[ARCHIVE] Custom Fighting Styles Submission

[Edward]

Re: Custom Fighting Styles Submission

☣ Repulsion Fist ☣ Hanpatsu Ken

Type: NinTaijutsu

Background: This style was founded by the very first practitioners of Sound. They were monks who utilized chakra, and specifically sound chakra, to prevent danger in their homeland. In one seemingly normal day of training, they stumble upon a great find, one that would lead to the creation of this style. Infusing their makeshift punching bags with sound chakra, they were, in an attempt to punch through it, shocked to find that their strike has been repelled. They were curious as to why a physical force was prevented, just because of sound chakra. They continued practicing on the training bag, in an attempt to test the capabilities, and most importantly, the limitations of the punching bag. Surprised by their discovery, they began experimenting, hoping to find a separate application for such a unique and powerful ability.

Ultimately, they learned to infuse their limbs and body with sound chakra. Knowing that most ninjas were especially skilled in close combat, it was a miracle to discover a way to prevent most of their enemies strikes'. The style itself was imperfect, and it was constantly reedited and improved over time to what it is today.

In modern times, the ancestors of these ancient civilizations have learned and perfected the style. They kept the valuable information hidden from everyone else. But of course, they selected students with promise to learn Repulsion Fist, to ensure that its legacy would always be alive.

Description on the Abilities and Inner Workings of the Style: The style is based on the idea of infusing an object with sound chakra, and using the sound chakra to have other items that touch the original object bounce off, as shown in the jutsu: (Ototon: Chūnyū no Jutsu) - Sound Release: Infusion Technique. Applying this to Taijutsu, the user will learn to infuse body parts and limbs with sound chakra, allowing it to produce a low frequency/high amplitude sound. Utilizing the newly-modified limb, a practitioner could, with every strike, repel other opposing forces due to the nature of the sound waves that envelope the body part. It is reliant on physical damage to harm the opponent; with each strike the opponent attempts to deal, assuming it is of logical ranking, their limb would suffer injuries based on being repelled and abruptly pushed back, as well as damage from the original maneuver the user performs, i.e. punch, kick, etc. The repelling action greatly amplifies the Taijutsu maneuever, where a normal kick would push the enemy back a few feet, while a kick infused with sound chakra specifically of this style would have enough power to abruptly push the target meters and meters due to the sound infused with the kick that serves to repel/bounce off opposing forces.

Basically, this style revolves around the infusion of a body part with sound chakra to create aspect of repulsion due to the vibrations of sound when infused into a limb, making it so that other physical forces seem to be pushed back, or bounce off from that area.

Example Techniques:

(Hanpatsu Ken: Monkey Fist) ☾ Repulsion Fist: Monkey Fist
Type: OFfensive
Rank: A
Range: Short
Chakra: 30
Damage: 60 (+10)
Description: The user will channel sound chakra to their legs and fist and through by kicking the opponent at an upward angle, he forces the opponent to rise from the ground several meters from the air. This is enhanced by the sound chakra, making it so that upon contact with the sound infused kick, the opponent's body is repelled which further contributes to the high altitude the enemy is pushed up to. The user dashes above the opponent, similar to how it is done with the Shadow of the Dancing Leaf, however, in this case, the user appears above the airbourne opponent. Once above, the user will drive his fist into the opponent's body, which would further push the enemy down with great force due to the effects of the Sound Technique. If the user continues the punch even if the enemy has already fallen to the ground, the target will take extra (+10) damage from the sound chakra pushing away the user, who would be trapped between the ground and the fist. If the second part were to occur, it would result in a crater proportional to the target's size.
Notes&Restrictions:
☾ Must be a practitioner of Repulsion Fist
☾ Can only be used four times per battle
☾ Can be used if the enemy is already airbourne, in which case, the first half of the technique isn't performed.

Additional effects and Restrictions:
☾Specialist of this style have a higher resistance to pain and stimuli due to the sound vibrations constantly affecting their body.
☾Requires Taijutsu mastery, and Sound Mastery
☾Can only be taught by EdwardSama​

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 Declined  Collides with existing CFS. DNR

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​

 

[Lytes]

Re: Custom Fighting Styles Submission

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Eien No At|||Eternal Arts
Type:NinTaijutsu
Background:
A fighting style created by a blind taijutsu user, a ninja robbed of his sight at a young age but his will kept him alive and moreover made him more powerful, It is said that his willpower was strong enough to crush mountains, at first the ability was too hard to control but that didnt stop him, he practised day and night until he became skilled at this art Mako read from the ancient scroll he found at the bottom of the deepest ocean of Kirigakure, along with the history, he saw the steps to learn and master the art, with time Mako mastered the arts.
No Ranks are allocated in this art.
Description on the Abilities and Inner Workings of the Style:
This style revolves around the user being able to create chakra figures, similar to clones but rather having a greenish blue colour out of pure chakra though the chakra composition of the clones are dense enough to deal physical damages, It is said that the clone's physical damage is proportional to the user's willpower.
ΠOffensiveΠ
The Chakra Figures can be incorporated into taijutsu attacks allowing user to manipulate the "clones" to attack the opponent with basic taijutsu moves that the user has learned, this capability also allows user to have hand to hand combats with many opponents at the same time.
ΠDefensiveΠ
The Chakra Figures can also be used to defend oneself ranging from forming a wall of chakra figures to defend against wide scale jutsus to forming a single chakra figure between the user and opponent to defend against small scale jutsus.
ΠSupplementaryΠ
The Chakra Figures supplementary uses are limitless, they can be used to distract opponent by simply forming them at several places around the opponent, they also serve the purpose of blocking opponent's line of sight, they can be used to deceive sensory, rinnegan and sharingan users due to the several chakra figures
Example Techniques:

Spoiler

Eien No -Ataeru Itami|||Eternal Art - Pain of Present
Rank: A
Type: Offensive
Range: Short - Mid
Chakra cost: 30
Damage points: 60
Description: The user will create 6 clones around target simultaneously, the figures will strike the opponent from all directions with rage, the unpredictable nature of the jutsu makes it hard to react/evade
~Can be perforned thrice in a battle.
~Must have learned Eternal Arts
~Can only be taught by Mako.

