Before the Uchiha Massacre, when the clan was still planning the Coup de Etat, The higher ups of the clan were searching for an advantage they can use in battle to make sure their plan will be a success. Being masters of Fire and the advantage of having the Sharingan to cast illusions, they’ve come up with a new style by combining their two main strengths. Thus, giving birth to a unique offensive fighting style known only to the members who have awakened their sharingan.
Description on the Abilities and Inner Workings of the Style:
Using the clan’s natural affinity with fire, the members of the clan combined it with the ability of their sharingans. Using Fire as the main point of attack, they mix in a genjutsu to serve as a distraction. This style mainly relies on Illusions to set-up the attack, giving them time to cast a katon jutsu to attack the opponent.
In order to utilize the full advantages of the style, one must undergo intensive training as this style requires extreme concentration and timing. Lack of concentration or distractions will fizzle out the genjutsu that will leave the user open for a counter attack.
Additional effects and Restrictions:
-Masters of the Style have great control over their chakra and be able to break free of a genjutsu up to the rank of their Sharingan level even without it being activated.
-To be an apprentice of the style one must have mastered Katon and basic Genjutsu. Must have 2 Tomoe awakened.
-To be a follower of the style one must have mastered Katon and basic Genjutsu and started on Sharingan Genjutsu. Must have 3 Tomoe awakened.
-Techniques of this style consumes twice the amount of chakra than a normal jutsu of its level.
Structure:
Creator – Maker/Creator of the Style. Able to use all techniques of the Style.
Master – Able to use up to S-rank techniques. Requires 3T activated to be an Master of the style
Apprentice – Able to use up to A-rank techniques. Requires 3T activated to be an Apprentice of the style.
Follower – Able to use up to B-rank techniques. Requires 2T activated to be a Follower of the style.
Description: The user will first cast a genjutsu by bringing their palms together then putting both hands in front of them, palm facing the opponent. The Tomoe of their Sharingan will then get bigger. The enemy will then start to see their surrounding burning and 3 large human sized fireballs start to fall from above which is really happening in reality as the user will jump in the air and cast the fireball while the opponent is trap in the genjutsu.
Note: Requires 3T sharingan to use
Note: Needs to know Illusionary Flames
Note: Only usable twice and cant be use on consecutive turns
Note: Can only be taught by WastedMonkey
Description: The user will first cast a genjutsu by bringing their palms together then putting both hands in front of them, palm facing the opponent. The Tomoe of their Sharingan will then get bigger. The enemy will then start to see a ring of fire form around him in a 5 meter radius closing in on him. In reality, as soon as the illusion is cast the user will bring his hands back together and then slams it to the ground making a crack towards the location of the enemy. The user will then release katon chakra from his mouth to make a fire run up to the crack and towards the enemy. This will burn the enemy from underneath.
Note: Requires 2T sharingan to use
Note: Needs to know Illusionary Flames
Note: Only usable three times per battle
Note: Can only be taught by WastedMonkey
___________________ ~Declined~
This simply isn't a fighting style. You're just using fire and then a genjutsu, or vice versa, as two entirely separate entities. It's just a series of relatively basic combinations.
(Senbonzakura) - Thousand Cherry Blossoms Type: Ninjutsu Background: Being a shinobi of the leaf, ~Havoc~ has spent much time on the forest that surrounds the land of fire's village, becoming one with nature, so much that no animal is afraid of him and allow him to pet them at will, while in the time he spent there he discovered a way of making the forest itself or actually the leafs themselfs help him in combat.
Description on the Abilities and Inner Workings of the Style:
This is a simple yet efficient and strong fighting style, where the user focusses chakra into tree's nearby by and coats the leafs on them in sharp or dense chakra depending on the usseage he wants to give them, becoming moer like sharp small blades and not leafs, he them is able to freely manipulate them in waves of thousands of petals, depending on the amount of leafs the user can gather them together and compress them, giving them a single solid form with great strength and such. While the blades are supposedly too small to be seen normally, they reflect light in such a way as to appear as cherry blossom petals due to the extra type of chakra added by the user. The user can control the "blades" at will, allowing him to shred opponents at a distance and break through many defenses within reason. The blades are also used for defensive purposes, as they can even protect the user from an incoming sword swing, kunais, shurikens, and other regular ninja weapons. A master of this fighting style is allowed to carry a gourd full of petals already coated in his chakra, allowing him to use them, without the need of controlling the leafs of trees nearby by.
Skill levels of the style:
Creator (created the style, Dominates it)
^
Master (knows Senbonzakura and advanced techniques)
^
User (someone who knows basic techniques)
^
Apprentice (is learning basic techniques)
Additional effects and Restrictions:
• Can only be used if there are trees around the field, or if the user carries his petal gourd.
• Must have mastery over Ninjutsu. (Due to the need of extreme chakra control)
• Only ~Havoc~ may teach Senbonzakura.
• Must complete 2 training sessions to be an Apprentice.
• Must complete 3 training sessions to be a User.
• Must complete 5 training sessions to be a Master.
• Must be atleast Sannin rank to start basic training.
• An apprentice can only learn up to C rank.
• A user can only learn up to B rank.
• A master can learn up to S rank.
• Only the Creator can use F rank techinques.
Examples:
(Senbonzakura: Chire) - Thousand Cherry Blossoms: Scatter
Rank: B
Type: Supplementary
Range: Short - Long
Chakra Cost: 20
Damage Points: 40
Description: The user will take control of a thousand petals and scatter them across the field, maknig it look like a pink ground is what they are on top of.
• Must have several trees nearby by or carrying the user's petal gourd.
(Senbonzakura: Senkei) - Thousand Cherry Blossoms: Annihilate
Rank: A
Type: Offensive
Range: Short - Mid
Chakra Cost: 30
Damage Points: 60
Description: The user unites the scattered petals into complete glowing swords, numbering in the thousands, that form four rows. These rows float just above the other, and circle around the user and his opponent in a continuously moving, column-like array. It abandons defense in favor of a concentrated offense. Though visually menacing, this form is not meant for attack from all sides; rather, it is to concentrate his power into fewer blades, thus increasing his attack power. While the suer can control these swords, he commonly calls them to his hands for actual melee combat. When in his hand, they lose their glow, and take the form of a katana. While they seem solid in this state, the swords can just as easily dissipate back into the multitude of tiny blades that they are made up of. It seems to take fewer blows from a Senkei blade to gravely injure an opponent than the multiple cuts needed. The Senkei also cages himself with his enemy, allowing neither combatant to move very far from each other, though the area is still large enough for maneuverability. The most effective use of the Senkei form is that it allows for use of all the swords at the same attack level, making it highly versatile as a way to effectively defeat an enemy unaware of the danger of the situation.
• May only be used 2 times per match.
(Senbonzakura: Hakuteiken) - Thousand Cherry Blossoms: White Emperor Sword
Rank: S
Type: Supplementary/Offensive
Range: Short
Chakra Cost: 40
Damage Points: 80
Description: This condenses each and every single one of his "blades" into a single, potent sword, drastically increasing its cutting power. The chakra and pressure of this form released is immense. The blade appears bright white and its aura takes the form of a bird, earning it the name Hakuteiken ("White Emperor Sword"). Pure white wings form on the user's back, as well as a halo-like circle, made of concentrated petals. The blade in this form is dangerous enough to cause aggravated injuries in one single blow. The wings are capable of being used for flight, the user can either only create the wings or only the sword, or both if wanted.
• May only be used 3 times per match.
____________________ ~Declined~
Being from Konoha doesn't allow you to control leaves. And even if you weren't necessarily controlling the leaves but the chakra around them, that's basically like saying I coat wood with my chakra and now I can control wood.
{Nunchaku-Bokushingu}Nunch-Boxing Type: Nunchaku style/ Ninjutsu to enhance it's power. Background:
During one of his mission Gitanshu was sent to the land of Iron to accompany them against a certain enemy and after completing his mission he was requested by the monks to stay in there temple for a while, During his small stay he took out time to visit one of the self defense class which was held with in the temple and for the first time saw Nunchaku in real action he was mesmerized by there destructive power and yet there smooth flow, He requested the monks to train him that art and was given the privilege to learn it and he grabbed with both hands and learned and tried to learn even about it's smallest detail as he planed to in-cooperate that style with elemental ninjustu too. Description on the Abilities and Inner Workings of the Style:
This is a form of taijutsu which enables the user to in-cooperate the use of Nunchakus in a close quarter battle and in certain cases it can be used to increase the range of user's attack by passing chakra into the Nunchakus and make them shoot out crescent shape blades of a particular element.
In this style the user can either use the Nunchakus in a similar free form manner to that of a sword but unlike sword it has advantage user can also hold one part of the nun chuck in his hand and make the other part of the nun chuck be hold either in his armpit or other places and while a free swing of his hand user can release that Nunchaku with all force to deal heavy damage to opponent and as the force is applied from multiple body part at once the sheer power and speed of the strike is increased in comparison of a sword, It is also different from swords in the way it deals damage that being said as we all know sword user relies on it's cutting power where as Nunchakus are used as a raw power source which posses the power to break bones from a single blow and that is what makes them unique in terms of usage. [Nunchakus actually posses such power in RL and ninja can only increase it's effect so this not something I am coming up with]
This style is basically made for short range battle and Involves 4 type of Nunchakus mainly which were made by Gitanshu himself so that he can take this style to new heights
Light-weight Nunchakus- As the name suggest these Nunchakus are very light in terms of weight and that is because of the material they are made up off and therefor they swing at a great pace [2 times faster] and accuracy in comparison to other Nunchakus but they also have a very big disadvantage and that being that they hardly posses any damage dealing capacity even an all out strike using them only causes a little pain to opponent and that is why they are mainly used with elemental Ninjustu.
Normal weight Nunchakus They are the normal Nunchakus without any modification and are used more often then other nunchucks, they have a balance in terms of speed and damage dealing capacity, They are used for training purpose in the beginning.
Heavy weight Nunchakus They are quite heavy and therefor they swing at half the pace in comparison to a normal Nunchakus but they also have a very big advantage associated to them and that being there damage dealing capacity, The user can easily break opponent's bone from a single strike when using them though because of there weight they are slow and the opponent can easily counter them under normal circumstances.
Kunai-Nunchakus A very strange Nunchakus that gitanshu came up with which are different in terms of there construction instead of having to hoalding grips they only posses one of them and the othere grip is replaced by a blade and therfor this Nunchakus grant's the user with cutting power too but they also have disadvantage associate with them and that being the user can not bring the blade in contact with his bod which deprives him of a full body thrust which very important in granting great speed to Nunchakus.
Elemental modification.
Lightning- paralyzes Fire- Cause burns Water- Can be used to increase range in certain cases Wind- Causes sharp cuts Earth- N/A
Additional effects and Restrictions:
-The masters of this style can use 2 Nunchakus at same time
-The users upper part of body[above vest line] becomes a little more agile in comparison to a normal ninja and that is because of hard training he goes through and the number of slashes he perfors using the Nunchakus
-Must have started taijutsu traing
Example technique-
Head on strike
Type:Offensive
Rank:B
Range:Short
Chakra:N/A
Damage:40
Description:The user uses two Nuchaucks at once for this technique and he first swings a nuchuck at his face height and at the same timo follows up spinning anticlockwise wise and bringing the second nunchuck in play and swing it in a similar pattern to first one to land blow to opponent it is basically used when the opponent is somehow able to dodge the first nunchuck
I know it was tried in past by Asina but he no longer plans on making it so I am trying to get it approved and I ahve also gained his permission to do so.
You must be registered for see links
____________________ ~Declined~
Simply wielding different types of nunchuks doesn't qualify as a CFS. The fact that you slipped crescent-shaped blasts that can be shot from them doesn't really change anything, because crescent-shaped blasts of chakra coming from a weapon hasn't been considered an original enough ability to get approved on its own for a long time now.
Hoippu Geijutsu | Whip Arts Type: Gentaijutsu Background: While travelling trough the ninja world, -Severus Snape- came across a lot of different fighting styles, but one of them made the biggest impact on him, a Sannin from the leaf who used his hair as a whip. This inspired him to start fighting using a self-made whip. In the beginning this didn’t help him in his battles, it even caused him almost to die. Starting to combine his whip attacks with genjutsu, he realised that this was an really effective fighting style and create his own style and use it in battles.
Description on the Abilities and Inner Workings of the Style:
This type of genjutsu uses the whip the user carries with him to disturb the enemy’s chakra flow. This disruption of the flow of chakra makes the enemy perceives illusions, which puts enemy under a genjutsu. The damage done by the Whip Arts is both Physical (if hit by the whip) and Mental (the genjutsu the enemy is put under).
