
Damage:N/A
Description: Created primarily to guard the user against gentle fist users, before battle the user will apply this seal to their body, which will create tiny barriers around each of their chakra points which lie dormant until triggered. When any amount of foreign chakra interrupts the flow of chakra between one chakra point to the next, the seals will absorb the foreign chakra and, If the opponent is touching the user, spit it back out at the opponents nearest chakra point, instead closing one of theirs and causing a brief stun that results in the opponent needing to spend 10 more chakra to use techniques for the next two turns due to the strain this puts on them. This technique can guard up to B rank Elemental techniques and up to A rank techniques of non elemental chakra
-Can be used twice per battle
-2 turn cool down between uses
(Fuuinjutsu: Museigen no Buredo) Sealing Technique: Unlimited Blades
Rank: B
Type: Supplementary/Offensive
Range: Short-Long
Chakra Cost: 20
Damage Points: 40
Description: The user either places seals on 4objects they would like to have under their control which is placed passively or they have objects already with these seals. This must be stated in their first post of the battle. The seals are connected to the user via a seal that is on the user's left shoulder. The user with this seal allows the user to control each seal that's on their objects and move them around for whatever purpose they see fit. This whole jutsu was created so when the user loses their weapon they can still control it and attack an opponent that isn't looking or drop their guard. The user can control up to 2 objects at a certain time (one per arm). The objects can only be inanimate. The seal on the user's shoulder glows whenever this technique is in use but isn't bright enough to go through none see through clothing. The speed of the objects at what they move is the same as if the user had it in their own hands.
Note: Each movement through this counts as a move per turn
(Fuuin: Metsuryū Mahō) - Sealing art: Dragon Slayer Magic
Type: Fuuin
Rank: A
Range: Short (mid range blast when released)
Chakra: 30
Damage: 60
Description: Before the battle the user will have places 5 basic seals in their mouth/throat in preparation. Each of these seals will represent one of the 5 basic elements. In battle, when the user is about to be hit by one of the the 5 basic elements they will perform one handseal activating one of the chosen seals in their mouth as they breath in. In doing so, the element of the seal they activated will be sucking in and sealed into the seal in the users mouth. Much like how Jiraiya sealed Amaterasu. After having sealed the element, the user can then perform one handseal releasing that element from their mouth back at their opponent, in the form of a blast of that chosen element with no shape to it. An exampe of this jutsu would be if the opponent use a B rank fireball, just when it's about to hit the user, he will perform one handseal, activating the seal as he breathes in, as he does, the fireball will be sealed into the seal in the users mouth, without hurting the user. The user could then perform another handseal releasing the fireb back at the opponent as one big blast, the fireball would still be B rank. When the seal is activated, a mass of chakra is released out of the users mouth at high speed, similar to when jiraiya sealed amaterasu in a scroll, but faster. The element would be drawn into this chakra and sealed into the seal in the users mouth.
Note: Each seal can only be used once per battle.
Note: Can only seal one jutsu per seal
Note: Can only seal A rank and below
Note: Must wait 1 turn to use this jutsu again
Note: After a jutsu has been sealed in the users mouth, when they release it back, it counts as one of the 3 jutsu per turns.
Note: Can only seal one element, not elemental combinations.
Note: Useable 3 times
Standing in a plain grassy field that had a river running near it, Ryuu looked at the woman before him, catching his breath. Having chased her, Xiah had finally stopped here. Observing her with his Byakugan, the Hyūga could tell that she was indeed a Jinchūriki, characterised by the large amount of chakra he could see within her. For some reason unknown to him, the boy was ordered by his village to find this certain Jinchūriki and bring her back to them alive. He only hoped they would not kill her. After all, she didn’t look like a criminal to him. Perhaps they just wanted to interrogate her or something. Looks could be deceiving though. Ryuu had been told that she was very powerful and extremely capable in battle. He was told that he may not even make it back out alive. So why did thy ask him then? Were they testing him?
(Dōjutsu: Byakugan) Eye Technique: The All Seeing White Eye
Type: Supplementary
Rank: C - Rank
Range: Short-Long
Chakra: 15 (-5 per turn to keep active)
Damage: N/A
Description: One of the Three Great Dōjutsu (San Daidōjutsu), the Byakugan is the dōjutsu kekkei genkai of the Hyūga and Ōtsutsuki clans, inherited from Kaguya Ōtsutsuki. Bearers of this Dõjutsu have almost featureless white eyes. When the Byakugan is activated, the user's pupils become more distinct, and the veins near their temples bulge as the blood flow to their eyes is increased. While having the Byakugan deactivated, shinobi with have a normal eyesight and no special addition to their vision. While low rank Hyugas will need to perform a sequence of hand seals ( Horse → Tiger with lifting just index fingers → Boar with nearly straightened fingers → Hare → Rat → Dog → Horse → Dog → Hare → Rat → Boar with nearly straightened fingers → Snake with the right index finger lifted straight up) to activate their Byakugan, Hyuga masters and Otsutsuki clan members will be able to do so without the need for any hand seals and even have it active passively for long periods of time. Once activated, the user gains access to all of the abilities the Byakugan bestows upon them. While, like other Dojutsu, its main ability is to see chakra and the chakra flow in sentient beings, the Byakugan adds a complete new detail and dimension to that ability. Not only can they see chakra flow, but also the circulatory system and even the 361 tenketsu (even of their own). Added to this ability, once activated the Byakugan grants the user a near perfect field of vision 360º around himself (up to long-range if they're a master). This field of vision has only one blind spot; slightly above the 3rd thoracic vertebrae and facing backwards. The last ability the Byakugan has is the ability to zoom in and out, focusing on specific things, piercing beyond matter and energy alike. This specific ability allows the user to see pass most barriers as well as physical matter (like rock walls, ground, etc) but also energy, being able to focus beyond chakra that might be in front of them or other energies. The zooming ability is enhanced as the user becomes more adept at using his eyes and can even reach distances above 20kms away.
Note: For Hyugas, activation spends a move from the users own move count but once the user reaches Sannin Rank and has gained mastery over Gentle Fist for 1 month, he can activate it passively without spending a move. Because of its low chakra cost to maintain, the user can keep it active throughout the whole fight as long as he has chakra and stamina to do so.