Additional effects and Restrictions:
ΠMust have mastered Ninjutsu- For good chakra control.
ΠMust have mastered Genjuutsu- For good willpower.
ΠCan only be taught by Mako.
ΠMust have learnt Taijutsu atleast up to A rank.
ΠDue to their willpower, users of this art are immune to D rank and below genjutsu.
ΠMust be at least Sannin ranked to learn.
-->Inspiration from Kenshi in Mortal Kombat.

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✦ Declined, this is essentially Better's Blind Arts, which I just declined last cycle. ✦

 

[The_Empire]

Re: Custom Fighting Styles Submission

(Shīru Bukiāto) Seal Weapon Art
Type: Fuuinbukijutsu
Background: A group of weapon users that mainly stated in mid to long rang from their opponent came up with this style. The way they came up with this first is the idea of producing the weapons first. They could use their body as a bearer of their weapons but at times it wouldn't work for them. They came up with cards that bear the kanjis for the seals for the weapons. These are just your normal cards so they can still be effected by their same weakness.

So they started creating jutsus and even practicing to make this style perfect counter to their weakness they had before with scrolls and even making it powerful then usual.

Description on the Abilities and Inner Workings of the Style:These cards can hold up to two seals and can hold up to ten weapons per seal. This made it more quicker to produce the weapons and even throwing the card at their enemy as a surprise to get more weapons thrown at them with the seal released.

The next purpose were to have some times have the weapons with seals on them. The seals can have more weapons or even chakra released around it making it a medium for tracking the chakra signature(sensory type can't sense the chakra of their opponent(hiding their chakra like what Karin did) but can use their chakra or someone else who has usage of this CFS to find the opponent. How the weapons sticks to the opponent is up to the user's creativity.

Another usage of the weapons can produce barriers with a set amount of weapons with seals on them. The barrier can be created from three or more weapons with a seal on it and can be ranged from a small container to something large as a building.

The last usage of the style is to absorb chakra. The absorbing of chakra is activated through the usage of a seal or mental command. The way this is done is by the weapon has to be big enough to absorb the chakra or the user can use multiple weapons to seal a large source of chakra in them.

Example Techniques:

Spoiler

(Shīru Bukiāto: Odoroki) Seal Weapon Art: Surprise
Type: Attack
Rank: B
Range: Short-Long
Chakra Cost: 30
Damage Points: 60 (+10 infused with chakra)
Description: The user tosses a card(s) at their desired target. The card would have written on it. The written is seen as normal card writing but this is really the custom made kanji to fool the target. The user activates the seal(s; because it can have up to two seals on it) releasing a barrage of weapons. These weapons could have other seals on them or even lingering chakra around them increasing their damage(chakra doesn't die out when sealed and with the weapons being infused with chakra could be done like this).

(Shīru Bukiāto: Chakra Hassuru) Seal Weapon Art: Chakra Emit
Type: Supplementary
Rank: C
Range: Short-Long
Chakra Cost:
Damage Points: N/A
Description: The user places a seal onto a weapon and throws it at their opponent. The seal activates on the signature of someone's chakra. The weapon emits chakra signal which can be sense by any chakra sensory or advance sensor. Now this can stick to a person or object depending on the user's way of sticking. For an example the user can use a senbon and stick it to a person or object that can be pierce with such sharp object.

(Shīru Bukiāto: Buki no Baria) Seal Weapon Art: Weaponry Barrier
Type: Supplementary/Defense
Rank: B
Range: Short-Mid
Chakra Cost: 20
Damage Points: N/A
Description: The user places a seal onto three or more weapons throwing them in a desired location or even in certain position. The user activates the seals and they glow semi light blue color. Sides of the barrier erupt up from each weapon making them connect together. The barrier is invisible to the naked eye but still it is a barrier so anything it touches it will ripple showing its sides.

(Shīru Bukiāto: Buki Horudā) Seal Weapon Art: Weapon Holder
Type: Supplementary
Rank: A
Range: Short
Chakra Cost: 30
Damage Points: N/A
Description: The user places a seal a weapon they would like to hold the chakra they would like to absorb. With this the user can also place it on multiple weapons to be user the chakra is all absorb. The chakra can be release with this same technique. The chakra wouldn't be used as an attack but as a distraction.

Additional effects and Restrictions:
-Must have completed the Basic Fuuinjutsu Training
-The user's of this technique have quicker reflex and even reaction time

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✦ Declined, discussed with someone else and this is practically the same as using scrolls, with little to no actual differences ✦

 

[-Quest-]

Re: Custom Fighting Styles Submission

Senshi no Kouken | Aegis’s Art

Type: Fuuinbukijutsu

Background:

A style created by Sutibu Rojasu or commonly monikered as Captain Konoha the super ninja, who redefined the shield as not only a tool for defense but offence purposes as well. It wasn’t till the second Captain Konoha, Bake Bansu further developed the style with fuuin properties.

Description on the Abilities and Inner Workings of the Style:

Senshi no Kouken turns shield into an effective weapon as much as a defensive one. The main method is to skilfully throw their shield like a disc towards their target, with enough force to penetrate through steel. The shield can be tactically thrown to ricochet off targets and surfaces, allowing advanced users can attack multiple targets in succession with a single throw or even cause a boomerang-like return from a throw to attack an enemy from behind. Should the shield fail to rebound back to the user, he can directly summon it back with a Senshi no Kouken tattoo which all practitioner has.