Whip Arts techniques are usually fast but gracefully, relying on the short ‘whipping’ movements of the whip to hurt the enemy (If they did too much physical damage, the enemy they would automatically be released from the genjutsu) and then disturbing the enemy’s chakra flow to put them under a Genjutsu. The speed of the movements can be compared with the speed of an attacking snake, short but powerful.
(Hoippu Geijutsu: Doragonraizu) | Whip Arts: Rise of the Dragon Type: Supplementary Rank: B Range: Short-Mid Chakra: 20 Damage: 40 Description: The user will move the whip around his body while channelling his chakra trough the whip. As the whip hits the opponent, a small amount of chakra of the users chakra will disrupt the opponent’s chakra flow, putting him under a genjutsu where he sees a giant dragon appears behind the user, ready to attack him. This will distract the opponent, leaving openings for the user to attack.
Note: Must know Hoippu Geijutsu to use.
(Hoippu Geijutsu: Hebi ni kama) | Whip Arts: Snake Bite Type: Attack.Supplementary. Rank: A Range: Short-Mid Chakra: 30 Damage: 60 Description: The user will channel his chakra in the whip before whipping it towards the opponent, upon hitting the opponent the users chakra in the whip will put the opponent under a genjutsu. The second time the opponent sees the whip coming forwards he will think that it is a giant snake, leaving him frozen in fear.
Note: Must know Hoippu Geijutsu to use.
Additional effects and Restrictions:
-Must be of at least Sannin Rank to learn
-Must have mastered Genjutsu
-The user must carry a whip with him
-This style can only be taught by a Hoippu geijutsu Master.
____________________ ~Declined~
Inducing genjutsu on contact is a characteristic of the Lazy Fist style. Even though this is through a whip and that is through hand-to-hand combat, it's still the same concept. You can, however, speak to Scorps for permission to use his concept; since your methods aren't the same this isn't a complete rip off of his technique and can still be approved should you attain permission from Scorps himself.
Background: Tai Chi Chuan is a type of internal Chinese martial art practiced for both its defense training and Offense. It is also typically practiced for a variety of other personal reasons, its hard and soft martial art technique. The chi in this instance is the Wade-Giles transliteration of the Pinyin jí, and is distinct from qì (or chi 氣), meaning "life energy". The concept of the Taiji (太極,"supreme ultimate"). What is now known as "T'ai chi ch'uan" only appears to have received this appellation from around the mid 1800's. There was a scholar in the Imperial Court by the name of Ong Tong He who witnessed a demonstration by Yang Luchan ("Unbeatable Yang"). Afterwards Ong wrote: "Hands holding Taiji shakes the whole world, a chest containing ultimate skill defeats a gathering of heroes." This was the time when Yang Luchan made the Chen clan's martial art known to the world through his own form ("Yang family style") then Yang Luchan descendant pass this martial art to Oasis Nara which travel to china to seek another beasts of knowledge to gain more power.The name "T'ai chi ch'uan" is held to be derived from the Taiji symbol (Taijitu or T'ai chi t'u, ).
Description on the Abilities and Inner Workings of the Style:
Tai Chi Chuan purported that focusing the mind solely on the movements of the form helps to bring about a state of mental calm and clarity, The physical techniques of t'ai chi ch'uan are described in the tai chi classics. as being characterized by the use of leverage through the joints based on coordination and relaxation, rather than muscular tension, in order to neutralize, yield, or initiate attacks. The slow, repetitive work involved in the process of learning how that leverage is generated gently and measurably increases, opens the internal circulation (Chakra, breath, body heat, blood, lymph and peristalsis)
2. Example Technique.
1. Kuraudo o bunri suru|Separating the Cloud
When an incoming hostile attack in form of elemental jutsu facing the user, then the Tai Chi Chuan master will circular his energy (chi/chakra) spiraling and coiling like a spring then picking up the attack by extend his both arm and rotate arc arms to waist thru separate hands and turning on palms to push it away in two directions.
2. Kūki de oyoide | Swimming in The Air
By using the opponent attacking force the Tai Chi Chuan master shall reverse back the attack by grab the opponent then swing the user hand together with slow movements, the mind can focus on the movement at any instant, (focus on soundness of structure, stability, softness) to cultivate the "soft power", acupuncture cavities and feel the circulation of chakra in the body to feel the surrounding chakra field for guiding the flow of the opponent movement then push backward the opponents body by brush knee in leg-hand-opposite stance.
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Additional effects and Restrictions:
The Master Tai chi chuan style primarily involves of three aspects:
• Physical : concentrates on relieving the physical effects of stress on the body and mind. For those focused on tai chi chuan martial application, good physical fitness is an important step towards effective self-defense.
• Meditation: The focus and calmness cultivated by the meditative aspect of tai chi chuan is seen as necessary in maintaining optimum defense and offense in application of the form as a soft style martial art.
• Martial art: The ability to use tai chi chuan as a form of self-defense in combat is the test of a student's understanding of the art. Tai chi chuan is the study of appropriate change in response to outside forces, the study of yielding and "sticking" to an incoming attack rather than attempting to meet it with opposing force. The use of tai chi chuan as a martial art is quite challenging and requires a great deal of training.
• Tai Chi Chuan distinguishing between the mind and chakra that is, using the working movements of the separated muscles and bones to sense the magnitude of the magnificent posture- big or small, long or short, thin or thick, etc. Where the mind reaches, the chakra reaches and the energy reaches
• Moving is as if not moving. To have is then to exist; not to have is then non-existence; suddenly appearing and disappearing. These must be clearly distinguished in each and every movement.
• The agility in separating the mind and qi; that is, the whole body is united as a whole, where the body will automatically follow the mind.
_______________ ~Declined~
Provide me with a few example techniques as you would actually submit them in the CJ thread. Then we'll go from there.
Background: Tai Chi Chuan is a type of internal Chinese martial art practiced for both its defense training and Offense. It is also typically practiced for a variety of other personal reasons, its hard and soft martial art technique. The chi in this instance is the Wade-Giles transliteration of the Pinyin jí, and is distinct from qì (or chi 氣), meaning "life energy". The concept of the Taiji (太極,"supreme ultimate"). What is now known as "T'ai chi ch'uan" only appears to have received this appellation from around the mid 1800's. There was a scholar in the Imperial Court by the name of Ong Tong He who witnessed a demonstration by Yang Luchan ("Unbeatable Yang"). Afterwards Ong wrote: "Hands holding Taiji shakes the whole world, a chest containing ultimate skill defeats a gathering of heroes." This was the time when Yang Luchan made the Chen clan's martial art known to the world through his own form ("Yang family style") then Yang Luchan descendant pass this martial art to Oasis Nara which travel to china to seek another beasts of knowledge to gain more power.The name "T'ai chi ch'uan" is held to be derived from the Taiji symbol (Taijitu or T'ai chi t'u, ).
Description on the Abilities and Inner Workings of the Style:
Tai Chi Chuan purported that focusing the mind solely on the movements of the form helps to bring about a state of mental calm and clarity, The physical techniques of t'ai chi ch'uan are described in the tai chi classics. as being characterized by the use of leverage through the joints based on coordination and relaxation, rather than muscular tension, in order to neutralize, yield, or initiate attacks. The slow, repetitive work involved in the process of learning how that leverage is generated gently and measurably increases, opens the internal circulation (Chakra, breath, body heat, blood, lymph and peristalsis)
2. Example Technique.
(Taikyokuken : Shisei kara hajimete, " mizu o mochiage") Taichi-Chuan Style : Starting posture, “Lift Water”
Rank: C
Type: Supplementary
Range: Long
Chakra cost: 15
Damage points: N/A
Description: This is the very basic stance for starting Tai chi chuan to gain relax and loose tense of the user torso and nerve, also gather power/chi upon the body part which he desired. While standing with the feet parallel and shoulder-width apart, the body weight is evenly balanced over both legs. The knees are relaxed. Breathing is even, and the idea is to relax the body. The movements include gently lifting and lowering the heels and slowly raising the arms up and down. Breathing and posture are particularly important in this movement. This basic principle is what helps give tai chi user its flowing movement.
Note: This stance must be performd in the first move.
(Taikyokuken : Saru o gekitai ) Taichi-Chuan Style : Repulse Monkey
Rank: C
Type: Supplementary
Range: Long
Chakra cost: 15
Damage points: 30
Description: After performing the starting posture “Lifting water” which the user will gain more relax then gather his power/chi on his both palm, where he be able to bounce back his opponent which just a small push when comes in contact with the opponent, by swing alternately the user right and left open palm, from backward to frontward. This may only causing the opponent a very minor injured, but it can defend the user and will keep distance from the opponent.
(Taikyokuken : Kūki de oyoide ) Taichi-Chuan Style : Swimming in The Air
Rank: B
Type: Defensive
Range: Short
Chakra Cost: 20
Damage Points: 40
Description: By using the opponent attacking force the Tai Chi Chuan master shall reverse back the attack by grab the opponent arm then swing the user hand together with slow movements, the mind can focus on the movement at any instant, (focus on soundness of structure, stability, softness) to cultivate the "soft power", acupuncture cavities and feel the circulation of chakra in the body to feel the surrounding chakra field for guiding the flow of the opponent movement then push backward the opponents body by brush knee in leg-hand-opposite stance.
You must be registered for see images
Additional effects and Restrictions:
The Master Tai chi chuan style primarily involves of three aspects:
• Physical : concentrates on relieving the physical effects of stress on the body and mind. For those focused on tai chi chuan martial application, good physical fitness is an important step towards effective self-defense.
• Meditation: The focus and calmness cultivated by the meditative aspect of tai chi chuan is seen as necessary in maintaining optimum defense and offense in application of the form as a soft style martial art.
• Martial art: The ability to use tai chi chuan as a form of self-defense in combat is the test of a student's understanding of the art. Tai chi chuan is the study of appropriate change in response to outside forces, the study of yielding and "sticking" to an incoming attack rather than attempting to meet it with opposing force. The use of tai chi chuan as a martial art is quite challenging and requires a great deal of training.
• Tai Chi Chuan distinguishing between the mind and chakra that is, using the working movements of the separated muscles and bones to sense the magnitude of the magnificent posture- big or small, long or short, thin or thick, etc. Where the mind reaches, the chakra reaches and the energy reaches
• Moving is as if not moving. To have is then to exist; not to have is then non-existence; suddenly appearing and disappearing. These must be clearly distinguished in each and every movement.
• The agility in separating the mind and qi; that is, the whole body is united as a whole, where the body will automatically follow the mind.
________________ ~Declined~
Wait so are you not trying to deflect actual jutsu anymore? Because you removed all references to that but you had it in your old submission. If you want that as part of your CFS still then you need to include it in the description of abilities. Otherwise, simply deflecting taijutsu attacks isn't enough to be considered a CFS.
Background: There was a fable that a city lies below the sea. This prompted Mist01 to go looking for adventure. So he goes searching for months with no success but one day he stumbled on what he has been looking for, his treasured underwater city. So he went in with only one motive, gold. To cut long story short, he was captured, then turn slave and have to fight for his freedom. This proves how he got to know their fighting ways and after 2 years he gained his freedom and came back to the surface.
Skill levels of the style:
++Creator(created the style)
++Master(knows all technique)
++Student(is learning style)
Description on the Abilities and Inner Workings of the Style:
Dance of Atlantis is a fighting that requires the user/s and his foe to be underwater. This style requires the use of suiton chakra as there are 3 variations (Nin/Tai/Ken) that combine as a whole to make this style. Ninjutsu: The user is able to breathe under water through manipulation of his suiton chakra. He forms a pair of gills at the back of his ears using chakra, so this allows him to breath underwater for longer period. Taijutsu: This user will use taijutsu without the restriction of water presure.
And combining taijutsu with suiton, the user can send a pulse of water through the sweatpore of the opponent through punches and kicks making the opponent overhydrated.
The user can give water, form and substance and send attacks to opponent through mere demonstration (the water surrounding an opponent can form a fist/leg which can be used to punch/kick and opponent as the user demonstrates).
The user has immense speed and relexes underwater and can move like a normal ninja speed on land which the opponent who is not a user of the style can't use. Kenjutsu: The user can use bladed weapons at close range without water restriction. This is also similar to the taijutsu variant, the user can imbue water into the blades to enhance its range and lethality. Generally, the user of this style simply use water as advantage and without its restriction, brings fighting and combat into a whole new level.
"This is the way of atlantis"
Example:
Fish Mode - Fisshu Modo
Rank: A
Type: Suplementary
Range: Self
Chakra Cost: 30
Damage Point: N/A
Description: While underwater, the user knead his/her suiton chakra all over his/her body while he forms a pair of gills behind his ears which he can use to breathe under water.