Note: Genjutsu that requires Eye Contact when used against a Byakugan user requires direct eye contact between enemy pupil and user's pupil
Note: Hyugas must be activated to use Gentle Fist (Jyuken)
Note: Its tracking abilities are equal to that of 3 Tomoe Sharingan.
Note: Only Hyugas possess the ability to utilize Jyuken, However, all Otsutsuki clan members possess the ability of passive activation.
Years of reading books in the library made Ryuu quite learned about the Jinchūriki and the tailed beasts, so he knew what he would be up against. And it was going to be rather challenging… Thus, the Ink user channeled chakra to a tattoo on his left forearm, creating a clone besides him. This clone had the properties of water in it, and would also be able to use ink techniques. Having someone beside him made the mute boy feel a little more confident.
(Inkupo: Kara no Waremono) Ink Art: Fragile and Empty
Type: Supplementary
Rank: S - Rank
Range: Short - Mid
Chakra: 40
Damage: N/A
Description: This technique combines the aspects of Ink Clone and expanding upon the potential of it, through which the user will have either a drawing down beforehand on a scroll, by drawing it on the spot under a few seconds or through a temporary water resistant tattoo located on the body in order to create a “clone” of the user, but what makes this far more unique than its predecessor technique is the special ink used to form the technique, and through the infusion of elemental chakra. The ink that was used is a special chakra absorbing ink, that through which the ink takes on the elemental nature of the that was being channeled while creating the works of art. Once the creation comes to life, it can take the form of anything the user desires, ranging from looking like the artist to taking the form of an animal. The creation has the elemental affinity of the infused elemental nature capable of using it up to A rank elementals, while also retaining the ability of using Ink Ninjutsu up to A rank. Much like Ninja Art Beast Imitation, if the user uses an animal - it is capable of acting much like it’s real life counterpart. This can only be used twice per battle, with each creation lasting only for two turns before the ink falls and become unusable. After use the user is unable to use Ink Ninjutsu above A Rank in the same and next turn, while all jutsu coming from the creations counts towards the collective three jutsu usage per turn. Scrolls or tattoos must be mentioned in biography or before battle with each affinity mentioned. The creations however cannot be no more than twice the user’s size.
Then, starting an attack, Ryuu performed a sequence of four hand seals, channeling his chakra from his legs into the ground. Unknown to his opponent, multiple paper tags started to make their way to her. But apart from the hand seals, she would see nothing happen immediately, so she would not know what kind of attack would occur, or if it was even to be an attack or just a bluff. As the tags reached their target, they started to crawl up Xiah’s legs from behind, out of her view, although she would feel them after they started to crawl up. When the tags reached the opponent’s knees, Ryuu commanded them to explode. If she didn’t defend, her legs would be blown up. The village said to bring her back alive, and this was not fatal. At least it would immobilise her.
(Himitsu Kibaku Fuda no Jutsu) Hidden Explosive Tags Technique
Type: Offensive
Rank: A-Rank
Range: Short-Mid
Chakra: 30
Damage: 60
Description:
The user does a sequence of 4 hand seals (Tiger → Rat → Bird → Snake) or slams his hand on the ground or surface. Using his chakra, he is able to stream a multitude of paper tags through the ground and use his chakra to keep them hidden from sight. As they stream towards the target, they are undistinguishable from the ground, seamlessly merged with it. Nearing the target, they rise from the ground, "crawling" up the target. As they wrap themselves in lairs around the target, the user can choose when to detonate them, making a quicker, weaker detonation or waiting for more paper tags to pile in the target and adding more damage.
"Your silence speaks a lot about you my child; it's a shame your village has condemned you with this ill fate to come. " Xiah said as she turned to face the young shinobi, her avian partner resting on her right shoulder as she naturally began to scan the area out of pure instinct in the event of a sneak attack. Xiah was rather patient with the child, acknowledging his drive as a duplicate for some sorts came to life at his position. Regardless of this, she would not hold out on him and appropriately responded in kind to him as he began to make his hand seals again; to which Xiah would release a copious amount of her own fire chakra into the surface of the ground.
This would prove too much; as the explosive tags as they spread along the surface would find contact with the flames and thus react accordingly - leaving nothing but a vast explosion to occur around the terrain in front of Xiah as the fire would prematurely burn the tags as a result before continuing onward to the child and his clone. The flames begin far more superior to that of the explosive notes would also snuff out the explosions; leaving her unharmed from any of the end resulting demolitions.
Realistically; she knew this wouldn't be the of it and as such in the same time of her attack Agrias would shift into her human form landing roughly one meter to the right of Xiah; wielding her own long sword "Save the Queen". The humanized avian would then run towards the enemy; using the initial explosions as cover though she ran in an arc outside of the blast zone (as the fire would meet the tags mid way through attempting to arrive as well as keeping the flames within mid range in a straight but wide range.)
Xiah reinforced her flames through the use of Pyromania - allowing both her and Agrias to be granted an immunity to the flames.
Through all of this; she held onto the hilt of her sword allowing for some of the large some of chakra needed to be reduced quite a bit. Lastly she would simply move in the opposite direction as opposed to the right like Agrias but at a much slower pace as she took the chance of formulating her next step.
(Katon: Kaisu No Kusa)-Fire Release: Fire Grass
Type: Attack, Supplementary
Rank: A Rank
Range: Short-Mid
Chakra Cost: 30 x 2 = 60 - 10 = 50
Damage Points: 60 + 30 = 90
Description: The user makes three hand seals and then manipulates the ground within a mid-range of them to have small, hot flames come out of the ground around them. The fire is hot enough to severely burn and damage the feet/other body parts of those who touch it. By regulating where they stream their katon chakra, the user is able to exclude certain areas from being set ablaze. Ex. The area beneath their feet.
Note: The fire will burn for two turns.
Note: Once created, the user isn't able to manipulate the fire so that it quits burning a certain area.
Note: Can only be used once every four turns.