With fuuinjutsu applied to the style, practitioners can further enhance the shield’s capabilities by creating barriers around it for defense or attack, as well as sealing effects. These effects are up to the powers that be if they are approvable when submitting techniques, but they consist of sealing chakra or planting seals like muscle restriction upon contact.

Shield of Senshi no Kouken users must be a circular shaped like this:

Spoiler

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Example Techniques:

Spoiler

(Senshi no Kouken) Aegis Art: Soldier's Return
Type: Attack
Rank: B
Range: Short-Long
Chakra Cost: 20
Damage: 40
Description: The bread and butter technique of Senshi no Kouken, the user throws his shield towards his target like a disc which has enough force to penetrate steel. The shield can be tactically thrown to ricochet off surfaces/targets to hit blind spots, multiple opponents or return to the user. In case the shield fails to return to the user, one can use their summoning tattoo directly reclaim it.

(Senshi no Kouken) Aegis Art: Soldier's Charge
Type: Attack/Defense
Rank: A
Range: Short (Up to Long when charging forward)
Chakra Cost: 30
Damage: 60
Description: The user creates a large coned shaped barrier in front of their shield 3 times the user’s size and begins charging towards his target. As he does, the user holds their shield upfront with the cone barrier pointed forward and smashes through whatever obstacles in front. A direct hit can send the opponent flying with severe physical damage.
~ Barrier has A-rank strength.
~ Useable 5 times.

Additional effects and Restrictions:

-Masters of this style have advance strength and endurance to wield the shield properly to withstand force or throw.

- Master Ninjutsu, Genjutsu, Taijutsu, Fuujinjutsu

Sage rank (in posts)

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✦ Pending, while the Fuuin side indeed is unique, parts of this collides with a previously submitted CFS by someone on the previous page, if memory serves me correct. You'd need his permission and to not collide with his submitted style to be approved. ✦

 

[Vegeta]

Re: Custom Fighting Styles Submission

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(Manriki-Gusari Sutairu) - Ten Thousand Power Chain Style
Type: NinTaijutsu
Background: Manriki-gusari is a one of the secret weapons of the ninja. The shape of manriki-gusari is quite simple. Weights are attached on both ends of the weapon and these weights are connected with a chain. Typically the length of the forged chain could vary from around 12 inches up to 48 inches, and can be carried in their ninja tool pouches. Generally they weigh between 300 to 400g (Basically about 1/2 lb to 1 lb). The weight attached to each end of the chain could have many different sizes and shapes, and could be completely different from each other, with one weight being much longer than the other like a handle on one end, or one weight could be round while the other weight could be rectangular. Weight shapes include round, hexagonal, or rectangular. The use of the manriki-gusari was taught in several different ninja schools, as a hidden or concealed weapon and also as a self-defense weapon. The manriki-gusari is useful when carrying a sword was not allowed or impractical, and police would often use a manriki-gusari as one of their non lethal arresting weapons. Basically, manriki-gusari is a self-defense weapon. It is so tiny that Ninjas can bring it in their pouch.
Description on the Abilities and Inner Workings of the Style: Manriki-gusari can be used in a variety of situations in varying ranges. The length of the chain is different depending on the users choice of weapon and body size, as holding the weights in closed fists will allow one to simultaneously perform hard punching (Like holding a roll of coins clenched in ones fists), with the chain in the middle being used for blunt striking by opening both hands outwards quick whipping the chain outwards, and defensive maneuvers like catching and wrapping up limbs and tossing enemies using their momentum against them. When facing an opponent from a short distance, the ninja can swing the weight and hits the opponent by swinging it towards them striking with the weight. Or when the enemy has some kind of weapon, the ninja can throw the weight at it or the hand of the enemy, or coil their arm with the chain of the manriki-gusari. Then, the ninja could deprive the enemy of the use of their arm. They could also tense up the chain by outstretching their hands to block sword/bladed strikes. In the case of close combat, a ninja could hit the head of his enemy with a weight directly, or he could strangle the neck of the enemy with chain of the manriki-gusari. If they have the manriki coiled in their hand concealed, they could strike forwards releasing the one end of the weight to "punch" with the manriki itself as the chain uncoils straight forwards, possibly surprising an incoming attacker who expected to have more space before engaging, attacking with great accuracy. Free form wise, the imagination is the limit to it's usage in cqc as defense and attack are possible with this weapon with little time needed in between. Furthermore from a mid range distance, the ninja could throw the manriki-gusari itself at the feet/legs of his target by throwing it in a spinning motion, then the manriki-gusari would cling to them tripping them up and a ninja could gain some time to attack/defend, or they could throw it to just bluntly attack the enemy by hurling it at them.
Example Techniques:
(Manriki-Gusari Sutairu - Kaihi kōdō) Ten Thousand Power Chain Style - Evasive maneuvers

Spoiler

Type: Defensive/Offensive
Rank: B
Range: Short
Chakra Cost: 20
Damage Points: N/A (40 for strike)
Description: In reaction to an incoming attack (weapon or limbs) the user of the manriki gusari with both hands on the weights will extend their hands outwards, deflecting the attack with the chain and wrapping it around whatever it blocked, giving some control over the object (weapon or limb) that is entangled in the chain. If grabbing a limb, the user is then free to throw the enemy using the manriki gusari for leverage along with their own momentum, or can manipulate whatever is entangled thru free form movement, or to strike with the butt of the weights in their hands using the block to get in range to attack.