+Must know "dance of atlantis"
+Last for 5 turns
+useable 3 times
Water Fury - Mizu Gekijou
Rank: A
Type: Attack
Range: Short-Mid
Chakra Cost: 30
Damage Point: 60
Description: The user while facing the opponent, lands several punches on the water that surrounds him. The result being water surrounding the opponent, takes the shape of fists and deals several blows on the opponent at close proximity following the same pattern the user demonstrated
++Must know dance of atlantis
++Useable 3 times
Fish Step: Fracture - Fisshu Sochi: Risu
Rank: S
Type: Attack
Range: Short
Chakra Cost: 40
Damage Point: 80
Description: The user through the use of quick water movement, lands several blows on the users joint in a quick speed untraceable by the opponent without doujutsu, then finally lands a fatal blow on the target's collar-bone.
++useable only once
++must know "dance of atlantis"
++No S-ranks in the next turn.
Additional effects and Restrictions:
-+He who knows this style has faster reflexes, can breathe underwater without suffocating and is faster underwater than a normal ninja.
-+A "dance of atlantis master" can fight underwater without water restriction and can withstand underwater pressure than a normal ninja.
-+Must be at least a sannin to learn
-+Must have mastered suiton
-+Must have good chakra control
-+Can only be taught by Mist01
___________________ ~Declined~
Being able to breathe underwater and fight using taijutsu as well as various pulses of water are much too similar to the Gyojin clan's abilities.
Simply put, the Chinese art of Ba Gua Zhang began in the 1800s when creator Dong Hai Chuan began a personal journey of enlightenment. Chuan's art is a combination of open-hand fighting and the ability to perform fighting techniques while
in constant motion, a first in
Chinese martial arts.
More Facts:
Although there are several
theories as to the origins of
Baguazhang, recent and
exhaustive research by martial scholars in mainland China concludes without reasonable doubt that the art is the creation of one individual, Dong Haichuan (or Dong Haiquan). Dong was born in Wen'an County, Hebei Province about 1813. Dong practiced local martial arts (which reportedly relied heavily upon the use of openhand palm strikes) from his youth and gained some notoriety as a skilled practitioner. At about 40 years of age, Dong left home and travelled southward. At some point during his travels Dong became a member of the
Quanzhen (Complete Truth) sect of Taoism. The Taoists of this sect practiced a method of walking in a circle while reciting certain mantras. The practice was designed to quiet the mind and focus the intent as a prelude to enlightenment.
Dong later combined the circle walking mechanics with the boxing he had mastered in his youth to create a new style based on
mobility and the ability to apply techniques while in constant motion. Dong Haichuan (or Dong Haiquan)
originally called his art "Zhuanzhang" (Turning Palm). In his later years, Dong began to speak of the Art in conjunction with the Eight Trigrams (Bagua) theory expoused in the Book Of Changes (Yijing). When Dong began teaching his "Zhuanzhang" in Beijing, the vast majority of his students were already accomplished martial artists in their own right. Dong's teachings were limited to a few "palm changes" executed while walking the circle and his theory and techniques of combat. His
students took Dong's forms and theories and combined them with their original arts. The result is that each of Dong's students ended up with quite different interpretations of the
Baguazhang art. Most of the various styles of Baguazhang found today can be traced back to one of several of Dong Haichuan's (or Dong Haiquan's) original students. One of these students was a man called Yin Fu. Yin studied with Dong longer than any other and was one of the most respected fighters in the country in his
time (he was the personal
bodyguard to the Dowager Empress, the highest prestige position of its kind in the entire country). Yin Fu was a master of Luohanquan, a Northern Chinese "external" style of boxing before his long apprenticeship with Dong. Another top student of
Dong was Cheng Tinghua,
originally a master of Shuaijiao (Chinese wrestling). Cheng taught a great number of students in his lifetime and variations of his style are many. A third student of Dong which
created his own Baguazhang
variant was Liang Zhenpu. Liang was Dong's youngest student and was probably influenced by other of Dong's older disciples. Although Baguazhang is a
relatively new form of martial art, it became famous throughout China during its inventor's lifetime, mainly because of its effectiveness in combat and the high prestige this afforded its practitioners.
Narutoverse:
In his quest for true knowledge of peace and tranquility, Naizen began a personal journey of enlightenment. He travelled to many countries, towns and villages in search of something different from the normal taijutsu he was learning. His hunger for skill led him out the shores of Japan and he found himself in China. On arriving in China, he visited cities like Hanzhou and Beijing. In Beijing, he met a group of enlightened individuals called Taoists who belonged to a cult or sect of Taoism. Like him, they were seeking true peace of mind and in order to achieve this, practiced a method of walking in a circle while reciting certain mantras which was designed to quiet the mind and focus the intent as a prelude to enlightenment. Intrigued by this, Naizen promptly and readily joined this sect called the Quanzhen (Complete Truth) sect
of Taoism. Naizen later combined the circle walking mechanics with the taijutsu he had mastered in his youth to create a new style based on mobility and the ability to apply techniques while in constant motion, the Ba Gua Zhang.
Description on the Abilities and Inner Workings of the Style:
Introduction:
In simple terms, Ba Gua Zhang art is a combination of open-hand fighting and the ability to perform fighting techniques while in constant motion, a first in Chinese martial arts. Baguazhang involves mainly a circle walk, a pattern of movement where the student holds static poses with the upper body while walking in a circle.
Baguazhang is one of the three orthodox "internal" styles of Chinese martial art (the other two being Taijiquan and Xingyiquan). Translated, Bagua means "Eight Trigram". This refers to the eight basic principles described in the ancient metaphysical treatise the Yijing (I-Ching), or "Book of Changes". Bagua is meant to be the physical manifestation of these eight principles.
"Zhang" means "palm" and designates Baguazhang as a style of martial art which emphasizes the use of the open hand over the closed fist. Baguazhang as a martial art is based on the theory of continuously changing in response to the situation at hand in order to overcome an opponent with skill rather than brute force.
Background:
Baguazhang is an art based on evasive footwork and a kind of "guerilla warfare" strategy applied to personal combat. A Bagua fighter relies on strategy and skill rather than the direct use of force against force or
brute strength in overcoming an opponent. The strategy employed is one of constant change in response to the spontaneous and "live" quality of combat.
Bagua is a very circular art that relies almost entirely on open hand techniques and full body movement to accomplish its goals. It is also characterized by its use of spinning movement and extremely evasive footwork. Many of the techniques in Bagua have analogs in other Northern Chinese systems;however, Bagua's foot work and body mechanics allow the practitioner to set up and execute these techniques while rapidly and smoothly changing movement direction and orientation. Bagua trains the student to be adaptable and evasive, two qualities which dramatically decrease the amount of physical power needed to successfully perform techniques.
The basis of the various styles of Baguazhang is the circle walk practice. The practitioner "walks the circle" holding various postures and executing "palm changes" (short patterns of movement or "forms" which train the body mechanics and methods of generating momentum which form the basis of the styles' fighting techniques). All styles have a variation of the "Single Palm Change" which is the most basic form and is the nucleus of the remaining palm changes found in the Art. Besides the Single Palm Change, other forms include the "Double Palm Change" and the "Eight Palm Changes" (also known variously as the "Eight Mother Palms" or the "Old Eight Palms"). They include:
Qian, Heaven Palm (Yang Zhang)
The father of all energies. The power of emotional detachment.
Swift and as unforgiving as the cutting edge of a sword it is the master energy source of expansive power from which arise the other seven energies of Earth, Fire, Water, Wind, Thunder, Lake and Mountain. Heaven Qigong regulates and stimulates all physical energies. Correct practice will open the Renmai Qi channel down the front of the torso. It is linked to
Qian Gua.
Kun, Earth Palm (Luo Kuan Zhang)
Earth palm is the mother of all energies it is a receptive force. A magnetic power that draws things along. Stable like a spinning top which has spiraling power that can either suck an outside force into its center or deflect an advancing energy from its rapidly turning surface.
Earth palm as spiraling or
wrapping energy which dissipate force withhold hard contact. Practice regulates and stimulates all spiritual energies and Dumai Qi Channel up the back. It is linked to the Kun Gua.
Li, Fire Palm (Shu Zhang)
The power of fire is an all-consuming force beginning deep within the center of the Earth that moves skyward. It can be like an iron ball shot from the muzzle of a huge cannon. It can also be clinging and attach itself to its host, changing and transforming the host's power into ash and smoke. Fire palm stimulates the Qi of the heart meridian and the Small intestine Qi, invigorates blood circulation
and improves ones Shen or spirit. Correct practice benefits the eyes and mental acuity. It is associated with the Gua Li.
Kan, Water Palm (Liao Zhang)
Water Palm energy flows up and down like undulating waves. Water energy adapts to the circumstance and situation. It can be as difficult to trap as a vapor or steam, as solid as ice or as difficult to embrace as a liquid. It lifts or pulls, pushes or swallows
up, flows toward or away from and takes the shape of the place or receptacle into which it flows. Yet, no matter what the outer form the inner emotional energy is one of quiet, peace reflecting its surroundings. Water palm practice stimulates the Bladder and kidney meridian Qi, balances the Jing, primal life essence, cools the heart fire of anger and improves hearing. Water is associated with the Kan Gua.
Sun, Wind Palm (Pi Zhang)
Wind Palm contains a penetrating energy that can flow gently, or move so swiftly that it cracks or splits the strongest tree trunk. It can flow rapidly down from above and press things to the earth. It can flow upward and lift objects into the sky. It can flow like a tornado decimating all in
its path. Its power is unseen, its energy is immeasurable.
Practice balances the Gallbladder and Liver meridian Qi, aids in preparation for circulating Qi
though the Renmai and Dumai channels and improves digestion and uptakes of nutrients to the
body. Wind is associated with the Sun Gua.
Zhen, Thunder Palm (Bao Zhang)
Legend says thunder begins underneath the ground as a rumbling sound or vibration. It is a great vibrating energy. The suddenness of the action startles all those whom it touches. Like the circular ripple made by a rock striking a still pond. There is no one place of focused energy, rather a huge ball of expanding power in all
directions. Its vibrations are so great that they can disrupt the very structure of the things it passes into. Thunder Palm practice benefits the Liver Qi nourishes the Pericardium
meridian creating a circuit of Qi through the special Shixuan points on the finger tips. It also aids the Qi of all meridians to attain balance while stimulating the Pericardium and Triple
Warmer channels. Thunder is associated with Zhen Gua.
Dui, Lake Palm (Fu Zhang)
The still and placid lake is deep and reflects the actions of those who gaze into it. Lake Palm energy hides deep currents of
an inner strength of immense magnitude and overwhelming power in its depths. Lake Palm is slicing like a big bagua-dao (sabre) on a horizontal plane either into or out of the center line.
Lake Palm practice benefits the Lung Qi and the Large Intestine energy. It relaxes tension in the upper back and stimulates the chest. The Lake palm is associated with the Gua Dui.
Gen, Mountain Palm (Tiao Zhang)
A symbol of internal stillness in the midst of difficulties. The mountain can stand against a powerful attack and remains
unperturbed. The expanding
mass of mountain's energy uproots and displaces anothers center dislodging the center of balance and projecting them away like a ball bouncing away from a granite wall. Mountain Palm practice increases Qi energy to Stomach and spleen meridians as it leads Qi up Dumai in back into palms and fingers. It is said to strengthen the Jing cauldron
at the Dantian and reduces
heart fire to create inner tranquility. Mountain is associated with Gen Gua.
These forms make up the foundation of
the Art. Baguazhang movements have a characteristic circular
nature and there is a great deal of body spinning, turning and rapid changes in direction. In addition to the Single, Double and Eight Palm Changes, most but not all styles of Baguazhang
include some variation of the
"Sixty-Four Palms." The Sixty-Four Palms include forms which teach the mechanics and sequence of the specific techniques included in the style. These forms take the more general energies developed
during the practice of the Palm Changes and focus them into more exact patterns of movement which are applied directly to a specific combat technique.
Training:
Training usually begins with basic movements designed to train the fundamental body mechanics associated with the Art. Very often the student will begin with practicing basic palm changes in place (stationary practice), or by walking the circle while the upper body holds various static postures (Xingzhuang). The
purpose of these exercises is to familiarize the beginning student with the feeling of maintaining correct body alignment and
mental focus while in motion. The student will progress to learning the various palm changes and related forms. The Sixty-Four Palms or other similar patterns are usually learned after some level of proficiency has been attained with the basic circle
walk and palm changes. Some styles practice the Sixty-Four Palms on the circle while other styles practice these forms in a
linear fashion. All of the forms in Baguazhang seek to use the power of the whole body in every movement, as the power of the whole will always be much greater than that of isolated parts. The body-energy cultivated is flexible, resilient and "elastic" in nature.
