Echos of the Past: Mirai vs Detective L
- Thread starter Mirai
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Detective L
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I'll be switching my character for this, instead I'll use my Ilah Hojji character instead (Second Image).
“I sense your soul… what an intriguing resonance,” the artist mused, her voice soft yet charged with an undercurrent of fascination. Her gaze remained locked on the canvas in her hand, her brush poised as she dabbed delicate streaks of crimson ink to complete her latest masterpiece. Holding the paper aloft, she admired her work, a satisfied smile gracing her lips. “Brilliant…” she murmured, her focus shifting to the figure of the Uchiha stepping into view.
“Greetings, traveler,” she said warmly, her tone a blend of charm and mischief. “I suppose you’re the one who answered my call for action?” Her question hung in the air, her head tilting slightly as if to appraise him further.
Her demeanor was intoxicating, her presence magnetic as she reached into her pouch to retrieve another jar of ink and a fresh brush. “You know,” she continued, dipping the brush into the dark liquid with practiced precision, “model calls are usually ignored. Most people have learned what these tend to lead to!” A sly smile curved her lips as the ink on her brush began to shimmer and swirl, taking on a life of its own.
With a dramatic flourish, the ink coalesced into two towering forms—colossal “gods” born of her imagination and chakra. The ink giants loomed ominously, their features detailed and flowing like wet paint, yet their forms pulsed with a dangerous energy. “Welcome to my art show,” the artist declared, her eyes gleaming with excitement. “Do try not to die too quickly!”
The giants lunged forward, their massive bodies moving with surprising agility. Each step resonated with power, the ground trembling beneath them. Infused with wind chakra, their attacks sliced through the air with devastating force, leaving behind razor-sharp gashes in their wake. What made them truly fearsome, however, was their regenerative ability—an unyielding resilience gifted by their creator. Destroying them entirely would take more than brute force.
“Oops! Sorry if that hurt too much,” the artist called out with mock sincerity, her tone light but her intent unmistakable. Behind her, her Genki companion, Kub, hovered protectively, his eyes scanning the battlefield for any sign of treachery. His presence was as calm as hers was chaotic, an ever-watchful guardian at her back.
Ilah, the artist, stood poised, her brush ready to create more devastation. For her, this was more than a fight—it was the ultimate performance. Should the giant's strikes prove on their mark, lafge ink explosions on the points of impact- spreading five meters. Anyone caught in this would suffer a decrease to their speed and be blinded
( Ninpo: Chōjū Giga Hitoame ) - Ninja Art: Super God Imitating Drawing
(Ninpo: Iro no Tatchi)- Ninja Art: Touch of Color
(Inkupo: Warui Appuru ) Ink Art: Bad Apple
“I sense your soul… what an intriguing resonance,” the artist mused, her voice soft yet charged with an undercurrent of fascination. Her gaze remained locked on the canvas in her hand, her brush poised as she dabbed delicate streaks of crimson ink to complete her latest masterpiece. Holding the paper aloft, she admired her work, a satisfied smile gracing her lips. “Brilliant…” she murmured, her focus shifting to the figure of the Uchiha stepping into view.
“Greetings, traveler,” she said warmly, her tone a blend of charm and mischief. “I suppose you’re the one who answered my call for action?” Her question hung in the air, her head tilting slightly as if to appraise him further.
Her demeanor was intoxicating, her presence magnetic as she reached into her pouch to retrieve another jar of ink and a fresh brush. “You know,” she continued, dipping the brush into the dark liquid with practiced precision, “model calls are usually ignored. Most people have learned what these tend to lead to!” A sly smile curved her lips as the ink on her brush began to shimmer and swirl, taking on a life of its own.
With a dramatic flourish, the ink coalesced into two towering forms—colossal “gods” born of her imagination and chakra. The ink giants loomed ominously, their features detailed and flowing like wet paint, yet their forms pulsed with a dangerous energy. “Welcome to my art show,” the artist declared, her eyes gleaming with excitement. “Do try not to die too quickly!”