~Notes~
- Can be used 2x per battle
- No other Manriki techniques for 1 turn after use
- Must be taught by -Vegeta
Ref.-

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(Manriki-Gusari Sutairu - Sutoraiku to tosu) Ten Thousand Power Chain Style - Strike and Toss

Spoiler

Type: Offensive
Rank: C
Range: Short
Chakra Cost: 10
Damage Points: 20
Description: Holding the weights in their hands, the user will punch the enemies upper body with their right fist, and using their left arm they will wrap the chain around the back of the opponents neck as they pivot their body 180* lowering their stance, pulling downwards on the chain flipping the enemy forwards over their back to the ground.

~Notes~
- Can be used 3x per battle
- Must be taught by -Vegeta
Ref-

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Additional effects and Restrictions:
- Must have finished Basic Taijutsu and be of Kage rank or higher
- Punches/Hammer strikes landed while holding the weights in the fists gain +5 damage, not included in damage to attacks within this style
- Must list that you carry the manriki-gusari with your ninja tools
- Can be enhanced with chakra and elements in a similar fashion to sword's, kunai's, shurikens, etc.

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✦ Declined, failing to see the CQC aspects that differ from simply using this as a regular weapon in your bio tbh ✦

 

[Akasha]

Re: Custom Fighting Styles Submission

∾ Antatchaburu no hazumi ↜↝ Impetus of Untouchable ∾​

Type:

Taijutsu & Ninjutsu​

Background:

Far in time there once was a a carefree creature from the woods. Quite innocent on sight. And although such is quite certainly the truth, that was hardly the sum of her complete story. She wondered far and on her journeys she quite came to the understanding of the concept of suffering of the natural world. Fearing through the forests, bright and dreary in every clime as well as season as to try and gather her acquaintances sharing news and bliss. However within the world, wracked by war, forests are the ones to take most damage. However even within the places which are encompassed by peace, the trees are stripped as for homes to arise. But not for those who were apart of the woods, but for those who never were. For those who are coming as to wipe them off from previous tenants. And so Aiushtha, the creature from the wood decided to land her hand where ever she so could. Listening to those who were disregarded and neglected. She used her mantra as to protect. And although many did her wrong she used her own good cheer and mantra like an enhancement to fulfill the promise of a verdant future. It was a mantra not quite seen by those till her time. It wasn't one to create suffering. However as her time was coming to an end she had to leave her mantra to one and so she did. For all the wonder, and not quite understood why by many, she taught it to Yoanna. A young girl who was at the time running away from her primary so called home. She gave her the title of Enchantress and told to only teach the mantra to those who want peace rather then to use it for their own personal gain.​

Description on the Abilities and Inner Workings of the Style:

The fundamentals of this style lays upon water variation which has been seen during utilization of (Suiton: Mizuame Nababara) - Water Style: Starch Syrup Capture Field. Adhesive, sticky like liquid which is able to easily and efficiently glue anything it so comes in contact with. However, unlike many other styles of fighting, this one is mostly based upon defending rather than making actual offense. But, it is not just defending that sets this style from the rest but also slowing down your target whilst simultaneously defending from their assault.

As for one to start utilizing this style they have to activate a specific technique which would allow for such. Upon activation of it, they would cause for sticky adhesive molecules of liquid to be released from pours of their body. Albeit, for this style not to turn against one who uses it, they wouldn't release the molecules of the liquid from their joints which would allow them as to freely maneuver their body. Another characteristic of this style is that that the molecules wouldn't quite be visible by normal eye which would make them quite hard as to be protected from. Although there is no specific movement of the body characterized within the style, what is achieved by it is reduction in speed which is able to be made by opponent. Any assault whereas the body contact is made would cause for the water molecules to gather together around the part of the body which made contact with one who utilizes this style and stick it together and hence slow their movement. Additionally, this would also cause for reduction of damage which is made upon target and that would happen due to an exterior layer enveloping ones body.

Another feature of the style is one which happens when using this style offensively. Causing for water molecules to unify in the moment of assault which would stick any entity it so comes in contact with. However due to not reducing the ability for body movement of the user to decrease its speed the unification process would happen in almost the corresponding time frame as actually offending the target. With the body contact made, the sticky adhesive like molecules wouldn't quite make any extra damage but would be made as to spread out towards the closest joint and stick together there which would decrease its mobility.

Within the style there are exactly four ranks depending on how one is proficient within the style and they are as follows;

ENCHANTRESS​

Enchantress is the creator of this style. The one who created the techniques within the style and also has knowledge within it to the fullest extent. Only one person can hold the said title.

MAGE​

Mage is the second strongest title within the style which is gained by those who have learned all the techniques as well as have mastery of it. Unlike sorcerers, they gain additional perks which come with the style.

SORCERER​

Sorcerer is the third strongest title one can gain within the style. They know the fundamentals of the style in addition to being taught the techniques however they do not have mastery of it.

CREEP​

Creep is the title that everyone gets once starting to learn the style. Those are the students who are learning the fundamentals of the style and still do not know the techniques which come with it. As to rank up within the style they need to go through rigorous training.

