- ''Whoa!!''
Edward would shout childishly in surprise as he attempts to wave his arms and legs to-and-fro in attempt to regain his balance, however unlikely. Shisō attempting to remain intact with the top of the kasa hat would flutter his wings continuously in a weird sense of unbalance to keep from falling off. The sudden shift of movement and kid-like tantrum of Ed would unknowingly to himself reveal the whole contents of his inner coat; thus revealing a massive collection of tools ranging from a massive sword to a varies congregation of kunai and the sort all clipped neatly within the inner coat via straps. In a erupt turn of events the both creeped to the side, this made them feel like they were beginning to be thrown, therefore Edward would brace himself by holding onto his kasa hat but barely with two fingers positioned in the front tip of it, ideally Shisō would merely continue to flutter his wings as the two screamed whilst being flung towards the river. The clanging of his tools secretly yet not so secretly anymore confined within his red flowing coat would sway back and forth as Ed and his pelican friend flew dramatically towards the river bed not too far away. Although not too familiar of this technique Edward didn't hesitate to brace for impact, reaching over with his other free hand, which revealed to be a arm purely made of steel itself, he would grasp the handle of his old relic like weapon not seen for ages. With minimum force from his manipulated custom built arm he'd with ease unclasp the greatsword from its fashioned position within his coat; continuing the same motion he'd thrust and swing the blade forward and upright to break his fall from the water. Upon impact with the water and sword the collision of the two components would be so massive that the water itself would clear the way around Edward and be flung upwards to cause a brief scene of rain. The area around would give the illusion of a massive circular impact in the ground, however only for a moment before the water would eventually rush back to its original position. Although the defensive tactic wouldn't end there, without a moment of wait Edward's wrist would swiftly use its technical mechanics to allow his hand to spin in rapid motion with the sword in hand. With the same momentum the sword conjured a bright blue color, celestial in appearance. shortly within the beginning phase of the spin the sword would emit a sharp yet thin and long slicer blade seemingly made out of chakra that would aim itself and fly towards the opponent.
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Meanwhile, as the chakra slicer emits towards the said opponent Shisō acted swiftly; swallowing a small amount of water and storing it within his mouth as he flew several hundred feet into the air to avoid being detected or reached. Within almost the same time Kioku would have been resting inside a very small cute pocket inside the red coat of Edward this whole time; awaiting for action to occur.
- ''Kioku, let it rain!''
Ed would explain before the black feathered pelican quickly grasped three kunai strapped and then swiftly unstrapped from the inside the coat with his beak. Fluttering his wings he'd fly with great speed directly upwards and then above the opponent; releasing the kunai all three would seemingly float a great deal of distance above the opponent's head. Kioku, with his wisdom, would fly away and enter equal distance from the battlefield with Shisō to continue observation of the field.
- '' What did you do, get thirsty? What a loser .. ''
Kioku expressed with inner lying distress towards his brother, Shisō. The white feathered pelican could not speak for his mouth was full of water, therefore he could only stare blankly at his brother, Kioku. In comedic fashion they'd both just stare at each other till Kioku suddenly hits a tree unexpectedly because his brother distracted him.
As Edward emitted the chakra slicer it was time for another offensive to back it up, with the hand he had a firm grip of the kasa hat with he'd remove it to reach over into his coat to grab two kunai and infuse them with chakra. With a spin of his body and within the same momentum he'd fling the two kunai towards the opponent as his body is now facing him with a one kneed sitting position. To finish the flashy move Edward would activate his wrist one more time without the expulsion of chakra usage to rapidly spin his hand back into normal position to rest the sword on his shoulder.
NOTE: Chakra Slicer A-rank
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(Idainaruken Gekkō) Moonlight Greatsword
Type: Weapon
Rank: S
Range: Short - Long (163 cm, 64 inches in length)
Chakra: 30 - 40 (A-ranked Slicer: 30CP / S-ranked Ultimate: 40CP)
Damage: 60 - 80
Description: '' This sword, one of the rare dragon weapons, came from the tail of Seath the Scaleless, the pale white dragon who betrayed his own."
"Seath is the grandfather of sorcery, and this sword is imbued with his magic, which shall be unleashed as a wave of moonlight."