In addition to the above, most styles of Baguazhang include various two-person forms and drills as intermediate steps between solo forms and the practice of combat techniques. Although the techniques of
Baguazhang are many and
various, they all adhere to the above mentioned principles of mobility and skill. Many styles of Baguazhang also include a variety of weapons, ranging
from the more "standard" types (straight sword, broadsword, spear) to the "exotic." An interesting difference with other styles of martial arts is that Baguazhang weapons tend to be "oversized," that is they are much bigger than standard weapons of the same type (the extra weight increases the strength and stamina of the user).
Substyles:
Each of Dong Haichuan's (or Dong Haiquan's) students developed their own "style" of Baguazhang based on their individual backgrounds and previous martial training. Each style has its own specific forms and techniques. All of the different styles adhere to the basic principles of Baguazhang while retaining an individual "flavor" of their own. Most of the styles in existence today can trace their roots to either The Yin Fu, Zheng Dinghua, or Liang Zhenpu variations.
Yin Fu styles include a large
number of percussive techniques and fast striking combinations (Yin Fu was said to "fight like a tiger," moving in swiftly and knocking his opponent to the ground like a tiger pouncing on prey). The forms include many explosive movements and very quick and evasive footwork.
Zheng Dinghua styles of
Baguazhang include palm changes which are done in a smooth and flowing manner, with little display of overt power (Zheng Dinghua's movement was likened to that of a dragon soaring in the clouds)
The Liang Zhenpu style was
popularized by his student Li
Ziming (who was the president of the Beijing Baguazhang Association for many years and who did much to spread his art worldwide).
Jiulong System:
Baguazhang from the Jiulong system is well known for being able to provide the student with improved stamina, health and longevity. When learning this sub-skill, one should not forget that as Baguazhang evolved from the Daoists it became a superlative martial art. An art that when properly taught and
practiced allows a student the ability to be in control of a dangerous life threatening situation. Once one understands the Jiulong
eight basic forms for health and their underlying principles, you will be shown how to train for speed, power, internal energy
and tactical street combat knowledge. Jiulong students who embark on the martial art (Nine Dragon Boxing) training learn Zhandou (combative) Gong (skill).
They come to understand how to use Baguazhang tactics to neutralize virtually any taijutsu attack easily and with little physical
effort.
Jutsu Example:
Ba Gua Zhang Art- Li(Fire Palm)
Rank: A
Type: Attack/Defence/Supplementary
Range: Short
Chakra: 30
Damage: 60(+15 to palm strikes with fire)
Description: The user may start performing the circular walking pattern of the BGZ style to invigorate their blood circulation to improve their spirit, eye and mental acuity. If they simply want to deliver a quick attack, they may do so by quickly manipulating their fire chakra and using it to strike the opponent in multiple body parts whilst walking in quick circles.
-Must know Ba Gua Zhang Art to use this.
Additional effects and Restrictions:
In summary,
-It is called Ba Gua Zhang Art that mainly has to do with the mastery of 8 elemental(Heaven, Earth, Fire, Water, Wind, Thunder, Lake and Mountain) palm attacks.
-It has a special skill called the Jiulong System which only masters of the Ba Gua Zhang Art can learn.
Ba Gua Zhang Art and the Jiulong System can only be used without training by Naizen and taught by Naizen.
Jiulong System can only be taught to true masters of the Ba Gua Zhang Art by Naizen.
Only those of Sannin rank and above may learn BGZA.
One must have begun Taijutsu and all basic 5 training in order to train in BGZ Art.
Using Ba Gua Zhang Art in battle increases the user's internal energy(chakra), speed and strength but it reduces their stamina the more they use the palms.
_________________ ~Declined~
I'd appreciate it if you at least made an attempt to give this a Naruverse backstory. And while your at it, condense it in your own words with the information that's actually necessary to understand this style.
Hebereke Katana Kamae (Drunken Sword Style) Type: Kenjutsu Background:
Known as the most advanced weapon styles, The Drunken Sword Style makes the practitioner appears inebriated, stumbling and off-balance, however this way of movements and drinking makes the user use his ability's to full power. Originating from China, and the Chinese monks, Yung, a monk who was a weapon master, was celebrating one evening with the other monks. While drunk they were attacked. Using his swords to defend himself Yung quickly drew back the enemy while being really drunk. The other monks saw this new form of sword arts and began to copy the movements while drinking. They discovered while being drunk they found their movements were swift, accurate and more powerful while using swords. Description on the Abilities and Inner Workings of the Style:
Skill levels of the style:
Sage (Created the style)
^
Master (Knows all techniques)
^
Expert (Knows most of the techniques)
^
User (Someone who knows basic techniques)
^
Apprentice (Is learning basic techniques)
Being drunk make the users movements become unpredictable, relaxed, fluid movements without inhibitions to the point that to accurate predict or see what exactly is coming towards them, the enemy would need a Sharingan actived to predict accurately of the user's movements. Their blows will become wildly thrown, almost missing but hit at the last moment. Even though the style seems irregular and off balance it takes the utmost balance to be successful. To excel one must be relaxed and flow with ease from technique to technique. Swaying, drinking, and falling are used to throw off opponents. When the opponent thinks the user is vulnerable he is usually well balanced and ready to strike. The waist movements trick opponents into attacking, sometimes even falling over. Falls can be used to avoid attacks but also to pin attackers to the ground while vital points are targeted.
Using Kenjutsu during this stage of drinking can increase the user's performance greatly. While being drunk the user's hand is over the handle of his sheath sword. When the enemy attacks the user will un-sheath his sword (not all the way just enough to block the enemy's taijutsu attack or weapon attack) by using the handle of the sword. The user will also use the handle (still sheath) to hit vital points on the enemy's body to disarm him or attack him while also spinning, swaying, and falling. Higher ranked users can also use 2 swords instead of 1. This way of using Kenjutsu while being drunk not only confuses the opponent but also deals a great amount of damage.
Hebereke Katana Kamae: Gouin (Drunken Sword Style: Drinking) Type: Supplementary Rank: E Range: N/A Chakra: N/A Damage: N/A (+5 per turn to Kenjutsu attacks) Description: The user takes out a bottle of Sake and begin to drink the whole bottle making the user drunk and begin to sway, and almost fall over.
~Must have learned Drunken Sword Style to use
~Can be used depending on you rank in Drunken Sword Style
Apprentice-User=2 times
Expert=3 times
Master-Sage=4 times
~Last for 4 turns before turning sober again
~Can only be taught by Kwalker394
Hebereke Katana Kamae: Nijuu Kirinuki (Drunken Sword Style: 20 Slashes) Type: Offinsive Rank: B Range: Short Chakra: N/A Damage: 40 Damage Description:
The user will take his/her sword(s) and begin to go towards the target. While stumbling, swaying, and spinning the user will attack the target with series of 20 slashes from the users sword(s). The user (after slashing the target 19 (18 if using two swords) will fall down and roll on the ground while quickly standing back up and slashing the target upwards for a final time on the chest creating a big gash.
~Must be drunk to use
~Must have learned Drunken Sword Style to use
~Must be at least Expert level to use
~Can only be used twice per battle
~Can only be taught by Kwalker394
Hebereke Katana Kamae: Sabaki Burokkingu (Drunken Sword Style: Handle Blocking) Type: Defensive Rank: D Range: Short Chakra: N/A Damage: N/A Description:
The user will take his/her sword(s) and un-sheath it enough (so that the blade will not come out but can reach the targets attack) so the handle of the sword(s) can block the target attack (taijutsu, Kenjutsu or even some jutsus *the ones that require hand contact with the user or like expelling a jutsu by thrusting the enemy's fist out. The user of Handle Blocking can then hit the enemy's hand and move it aside away from the user.*). By using relaxed, fluid movements the user can successfully block an oncoming attack.
~Must have learned Drunken Sword Style to use
~Can only be taught by Kwalker394
Additional effects and Restrictions:
~Masters-Sage of Drunken Sword Style have increased Agility, Reflexes and Movement Speed when compared to a normal Kenjutsu users
~Expert-Sage of this style can use 2 Swords at great speed and accurately.
~Masters-Sage of this style can make a special sword to add to their bio to use with this bio
~Bio must have at least one sword
~Rank of Drunken Sword Style depends on the training sessions with Kwalker394
~Kwalker394 can only teach this style
___________________ ~Declined~
I think that we have enough drunken styles. This is pretty much the exact same concept except with a sword. The concept remains the same though.
Saru Kung Fu (Monkey Kung Fu) Type: Buinjutsu Background: While roaming around ancient china, Gutsy Jiraiya studied monkeys. How they moved, how they acted, how they lived. Gutsy Jiraiya saw and watched their movements and discovered that he can combine their movements to his staff techniques. Teaching him self for years and finally mastering one of the most powerful staff arts known to man. Combining Monkey movements with his Staff techniques Gutsy Jiraiya created a new art, The Monkey Staff Arts. Description on the Abilities and Inner Workings of the Style: Skill Ranks:
-Monkey Sage (Creator - Someone who has mastered the art)
-Monkey King (Someone who has mastered four of the variations)
-Master (Someone who has mastered three of the variations)
-Practitioner (Someone who of mastering two of the variations)
-Apprentice (Someone who is learning their first variation)
The traditional Monkey Kung Fu as created by Gutsy Jiraiya includes running on all fours (The Hands and feet), various difficult acrobatic movements such as flipping sideways in the air, front flips, back handsprings, hand stands, walking on the hands, forward lunges/dives, backward lunges, spinning on the butt, spinning on the back and many kicks and strikes. Most of the attacks are aimed at the knees, groin area, throat or eyes of the opponentand hand strikes are normally either open handed slaps or clawing with a semi-closed fist called the monkey claw. Most movements inclusive of running are executed from either a squatting or semi-squatting position and are normally accompanied by very swift and jerky head movements as the practitioner nervously looks around. The art also involves the user to learn several facial expressions such as happiness, anger, fear, fright and confusion. Monkey Kung Fu is an imitative technique and so execution of the movements and facial expressions must be so convincing tht it looks exactly like a monkey and not simply like human imitating a monkey hence the very high degree of difficulty associated with this art. The monkey staff, or Hou Gun (猴棍), is one of this style's specialty weapons, as the user utilizes it and combines the staff with their monkey-like movements and attacks towards the enemy. The most favored weapon is the staff or stick, which the wielder stands beside, the upper end of the staff is normally eye height for the practitioner.
There are five variations of monkey kung fu developed as part of the monkey kung fu system.
Drunken Monkey: Uses a lot of throat, eye and groin strikes as well as tumbling and falling techniques. It incorporates a lot of false steps to give the appearance it is defenseless and uses a lot of off balance strikes. The practitioner waddles, takes very faltering steps and sometimes fall to the ground and lies prone while waiting for the opponent to approach at which time a devastating attack is launched at the knees or groin areas of the opponent. In drunken monkey you use more internal energy than any other. It is one of the more difficult of the monkey styles to master and also extremely effective against a standard, attack-oriented enemy. Countering this style involves shifting your body around often to ensure that the Drunken Monkey user impacts more solid, tougher areas of your body.
Stone Monkey: The Stone Monkey is a more physical style. The practitioner trains up his body to exchange blows with the enemy - Stone Monkey uses a kind of iron body method. IT will leave an area exposed on its body for an opponent to attack, so it can attack a more vital spot on the body. It is important not to attack reflexively at open spots, and try to hammer away at their weak spots until they give in.
Lost Monkey: The Lost Monkey feigns a lot. Practitioners of Lost Monkey give the appearance of being lost and confused to deceive the opponent into underestimating his abilities, and he retaliates when it is least expected. The hands and footwork change and flow from each other at will. All monkes are sociable animals and so they live in troupes or family groups. They are also very territorial by nature and so when they wander into the territory of another troupe there is normally a fight possibly resulting in death to the trespassers. This technique incorporates the fear, nervousness and mischief of a monkey who has wandered into a neighboring territory, in that it attempts to pick and eat as many fruits and insects as quickly as is possible while nervously looking around before scurrying to its own home range.
Tall Monkey: Tall Monkey is a relatively conventional monkey that likes to keep an uprigt position and avoid tumbling around. This style is more suited for tall people. Tall monkey likes to climb body limbs to make attacks at pressure points.
Wooden Monkey: This style mimics a serious, angry monkey that attacks and defends with ferocity. The attitude of this monkey is more serious, and its movements are noticeably less light athan other monkeys. Wood Monkey likes to grapple and bring its opponent to the ground.
Additional effects and Restrictions:
- Must be of S-class rank or above to learn
- Only Gutsy Jiraiya may teach Buinjutsu
- Must have a staff in their bio
- The practitioner of this style has increased Speed, reflexes, agility & internal energy (Chakra)
- Must complete 1 training sessions to be an Apprentice
- Must complete 2 training sessions to be a Practitioner
- Must complete 3 training sessions to be a Master
- Must complete 4 training sessions to be a Monkey King
- Must complete 5 training sessions to complete the art
- An apprentice can only learn up to C rank.