​

Example Techniques:

Antatchaburu no enchanto ∾ The Enchant of Untouchable
Type: Supplementary / Offensive / Defensive
Rank: B
Range: Short
Chakra: 20
Damage: N/A
Description: A basic technique within a style which is used as for this style to be able to be utilized. User would release chakra from their pores except the ones located around the joints as they apply processes of both nature and shape manipulation causing for the chakra to congregate into sticky adhesive like molecules that would surface the body as a cloak. However, they wouldn't quite be visible to the normal eye making them quite hard as to be distinguished. Activation of this technique is almost immediate.​

Additional effects and Restrictions:

∾ Masters of this style would have better resistance abilities and also would be faster when it comes to their body movement than normal taijutsu users due to getting used to maneuvering their body with additional layer of sticky adhesive liquid enveloping it.
∾ To learn this style one must have already learned the C ranked technique of water release (Suiton: Mizuame Nababara) - Water Style: Starch Syrup Capture Field and hence know how to generate the variation from their chakra.
∾ Can only be Taught by Akasha​

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✦ Declined, while I think this is pretty good, your wording hurts parts of this. The bold needs clarification; if I punch at you and hit this, what does my fist together with to slow it down, just the molecules? Your wording makes it seem like you are applying this moreso to full body attacks or something. ✦

 

[Avonomemi]

Re: Custom Fighting Styles Submission

(Hōpukai) Hoop Chi
Type: GenBukijutsu
Background:
Hoop Chi also known as "dance of the scorpion | Sasori no dansu" was first heard of by the world during an assassination attempt against a royal family of kumogakure, it was a regular evening and the pride and joy of the household, their youngest daughter bianki was celebrating her birthday and had requested for entertainment, her able and loving father made the arrangement but little did he know he was endangering his house that night.
Dead in the night as the entertainers performed to the delight of the celebrant and relations, they halt and announced a special performance for the little lady, a group of shinobi clothed from head to toe only revealing their eyes appear at the center stage, each shinobi had a hula hoop then with the hint from a bell sound they begun their performance, they did this flawlessly gradually turning it into a dance as they move about on the stage in a choreographed manner. While they perform, the members of the audience present were placed into an illusion that cast a deep sleep upon the audience, in minutes everyone within the compound that had their attention toward the entertainers feel asleep allowing the assassins do as they please, their target was bianki's father and they would have succeeded if not for bianki's half brother gokudera, he just happen to have stepped out to check on the party when he saw the turn out, he screamed as loud as he could to alert the guards who quickly got to action, the dancers were made and escape was no longer an option so they result in taking an hostage, they picked bianki to use as a shield to ensure they left un-harm. They ran off with little bianki who at the time was unaware of the happenings, her innocent mind couldn't fathom the events unfolding and all she could do was cry for her parent to come to her aid.
Back to their base, the assassins decide among themselves what's next for bianki, after much deliberations they agreed to train her as their own, twisting her mind and turning her into a killer for the purpose that in years to come she will fulfill the mission they failed at...

Description on the Abilities
Hoop Chi combines Dance, Yoga, Tai chi and Qigong-inspired movements with a hoop.
The practice of Hoop Chi uses the frame of the hoop to stretch and tone the body through a series of sequential movements. Each movement can be practiced in its original slow, more meditative fashion, or sped up and turned into a dance.
The flow of the body movement and the hoop bring about the illusion ability, the illusions is solely base on vision. Note: illusions are not chakra enhanced, the shape of the hoops combined with light alteration through the series of movement is what is required to cast an illusion better put hypnotize the target.

Inner Workings of the Style:
◻ Hula hoop: a rounded tool that is twirled around the waist, limbs or neck; unlike a regular hoop, the hoop has Special Properties, when the hoop is infused with chakra, its radius can be increased from short to mid range and back, also give it cutting ability.
◻ Tai Chi: a Chinese Martial Art taught for self defense and health benefits. Practiced by maintaining a balance and flow through a series of movements and breath. The philosophy is to meet force with flowing motion and contact until the force dissipates, rather than meet force with equal force.
◻ Qigong: is a practice of slow rhythmic breathing, controlled movement and mediation with roots in Chinese medicine and martial arts, a practice to balance life energy Qi (chi).
◻ When trained in Hoop Chi, the following set of fundamental moves are integrated into the practitioner;
+ Rolls: This is a fundamental skill in Hoop Chi, it consist of the circulatory movement of the hoop at the front or back of the body.
+ Isolation (Iso): Is also a fundamental skill where the user isolate the movement of the hoop at one region of their limb for a longer time. It is important for off-body hoop movements
+ Co-hooping: Is involved with the use of one's shoulder and waist to perform the hoop circulation. It gives the user better freedom and versatility in combat.
+ Toss: Is the manipulation of the flight or rolling pattern of a hoop when thrown such that it returns back to the user like a boomerang.
+ Bouncing: This is an advanced skill in Hoop Chi where the user bounces the hoop on any part of the body for as long as they can
+ Lo-hooping: Here the user move the hoops using their lower limb from the thigh, knee, ankle and feet. It is simply a low strike.
+ Stalling: This is the "hanging" of the hoop at one point on or off the body. The hoop can be hung on the neck, arms, shoulder, knees etc and the off-body can be done with the hands and legs. It mostly used as a defense move.
+ Weave: This is an offensive move, where the user can freely manipulate the hoop like a blade, swinging the hoop from side to side at their desire but the hoop still maintain its circular path. This move is mostly done with the hand and feet.
+ Jump thru: This is the acrobatic aspect of Hoop Chi where the user make simple and complex jumps through the gap hole of a hoop, the jump thru is versatile such that up till this day, numerous ways of jump thru are being invented.
Note, simply performing a single move from the above listed is not considered Hoop Chi, Hoop Chi is the combination of two or three of the fundamental moves such as an iso + weave + stall or weave + iso + jump thru, etc to produce a dance.