Note: It takes a certain time before the flame reach a high enough temperature to severely burn the oppononent, leaving a small gap to react accordingly
(Katon: Hōka) | Fire Release: Pyromania
Type: Supplementary
Rank: B
Range: N/A
Chakra Cost: (x2 to the desired technique)
Damage Points: N/A
Description: A variant of ‘Phoenix Feather’d Muffler’, Pyromania is a passive technique that allows the user to infuse extra chakra into a Fire based technique upon creation. The infusion will apply an effect similar to ‘Phoenix Feather’d Muffler’ to the technique, whereby aligning the chakra of the technique to an entity the user will be capable of preventing said substance from being burned, or negatively affected by the heat of the technique. Essentially, Pyromania allows the user to produce a fire technique that does not burn indiscriminately, but rather selectively, as it is capable of filtering out the user, and other desired items from its innately destructive effects. This is highly effective as it not only allows the user to become immune to that particular technique, but unlike the original it also allows them to safeguard allies and other entities from harm upon contact with the flame. Furthermore, just as is the case for ‘Phoenix Feather’d Muffler’, those safeguarded will become capable of interacting with the Fire technique as if it were a gas, liquid, or solid, and thus freely moving around within it without risk of asphyxiation or other adverse effects. This effect is applicable to Fire, and Fire based KG/CE, such as Lava and Scorch.
Note:
Lasts until the targeted technique is destroyed, can only be used on one technique at a time with a two turn cooldown between uses, and can be used a maximum of three times
*Transforming to/from Avian/Human form costs 30 chakra to Agrias and counts as a move and she is always summoned in Avian form.
Ryuu scowled at Xiah’s words to him. How would she know for what purpose he was sent? He never liked to be shown pity. As the paper tags went towards his target, Xiah responded by creating fire in the ground, which set the explosions off before they even reached her. Did that mean she could sense the attack? If so, it meant he would probably not be able to perform any sneak attacks on her. But he was curious as to what kind of sensory skills she possessed. Was it only sensing through things she could touch? He would soon confirm this with another technique after defending against this fire. So as soon as the fire started to creep up from the ground, Ryuu stopped channelling the tags through the ground, and nodded to the clone. Performing the ram hand seal, the ink clone spat out a large amount of water onto the ground. As it met with the fire, both elements canceled each other out and disappeared, leaving only a mist behind from the two elements meeting. Since Ryuu was right next to his clone, he did not get any damage.
(Suiton: Dai Bakusui Shōha) - Water Release: Great Exploding Water Colliding Wave
Type: Supplementary/Offensive
Rank: A
Range: Short-Long
Chakra: 30
Damage: 60
Description: This technique is a stronger version of exploding water colliding wave technique. The user will first perform the ram hand seal and then spits out a large amount of water that covers an entire area, with massive waves that can crush the opponent. The user then forms the water into a giant orb, instead of releasing like weaker version of the technique.
At the same time that the clone performed the water technique, Ryuu created a special clone, before hurling him through the air in Agrias’s direction. At soon as he threw the clone, Ryuu threw a tagged kunai a few metres in front of him, creating an explosion so that the clone landed five metres behind Agrias without her hearing it. Instead, she would have heard the explosion. Rushing forwards from behind his foe, the special clone put his left arm around her throat from behind, immobilising her. Then, Ryuu detonated the clone upon her, hoping to take down one enemy. Since Ryuu was in a mist from the fire and water clashing, Agrias would not have been able to see him throwing the clone upwards, and since it came down to the ground out of her sight of view, it would be difficult for her to defend against.
(Bunshin Bakuha) - Shadow Clone Explosion
Rank: A
Type: Supplementary
Range: Short-Mid
Chakra Cost: 30
Damage Points: 60
Description:At first glance the clone appears to be a normal tangible Bunshin, but the user can detonate the clone at any time to form a very large explosion. (This shadow clone variant can only use normal ninjutsu, and Taijutsu).
Note:Must already know shadow clone jutsu to use this jutsu.
After exploding that clone, Ryuu bit his thumb, drawing some blood. Smearing it on his left hand, he then performed the required hand seals before creating a clone made of raw wind chakra. Due to the mist, Xiah would not see this occur, and so the clone, now in the form of a white ghostly adult female with wings, quickly ascended into the sky at a moment’s notice, without Xiah noticing anything. That is, unless she could sense it. This was also a test for Ryuu to see how much she could sense. There the creature would stay till it was ready to come down. As Ryuu was doing that, the ink clone threw a tagged kunai at the Jinchūriki, hoping to injure her a bit. Once that was put into place, Ryuu and his ink clone ran backwards a few metres, making sure to stay mid range away from the enemies.
Fuuton: Sukai no kindan | Wind Style: Love in the Sky
Rank: S-rank
Type: Attack
Range: Short-long
Chakra Cost: 40
Damage Points: 80
Description:
The user draws blood from himself, seemingly as a sacrifice to the sky gods. After drawing blood and smearing it on his hand the user performs the Bird - Snake - Dragon hand seals and then creates a clone made of raw Fuuton chakra. The clone takes on the image of a white ghostly adult female angel that has a shining translucent body which sprouts bright white wings before ascending into the sky. The angel gets so far into the sky at such high speeds that it is out of sight within a moments notice, though the huge amount of chakra can still be sensed by sensors and seen by doujutsu. After staying in the sky collecting natural air from the sky (1full turn) the angel would dive down, heading straight at the opponent. The Angel's right hand would be extended downwards with its palm pointed down and open. As the angel comes down it grows from its original woman size in the matter of moments. The angel gradually grows 5 times in size, holding so much heavy, dense wind chakra that when it crashes down on a spot it covers a 15m area of impact, bluntly crushing anything in its path including the user if he's in the way. The impact on the area is very similar to when sakura hits the ground with her super strength, leveling the terrain around it.
• Only taught by Shady
• Usable twice
• No wind rank jutsu above A-rank in the same turn it's created or next
Interesting. These where the words that immediately came upon Xiah's face noting the formation of the water happening however Agrias and her didn't wait around as they both began to attack in unison. The attack of her winged humanoid companion would through the motion of a quick draw of her blade. Through the focus of chakra into "Save the Queen" - her blade would release a large volley of chakra fragment shockwaves in which as the explosive clone would be caught up in the maelstrom of chaos as the blades gracefully all continued towards him. Also the thrown kunai would be shredded apart of the process. All these actions simply happen in response to the water and clone forming(though Agrias would not be aware of the clone due to the mist or might have caught a brief glimpse).