- A practitioner can only learn up to B rank.
- A Master can only learn up to A rank.
- A Monkey King can learn up to S rank.
- Only the creator can use F rank techniques
Buinjutsu: Monkey Groin Blast Type: Offensive Rank: A Range: Short Chakra: 30 Damage: 60 Description: The wielder of the staff while thrust it forward towards the opponent with enhanced strength to thrust and throw the staff forward into the opponents chest while simultaniously using his enhanced reflexes to dash on all four down under his own staff to deliver a devastating kick to the groin forcing the opponent to fall to their knees while the staff will smash into their head.
Buinjutsu: Monkey Rage Type: Offensive Rank: B Range: Short Chakra: 20 Damage: 40 Description: The user will, while using the Wooden Monkey style, seemingly enraged dash towards the enemy and jump up at the enemy with both legs grabbing the enemy's head, while making a backflip sending the enemy head first into the ground while grabbing their legs forcing the opponent into a lock, making them unable to move while the user can finish them off.
Buinjutsu: Monkey Entry Type: Offensive Rank: C Range: Short Chakra: 15 Damage: 30 Description: The user will jump at the opponent while seemingly act confused and scared, while in the last possible moment force their body into a semi-front flip smashing both their arms into the opponent with great force and while rotating sending the enemy flying into the ground with great force.
_________________ ~Declined~
This is not a CFS, but simply a set of taijutsu stances. Everything here can be done free-form, including staff-wielding.
Fu-do kata (Hood style) Type: Taijustu Background: The Fudo-do kata style of fighting style comes from the ways of fighting in downtown kumogakure. The slums of kumogakure is a hard place to sustain a living. And highly under the infulence of Hip hop music, the hood fighting style is a natural fighting style implicated under such living conditions. Thus a slump, hip hop style, ruthless and just as aggressive fighting style was created. The Fu-do Kata. In the narutoverse this fits perfectly due to the segregated type nature given off by having a high % of dark skin ninjas in a particular village. Also , killer B the 8 tails is a heavy rapper. He warms up by jumping around. Those under the teachings of Fu-do kata have something similar.
Description on the Abilities and Inner Workings of the Style:
The hood style of fighting is using ones chakra to target one of three areas. The groin, the head, or the stomach. The style combines(Unintentionally) Judo and kick-boxing. A student of this fighting style will attack very ruthlessly , and without thinking. It can be highly effective , or highly problematic. Due to the amount of chakra exerted when attacking and the inability to use any other justu of any other nature besides fire nature in the same combination.
Some examples of Fu-do Kata are as following Fudo Kata : kone roppou(Hood style: Pull up) Type: Sup Rank: E Range: N/A Chakra: +10 Damage: N/A Description: This justu allows the user to use the hood style techniques by pulling up his pants. This justu lasts 5 turns.Can only be used twice per battle.
Example of of the pullup in full effect.Go to 6:27.
Fudo Kata: Hikui dageki(Hood style: Low blow) Type: Offensive Rank: E-C Range: Short Chakra: 25 Damage: 0 (+20 if male being attacked, + 20 if female) Description: The user focuses a large amount of chakra into his feet and thrusts it at the groin area of his/her opponent at high speed , causing the opponent to be unable to conduct a taijustu move for one turn if they're a human male or female .
(Must have used Pull up within the last 3 turns) Fudo Kata : juudou hajiku(Hood style: Judo Flip) Type: Defensive Rank: B Range: Short Chakra: 50 Damage: 35 Description: Upon focusing chakra into the feet the user using his speed increase due to Pull up and can counter any Taijustu offensive attack C rank and under , and clinch the opponents arm place his leg in front of his opponents. He then flips them head first into the ground causes damage to the back of his opponent
Fudo Kata : Gatoraide (Hood style: Gatoraide) Type: Sup Rank: E Range: N/A Chakra: +30 Damage: N/A Description: The user jumps around and reaches into a pouch or pocket and reveals a gatoraid bottle. It restores energy used up by taijustu means.
-This can only be used after a B rank or higher Taijustu attack is used.
-This can only be used once per battle.
-In a friendly match, gatoraide can be used by the opponent if allowed by the initial user Additional effects and Restrictions:
-All elemental justu used after a hood justu (outside of fire nature) will have to increase by 10 chakra points.
-After using the pre justu a Hood style attack must be used at least once in the next 2 turns. If not the user will be unable to preform any justu aside katon for 1 turn.
-The user has a high increase in taijustu attack speed.
-Must be in Kumogakure
-Must be of Jounin rank or higher .
-Must be taught by Ciberr or The 4th Raikage
(Justu's are a rough example of what i will attempt to get approved should the style be approved.)
________________ ~Declined~
Do not resubmit. >_> Also declined on the basis of your ban from the custom system.
Sharingan Arts - The Way of Deception | Sharingan Gigei - Za Houto Giman
Type: Other
Background: Once an uchiha named "BlackBlood" was born with the ability of deception. He was calm minded and found perfect inner peace after allowing himself from not indulging in certain emotions like anger, hyperness, fear etc. Ever since he was a kid, he used to read every person, their faces, micro-expressions, eyes, manipulators, way of speech, slightest body movements etc and using that information he was able to tell, a few times precisely and most of the times exactly, if a person is telling the truth or not, if a person is planning on a conspiracy or is blanked out. He was able to deduce about the incidents which were happening in a person's life, just by reading the person and his few other parameters, and then by further interrogating about the situation and by plotting each and every clue brick by brick, leading it to the footage needed and then to the complete incident.
Until the day his sharingan wasn't activated, he was proved to be an extraordinary deceptionist and the day he activated his 3T sharingan, he became the legend, known for using his sharingan at some other level, because he had discovered a new stage of sharingan which lies between the 3T sharingan and MS, using the way of deception and the ability of sharingan to predict, the next level of 3T sharigan but a step behind to MS.
The next level of sharingan allowed him to decept things which were almost impossible for even the best of deceptionists. This time he was able to combine the abilities of both, not only taking sharingan to the next level but also deceptioning at highest extent possible, noticed that far.
Description on the Abilities and Inner Workings of the Style: For using this art, one must be perfectly calm and should find Perfect Inner Peace beforehand in order to focus on people or things to decept them properly, because in state of chaos, fury, hyperness, joy etc it may lead to taking out wrong information out of the subject.
The next level allows the user to decept people perfectly without even interrogating. And most importantly, this time user don't even need to take a deep look at his opponent's face to decept, he can do that by looking at any body part, by seeing the chakra flow; in what manner it is being moulded inside the body, or any other slightest clue.
Sharingan 3T grants the ability to predict and copy techniques only by looking at handseals. But combining the ability of sharingan with deception, user can predict the move which his opponent is going to use, even if the technique do not require any handseals. Not only that but the user can also copy the said technique simultaneously along with his opponent, using the same phenomenon his opponent does (for eg: focusing chakra in the lungs and then expelling out a fire ball which do not require handseal).
Another use of this art is the Genjutsu. The common use of genjutsu is to create illusions, false surroundings, which are, most of the times are easily or not, but noticable, since the opponent is able to find some differences between the illusion and real world. Now, since user can decept the complete scenario and his opponent, and assessing the situation, user can create a false surrounding (taking into consideration other factors too), which is very well setup, making it very difficult, if not impossible for opponent, to predict that its a genjutsu. This happens when user do only a few slightest changes in the surrounding which are done in flow of the battle and surrounding, also keeping science like physics and other subjects into account, making the genjutsu not easily noticeable. Some of the genjutsus might be too slow; slowly inducing the opponent in the genjutsu, because a sudden change in the environment can make the opponent realize that he is in a genjutsu, but a slow one might not be easily noticeable.
Usage Example(s): (Sharingan Gigei - Za Houto Giman/Genjutsu: Warufuzake) - Sharingan Arts - The Way of Deception/Illusionary Arts: Prank
Type: Supplementary
Rank: C
Range: Short
Chakra Cost: 15
Damage Points: N/A
Description: This technique is used when user is battling an opponent in a hand to hand combat. When the user falls on ground due to the hit taking from an opponent or something else, he induces the opponent in a genjutsu before the opponent could give user another hit. In the genjutsu, user rolls to the either side of the opponent, dodging any hit if launched by opponent, and where as in the real, user rolls the opposite side to the illusionary user have rolled, dodging any hit if launched by opponent. Since this genjutsu is casted with the flow of the situation, its very hard to be recognized, and since opponent will be busy fighting the illusionary user, the original one can lauch surprise attack.
Additional effects and Restrictions:
Additional Effects
-Masters of this Arts becomes Extremely Calm Minded, and gains Perfect Inner Peace which is mandatory for this art.
Restrictions
-Must have sharingan 3T.
-User can only copy those techniques of his opponent, of which he is capable of using (for eg: he can't copy his opponent's KG or some special ability like that of Hozuki clan)
-User won't be able to decept long time planning, combos, hidden strategies etc (for eg: If the Opponent uses fire and then followed by lightning, thinking that the user will reply to fire by using water and will get electrocuted due to the lightning coming towards the user's way.
Now the user can't decept this planning of opponent before opponent actually uses the lightning technique)
___________________ ~Declined~
This really isn't a fighting style. It's a set of passive abilities that grant you to predict movements more easily (which is just an extension of what the Sharingan already does) along with a set of genjutsu that no different than normal genjutsu except for the fact that they're more difficult to detect, which I would again label as just a passive abilities.
Scale Arts (Kuraitoru Gigei) Type:
NinTaijutsu Background:A shinobi who was a taijutsu master created Scale arts. It served as a way to defend against attacks. The shinobi developed this technique by examining the scales on various reptiles and fish. It a total of 3 years to get the technique down after so many fails. The first time it was tested, the scale covering proved it was too weak to defend against a Katana. When the katana struck his scale like skin, it cut right through it leaving a deep gash. Next time he tried, the Katana only left a dent but it is still not good enough. The Third time it was attempted the katana broke. It was then taking into the next level but it was used in the midst of combat vs a hyuga. During the fight the hyuga struck many blows, but along with many blows came a lot of damage recoil. Ending with a draw. The draw came from massive damage from multiple blows from the hyuga causing him not able to fight any more. At that point in time the user realize that the scale arts was mastered. He then further his studies to develop different types of harden scales for the human body.
Description on the Abilities and Inner Workings of the Style:
This art is very unique and Very simple. This art works as more of an defensive art than any other type of art towards hands on attacks from enemies. The user will channel chakra to the skin on their body. Making them very scaley similar to a lizard, Alligator, or Even a Fish. The user can propel scales from anywhere on their body as a form of an offensive attack. With the toughened skin of the user, their attack hit harder than usual causing more damage.
Example Jutsu:
Scale Arts:Skin Transformation|(Kuraitoru Gigei):
Type: Supplementary/Defensive
Rank: A
Chakra Cost: 30
Damage: N/A
Description: The user channels chakra throughout the skin of the body. With chakra manipulation skills, the user turns the texture and durability of the skin into scales. The range of durability the user’s skin takes on are:
Fish Scales(Jounin and Below: +5 to Taijutsu and can defend up to B Rank Taijutsu and cause -5 Damage to the opponent if user is attacked with taijutsu
Komodo Dragon Scale(S-Class and Sannin): +10 to Taijutsu, Block up to A Rank Taijutsu and -10 damage to opponent if user is attack with taijutsu.
Alligator Scales(Kage and Sage): + 15 to taijutsu, Block up to S-Rank taijutsu, and cause -15 damage to opponent if user is attacked with taijutsu.
Restrictions:
-Scales last 5 Turns for Fish Scale, 4 Turns for Komodo Dragon, and 3 Turns for Alligator
- Scales can be activated 2 times per battle.
Additional effects and Restrictions:
-Must Have started Ninjutsu & Taijutsu training
-Fish Scales are eligible to reflect light due to the shiniest of the scales
-Can’t not use elemental Ninjutsu As the scales are active
-These scales are not animal scales. the names are just a way to describe how tough the scales are.
__________________ ~Declined~
What are these scales made of and how are they created? Last time I checked, chakra doesn't allow you free control over lizard scales. Furthermore, this isn't a CFS as it is. I think I see what you're trying to do, but right now it's just a custom mode where you cover yourself with scales or tougher skin.
(Buki Maisuta - Houto no Sou) - Weapon Meister - Way of the Priests
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Type
Nin/Advanced Henge/Weapon-play
Background:
In far kingdom of shibusen, there exist a society of assasins that group themselves in twos, one aquiring a power to transform into weapon while the other wields it. Apparently, the wielder can also transform to his own weapon having lost his partner. Mist01 happens to enrol in this being a shinobi competent with freeform swordplay, but insearch of fun learns the weapon meister way.