A video for illustration:
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Example Techniques:

(Hōpukai Kihon gijutsu) Hoop Chi Basic Technique
Type: Supplementary/Offensive
Rank: D
Range: Short - Mid
Chakra cost: 10
Damage points: 20
Description: The user channel chakra into the hoop to reduce the radius of the hoop to become so small it can rest on the waist as a belt or on the wrist as a bracelet, alternatively utilizing chakra the user increase the radius of the hoop to 7meters. Also the user mold their chakra along the outer part of the hoop to give it a sharp edge for inflicting cut damage.
Restriction:

(Hōpukai: Sukōpion akushū)Hoop Chi: Scorpion Stink
Type: Supplementary
Rank: C
Range: Short - Mid
Chakra cost: 15
Damage points: N/A
Description: Through a rhythmic movements of the hoops in display the user cast an illusion on the viewer(target) placing them in a deep sleep making them immobile.
Restriction:
- Usable four times per battle

(Hōpukai: Buta no dansu) Hoop Chi: Dance of the Swine
Type: Offensive/Supplementary
Rank: B
Range:
Chakra cost:
Damage points:
Description: After the user channel neutral chakra unto the hoop to give the hoop its cutting ability, they strike the opponent several times performing low, mid and high strikes to finish off the opponent. As the hoop hit, the target is placed into an illusion where they see their gut being spilled(sliced) out violently, the target passes out from shock due to the horrifying image.
Restriction:
- Usable four times per battle

Additional effects
A hoop chi practitioner has
- Increased posture and balance enabling them to withstand jutsu such as Earth release: World shaking and other variations,
- Improves upper body strength and flexibility.
- Tones and builds arms, legs and back muscles without adding bulk giving them average tolerance against tai based attacks and better reflexes.
- Activates the mind through a sequential series of movements, a hoop chi expert never run out of skills in manipulating the hoops and this is achieved by constant practice. Note: even when the series of movement are interrupted, they are able to get back to rhythm quickly.
- Reduces stress and tension, they are immune to effect of techniques that lead to discomfort, imbalance and lack of composure(senses) such as Killing Intent.
- Increases energy through controlled breathing and stretches allowing them to continue using their hoops for a longer period of time.

Restrictions:
- Must be at least in Sannin rank to learn this CFS.
- Must have completed their Genjutsu and Bukijutsu training.
- Must have either Genjutsu or Bukijutsu among their bio specialty.
​

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✦ Declined, these additional effects are too much; immunity to Earth shaking and similar techs, immunity to Killing Intent, cmon man. You basically said you're immune to gens that affect the senses just because. Inner workings part is literally just a glossary of terms. Rewrite this to give clearer examples and descriptions please. ✦

 

[Venom]

Re: Custom Fighting Styles Submission

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Hasshoken | Eight Impact Fist​

Type: NinTaijutsu

Background:

Hasshoken is a fighting style that was develop by

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. He traveled the Ninja world, fighting countless bandits and enemies using Ototon on his limbs and simply through instruments. Day by day he continued to practice his close combat fighting style and continue to include Ototon in his fighting routine.

It was one day he had the idea to perfect a new fighting style, utilizing his most favored fields in combats. Those two fields are Taijutsu and Ototon.

Description on the Abilities and Inner Workings of the Style:

This fighting style is based around the usage of low frequency Sound waves to deal direct damage to an opponent upon contact. Based heavily on the usages of ( Ototon: Shinsei ) - Sound Release: Divinity and ( Ototon: Ten Ribenji ) - Sound Release: Heavenly Revenge, the user coats a particular limb into a particular limb and resonate the sound in said limb, increasing the power of the attacks, allowing the user to destroy matter based attacks within logic ( i.e. the user cannot strike bladed attacks and be dealt no damage ), such as strong boulders, steel pillars, or various other solid objects. When used against a foe, these waves channel into a target on contact, sending vibrations through the target. What happens are localized shockwaves that blasts outwards, causing brunt impact damage. The effect of the localized shockwave is amplified by the vibrations rippling through a target and blasting backwards. The damage is significantly higher on softer tissue, which is why this effect is particularly useful as soft tissue attacks, dealt through powerful alternating blows, based around the usage of the Muay Thai martial arts style.

What makes this style so unique is the addition of ranged attacks alongside these taijutsu blows. Based on similar principles to ( Ototon: Chūnyū no Jutsu ) - Sound Release: Infusion Technique, the user infuses his limb with Ototon chakra as he launche an attack, causing the limb to vibrate and resonate, causing a low frequency, and barely audible sound to be creating from the limb. Striking forward, the user becomes capable of releasing said sound waves as a burst of sound waves, dealing similar effects to direct taijutsu contact, causing a 5 meter explosive burst of concussive force should it make contact, destroying objects of rank (i.e an A rank burst of chakra would strike an object and deal B ranked damage and explode in a short range concussive burst of B ranked sound waves, causing damage to solid and matter based defenses of high density ). Users whom specialize in this style can simply perform their normal Ototon taijutsu attacks ( Such as a palm thrust, punch/kick towards the target) with the limb that is covered/focused in Ototon to send the sound waves up to 5 meters away from the user instead of previously having the limb make direct contact. Others who simply have this fighting style can only release the Destructive wave 2.5 meters away from the user towards the intended target for the same effect. These waves are released in conjunction with nearly all specific created attacks of the style, released in an omnidirectional manner, like a pulsating sound wave. This works as long as the user pulls of the kick/punch/thrusting action in attempts to release the sound wave. This is what makes this fighting style great for fighting multiples opponents at once, giving the user a upper hand when cornered by multiple opponents. (

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)

Example Techniques:

Spoiler

Spoiler

[Hasshoken Ogi: Kiryu Kirikugi] - Eight Impacts Fist Secret Technique: Drill Dragon Drill Nail
Type: Offensive/Defense
Rank: S
Range: Short-Long
Chakra: 40
Damage: 80
Description: A secret Hasshoken technique that Eustass was able to perform thanks to his mastery over Hasshoken. The user focuses and gather a mass of Ototon Chakra around a limb and performs a thrusting action with said limb towards the intended target. Technique is strong enough to split solid defense up to A rank in durability.
Can only be used twice with a 3 turn usage break in between.