On Xiah's end she would simply stomp the ground; releasing her fire chakra into the surface of the ground as three pillars of fire would come to life. One pillar in particular would form directly where Ryuu's last location was and the other two forming into a triangular prison with little gap in between them. In the same time frame as this however a copious amount of explosive gas would form in the entirety of short range and would act to explode increasing the power of the pillars while creating a catatonic turn of events. Both Xiah and Agrias would meet to his respective 3 o clock and 9 o clock position but kept our distance still at 10 as we watch our enemies move, allowing us to adjust to any sort of change in the plan. "If he isn't careful, he'll die. Hmm..perhaps I've been a little too harsh on him."
(Kamei Gigei: Rekkyōdan) Command Art: Violent Mirror Severing
Type: Offensive
Rank: S
Range: Short-Long
Chakra Cost: 40
Damage: 80
Description: A technique based upon the premises of two of Keotsu's other Command Arts - his signature shockwave Kougenjin, and a Prayer technique known as Zekkyōdan, Rekkyōdan aims to push the principles of these attacks to their absolute limits. The user will gather chakra around their blade, coating in it a glass like layer; swinging the blade breaks the high tension layer of chakra and projects it forward, like the fragments of a broken mirror. The user can control the spread over the shattered attack, allowing it to cover either wide area to affect multiple opponents, or focus it into a tight cone to strike an individual adversary. No matter the scope of the area covered by the attack, though, the technique always launches 80 individual shockwaves. Like all Command Art shockwaves, Rekkyōdan can cut through any material the blade used to launch it can cut, meaning a sufficiently sharp blade could cut through nearly any material, and like Kougenjin it moves a twice the normal rate of traditional shockwaves.*
*Note: Can be used up to three times per turn, with a cooldown of turns equal to the number of times it was used.
*Note: Launches 80 shockwaves with a single use.
(Katon: Gōka Honoo no Hashira Jutsu) - Fire Release: Great Fire Flame Pillars Technique
Type: Offensive
Rank: AS
Range: Short-Mid
Chakra: 30 - 10 = 20
Damage: 60 + 1 Rank + 30 = 110
Description: The user will knead their fire chakra and release it into the ground by stomping down their leg and then causing three pillars of fire several meters tall spaced out evenly. The Pillars of fire can act as a defensive wall against incoming techniques or targets or used to attack low aerial targets
(Katon: Subete no Shōhi Ago)-Fire Release: All Consuming Maw
Type: Offensive/Supplementary
Rank: B
Range:Short-Long
Chakra: 20/2 = 10
Damage:N/A (+1 rank to first jutsu)
Description:
This is a unique technique utilising the flammable gas form of Katon similar to the canon Mist Blaze Dance jutsu. To begin the user will string two additional hand seals onto the performance of another jutsu. By doing so they will form a cloud of flammable and extremely volatile gas in an area chosen by the user and in an amount proportional to the first jutsu.
Alone this gas is harmless to any targets but due to its nature it is able to be ignited by any heat source in the area it is formed in, however slight it may be. For example any naked flame, heat present in sparks or generated through friction would be enough to ignite the gas and produce violently explosive results. The user can employ chakra control to angle the explosion away from the first jutsu to prevent any unwanted negative effects.
Note:
~Can only be used 4 times
~Cannot be used in consecutive turns
~Can only be taught by Mellow
- only useable on A ranks and below
With the disappearance of his ink clone, as the ink was now depleted, Ryuu was left to fend for himself against this great foe. He knew he would not last long like this though; something had to be done. Interrupting his thoughts, the Hyūga noticed a large amount of chakra being formed underneath him, as well as on the sword of Agrias. Although the latter did not faze him as much, the boy was shocked at how strong the would be attack from underground was as he witnessed the chakra form! He had to get away really fast or he knew he would be incinerated. So as soon as he sensed both attacks, the Hyūga gathered chakra at his legs and started releasing it. A hue of chakra lines appeared around his legs then, showing the expelling of chakra. With the activation of this technique, Ryuu turned to his right and dashed forwards at a fast speed. Just as he exited the range of attack, a fire explosion resulted, and Ryuu had just barely managed to escape it. As Ryuu had run, he had thrown a smoke bomb out in front of him, blocking the enemy’s view of him. Now he stood on the side of the fire that he escaped from, just far enough to be out of it’s range. Since he was near the fire, Ryuu did not have to worry about the attack from Agrias, for the shockwaves that came in his direction simply got caught in the burning fire and never made their way to him. The rest of the shockwaves just went past on either side of the fire, not causing him any harm either as ironically, he sought protection from the fire which very well could have just killed him. Xiah was now at his 9 o'clock position, except Ryuu was some few metres closer now than he would have been at the position of the fire.
(Jūho: Hokyou) Gentle Step: Reinforcement
Type: Supplementary
Rank: A-ranked
Range: Short
Chakra: 30 (-5 chakra each turn)
Damage: N/A
Description: A technique among the Hyuga based on the Gentle Fist Style: One Blow Body where a Hyuga would normally use their ability to expel chakra from all their chakra points at once. This technique is a reinforcement or augmentation of the Gentle Fist; releasing chakra constantly from one’s limbs. This technique focuses on the reinforcement of one's limbs dependent on locations which are aimed mostly at the arms which include the elbows and hands to augment the fighters strikes or in the legs including the knees all the down to the feet; in which the technique takes the form of a sharp shroud of chakra though it is harder to see at a distance to the naked eye but more visible up close . This techniques design is when impact is normally made by a gentle fist strike, chakra is pushed into the enemy's’ body forcefully by the Hyuga from the chakra points at the same time however with this one due the constant chakra already flowing outwards. The impact is much stronger as the chakra already being pushed out combined with further chakra being released from same chakra points , chakra shroud and many other locations increasing the techniques overall impact. This however comes at the cost of not being able to use it in multiple limbs at once due the excessive amounts of chakra being used at once. It's limited to only two limbs but those limbs must also be the same meaning one arm and one leg can’t be augmented at the same time but rather two arms or two legs at once. Based on the limbs used the following effects take place on the user:
Leg Refinement – Through this variant it increases the kick based techniques by the user by one rank. This also increases the user’s speed slightly due to using the released chakra from the soles of the feet to “push” against the surface allowing them further their running speed and jumping distance. This speed increase is x1.5 there base speed. Also due to the sharp nature of the shroud, it leaves minor cuts on the targets skin when impact is made.