In soul eater, weapon meister as a person, can transform into real weapons be it bladed or blunt. They transform part of their body or full transformation. However in naruto world, only enma(hiruzen's summon) is seen using an advanced transformation as such. This concepts prompted me in making this fighting style.
Skill levels of the style:
-+Creator (created the style)
-+Adept (Can transform into bladed and blunt weapons upto forbidden)
-+Master (Can transform into bladed and blunt weapons upto S-rank)
-+User (someone who knows basic techniques and can only tranform to bladed weapons)
-+Apprentice (is learning basic techniques)
Description on the Abilities and Inner Workings of the Style:
Unlike the normal henge where the user takes the image of what they are transforming to but not the properties, Weapon Meister style allows you to transform, be it partial or full(with a clone) into two types of weapon, bladed and blunt taking the exact hardness, sharpness and constituents of the weapon. The weapon being tranformed to is purely steel and can be broken by metals with harder/greater density which apparently harms the user.
Due to high level of chakra control, the time between transformation is only a split second. Any part of the body can be changed into weapon and the user can also change his whole body completely to weapon but his movement is restricted unless he uses a clone to change while he wields it. Due to electrical conductivity of steel, the user is prone to lightning techniques when transformed.
Example:
Gai no Gorotsuki - Scythe of the rogue
Type: Attack
Rank: B
Range: Short
Chakra Cost: 20
Damage: 40
Description: Using weapon meister style, the user tranforms one of his arm to a scythe blade resembling a shark fin and performs several slashes on the target.
-usable only 3 times
-must be a weapon meister
-Last for 3 turns
Doragon tsume - Dragon's claw
Type: Attack/Sup
Rank: A
Range: Short
Chakra Cost: 30
Damage: 60
Description: The user transforms both his hands into sharp steel claws and grabs his opponent with the left claw while slashing down the opponent's body with the right claw
-Must be a weapon meister
-Claws last for 3 turns or returns to normal at the user's will
Yuuretsu no Shibusen - Valor of Shibusen
Rank: S
Type: Attack
Range: Short-Mid
Chakra Cost: 40
Damage: N/A (+60 for deep cut, +80 for decapitation)
Description: The user grabs his clone by the hand while transforming it to a long detachable scythe. The scythe has a will on its own which is also the user's will since it is made from the users clone. So at the user's will, the scythe blade can detach from its head which is connected with a long chain and travels up to mid range at a very fast speed. However the weapon poof away when it takes damage.
-+Must be a weapon meister
-+Last for 3 turns
-+Useable 3 times per battle
Additional effects and Restrictions:
-A person who knows this fighting style has faster reflexes, more fluid movement and is faster and more skilled in weapon-play than a normal ninja.
-Must be at least a Sannin to learn.
-It can be combined with elemental ninjutsus like normal weapons except lightning element.
-Weapon Meister Style can only be taught by the creator(me)
____________________ ~Declined~
And how exactly is this possible without knowing steel release? If you knew steel release then it may have potential, but you can't just say that you take on all of the properties and qualities of steel and somehow pretend that steel release was never shown in the manga.
(Buki Maisuta: Houto no Sou) - Weapon Meister: Way of the Priests
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Type
Nin/Advanced Henge/Weapon-play
Background:
In far kingdom of shibusen, there exist a society of assasins that group themselves in twos, one aquiring a power to transform into weapon while the other wields it. Apparently, the wielder can also transform to his own weapon having lost his partner. Mist01 happens to enrol in this being a shinobi competent with freeform swordplay, but insearch of fun learns the weapon meister way.
In soul eater, weapon meister as a person, can transform into real weapons be it bladed or blunt. They transform part of their body or full transformation. However in naruto world, only enma(hiruzen's summon) is seen using an advanced transformation as such. This concepts prompted me in making this fighting style.
Skill levels of the style:
-+Creator (created the style)
-+Adept (Can transform into bladed and blunt weapons upto forbidden)
-+Master (Can transform into bladed and blunt weapons upto S-rank)
-+User (someone who knows basic techniques and can only tranform to bladed weapons)
-+Apprentice (is learning basic techniques)
Description on the Abilities and Inner Workings of the Style:
Unlike the normal henge where the user takes the image of what they are transforming to but not the properties, Weapon Meister style allows you to transform, be it partial or full(with a clone) into two types of weapon, bladed and blunt taking the exact hardness, sharpness and constituents of the weapon. The properties of the weapon being tranformed to is unknown but was said to be of a metalic alloy which has hardness and ductility as steel, however it can be broken by metals with harder/greater density which apparently harms the user. Due to high level of chakra control, the time between transformation is only a split second. Any part of the body can be changed into weapon and the user can also change his whole body completely to weapon but his movement is restricted unless he uses a clone to change while he wields it. Due to electrical conductivity of the metal, the user is prone to lightning techniques when transformed.
Example:
Gai no Gorotsuki - Scythe of the rogue
Type: Attack
Rank: B
Range: Short
Chakra Cost: 20
Damage: 40
Description: Using weapon meister style, the user tranforms one of his arm to a scythe blade resembling a shark fin and performs several slashes on the target.
-usable only 3 times
-must be a weapon meister
-Last for 3 turns
Doragon tsume - Dragon's claw
Type: Attack/Sup
Rank: A
Range: Short
Chakra Cost: 30
Damage: 60
Description: The user transforms both his hands into sharp metal claws and grabs his opponent with the left claw while slashing down the opponent's body with the right claw
-Must be a weapon meister
-Claws last for 3 turns or returns to normal at the user's will
Yuuretsu no Shibusen - Valor of Shibusen
Rank: S
Type: Attack
Range: Short-Mid
Chakra Cost: 40
Damage: N/A (+60 for deep cut, +80 for decapitation)
Description: The user grabs his clone by the hand while transforming it to a long detachable scythe. The scythe has a will on its own which is also the user's will since it is made from the users clone. So at the user's will, the scythe blade can detach from its head which is connected with a long chain and travels up to mid range at a very fast speed. However the weapon poof away when it takes damage.
-+Must be a weapon meister
-+Last for 3 turns
-+Useable 3 times per battle
Additional effects and Restrictions:
-A person who knows this fighting style has faster reflexes, more fluid movement and is faster and more skilled in weapon-play than a normal ninja.
-Must be at least a Sannin to learn.
-It can be combined with elemental ninjutsus like normal weapons except lightning element.
-Weapon Meister Style can only be taught by the creator(me)
_______________ ~Declined~
So now it's gone from being steel to some unknown metal alloy which doesn't fix anything and actually brings more problems by using vague terms like that. Unless you can prove that you can control whatever metal that you're trying to turn into, this won't be approved. Saying that it's some random metal alloy doesn't change the fact that you have no way of taking on its properties unless you can control it.
Hurricane Skater Martial Arts - Shippuusuka Tatakai no Jutsu
Type: Wind element, weaponery and Taijutsu
Background:
Inspired by Onoki's flying technique, Temari's unknown huge fan technique that made her able to fly above it while fighting Tenten and Black Cat's Leon Elliott ability. Wind element users such as danzo used it to redirect his flight, In NB, RP-ers used the Hurricane Fist technique to send themselves flying to else where by directing their fist toward the ground as they form the punch. Using the mastery of wind element and taijutsu creating a fighting style build on speed and midair battling.
Description on the Abilities and Inner Workings of the Style:
By manipulating the wind, the user could increase the speed of his skate's wheels speed, make himself fly above the skate by creating a wind blast that keeps it flying and moving it, do multiple movements at midair and combine that with taijutsu to increase its strength and speed. By using this fighting style, the user would be able to combine his wind element with a special type of taijutsu with the usage of the skate as a weapon kick and lunch at midair making it cycle to attack the enemy and as such of skate movements.
The essence of this fighting style is to attack while moving, giving the enemy less chances to fight back and confuse them. Its also supplementary, as it makes the user able through specific techniques able to dodge, repel or block some attacks.
This fighting style can be used along with weapon, by making them fly as the user wish, not directly toward the enemy at it usually goes. The user could replace the skate with other weapons such as a heavy sword, huge fan or a war fan, however this might not work for some of the techniques made for this martial art.
Example techniques:
Hurricane Skater Martial Arts: The Twister Skater - Shippuusuka Tatakai no Jutsu: Shipuu Suka-Ta
Type: Supplementary/Defensive
Rank: S
Range: Close
Chakra cost: 40
Damage points: -
Description: The user channels his wind element chakra beneath his skate and manipulate the wind creating a strong balanced wind that makes your skate fly currying the user with it. This technique can also be used to move around at the same speed level of the user's rank. This technique can get the user up to 4 meters above the ground.
-Can only be used three times per battle.
-Stays for up to 3 turns per use, and cost 15 chakra points for each turn it is in use.
Hurricane Skater Martial Arts: The Twister Beneath the Cracker - Shippuusuka Tatakai no Jutsu: Shipuu Shita kanpan
Type: Attack/Defensive
Rank: A
Range: Close
Chakra cost: 30
Damage points: 60
Description: As the user gets close to the enemy, the user channels his chakra through the wind used to blast the skate up and manipulate it to make it side flip in the mid air as he jumps for it, letting it twist with wind elemental effect of cutting at its edges to cut his legs as he channels his earth chakra through his foot as he directs a kick toward the enemy's chest to break his/her bones confusing him/her with two attacks out of the sudden making them pretty hard to dodge. After using this technique, the user stand back over the skate and balance it, continuing to fly above the ground.
-Can only be used once per battle
Additional effects and Restrictions:
-Must be a S-Class at least to use this fighting style.
-The user of this fighting style must be a master of wind element, taijutsu and Kaito's taijutsu.
__________________________ ~Declined~
Actually a pretty good idea, just two things. First it needs to be clarified that, since you must continually run chakra through your skateboard in order to keep flying, no other techniques would be able to used while in the air. Second, remove entirely the last paragraph under abilities where it allows you to use this through pretty much any weapon. That paragraph alone makes the technique a partial rip-off of Temari's fan and the Levitating Blade technique. Make it so that the user has to have a board to use this style.
Hurricane Skater Martial Arts - Shippuusuka Tatakai no Jutsu
Type: Wind element, weaponery and Taijutsu
Background:
Inspired by Onoki's flying technique, Temari's unknown huge fan technique that made her able to fly above it while fighting Tenten and Black Cat's Leon Elliott ability. Wind element users such as danzo used it to redirect his flight, In NB, RP-ers used the Hurricane Fist technique to send themselves flying to else where by directing their fist toward the ground as they form the punch. Using the mastery of wind element and taijutsu creating a fighting style build on speed and midair battling.
Description on the Abilities and Inner Workings of the Style:
By manipulating the wind, the user could increase the speed of his skate's wheels speed, make himself fly above the skate by creating a wind blast that keeps it flying and moving it, do multiple movements at midair and combine that with taijutsu to increase its strength and speed. By using this fighting style, the user would be able to combine his wind element with a special type of taijutsu with the usage of the skate as a weapon kick and lunch at midair making it cycle to attack the enemy and as such of skate movements.
The essence of this fighting style is to attack while moving, giving the enemy less chances to fight back and confuse them. Its also supplementary, as it makes the user able through specific techniques able to dodge, repel or block some attacks.
Example techniques:
Hurricane Skater Martial Arts: The Twister Skater - Shippuusuka Tatakai no Jutsu: Shipuu Suka-Ta
Type: Supplementary/Defensive
Rank: S
Range: Close
Chakra cost: 40
Damage points: -
Description: The user channels his wind element chakra beneath his skate and manipulate the wind creating a strong balanced wind that makes your skate fly currying the user with it. This technique can also be used to move around at the same speed level of the user's rank. This technique can get the user up to 4 meters above the ground.
-Can only be used three times per battle.
-Stays for up to 3 turns per use, and cost 15 chakra points for each turn it is in use.
-No other jutsu can be used while using this technique.
Hurricane Skater Martial Arts: The Twister Beneath the Cracker - Shippuusuka Tatakai no Jutsu: Shipuu Shita kanpan
Type: Attack/Defensive
Rank: A
Range: Close
Chakra cost: 30
Damage points: 60
Description: As the user gets close to the enemy, the user channels his chakra through the wind used to blast the skate up and manipulate it to make it side flip in the mid air as he jumps for it, letting it twist with wind elemental effect of cutting at its edges to cut his legs as he channels his earth chakra through his foot as he directs a kick toward the enemy's chest to break his/her bones confusing him/her with two attacks out of the sudden making them pretty hard to dodge. After using this technique, the user stand back over the skate and balance it, continuing to fly above the ground.
-Can only be used once per battle
Additional effects and Restrictions:
-Must be a S-Class at least to use this fighting style.