The giants lunged forward, their massive bodies moving with surprising agility. Each step resonated with power, the ground trembling beneath them. Infused with wind chakra, their attacks sliced through the air with devastating force, leaving behind razor-sharp gashes in their wake. What made them truly fearsome, however, was their regenerative ability—an unyielding resilience gifted by their creator. Destroying them entirely would take more than brute force.
“Oops! Sorry if that hurt too much,” the artist called out with mock sincerity, her tone light but her intent unmistakable. Behind her, her Genki companion, Kub, hovered protectively, his eyes scanning the battlefield for any sign of treachery. His presence was as calm as hers was chaotic, an ever-watchful guardian at her back.
Ilah, the artist, stood poised, her brush ready to create more devastation. For her, this was more than a fight—it was the ultimate performance. Should the giant's strikes prove on their mark, lafge ink explosions on the points of impact- spreading five meters. Anyone caught in this would suffer a decrease to their speed and be blinded
( Ninpo: Chōjū Giga Hitoame ) - Ninja Art: Super God Imitating Drawing
Type: Offensive
Rank: S
Range: Short - Long
Chakra: 40
Damage: 80 + 10 via AP + 20 via CW + 20 via Infusion = 130 DMG
Description: Often employed in one-to-one combat, the user is able to bring forth massive and powerful humanoid warriors to battle for them. These warriors, being capable of being up to 15 meters large, are capable of independent actions and dealing high damage with ink swords and hammers. Boasting greater power than the Super Beast Imitating Drawing, each creation can quickly deliver deadly blows capable of easily destroying stone and the terrain. When striking with these weapons, they are capable of causing a 5 meter large ink explosion at the point of contact that spreads ink everywhere capable of both blinding targets as well as slowing them tremendously. When used in this manner, these explosions can lower a target’s AGL and DEX by 1 each for 3 turns. Inversely, it can lower either individual Attribute by 2 as a trade off of only focusing on one Attribute. Ink residue after this cannot be utilized for future attacks, only this initial attack.
Note: This technique can only be used up to 3 times per battle, lasting up to 3 turns each usage.
Note: This technique can lower AGL and DEX by 1 each when targeting both, or it can lower either Attribute by 2 by itself.
Rank: S
Range: Short - Long
Chakra: 40
Damage: 80 + 10 via AP + 20 via CW + 20 via Infusion = 130 DMG
Description: Often employed in one-to-one combat, the user is able to bring forth massive and powerful humanoid warriors to battle for them. These warriors, being capable of being up to 15 meters large, are capable of independent actions and dealing high damage with ink swords and hammers. Boasting greater power than the Super Beast Imitating Drawing, each creation can quickly deliver deadly blows capable of easily destroying stone and the terrain. When striking with these weapons, they are capable of causing a 5 meter large ink explosion at the point of contact that spreads ink everywhere capable of both blinding targets as well as slowing them tremendously. When used in this manner, these explosions can lower a target’s AGL and DEX by 1 each for 3 turns. Inversely, it can lower either individual Attribute by 2 as a trade off of only focusing on one Attribute. Ink residue after this cannot be utilized for future attacks, only this initial attack.
Note: This technique can only be used up to 3 times per battle, lasting up to 3 turns each usage.
Note: This technique can lower AGL and DEX by 1 each when targeting both, or it can lower either Attribute by 2 by itself.
Type: Supplementary/Defensive
Rank: B
Range: Short-Mid
Chakra cost: 20 (-5 per turn)
Damage: 40 (+20 to Ink Ninjutsu)
Description: With the ability to manipulate Ink, the user will go through the delicate process of infusing the substance with elemental chakra. In doing so the ink will change color depending on the nature of chakra present within it, with the exception of Doton chakra. Katon turns the ink blood red, Suiton turns it blue, Raiton turns it purple, and Futon turns it into a faded grey color. In addition to changing the color, each elemental nature also changes how the ink behaves. Red Ink becomes scalding to the touch, like boiling water while Blue Ink is viscous and sticky similar to starch syrup technique. Doton channeled Black Ink contains properties of Super Added Weight Rock Technique. When contact is made with the ink technique the affected target would have its’s/their weight increased.(Initially 10x, then 30x, 50x, etc). The weight increase remains as long as contact with the ink exists + one turn after the removal of the ink for 10x increase, two turn after for 30x, three turns after for 50x etc. Purple Ink numbs whatever it touches due to lightning coursing through. (Numbing would last for one turn)Lightning would work similar to how lightning is channeled through liquid and water, having the ink technique electrolysed in a sense, which in turn affects the target. Grey Ink is given great cutting capabilities when used in pressurized streams or solid constructs the wind would surround the ink construct similar to a shroud, thus removing the possibility of negatively affecting the ink technique. This technique can be used as a standalone to create weapons, animals, and constructs of ink using scrolls or other methods of ink usage. It can also be applied in the same timeframe of another Ink technique for added damage, costing +10 infusion to the ink technique.
