This is true, it could be yet another arbitrarily granted technique.
My argument is that Creation of All Things is neither Ninshuu, Ninjutsu, Genjutsu, etc. It is a completely different ability and likely requires direct interaction with 'the firmament' - the Tao, which is a very fixed construct.
But that gets into Taoist concepts of divination and destiny (and the paradoxical benefits and futility of each). The Tao is, in a sense, destiny. It is fixed, unchangeable. Although exactly -what- is fixed, and what is unchangeable is often an interesting subject of discussion within Taoist literature.
For example - Neji was fully correct about Destiny. It was his destiny to die protecting Hinata. He was right in that Naruto and Hinata shared the same destiny. He was simply incorrect in his assumptions about what those destinies were - but the relationship was fixed and unchangeable.
Which touches on a deeper subject - "So Naruto has worked so hard for nothing? He's destined?" - Which is a concept that has been one of the most deeply debated concepts of Taoism through the ages. The overall 'settlement' seems to be that one who is destined to accomplish certain things will also be destined to have the attitudes and ambitions necessary to overcome the challenges - they are operating within their nature and within the flow of life, but not necessarily 'effortless' from the physical perspective.
Kishimoto seems to have settled along the teachings of The ChuangTzu with regards to Taoist concepts of Destiny:
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"The ChuangTzu sees fate and duty as two sides of the same coin. Both must be performed – there is really no choice. Instead, one may become content despite the coercion by serving one’s own mind or by seeing an unpleasant situation in the most pleasant light possible. In other words, wandering free and easy mentally.
Although Kishimoto's use of Destiny doesn't exactly contradict any of the popular texts/authors for Taoist Destiny and it isn't impossible for him to incorporate the others as time goes on - he does seem to have sided strongly with this in both instances where Destiny has come with mortal consequences within the Hyuuga.
In that segment, I was merely contesting the idea that Hagoromo did not utilize ninjutsu and therefor Creation of All Things would logically be an ability more closely related to Ninshuu.
I apologize - I don't always make it clear when I'm meaning to reinforce my own ideas and when I'm simply critiquing the idea in front of me. I can be hard to follow in that, and many other regards.
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"However, an important feature of this discipline is that it is only concerned with True Yin, which is the Yin enclosed within Yang, and with True Yang, which is the Yang enclosed within Yin. These are the concealed core, the hidden internal truth; they are the materials or the "ingredients" of alchemy."
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"This chart depicts, on top, the Absolute (wuji) as an empty circle. Below it is another circle that represents the Great Ultimate (taiji) as harboring the Two, or Yin and Yang, shown as two semicircles that mirror one another. Each semicircle is made of black (Yin) and white (Yang) lines that enclose each other, to depict Yin containing Yang and Yang containing Yin. The empty circle within these lines corresponds to the empty circle on top. This alludes to the principle that Yin and Yang are the "function" or "operation" (yong) of Emptiness, which in turn is their "substance" or "core" (ti). Following this are the five agents, that constitute a further stage in the progressive differentiation of Oneness into multiplicity. The lines that connect them to each other show the sequence in which they are generated, namely Wood, Fire, Soil, Metal, and Water. In this cosmological configuration, the Great Ultimate is represented by the central Soil (which is said to have a "male" and a "female" aspect), and reappears as the small empty circle below, which represents the conjunction of Water and Fire ("great Yin" and "great Yang") and of Wood and Metal ("minor Yang" and "minor Yin"). The circle below the five agents stands for the joining of the active and passive principles, which respectively give birth to and support the existence of the "ten thousand things." These are represented, in turn, by the circle at the base of the chart."
I can't be exactly certain where Kishimoto would take this idea. I would combine all of this to extrapolate that True Yang is utilized with True Yin to create and/or radically change "The Ten Thousand Things." Given that the world we live in is seen as somewhat illusionary and a product of the 'mundane self' by Taoist standards, it would then be implied that "Creation of All Things" implies a greater ability to create other mundane entities from the Tao - more so than creating physical illusions within the world.
Which does bring up an interesting point to the "World of Lies" so frequently cited by Kisame, and makes me wonder about something else I've been running across in my research of Taoism - and that is the notion of "A thousand I's".
Basically, the idea is that each person is made up of a thousand smaller identities that all interact in support and competition of each other. Part of the goal of the 'firing process' to create the 'elixir' is to unify all of these entities and/or consolidate them down to one identity. Which would be a rather interesting ending to Naruto - to find it has been a battle within a monk's mind (possibly a monk named Naruto). Though an ending like that would probably piss a bunch of people off. Though it would be a sort of "Inception-like" ending. What's to say the 'true' Naruto is not just another bunch of 'I's' within a greater mind?
Anyway - my point is that the structure of Taoism would suggest that Ninshuu and Ninjutsu are all products of the mundane and would really only have the ability to alter within the confines of the "Ten Thousand Things" - all-out creation would be above and beyond the abilities of mundane yin/yang.