-The user of this fighting style must be a master of wind element, taijutsu and Kaito's taijutsu.
-While flying above it the user cannot use another technique at the same time.
________________ ~Declined~
"You need to wait 15 days from the date your CFS was checked to resubmit."
Hurricane Skater Martial Arts - Shippuusuka Tatakai no Jutsu
Type: Wind element, weaponery and Taijutsu
Background:
Inspired by Onoki's flying technique, Temari's unknown huge fan technique that made her able to fly above it while fighting Tenten and Black Cat's Leon Elliott ability. Wind element users such as danzo used it to redirect his flight, In NB, RP-ers used the Hurricane Fist technique to send themselves flying to else where by directing their fist toward the ground as they form the punch. Using the mastery of wind element and taijutsu creating a fighting style build on speed and midair battling.
Description on the Abilities and Inner Workings of the Style:
By manipulating the wind, the user could increase the speed of his skate's wheels speed, make himself fly above the skate by creating a wind blast that keeps it flying and moving it, do multiple movements at midair and combine that with taijutsu to increase its strength and speed. By using this fighting style, the user would be able to combine his wind element with a special type of taijutsu with the usage of the skate as a weapon kick and lunch at midair making it cycle to attack the enemy and as such of skate movements.
The essence of this fighting style is to attack while moving, giving the enemy less chances to fight back and confuse them. Its also supplementary, as it makes the user able through specific techniques able to dodge, repel or block some attacks.
Example techniques:
Hurricane Skater Martial Arts: The Twister Skater - Shippuusuka Tatakai no Jutsu: Shipuu Suka-Ta
Type: Supplementary/Defensive
Rank: S
Range: Close
Chakra cost: 40
Damage points: -
Description: The user channels his wind element chakra beneath his skate and manipulate the wind creating a strong balanced wind that makes your skate fly currying the user with it. This technique can also be used to move around at the same speed level of the user's rank. This technique can get the user up to 4 meters above the ground.
-Can only be used three times per battle.
-Stays for up to 3 turns per use, and cost 15 chakra points for each turn it is in use.
-No other jutsu can be used while using this technique.
Hurricane Skater Martial Arts: The Twister Beneath the Cracker - Shippuusuka Tatakai no Jutsu: Shipuu Shita kanpan
Type: Attack/Defensive
Rank: A
Range: Close
Chakra cost: 30
Damage points: 60
Description: As the user gets close to the enemy, the user channels his chakra through the wind used to blast the skate up and manipulate it to make it side flip in the mid air as he jumps for it, letting it twist with wind elemental effect of cutting at its edges to cut his legs as he channels his earth chakra through his foot as he directs a kick toward the enemy's chest to break his/her bones confusing him/her with two attacks out of the sudden making them pretty hard to dodge. After using this technique, the user stand back over the skate and balance it, continuing to fly above the ground.
-Can only be used once per battle
Additional effects and Restrictions:
-Must be a S-Class at least to use this fighting style.
-The user of this fighting style must be a master of wind element, taijutsu and Kaito's taijutsu.
-While flying above the skater, the user cannot use another technique at the same time. -The user must have a skateboard to use this style.
____________________ P a t e n t C e r t i f i c a t e
Seblax, our loyal member, gave on the a request for a Patent on custom fighting style Hurricane Skater Martial Arts - Shippuusuka Tatakai no Jutsu. I, Riku.. of the Custom Fighting Style Bureau, by the power invested in me by Nexus, after reading the submission, have decided that the submitted style satisfies all requirements, and am therefore giving him rightfully earned patent on this style by the following;
Hurricane Skater Martial Arts - Shippuusuka Tatakai no Jutsu
Powered by Riku..
Copyright 2012, Seblax, NarutoBase.net
Rain element is an element commonly used in NB by biographies that are originally from Amegakure. However to use it, the user would require having the sky raining and therefore the existence of clouds. That is the main drawback of using rain element in my opinion. So, by using this fighting style, the user would be able to manipulate water that already exist on the ground's surface or any water the exists around the user like water jutsus used by others or what the exists beneath the ground. This fighting style still have the drawback of requiring a water source instead of clouds or rainy weather which can be provided easier from my point of view.
Description on the Abilities and Inner Workings of the Style:
Based on the usage of the rain element, where the user is able to manipulate the raindrops into a verity of shapes and states. This fighting style uses water surfaces to make raindrops raise from it into a verity of shapes and states that are similar to rain element's techniques, however, once any of these techniques reach long range(As a maximum range for all techniques) they would turn into small raindrops the merges with the atmosphere and if they were above A rank, they will turn clouds.
The raindrops can take any form the user wishes and it could take the state of liquid, sticky liquid and snow just like rain element.
Example techniques:
Reversed Rain Style: Dance of the Raising Drillers - Sakasa Ame No Jutsu: Odori No shiikukasui
Rank:A
Type:Attack
Range:Short-Mid
Chakra cost:30
Damage Points:60
Description: The user does the ram handsign as he focus his chakra into the water around him making multiple water drillers that are capable pierce through medium-sized solid bodies such as walls. The drillers would travel up to Mid range into the air and then slowly scatter into the sky.
-Can only be used three times per battle.
Reversed Rain Style: Stock On You - Sakasa Ame No Jutsu: Kabu O Otaku
Rank: A
Type:Attack-Supplementary
Range:Short-Long(Depending on the size of the water source used)
Chakra cost:15
Damage Points:30
Description: The user does the Dragon then snake handsigns making the water around him raise in the form of sticky liquid that will cover the target/targets with it imprisoning them from moving. This jutsu can only reach the enemies with the same water source that the user used for this jutsu surrounding them.
-Can only be used twice per battle.
Additional effects and Restrictions:
-Must be a sannin at least to learn this fighting style.
-Must have master rain element and water element.
-The bio using this fighting style must be originally from Amegakure.
-This fighting style has the same characterizes as the rain element, including weakness and strength.
_________________ ~Declined~
This is literally just a set of basic water manipulation techniques.
Before settling in Iwagakure, Rahl had wondered the rock country for many moons. One night, he had met an old hermit, who was knowledgeable on almost every subject known to the shinobi world. The first words the old man spoke, "Knowledge is a weapon", resonated within Rahl. The man never elaborated on the phrase, which always had left Rahl curious. After saying his goodbyes to the stranger after many moons, he once again spoke an odd phrase, "Words carry power." Rahl eventually developed this style of combat, with the core belief that knowledge is a tool to be used.
Description on the Abilities and Inner Workings of the Style:
A user of Seishin no Kyōten utilizes physical manifestations of kanji in order to initiate the effects of this style. The individual characters of kanji are shaped mainly into flat shapes, where the characters make up the shape. Single kanji of varying size can also be utilized. The rings of kanji will be created onto the ground, and then rise and levitate several inches off of it. The actual characters of whatever is formed will a specific color depending on what element was used to form it (Earth- light brown, Fire- dark red, Lightning- pulsing yellow, Wind- swirling grey, Water- lustrous blue). The characteristics of each barrier also depends on the elements it is made from. The forms of kanji are also self-sustaining mechanisms. When activated, they do not require a constant chakra source. However, due to this, the techniques can only last for certain periods of time before they disperse or need to be recharged, so to speak.
The main use of this style is to erect one or more barriers on any battlefield or terrain infused with elemental chakra. These have a variety of effects, from forming traps to imprisoning the enemy. By creating a form of scripture onto a space in/on the battlefield, the user forms an advanced barrier. The elemental chakra is threaded through the chakra links that compose each barrier. The barriers can be simple or three dimensional shapes, such as cubes or cylinders. This is achieved through dense chakra manipulation, sculpting each barrier using precise and advanced shape manipulation. However the height of the barrier can vary according to the technique. The dimensions of the formed barrier is equivalent to the size of the ring of scripture created (i.e. a two diameter ring of scripture is formed on the ground; the barrier has a two meter diameter).
Usage Examples:
(Seishin no Kyōten: Akuma no Onsen)- Phantom Scripture: The Devil’s Hot Springs
Type: Offensive
Rank: S
Range: Short-Mid
Chakra Cost: 40
Damage Points: 80
Description: The user will begin by manipulating their chakra and then forming a circular barrier with a diameter of three meters. The barrier is infused with lightning and water chakra and created under the opponent. It is then shaped into a cylinder, rising five meters into the air. As the barrier is formed underneath the opponent and as it rises, the user manipulates the barrier to release a large cascade of water from every point on the inside of the barrier. Once the water begins to gush, the user will then manifest small sparks of lightning chakra along each point where the water is being released. This forms an electrical bath that the opponent is trapped within.
Note: Can only be taught by Selendrile
Note: Usable twice per battle
Additional effects and Restrictions:
- Users of this style must have mastered basic ninjutsu
- Users of the style possess incredible chakra control
- Users of this style gain a "sense" of whatever lies within their barriers
________________ ~Declined~
While the idea is interesting, I don't see what you're doing here that you can't do with normal ninjutsu. By that I mean creating barriers. In the end, this is simply a more aesthetical way of constructing normal and elemental barriers (and it's borderline fuuinjutsu with things like releasing elements out of the barrier after creating them). That said, I don't see this as a CFS unless making the barriers with the kanji actually adds something that normal barriers wouldn't be able to do. Currently it's just another way to make barriers that in the end is actually more cumbersome than using hand seals and fuuinjutsu.
Background:
Ninjas can use anything in the form of a weapon. with a higher skill, a master can turn anything into a weapon. A while ago, while having a friendly game of Mahjong, Master Junichiro contemplated the style of mahjong and tested its ability in combat. Similar to the card style of combat, The user uses tiles from the deck to attack, and can use special attacks when gathered all the right tiles.
Mahjong has 3 suits, and each suit has nine tiles. There are four of every tile from 1-9. then there are special face tiles. these include the red dragon, green dragon and white dragon, as well as the four winds, north, east, south and west. When a particular set of tiles is combined they can score very high almost wiping out the opponents score in one shot.
By infusing chakra into the tiles, the Master Junichiro found that he could use special ninjutsu through the tiles and through special hands could create very interesting effects.
Description on the Abilities and Inner Workings of the Style:
The user of Majong Style, need to carry a mahjong case with them into battle, or must have the tiles somewhere on them to use. They must have the tiles in their hand to infuse chakra into the tile and use its effect. Some tiles which have a higher value than other produce a stronger effect.
The four suits as they are called, include Pins (Circles), Bamboo, Mahn, and the face tiles.
The tiles are 1, 2, 3, 4, 5, 6, 7, 8, 9, and then the face tiles are the winds that are East, West, South, and North, and the three dragons, Haku, (white) Hatz (green) and Chun (red).
There are 4 of every tile.
By infusing chakra into a Pin tile, the user can summon forth a fire jutsu. Depending on the tile, it varies in strength.
Bamboo are infused with Earth Jutsu,
And Mahn are infused with Lightning Jutsu.
The order of strength is from weakest to strongest which is 2, 3, 4, 5 (which can use C rank techniques) 6, 7, 8, (B rank techniques) 1, 9, then the face tiles (A rank techniques) and then the hands, which are a combination of tiles such as a Yakuman and SanBaiMan (S rank techniques). There is also a legendary Double Yakuman which brings forth a forbidden technique.
Techniques by infusing chakra into a tile or hand are included below;
Mahjong Geijutsu: Ichi-Pin | Mahjong arts: 1 Pin Type: Offensive Rank: A Range: Short-Mid Chakra: 30 Damage: 60 Description:
The user holds the One pin in front of themselves, and infused chakra into it. Then lunched forth from the tile is a 2 meter Diameter Circular disc of fire at the opponent. Notes: Can only be used 4 times in a battle. Notes: Once used, removes from the users pool and cannot be used again in any hands or combinations.
Mahjong Geijutsu: Ku-Soozu | Mahjong arts: Nine Bamboo Type: Defensive Rank: A Range: Short Chakra: 30 Damage: N/A Description:
The user draws forth the 9 Bamboo tile and charges their chakra into the tile, and then slams the tile on the ground. Then in front of the tile, 9 bamboo shoots rise out of the ground which can be used to block projectiles up to B rank. Notes: Can only be used 4 times in a battle. Notes: Once used, removes from the users pool and cannot be used again in any hands or combinations.
Additional effects and Restrictions:
There are 4 of every tile in the set, however;
Once a tile is used, it cannot be used again for that battle.
That tile cannot be used again in a hand.
So if a tile is used only 3 more remain in the deck.
Can only be used by those carrying a Mahjong set either in a case or on their person.
______________________ ~Declined~
This is without a doubt in fuuinjutsu territory. These tiles have elements or abilities sealed into them which you can release at any point of the battle by focusing chakra; that's one of the abilities of fuuinjutsu.