Spoiler

[Hasshoken Ogi: Bujaogen] - Eight Impacts Fist Secret Technique: Military Leg Heel
Type: Offensive/Defense
Rank: A
Range: Short
Chakra: 30
Damage: 60
Description: Channeling Ototon chakra to their leg, the user rushes the target, lowering his positioning as he feigns an attack with his fists, aiming at the target's head but intentionally misses, attempting to open the opponent's defense by causing them to attempt a blocking of the attack or lowering their body. After missing, the user pivots slightly on his opposite leg, moving towards the side of the opponent as he drives his knee into the opponent's stomach, winding them as he then jumps upward, delivering a rising heelkick to the chin of the foe, releasing an explosive sound wave from the impact.

Spoiler

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Spoiler

[Hasshoken Ogi: Bujaogen] - Eight Impacts Fist Secret Technique: Military Elbow
Type: Offensive/Defense
Rank: B
Range: Short
Chakra: 20
Damage: 40
Description: A Hasshoken technique were the user attacks with a spinning elbow to the body of the foe, releasing a concussive burst that blasts the enemy away from him.

Spoiler

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Additional effects and Restrictions:
-User must have mastered Taijutsu & Sound.

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✦ Pending, leaving for Scorps ✦

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 Declined  DNR. It collides with existing stuff. I have declined other CFS due to this same reason, including some attempts at this. I'm not going to allow a CFS based on this concept when this concept is used in the canon list.

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​

 

[-Best-]

Re: Custom Fighting Styles Submission

Toad Style SwordBody arts | Hikigaeru Sutairu KenTaijutsu
Type: NinKenTaijutsu
Background:
A special type of Taijutsu developed by a group of mercenary ninja like the Akatsuki During the second shinobi world war. The group comprised only of Taijutsu experts from various village. In an attempt to take the Strong fist Taijutsu to the next level, this group tried to implement the stances and movements of animals in their normal taijutsu move. While Monkey style already existed, They began to search for a suitable animal whose move will be as effective or even more effective than that of a monkey. After a prolonged search and deep research, they where able to notice that the frogs and toads had a peculiar movement that would be very powerful to mimic along with normal strong fist move. And that's how the Toad style Taijutsu was developed. It was passed down from generations to generations to the chosen and worthy ones.

Description on the Abilities and Inner Workings of the Style:

Stance and Flexibility:
There are two forms of stance in this fighting style. The half seated stance and the full frog stance. In this half seated stance, the user will slightly twist his foot outwards balancing his body in the inner arch of his foot. He then slightly bends his knees and takes a half seated position. This stance increases the flexibility of both his lower limbs making jumping and hoping an easy task. Due to the increased flexibility of the lower limbs alone, the user won't be able to make unpredictable moves like the Drunken boxing but will be able to duck down, flip to the sides, rotating flip, round house kick and any leg related basic taijutsu move slightly faster than a Taijutsu user of his same level.

The second and the final stance is the full frog stance in which the user along while maintaining the legs at the same position as above, will rest his whole body on the ground with his palms, from chest and abdomen and thigh resting on the ground surface with the head held high straight in front. This stance amasses a lot of strength to both the upper and lower limb allowed the user to perform frog like hopping at the higher level like reaching mid range height in a time taken for normal shinobis to reach short range. When using this stance the speed of quick reaction free form techniques like Ducking, Upper cut, side flip, over head flip, front and back flip and almost all Taijutsu and kenjutsu moves can be performed slightly faster than a Taijutsu user of his same level. (Refer Video of the actual interpretation of the stance. Ignore the swollen throat in there lol.) While in both the stance, the user along with running action, he will be able to use Half hopping / full hopping action. Taking a particular stance is a free form passive ability but stance related techniques must be used in order to counter or evade for another technique, passive stance can only be used to evade/counter freeform techniques.)

Spoiler

[video=youtube;1hRD4nIsIWQ]https://www.youtube.com/watch?v=1hRD4nIsIWQ[/video]​

Use of Chakra:
Chakra is used to augment the style in a variety of ways. While performing a Taijutsu move, the user of this style can infuse himself with particular type of nature manipulate chakra or normal chakra in order to get desired effect or a minor boost to his Taijutsu move.

Wind: After taking the stance the user will coat his entire body with wind chakra in order to achieve a particular air blowing effect on the opponent whilst executing the Taijutsu move. For example, after coating with wind chakra say the user executes a punch towards the face of the opponent, the opponent will try to dodge it but the wind that is circulating around the user will blow towards the eyes and ears of the opponent triggering an involuntary action making the opponent close his eyes of quickly jiggling his head giving the user a open chance to execute his next move without interruption. The terrain also takes a big part in this. When executing a Taijutsu move like a upwards kick, the wind circulation around the user will collect debris that can be used to blindfold the opponent. The user can use this circulating wind to momentarily re-direct the opponent's attack slightly but with Logic. It is used in a offensive way when used with Kenjutsu moves in order to increase the range(Short range) and piercing capability of the sword.

Fire: Like the wind, the user will coat his entire body with fire chakra in order to generate heat waves whilst executing a Taijutsu move. While these heat waves are not used for offensive purpose like to cause burns to the opponent, like it's wind counterpart it is only used for supplementary purpose unless used with Kenjutsu where it used to superheat the sword in order to cause second degree burns. Like the wind after coating with fire chakra say the user executes a punch towards the face of the opponent, the opponent will try to dodge it but the heat due to fire that is circulating around the user will flow towards the eyes and ears of the opponent triggering an involuntary action as a reaction to the heat waves making the opponent close his eyes of quickly, bringing the hand to close his eyes, jiggling his head giving the user a open chance to execute his next move without interruption.