Note(s):
-Usable three times per battle, with a turn cool down in between.
-The user can imbue the ink technique with more than one element once every three turns. The damage increase remains at +20 to the ink technique
Rank: B
Range: Short-Mid
Chakra cost: 20 (-5 per turn)
Damage: 40 (+20 to Ink Ninjutsu)
Description: With the ability to manipulate Ink, the user will go through the delicate process of infusing the substance with elemental chakra. In doing so the ink will change color depending on the nature of chakra present within it, with the exception of Doton chakra. Katon turns the ink blood red, Suiton turns it blue, Raiton turns it purple, and Futon turns it into a faded grey color. In addition to changing the color, each elemental nature also changes how the ink behaves. Red Ink becomes scalding to the touch, like boiling water while Blue Ink is viscous and sticky similar to starch syrup technique. Doton channeled Black Ink contains properties of Super Added Weight Rock Technique. When contact is made with the ink technique the affected target would have its’s/their weight increased.(Initially 10x, then 30x, 50x, etc). The weight increase remains as long as contact with the ink exists + one turn after the removal of the ink for 10x increase, two turn after for 30x, three turns after for 50x etc. Purple Ink numbs whatever it touches due to lightning coursing through. (Numbing would last for one turn)Lightning would work similar to how lightning is channeled through liquid and water, having the ink technique electrolysed in a sense, which in turn affects the target. Grey Ink is given great cutting capabilities when used in pressurized streams or solid constructs the wind would surround the ink construct similar to a shroud, thus removing the possibility of negatively affecting the ink technique. This technique can be used as a standalone to create weapons, animals, and constructs of ink using scrolls or other methods of ink usage. It can also be applied in the same timeframe of another Ink technique for added damage, costing +10 infusion to the ink technique.
Note(s):
-Usable three times per battle, with a turn cool down in between.
-The user can imbue the ink technique with more than one element once every three turns. The damage increase remains at +20 to the ink technique
Type: Supplementary
Rank: B - Rank
Range: N/A
Chakra: 20
Damage: N/A
Description: Bad Apple is unique technique that doesn’t follow the traditional means of Ink Ninjutsu, rather being a technique designed to supplement the artworks instead. Through the infusion of additional chakra, the user is able to apply a similar ability to its sister technique Ninja Art: Ink Flow in which we seen when the snakes are capable of regenerating consecutively thus making escape impossible. What this technique does, is enable other works created by the user the same properties of regeneration. The regeneration however can only take place in the event the artwork is not completely destroyed and would regenerate back to full power so as long as it hasn't sustained enough damage to be neutralized or overpowered. This technique can be used three times per battle, lasting two turns each. Due to the nature of this technique, it's initial activation is instantaneous and can be used within the same time frame of another technique.
Rank: B - Rank
Range: N/A
Chakra: 20
Damage: N/A
Description: Bad Apple is unique technique that doesn’t follow the traditional means of Ink Ninjutsu, rather being a technique designed to supplement the artworks instead. Through the infusion of additional chakra, the user is able to apply a similar ability to its sister technique Ninja Art: Ink Flow in which we seen when the snakes are capable of regenerating consecutively thus making escape impossible. What this technique does, is enable other works created by the user the same properties of regeneration. The regeneration however can only take place in the event the artwork is not completely destroyed and would regenerate back to full power so as long as it hasn't sustained enough damage to be neutralized or overpowered. This technique can be used three times per battle, lasting two turns each. Due to the nature of this technique, it's initial activation is instantaneous and can be used within the same time frame of another technique.