Arm Refinement – Through this variant it increases the hand/punch/arm based techniques of the user by one rank. The user’s punching impacts have a “push” effect behind them similar to its parent technique which solid impact from the user will send the target back several meters (5m). Also due to the sharp nature of the shroud, it leaves minor cuts on the targets skin when impact is made.
While active a cosmetic hue of chakra lines appear around the selected augmented limb as a sign of the techniques activation as well as when impacts are made; more "burst" like impacts of sharp chakra appears.
*Can only be used four times per battle, once per turn lasting two turns each.*
*Can’t be used at the same time as other modes or body enhancing techniques that correspond to each other(i.e can’t use Leg Refinement and Leg Weights at the same time as this technique would cancel it out)*
*Can only be used again after two turn cooldown *
Nevertheless, as soon as he escaped the fire, Ryuu created a clone of ink besides him, by drawing himself with ink on a scroll. As it emerged, the clone knew what it was to do.
(Sumi Bunshin) - Ink Clone
Type: Supplementary
Rank: C
Range: Short
Chakra Cost: 15
Damage Points: N/A
Description: The user creates a clone made of ink that takes the appearance of the user. This clone can only use Ink Ninjutsu up to A rank.
Drawing five birds onto a scroll, the clone sat atop one, and had two sent to attack Xiah, and the other two to attack Agrias. The clone itself went upwards on the bird, before flying over to Xiah’s original position when the battle had started. All in all, he was 20 metres up in the air. At this point, since he came out of the smoke bomb, both enemies would think that Ryuu himself had emerged from there. They would not realise that Ryuu was hiding, and that it was actually just a clone in the air. And since he was so high up, they would not even realise that this clone did not have a Byakugan, so they would have no reason to be suspicious. As the clone went upwards, and the ink birds went on to attack their targets, the ink clone took out two tagged kunai and threw one each at both enemies, hoping to injure them. Once he reached Xiah’s original position, he got the bird to turn around to face the direction they just arrived from and stayed in the air, waiting to see what would happen next.
(Ninpou: Choujuu Giga) - Ninja Art Beast Imitation
Type:Supplementary/Offensive
Rank: C
Range: Short-Long
Chakra Cost: 15
Damage Points: 30
Description: The user uses his Ink to draw several animals that can attack, bind, and allow the user to fly. These animals can range from variety but cannot exceed 5 meters in size.
Note: Creates up to 5 animals.
Xiah brow raised as she noticed the appearance of the black smoke prior to her own technique detonating; her eyes fixated on her surroundings as she began to grow a suspicion that the kid managed to escape in which she would release her wind chakra into the air surrounding both combatants. She found him due to the wave of wind picking up on his chakra. "Hmm..." Xiah began to think to herself as the boy would go onto create yet another clone; annoying but it wasn't of any concern to her as she would continue with her next attack.
Xiah proceeds to roar; as she began to collect the chakra of her partner to surround her body in a shroud of blue chakra as she got down on all fours and immediate dashed towards the duo - she didn't care for the clone as she attempts to appear before the real Ryuu. Agrias follows suit as she began to run at her top speed towards the duo as well though much slower than Xiah.
Xiah would waste no time; as she dashed swiftly attempting to lounge forward at speeds attempting to smash her right fist into the kid's face with her claws and the burning sensation of her Jinchuriki cloak.
(Fuuton: Chakra Kenpa no Kaze) - Wind Style: Chakra Sensing Breeze
Type: Supplementary
Rank: C
Range: Short-Long
Chakra Cost: 15
Damage: N/A
Description: A wind technique similar to the chakra sensing rain technique, the user infuses their chakra into the surround air create a light breeze across the battlefield. This breeze is capable of sensing the chakra of people or objects it comes in contact with. The breeze will die out after three turns once activated and can only be used twice per battle.
~Deactivates after three turns.
~Can only be used twice per battle
( Nibi Fukanzen Henji no Justu ) - Two Tailed Initial Transformation Technique
Type: Supplementary
Rank: A
Range: Short
Chakra cost: 30
Damage points: ( 40 for chakra burst ) ( +20 to Fire and +10 to Taijutsu Techniques )
Description: When the incomplete form is activated, Yugito Nii roars and creates a small ranged dark blue chakra burst that can push back targets in close vicinity and rises up into the sky in a coloumn and then she gains a dark blue chakra shroud covering her body and two tails. The shroud itself grows ears much like a cats and grows larger nails presumably from the nail growth technique. The chakra shroud burns an opponent who touches it, much like fire making close combat with Yugito Nii very tough. Whilst in this form she gets a extra boost to her fire and taijutsu techniques.
Note: The transformation lasts a maximum of 4 turns.
Note: Can only be used twice, after each usage the user cannot activate it for at least 8 turns. Should it end, the user is left unable to use any Bijuu jutsu above A rank for two turns
(Chiratsuki Kaihi/Undō) Flicker Evasion/Movement
Type: Defensive
Rank: B-Rank
Range: Short-Long
Chakra: N/A
Damage: N/A
Description:
Using the power of their bijuu to boost their physical abilities, the Jinchuriki is able to dash and move at incredible speeds. While doing so, the user will move and run on all fours (if applicable) and display a movement much more in tune to the animal traits his bijuu possesses. The speed at which one can move is relative to the transformation used. The basic Red Chakra Cloak doubles the users speed while the Incomplete Transformation triples his speed. The movement one can produce can be both intricate or simple, depending on the users intention.
Note: this version can only be used by Bijuus with Chakra Cloak or Incomplete Transformation active. Naruto can use this technique in both his 9 Tails Chakra mode as well as his Bijuu Mode
Observing a harmless chakra surrounding him and the user, Ryuu realised that his location was found. This also confirmed to him that this ninja was not a sensory type. So how did she know about the tags technique at the beginning of the fight? Perhaps he was missing some key information. Upon hearing her roar, Ryuu deactivated the reinforcement technique and used his fear to quickly take action. As Xiah began to cover her body in chakra, Ryuu immediately kneeled down and slammed his hands on the ground, lowering the terrain all around him up to 50 metres. There would be five metres all around him and his clone. As the earth dropped away, both enemies would start to fall along with the ground, and they would not have a proper grip on the earth beneath them either.