A sword of magnificent glory, said to have been from the days of old before even the tree of chakra had even emerged from a seed. A era unknown, said to have been inhabited by deities and dragons. Origin unknown to this Greatsword, however was masterly crafted with a careful yet complex design of steel that cannot be stolen. The handle wrapped with a twin dragon design seemingly crafted by black steel alongside the guard that extends both ways towards the sides. Meanwhile the blade design is almost similarly, a twin dragon design that is shaped inwards with a straight sharp fashion to make it viable in battle. In its base form its of black coloration from pommel to tip of the blade; almost of charcoal design if not black steel. When going into its Moonlight mode the pommel up to the guard turns gold then a sudden burst of Celestial like Chakra will develop around the blade to form a more wider and bulky blade made of what would seem to be a solidified Chakra essence. The Moonlight mode's blade is rather questionable in nature, a odd substance that looks similar to that of chakra with a hardened shell; within rests a heavy supply of chakra that makes the blade glow in a teal/celestial coloration.
Abilities
The Moonlight Greatsword in its base form is a regular greatsword made of black steel with no unique abilities other than being a greatsword in length and fashion. In the Moonlight mode the wielder can eject/project/shoot wave slicers of chakra sharp enough to cut through A-ranked earth techniques or anything of solidarity. These chakra slicers are limited in range, being only able to reach up to medium range and to cast these slicers require a long winded thrust/swing of the sword itself. The chakra slicer will do 60 damage to the adversary and cannot be lethal, however deactivating Moonlight mode the base form of the blade will always be near lethal if not causing massive limb damage. The base form of the blade cannot cut through jutsu nor defend against them, however has a more damaging output than the Moonlight mode does, meanwhile the Moonlight mode has the viability to counter jutsu thus its attacks cannot be lethal. A ''ultimate attack'' can be performed by readying the Moonlight mode blade for a few seconds more before thrusting/swinging the blade outwards that'll create a S-ranked chakra slicer that'll reach long range and do S-ranked DMG with a regular S-ranked chakra cost (S-rank variant can only be used thrice per battle). Furthermore the chakra slicers are of solid nature, although very flexible, being able to transform via shape manipulation once expelled from the blade by performing the Seal of Confrontation.
➟ When in moonlight mode the blade glows brightly which could be used as a light source but not enough to be blinded
➟ Chakra Slicer can be used within succession, interacts neutrally to the basic elements, but costs a move slot upon use
(Yomisenpū) - 黄泉の国旋風, Whirlwind of Darkness
Type: Tool
Rank: S
Range: N/A
Chakra: N/A
Damage: N/A
Description: '' Yomo-tsu-Ōkami senpū kenjū, 黄泉大神旋風拳銃 ''
The most modern technology utilized by the current shinobi forces, especially those that wield weapons. Famously used by Yoshimitsu, the '' Yomisenpū '' is a gauntlet that is a replacement for the right arm or the main arm that the user uses to wield their weapon. Its attached to the severed arm may it be on purpose for preparation of installation of this tool or via prior battle. Its parameters extend just above the elbow and up the entirety of the forearm and hand. Its made of steel, yet colored and painted to be gold with a overlapping thread design on the forearm and a alternate black under base. Its capability allows the user to perform more weaponized strikes towards the opponent as the hand allows a complete 360 degree motion around a horizontal ratio thus sufficiently increasing Kenjutsu versatility and flexibility. The wrist area of the gauntlet is the main mechanism for this tool, its system revolves around a ball like structure lock firmly on top of the forearm that allows horizontal freedom, ideally a singular vertical opening on top that the hand itself is attached to which allows vertical movement of the hand giving fluid strike capability. Its hand movement potential is nearly infinite as it has complete freedom of motion, being able to twist and turn; allowing endless ways to counter a taijutsu or kenjutsu offensive.
(Ame no Kunai) - Rain of Kunai Technique
Type: Offensive
Rank: B
Range: Short - Long
Chakra: 20
Damage: 40
Description: This technique derives from the Land of Fire and was created for a defensive method against multiple opponents. Each individual kunai has a small scarf like cloth around the hollow circular hilt that will be tied to another slightly larger cloth that will act as a floating mechanism that allows every kunai to remain in stasis within the air after thrown. This mechanism also contains a explosive tag already placed inside the larger cloth, when two turns pass it will explode causing the kunai to shoot outward towards the opponent at high speeds due to the momentum of the explosion. The user will infuse each kunai before throwing with their chakra if they so wish to have the kunai duplicate making a total of ten kunai per one kunai thrown once the exposive tag explodes. This technique can also be thrown directly downward, having the floating mechanism zip inward via a rope tied around the outline of the cloth. If the kunai(s) are thrown downward they will shoot forward toward the opponent like the first method but instead will be shot from the ground instead of the sky.