Background: Its a story of Flash07 and his unnamed friend. Long ago when his friend lost his vision due to an unknown disease, Flash07 decided to train him to live without his eyes. He started by training him by reacting to the sound/vibrations in the surroundings. Next he trained him to use his sense of smell to know about the obstacle and counter it. As time passed, his friend started learning but he found it very difficult to continue training because of the fact that it requires the maximum concentration and focus which is not possible for everyone. To make sure that his friend didn't give up, Flash07 decided to live as a blind himself and train with him. So he covered his eyes with a black cloth and started training along with his friend. Together they trained which included exercises like dodging obstacles coming their way by listening to the sound, vibrations caused in the air, the smell of the object and feeling the atmosphere. A year passed since they began training when the friend suddenly passed away due to his unknown illness. But determined to complete what was left uncompleted by his friend, Flash07 started his gruesome training for 3 years where he reached the heights of this style where he could 'see' with his eyes closed by listening to the surroundings and by sensing their smell.
Description on the Abilities and
Inner Workings of the Style:
This type of combat relies on using their hearing, sensing and smell sense to the max. The users of this style have to go through gruesome training which includes meditation (like Naruto does when he learns sage mode). The first exercise starts with a bell training. The person learning this style tries to hit the bells when rung by listening to their noise and thus improving their hearing skills. The second exercise is dodging an object. Every object has a smell and when an object moves, it creates some disturbance in the air. By understanding it, the user can avoid the incoming attack. During this whole training the user's eyes are shut forcing them to rely on their other senses. By the end of the training, the user becomes so used to this style that they even if they close their eyes, they can fight an opponent like they normally do without loosing any ability as they can listen to the slightest movement in air and react to it. While the opponent uses jutsus, the user can listen to the crackling voice of the lightening, or the splashing sound of the water etc. to know which jutsu the user is using. On keeping their eyes open, the reaction speed of the user is increased ten fold.
Examples:
Mōmoku no tatakai | Blind fighting
Type: Supplementary
Rank: A
Range: Short.(self)
Chakra: 30
Damage: N/A
Description:
The user after observing and memorising his battle arena/location of battle, closes his eyes and concentrates his chakra into his ears, nose and his skin. Thereafter the user comes to know of any change in the environment. The user can predict the movement of the opponent's limbs,the jutsu used by the opponent etc. all with his eyes closed.
Anata no shiryoku o torimodosu | Regain your vision
Type: Supplementary
Rank: C
Range: Short.(self)
Chakra: 30
Damage: N/A
Description:
The user after using bling fighting, when he opens his eyes, his reaction speed, agility, flexibility and reflexes are greatly increased.
Additional effects and Restrictions:
- The master of this style has the ability to know what jutsu the user is using with his eyes being shut and can react accordingly.
- Masters gain an increase in their agility, flexibility and reflexes when their eyes are open.
- Masters have a good sense of smell, sense of hearing and sense of touch (feel).
- Users of the art are protected from ocular genjutsus but not the normal ones.
- Blind arts users have a very good chakra control.
- This art doesn't in anyway increase the physical strength of the users nor does it give an increase in the power of the attacks.
- To learn this art, you must be of s-class or higher and should have started taijutsu,Ninjutsu training.
- Can only be taught by Flash07.
_________________ ~Declined~
Completely the same as a CFS that is already in progress.
Prophecy of the Forbidden Scrolls | Kindan no Makimono no Yogen
Type: GenNinTaijutsu
Background:
Through the constant traveling in the world of narutoverse, Vision had always visited Konoha and noticed some shinobi’s scrolls to fight battles. Vision as he was curious has always been looking for a way to have an edge in battle and this concept was interesting to him. He had always carried around scrolls to summon various weapons and projectiles, as well as using elemental and regular ninjutsu with them. Although not proficient with the use of scrolls as Vision never used a lot of it during his battles, he decided to train and develop a more unique fighting style out of this as he believed that it would be a good tool to use for his advantage.
Through hard training and constantly experimenting with the use of the scrolls, Vision thought to imbed his own chakra into the scrolls. This was not easy and he did fail many times, then he was able to produce one scroll that he could imbed his own chakra. Though power was too weak to perform any ninjutsu with it. One day, he heard of a story, high in the mountains where the Sage of Six Path liked to visit to achieve Nirvana, that there were ten scrolls with enourmous power imbedded in it. Enough for Vision to perform the jutsu’s that he wanted to use them for. Genjutsu was one of them as he loved the Illusionary Arts and messing with people’s minds. Vision then set forth on a journey that he will never forget.
It has taken years of travel, asking near by shinobi’s and villagers of the mountain that he had heard about. Finally after several years, he was able to find the place. It was a glorious day for him as he had finally achieved what he wanted, however there were no scroll. Though an inscription was written, that it seems only Vision was able to read, that he must achieve Nirvana for him to be able to locate the hidden treasures. Meditating for years, Vision was able to achieve Nirvana, enlightenment, just as the inscription had said. A strange path has appear before him, a light that lead to a pathway that he had never seen, he followed it till the end, finding that hidden treasure.
Vision decided that staying where the Sage of Six Path have stayed to meditate was the best idea to train and perfect the art of the forbidden scrolls. He opened each one and found out that there were different signature of chakra within each scroll. A massive power that was left in the mountains, though the scroll itself was empty and unwritten. Vision has found out that the scrolls itself could only be written one time and it would be permanent. It was perfect, he could do whatever he wanted and develop his own style as he wanted. It took Vision a few more years, however he has perfected the fighting style and went back to his own village with it.
Description on the Abilities and Inner Workings of the Style:
The abilities are simple and straight forward, there are ten scrolls that the user will carry, all imbedded with it’s own chakra signature which would be enough to perform any jutsu from E to forbidden rank. The user would not have to use it’s own chakra to be able to use these scrolls, however each scroll has an inscription written in them. In order for the scrolls to activate and the jutsu used the user will have to read the words of the inscription and it’s key words through the use of sound. The frequency of the sound waves will trigger the jutsu when read, and the jutsu will be performed.
Through the use of sound and the scrolls, it will be able to perform the jutsu freely and the user will be able to manipulate the chakra as the jutsu requires, therefore it is capable of casting genjutsu, perform ninjutsu and elemental ninjutsu as well as taijutsu with little enhancements for more power and speed. Each scrolls are grouped with another scroll and the higher level of the scrolls can not be used until the lower level scrolls have been used.
For example, Scroll Number One is a catalyst for all other scrolls associated with other scroll numbers. Scroll number one has to be used before scroll number three and then five and then seven then nine. Scroll number two has to be used before scroll number four, then six, then eight, and then ten. Even and odd number scrolls will go together. However this is not just limited to odd and even numbered scrolls, but any combination can fit depending on the jutsu. Scroll number one used and three and eight afterwards could have a different effect on scroll number eight’s abilities. All different combination of scrolls could work and some won’t therefore it’s important that the user knows which scrolls to use to have a desired effect.
Example Useage
Kindan no Makimono no Yogen: Sukurōrunanbāwan: Subete no Sōzō no Ten | Prophecy of the Forbidden Scrolls: Scroll Number 1, Heavens of all Creation Type: Supplementary Rank: A Range: Short - Mid Chakra: 30 Damage: N/A Description: The user will pull out the scroll and will read the inscription in the scroll using it’s sound chakra to produce a frequency that scroll number one will react to. As the key words “fire” are read through the use of sound, the opponent will put into a genjutsu where the opponent will see a sea of fire that surrounds both the user and the opponent. An environmental change within the area large and hell like. The opponent will begin to dehydrate as the body will feel the heat, as well as sweating will occur. After three turns the opponent will begin to feel the effects of dehydration and sweating, lose mobility, constriction of muscles, as well as heat stroke. After five turns exposed to the environment, the user will collapse from heat exhaustion.
Note: Must Know Kindan no Makimono no Yogen
Note: Must have at least started sound training
Note: Must have Mastered Genjutsu
Note: Must have Mastered Ninjutsu
Note: Gains access to Scroll Number Three and Seven
Kindan no Makimono no Yogen: Sukurōrunanbāsurī, seisho no sukēru no inferuno | Prophecy of the Forbidden Scrolls: Scroll Number Three, Inferno of Biblical Scale Type: Attack Rank: A Range: Mid-Long Chakra: 30 Damage: 60 Description: The user will pull out the scroll and will read the inscription in the scroll using it’s sound chakra to produce a frequency that scroll number three will react to. As the key words “water” are read through the use of sound, the scroll will immediately send it’s fire chakra into the ground, causing an explosion, through shape manipulation of the user and add to the effect of Scroll Number One. The fire would explode from all sides of the opponent leaving him in the center. It would not explode in the center but the intention is to cause a heat wave. Though the explosion would still damage the opponent a bit as the shockwave would hurt the opponent.
Note: Must have used Scroll Number One in order for this to work
Note: Must have Fire mastered
Note: Must know Kindan no Makimono no Yogen
Note: Must have started sound training
Note: Gains access to Scroll Number five and Seven
Note: If the genjutsu was broken on scroll number one, the effects would just be the jutsu and not added by the genjutsu
Kindan no Makimono no Yogen: Sodomuto Gomora no Tsumi | Prophecy of the Forbidden Scrolls: Scroll Seven, Sins of Sodom and Gomorrah Type: Supplementary Rank: S Range: Short - Mid Chakra: 40 Damage: N/A Description:With the use of Scroll Number One only: The user will pull out the scroll and will read the inscription in the scroll using it’s sound chakra to produce a frequency that scroll number Seven will react to. As the key words “repeat” are read through the use of sound, the opponent will be placed into another genjutsu. The opponent will still see the fire from scroll number one, though a slight change will occur. Something that doesn’t happen right away, but the opponent will begin to feel all the sins that happened in the city of Sodom and Gomorrah. Making the user feel very uneasy, nervous, and any sin that they committed. The opponent will actially feel as if they are getting punished by god through their mind which will have it’s physical effects.
Through the use of scroll number three only: The illusion happens suddenly and not eased it, thus a bit more easier to find out if it’s a genjutsu, though the effects are still the same as mentioned above, however since it’s used with a fire type jutsu and not a genjutsu, the user will feel pain within themselves as well as burning motion as the city of Sodom and Gomorrah has been burnt to the ground and everyone died of a fire and burnt to death.
Note: Must know Kindan no Makimono no Yogen
Note: Must have Genjutsu Mastered
Note: Must have started Sound training
Note: Gains access to Scroll number Nine
Additional effects and Restrictions:
+Masters of Kindan no Makimono no Yogen reads incredibly fast. Faster than your average reader, it has said that they can read 1000 words a minute. Reading scrolls is a breeze and the jutsu’s that needs to be performed will be quick and swift+
+Masters of Kindan no Makimono no Yogen have reached Nirvana, therefore they will be extremly calm in dire situations and never panic, has complete chakra control, and able to have a clear mind at all times. It is required to achieve Nirvana in training session one and to move onto training session two+
+Masteres of Kindan no Makimono no Yogen have excellent chakra control as they need to be able to control and manipulate foreign chakra as they use their sound element into the jutsu+
+Must have finished in the Basic Five, Nin, Gen,+
+Must have at least two separate training sessions to achieve full mastery of the fighting style+
Background: Combining two styles of fighting that are not at all remotely connected, as one is physical and one is a mental ability. In attempt to use these two together, the user uses his sword as a medium, as well as affecting the mind of the others. Description on the Abilities and Inner Workings of the Style: The user uses regular kenjutsu attacks, but changes what the opponent sees or thinks to see by using genjutsus while attacking. This is very efficient as kenjutsu techniques usually do not require any form of chakra at all. Note that the genjutsus are used a medium to attack successfully, otherwise it would simply be another kenjutsu style of fencing. The second way of using it is by simply using the hilt of the sword, and thus not causing physical pain, or the sword holster to channel chakra through it and create the genjutsu as well. In itself, the fighting style is very basic, but that means it purely depends on the user his creativity.
While it is obvious that one can simply create genjutsus to do this and use free-form or freestyle kenjutsu techniques, this technique is completely based on kenjutsu and a small amount of freestyle taijutsu as these are entwined with one another. This being said, the illusions work in a way that they are useless without combining them with ken/taijutsu.
Additional effects and Restrictions:
- Mastered genjutsu
- Have a weapon on your bio (custom) that at least has the ability to let chakra pass through it, or that allows chakra to be stored in it.
- Must have mastered Ototon (Sound Release), as some of the genjutsus are specifically performed by the use of sounds.
- Must be of Kage rank
- If mastered NB Genjutsu can use this more quickly, due to the extensive training. ____________
-Declined- This would be amazing at creating unfair and poorly explained or explainable situations because everything you do will be vague; I like the idea however, and if you work on it I think you could get it approved. Just... the genjutsu can't come all of a sudden, that's the biggest concern.