This really depends upon how Kishimoto wants to run with the idea of True/Mundane Yin/Yang - if he runs with it at all. Perhaps Creation of All Things was used only temporarily after a great amount of preparation. The work and effort put forth into obtaining the "Elixir of Immortality" - the process for obtaining True Yang - is monumental. Perhaps the Sage was only able to obtain and use the power for a brief period of time before losing it.
Perhaps he seeks to extract the Elixir of Life from the likes of Naruto and others (a sort of internal/external alchemy hybrid approach) because his fixation upon the physical world has prevented him from obtaining the power necessary to complete what he started. Or perhaps he wishes for his mother to have the power.
Perhaps the Juubi's fruit is "The Golden Flower" - the Elixir of Immortality, and all of my speculation on the Sage's motives is silly (though it could also be that the power of the Juubi's fruit - the Eliixir of Immortality - could be created in ways other than the Juubi, itself - and perhaps that is part of what Hagoromo is doing... there's a lot of room for him to have fun with the ideas).
Or, perhaps once you've 'seen' what needs to be seen, you forever have Creation of All Things.
Maybe it just depends upon whether or not you're an Uchiha and/or have Senju DNA. Sometimes the flat-ness of Kishimoto's story development is ... disappointing.
This one hasn't been entirely explained, but sealing jutsu certainly plays a part in this. Fuinjutsu is different in that it seems to draw power from elsewhere. I have speculated that sealing jutsu was originally an extension of early Uzumaki practices (Pre-Sage) involving shamanistic rituals and symbols that directed the flow of nature chakra to perform work (perhaps using a catalyst reaction from the chakra of a being with chakra).
The idea, here, would be that you use a human sacrifice (Qi and Jing) and use a portion of one's original Jing to call to their Shen, binding it within a seal that then uses the Qi and Jing of the sacrifice (further empowered by interaction with Nature chakra - though I do not recall if Naruto is stated as being able to sense Edo summons exceptionally well through Sage mode, or not, which one would expect if Kishimoto intended to 'power' them through Nature chakra).
Although the reference to "Edo" implies the Buddhist concepts of the "Impure World" - Which could simply be an allusion to the idea that you are summoning a soul from the "Pure World" (or where those who have escaped the cycle of suffering... although this use by Kishimoto is taken with a bit of artistic liberty, as the "Pure World" is meant as a residence for truly enlightened souls - the "Impure World" is still bound to its own cycle of reincarnation and suffering).
Merging the ideas of Taoism and Buddhism would hold that the "Impure" or "Edo" world is the "Lower" or "Mundane" world. The "Pure" world of Buddhism doesn't merge as well with Taoism - but could be seen as the -state- of being 'one with the Tao.' That, or it could simply mean that one has achieved a relatively higher state of unity with the universe (if we take the "Inception interpretation" of the many 'I's' and an infinite regression of Yin and Yang).
Though the impact to Naruto may simply be in the name and little more.
Trees and forests are not really seen as a separate life within the concepts of the Five Movements/Virtues and the I Ching:
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Wood is actually a phase of the Five Virtues - which represent the flow and cycle of life. In other interpretations it is seen as a combination of Earth, Water, and Fire, and in Naruto it is directly stated as being a specific variation of Earth and Water releases only possible by those of the Senju descent. This would imply a transitioning or empowering as opposed to a creation. I suppose that is splitting hairs fit for a court room, but when you consider that people spit impossible sums of water out of their mouth - there is likely some distinction between "Creation of All Things" and "Stop flooding the damned place, already - where in the hell is that water coming from?"
In the end, that is all somewhat vague. It is also possible that the Senju's ability to sprout and/or manipulate wood is more directly related to the capabilities of the Juubi (much as how the Elder Son seemed to inherit the eyes of the Sage, resembling the eye of the Juubi; perhaps the younger son inherited the body in a literal sense of being able to utilize the body of the Juubi - which is wood/trees).
Of course, that brings up the question of: "So where in the heck do the Uzumaki fit into all of this?" Which I've discussed that already, but it's a factor that is relevant to the overall structure of Naruto.
I agree.
It is odd, to me, that he introduces the idea of Indra and Ashura. While I am not exactly opposed to the notion of reincarnation - I find the Sage's insinuation that his sons are perpetually reincarnated as being somewhat... troubling. If his drifting through time to observe and attempt to guide his sons to peace was such a noble effort, one would expect results considerably better than the track record the Sage has established for himself.
I think the inclusion of Indra and Ashura is more of a distraction on the part of the Sage, though I am not exactly sure how. Something seems off about his whole story, but I can't quite place my finger on it. The insinuation is that Sasuke is Indra and Naruto is Ashura... but I'm wondering if that is really true, or if the Sage is trying to keep Naruto from realizing something even more important in the mix of things.
I think one gets a bit more appreciation for a series like Naruto when you look at the work(s) most probable to have been the inspiration for particular plots and events. It gives you a sense of what the author actually did. Perhaps that is a sort of underhanded jab by me, since I am insinuating that the story is difficult to appreciate on its own virtues - but I do find that I think Kishimoto has done a bit less justice to Naruto than he has to the inspirational materials for his writing.