(Doton: Daichidōkaku) - Earth Release: Great Moving Earth Core
Type: Supplementary/Defensive
Rank: S
Range: Short-Long
Chakra: 40
Damage: N/A
Description: This technique grants the user the ability to freely lower or raise the terrain within a specific area surrounding them, in a similar manner to its parent technique, albeit on a much larger scale. The user will slam his hands on the ground which he can then lower or raise the ground up to 100 meters in a large section. The rise will be fast enough to pin enemies to the ground, restricting their movements as they struggle to get up and the drop will be fast enough to leave almost all enemies without a footing (albeit not airborne). Because of the large chakra needed to alter such a large area of the terrain, the user will be able to use it only a limited number of times.
Note: Can only be used twice.
Simultaneously to Ryuu, the ink clone drew ten bullets on a scroll. At the same time, he drew it in a more aggressive way than usual, making it more dangerous. Upon creation, the bullets were sent towards the falling Jinchūriki, smashing into her and drilling her into the ground which still moved. When the earth stopped moving, Ryuu observed from up above with his Byakugan, warily watching Agrias, who had not yet been attacked, as well as Xiah, to see if she survived the attack.
Type: Offensive
Rank: A S
Range: Mid-Long
Chakra Cost: 30
Damage: 60
Description: The user uses special ink to draw up to 10 bullet-like projectiles onto a scroll.
Note: Can only be used by Ink users.
Note: Courtesy of Mathias
(Inkupo: Koiru) Ink Arts: Calling Out To Within
Type: Supplementary
Rank: B - Rank
Range: N/A
Chakra: N/A (+10 Infusion)
Damage: N/A
Description: A technique that seeks to enhance the nature of ink based techniques, through which this technique comes in two different forms. The first version of this technique is aimed towards turning ink based techniques into more “offensive” versions of themselves, in which when creating a work of art - the user will have drawn the technique in a far more aggressive way as opposed to the normal elegant and expressive manner. This actually comes into play, as with this technique - the drawings they create are far more “shaper” to the touch, in some cases delivering a more “blunt” hit as opposed to normal, while some, in terms of animal like creations, gain the characteristics of the former mentioned but they are also drawn to be more “feral” or “wild”, and thus attack more violently as opposed to normal. What this seeks to do is, through the expression of emotion and creativity, as seen that emotional states of the user can indeed influence the way techniques are created, allows for their own works of art to inherit such unique traits for their own purpose. This turns techniques which are usually labelled with “N/A” as damage in order to gain power. The damage is equal to and rivals the ranking of the original technique i.e A Ranks will deal 60 damage. This technique can be applied to any sort of works by the user, whether they are drawing it on the moment, have it pre drawn or even in the form of ink tattoos. The characteristics must be mentioned when using this technique in order to get a more detailed idea of how the works will be dealing damage. The most notable example of this is when Sai was unable to utilize a certain ink technique due to his mind not being mentally prepared/emotionally ready in order to do so, showing that emotions can indeed have an influence on one's ink techniques upon creation.
The second part of this technique is much like the first, but instead it applies it to already damage-dealing techniques in the same way. What this version seeks to do now is increase the damage output of the technique, allowing it to increase the rank of an ink technique by one rank, or in the case of S-ranks and above, getting an additional +20 damage.
The first variant is a passive skill, not taking up a move nor a slot in time frame and must simply be mentioned as a reference when performing the desired technique, though it can only be used once every two turns. The second variant can only be used four times per battle, needing a cool down of one turn between each use, and acts as an infusion technique, thus being able to be performed within the same time frame of another technique. When applying the second variant to pre-drawn/tattoos, the user simply needs to infuse the same amount of chakra in order to “activate” the augmented state.
Chakra: 417.5 - 5 - 30 - 40 - 10 = 332.5
Note: Unfortunately, I didn’t know that the shadow clone explosion technique halved the user’s chakra like the original, so my calculations were wrong. This is my correct chakra value now.
Xiah's initial plan was vastly changed, namely due to the enemy proceeding to lower the ground surrounding her as it moved rapidly enough to leave her airborne however this wasn't an issue as she would quickly adjust to the situation. A copious amount of black ash would come to life from her body, this acting initially as a means to not only keep her airborne but also to tank the blow from the ink bullets released fire from above her person. The ash would taken the form of a giant centuar like create whom silently rose upwards as the back of his head would take the hit for her but due to it's superior power (having 130 defense) the creature would immediately begin to regenerate the damage dealt to it while thrusting his sword into what remained of the earth as it moved towards boy rapidly converting it into that of black ash. One the other hand, he would also release from the crossbow in his hand to two arrows aimed at the original as it rapidly moved to strike him down.
Within the same time of this all happening; Agrias had shifted back into her avian form and simply remained in the air as she positions herself now mid ranged into the air and away from the ground as she monitors her Xiah's movements. Xiah on the other hand remained in a carved out spot near the creations stomach as she silently waited for the chance to strike properly as the kid dealt with the arrows. The creature was five meters tall, with his body floating in the air, approaching the enemy.
Katon: Arutemisu Keshin | Fire Technique: The Artemis Incarnation
Type: Supplementary/Defensive
Rank: S
Range: Short
Chakra Cost: 40
Damage: N/A
Description: Exerting their chakra from their body, the user can create copious amounts of ash from either the ground, their body or by spewing it forth from their mouth. As the ash bursts into existence it will immediately form into a demonically winged Centaur, the size of which can range from human sized to EoS Gamakichi sized. The Centaur, clad in light armour and composed of jet black condensed ash, is capable of moving a rank faster than its creator, can regenerate from damage that doesn't destroy it in one go, and is capable of manipulating its body to form, or extend into, any armament imaginable to attack or defend. It's signature weapons however are the bow and sword, and when these are used the Centaur is granted additional abilities. With the creation of a bow, the Centaur will be capable of creating arrows of fire which, upon their initial release will travel at the speed of an arrow fired from a compound bow, however on account of their unique constitution the arrows continuously accelearate once released - occurring as the rear of the arrows constantly devolve into fire-based explosions which serve to propel the arrow forwards to greater speeds. By the time the arrow leaves short range it will be a blur to anything below 2t, with a 25% growth per 5 meters, however, because of the linear nature of an arrows flight an opponent can easily predict where the arrow will travel to from its initial trajectory and thus seek to avoid or defend. The ability of the sword, then, is that it has a passive A ranked ability that allows it to convert any solid object that it touches to ash (respects elemental weaknesses/strengths), with the conversion rapidly spreading out from the point of contact and being fatal in the case of organic conversions. (Does not apply to the user or his possessions and does not affect people). The created ash can then be manipulated to, once per turn, create A ranked or below structures to defend or attack with. Finally, the Centaur is capable of transforming it's entire body into a far more powerful, compressed weapon or armour to be wielded by its user - in this state the Centaur's ash and arrow abilities are bolstered by a rank and, while hot to the touch of opponents, the ash is completely inert to the user - thus the user can freely come into contact with the Centaur.
Notes:
- Can only be created 2x
- Lasts four turns once created
- Two turn cooldown between uses and when the Centaur perishes the user is prohibited from using fire above S rank that turn.
- Despite being made of ash, the Centaur is capable of freely traversing across either ground or air and his abilities can reach into long range.
- Arrows are classed as an A rank ability that is useable once per turn and is classed as a move, one or multiple arrows can be fired throughout the turn that it is utilised - with the power of an A rank being divided between them.
- Ash manipulation to create ranked structures naturally counts as a move too
Watching as Xiah formed a centaur made of black ash around her to prevent her from falling, as well as to defend against the ink, Ryuu noticed that the creature could regenerate itself, as long as the damage did not fully destroy it. After all, it regenerated after being hit by the ink bullets. Considering he had nothing strong enough in his arsenal to defeat this creature in one go, this was going to be rather annoying. Also, even if he and his clone attacked the creature together right now with a strong enough power, he suspected their attack would be easily defended against. Calmly assessing the situation at hand, he allowed the creature to perform its offences, for Ryuu would retaliate by doing something different. He also noticed that Agrias went back to her original form, staying in the air now.
Acting before the sword and arrows were released, Ryuu nodded to the clone. They were going to escape before things got too bad, and attack at the same time. Drawing three birds on a scroll, the ink clone channeled ink through it, creating three birds, each five metres in size. As soon as the sword and arrows were released, Ryuu and the clone were taken vertically upwards in the sky on the same bird, whilst the other two remained vertical underneath, also flying upwards. It looked like a column of birds rising. As they escaped, Ryuu noticed that the ground they had been on was turning to ash, and two arrows whooshed past in the air where he had been previously standing. If he was still there, he would be a dead ninja by now.
(Ninpou: Chou Choujuu Giga) - Ninja Art: Super Beast Imitation
Type:Supplementary/Offensive
Rank: B
Range: Short
Chakra Cost: 20
Damage Points: 40
Description: A more powerful version of Ninja Art Beast Imitation, the user uses his Ink to create significantly larger animals. These animals can reach up to 15 meters in size and range in their selection. The user can create up to 3 gigantic animals.
At the same time as they escaped, with the ground still turning to ash and the arrows in motion, Ryuu himself channeled some earth chakra into a scroll before tossing it into the sky. Opening up, a large amount of clouds flew off into the sky, blending in with the real ones. It then started to rain upon the landscape, although Ryuu controlled it in a way that the rain did not fall upon him or his creations. Upon making contact with the enemies, the rain, containing earth properties, made them ten times their original weight, essentially weighing them down considerably. Although the centaur was powerful, it would also be caught in the weight, and this would cause them all to go smashing to the ground far below. Although the technique itself caused minor damage, the fall of fifty metres down would have the enemies sustain grave injuries.
(Inkupo: Kyōkai no Kanata) Ink Arts: Beyond the Boundary
Type: Supplementary
Rank: B - Rank
Range: Short -Long
Chakra: 20
Damage: N/A
Description: Through the use of a scroll the user will toss it into the sky about five meters in which it will poof open, while unwinding in order to allow a pre drawn work of art in the form of large amount of clouds to fly into the skies. Once the clouds fly up, they will deceptively blend in with the real ones and begin to downpour ink in the form of rain drops. Due to the unique coloring of the rain drops, it will be difficult to tell the difference between the real rain and the fake rain at first glance, but upon impact with the ground or person, it rapidly loses its colouring and turns black in colour like the original ink. The ink will continue to fall from the sky above, forming puddles of “water” while also soaking into other non sentient objects. The ink is connected to the user’s chakra, and thus can be used as a source to create their ink techniques, but the other use of it is that the user is mentally aware of when the ink touches something, acting as a unique form of sensory for the user. Can be used three times per battle, lasting four turns each.
(Ninpo: Iro no Tatchi)- Ninja Art: Touch of Color
Type: Supplementary/Defensive
Rank: B
Range: Short-Mid
Chakra cost: 20 (-5 per turn)
Damage: 40 (+20 to Ink Ninjutsu)
Description: With the ability to manipulate Ink, the user will go through the delicate process of infusing the substance with elemental chakra. In doing so the ink will change color depending on the nature of chakra present within it, with the exception of Doton chakra. Katon turns the ink blood red, Suiton turns it blue, Raiton turns it purple, and Futon turns it into a faded grey color. In addition to changing the color, each elemental nature also changes how the ink behaves. Red Ink becomes scalding to the touch, like boiling water while Blue Ink is viscous and sticky similar to starch syrup technique. Doton channeled Black Ink contains properties of Super Added Weight Rock Technique. When contact is made with the ink technique the affected target would have its’s/their weight increased.(Initially 10x, then 30x, 50x, etc). The weight increase remains as long as contact with the ink exists + one turn after the removal of the ink for 10x increase, two turn after for 30x, three turns after for 50x etc. Purple Ink numbs whatever it touches due to lightning coursing through. (Numbing would last for one turn)Lightning would work similar to how lightning is channeled through liquid and water, having the ink technique electrolysed in a sense, which in turn affects the target. Grey Ink is given great cutting capabilities when used in pressurized streams or solid constructs the wind would surround the ink construct similar to a shroud, thus removing the possibility of negatively affecting the ink technique. This technique can be used as a standalone to create weapons, animals, and constructs of ink using scrolls or other methods of ink usage. It can also be applied in the same timeframe of another Ink technique for added damage.
Note(s):
-Usable three times per battle, with a turn cool down in between.
-The user can imbue the ink technique with more than one element once every three turns, although elements strong/weak to each other can not be infused at the same time. The damage increase remains at +20 to the ink technique.
-Can't be coupled with other Ink boosts.
And there he goes; fleeing once again as anticipated though Xiah had enough with this game of cat and mouse; as she roared yet again in response to the scroll being thrown into the air at her enemies attempting to run away yet again. Alas, a vast majority of firey portals began to form all over the terrain - all angle in a such a way that it would be facing downward at the field. Agrias would take this moment to dispel herself away amd back to Eden for safety while all hell broke loose; as a rain of blue fire weaponry was launched from the vast portals. From lances to swords to spears; you name it and it was released.
The unique part of it all is the additional chakra infused into them; allowing for all the weaponry to automatically lock onto the enemy as they raced through the air and towards him shredding through the cloud of ink before it managed to take action or even in the event that it does, it would not affect the weapons as they are all energy based and thus has no structure to be affected. The weapons created through Gates are also influenced by the use of Pyromania allowing for them to simply phase through any other attack that may be apart of Xiah's arsenal.
The centuar would passively shift his form in order to form to that of an ashen armor around Xiah with wings at the back to keep her airborne. "It's over." she said to herself.
(Katon: Irikuchi Bieuchi II) Fire Release: Gate of Babylon II
Type: Offensive
Rank: S
Range: Short - Long
Chakra: 40 x 2 = 80 + 10 = 90
Damage: 80 + 20 + 30 = 130
Description: After performing the Tiger → Ox hand seals, the user will release huge amounts of fire chakra into the air within range. The user will open either one-three fiery walls(s) ten by ten meters in dimensions. These ten by ten meter fiery red wall(s) can be created at least ten meters away from the desired target, or three meters behind the user himself to be used as frontal protection. The wall(s) can be created in any direction imaginable, slanted, behind, above, aides etc, as long as they stay "flat" like a wall and not curved. These walls are unable to be created underneath the opponent. As the wall(s) are created, countless ripples can be seen, as fire-based weapons emerge from within each individual ripple, ranging from long double edged swords to spears, maces, and even halberds, retaining their average size. The user has complete control of where the weapons will emerge within the portal, this is to avoid self inflicted damage should he choose to utilize the wall(s) behind him. The fire-based weapons will be seen emerging very slowly as if in slow-motion, however at any moment, the user can release all weapons simultaneously as a wave of projectile attacks by causing the ripples to "burst" sending them at increased speed. The speed in which the projectiles travel can be compared to "Fire Release: Great Dragon Fire Technique". Although tangible, the fire-based projectiles can punch through concrete like other similar fire techniques.
Notes:
- Can be used three times per battle
- No other A ranked or above fire techniques in the same turn
- No other Gate of Babylon techniques in the same turn
- No fire techniques above S rank next turn
- Must be taught by Mathias
(Katon: Hōka) | Fire Release: Pyromania
Type: Supplementary
Rank: B
Range: N/A
Chakra Cost: (x2 to the desired technique)
Damage Points: N/A
Description: A variant of ‘Phoenix Feather’d Muffler’, Pyromania is a passive technique that allows the user to infuse extra chakra into a Fire based technique upon creation. The infusion will apply an effect similar to ‘Phoenix Feather’d Muffler’ to the technique, whereby aligning the chakra of the technique to an entity the user will be capable of preventing said substance from being burned, or negatively affected by the heat of the technique. Essentially, Pyromania allows the user to produce a fire technique that does not burn indiscriminately, but rather selectively, as it is capable of filtering out the user, and other desired items from its innately destructive effects. This is highly effective as it not only allows the user to become immune to that particular technique, but unlike the original it also allows them to safeguard allies and other entities from harm upon contact with the flame. Furthermore, just as is the case for ‘Phoenix Feather’d Muffler’, those safeguarded will become capable of interacting with the Fire technique as if it were a gas, liquid, or solid, and thus freely moving around within it without risk of asphyxiation or other adverse effects. This effect is applicable to Fire, and Fire based KG/CE, such as Lava and Scorch.
Note:
Lasts until the targeted technique is destroyed, can only be used on one technique at a time with a two turn cooldown between uses, and can be used a maximum of three times
(Katon: Fenikkusu no Kyuushokusha) Fire Release: Seekers of the Phoenix
Type: Supplementary
Rank: B - Rank
Range: N/A
Chakra: N/A (+10 Fire Techniques)
Damage: N/A
Description: A rather unique technique that encompasses the trait of Fire Release: Rat Hair Ball technique, mimicking the techniques ability to pin point enemies and attack them like guided missles. Through sheer chakra control and manipulation, the user can activate this technique instantly and within the same time frame of a fire technique that unleashes a projectile based attack(such as Fire balls , chakra infused shuriken etc) in which the user will bestow onto them the same tracking abilities of its parent technique. The techniques used after this technique all gain the same traits in which once they are created as ranged projectiles will simply lock into the enemy and follow them unless destroyed as simply dodging them will allow the projectile to change its course and redirect towards the enemy. Can be used twice per battle, lasting two turns after technique. This applies passively after activation towards all projectile based fire techniques not consuming a move, however the initial activation counts. Can only be used by the Jinchuriki of the Nibi
Much to his dismay, the ink clouds he created were destroyed, as a larger, much stronger technique took over. Observing the amount of chakra with his Byakugan, the boy knew he stood no chance against this. It was too strong and he had nothing strong enough to defeat it. As the weapons started to emerge, the boy noticed that they were focused on him. The ink birds, that moved away from the danger, along with Ryuu and the ink clone, did nothing to stop this technique. For Ryuu realised that it was following them wherever they went. He would not be able to be rid of them. Sighing, the Hyūga looked at Xiah and put both arms up, signalling that he gave up. Of course, it was up to her whether she would allow him to live or not, but he hoped she would. He couldn't blame her if she didn't; after all, he did come after her first. But he wanted to come back another time to challenge her, perhaps to measure if his strength grew. So, moving atop the birds, with the fire weapons trailing behind him, the mute boy watched Xiah to see if she would stop the technique. If she did, he would stop moving on the bird and leave, not attempting to attack her anymore. It was clear to him how that any further fighting would result in his death.
Fire Release: Gate of Babylon II