Water: Unlike the fire and wind, Water is used to created sticky water made up of the opponent's chakra in order to get a grip on the opponent when performing Taijutsu moves against the opponent. Kenjutsu moves are not augmented while using this type. For example, say if the user can successfully used a palm attack to intercept the hand attack of the opponent, the user can use the sticky water surrounding his body in order to attach his palm to the hand of the opponent. By doing this, it will be difficult for the opponent to when he/she tries to remove his hand from the palm of the user for a fraction of moment giving the user an opening.

Lightning: Like the wind and fire, the user will coat his entire body with lightning chakra in order to generate tiny sparkles of lightning bolts whilst executing a Taijutsu move. While these bolts are not used for offensive purpose like to pierce of paralyse the opponent, like it's wind,fire counterpart it is only used for supplementary purpose unless used with Kenjutsu where it used to super vibrate the sword in order to increase it's piercing power. Like the fire and wind after coating with fire chakra say the user executes a punch towards the face of the opponent, the opponent will try to dodge it but the tiny lightning bolt that is circulating around the user will slightly make a needle like piercing effect on the eyes and ears of the opponent triggering an involuntary action as a reaction to the sudden piercing making the opponent close his eyes of quickly, bringing the hand to close his eyes, jiggling his head giving the user a open chance to execute his next move without interruption. The user can also use any particular part ( Not entire body ) to turn into a bright light as a attempt to slightly blind the opponent whilst executing a Taijutsu move.

Raw chakra: Raw chakra is pretty much use like Jugo's jet booster in order to increase the Damage inflicted by the User's Taijutsu moves or creating tiny blast of chakra in a particular part of the body while executing a Taijutsu move in order to execute it quickly.

(Note: All these abilities are not passive abilities which the user can trigger at will. Specific techniques will be made for these abilities and only by using that, these effects can be achieved)

Example Techniques:

Spoiler

Hikigaeru Sutairu KenTaijutsu : Hāfusutansu | Toad Style SwordBody arts : Half stance
Type: Supplementary | Offensive | Defensive
Rank: C rank
Range: Short
Chakra: N/A (-5 per turn)
Damage: N/A
Description:
The first and Basic stance of the fighting style. In this half stance, the user will slightly twist his foot outwards balancing his body in the inner arch of his foot. He then slightly bends his knees and takes a half seated position. This stance increases the flexibility of both his lower limbs making jumping and hoping an easy task. Due to the increased flexibility of the lower limbs alone, the user won't be able to make unpredictable moves like the Drunken boxing but will be able to duck down, flip to the sides, rotating flip, round house kick and any leg related basic taijutsu move slightly faster than a Taijutsu user of his same level. The user at a cost of -5 chakra per turn can use infuse his body with any of the Wind, fire, water or lightning chakra to achieve the desired effect. For the user to use a different chakra that the previously used, the user has to come back to normal and re take the stance whilst infusing with the desired chakra. While in the stance, Along with running the user will be able to perform Half hopping quickly like a frog. Hopping ability is free form and cannot be used to dodge or evade incoming ranked attacks. Freeform can be dodged.
- Must be a user of Toad style SwordBodyarts.

Hikigaeru Sutairu KenTaijutsu : Kanzen'na kaeru no sutansu | Toad Style SwordBody arts : Full frog stance
Type: Supplementary | Offensive | Defensive
Rank: B rank
Range: Short
Chakra: N/A ( -10 per turn )
Damage: N/A ( +15 to Kenjutsu attacks)
Description:
This the The second and the final stance is the full frog stance in which the user along while maintaining the legs at the same position as above, will rest his whole body on the ground with his palms, from chest and abdomen and thigh resting on the ground surface with the head held high straight in front. This stance amasses a lot of strength to both the upper and lower limb allowed the user to perform frog like hopping at the higher level like reaching mid range height in a time taken for normal shinobis to reach short range. When using this stance the speed of quick reaction free form techniques like Ducking, Upper cut, side flip, over head flip, front and back flip and almost all Taijutsu and kenjutsu moves can be performed slightly faster than a Taijutsu user of his same level. The user at a cost of -5 chakra per turn can use infuse his body with any of the Wind, fire, water or lightning chakra to achieve the desired effect. For the user to use a different chakra that the previously used, the user has to come back to normal and re take the stance whilst infusing with the desired chakra. The use will also infuse his sword with the particular chakra in order to increase it's efficiency boosting the Kenjutsu attack's damage by +15 points. Along with running, the user will be able to perform full hopping quickly like a frog. Hopping ability is free form and cannot be used to dodge or evade incoming ranked attacks. Freeform can be dodged.
- Must be a - Must be a user of Toad style SwordBodyarts.

Additional effects and Restrictions:
- Must be of Sage rank to learn this.
- Must have mastered Fire, lightning, Water, Wind, Ninjutsu, Kenjutsu and Taijutsu.
- Users of this style will have slightly increased agility and reflex compared to shinobi of his same rank.

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✦ Declined, the first part is simple Taijutsu, and the second parts related to elemental ninjutsu cannot be approved. For one, the descriptions themselves are basically just CJ. They even sound like the descriptions of a CJ instead of a CFS. In addition to this, this literally collides with every elemental taijutsu that exists, there is nothing that differs from these to NB Tai, or other elemental Taijutsu. ✦

 

[Selendrile]

Re: Custom Fighting Styles Submission

Spoiler

(Ken o Nageki)- Wailing Sword Style
Type: Soundkenjutsu
Background:

After uncovering the secrets of sound release, Selendrile began experimenting with ways to incorporate the element into his daily trainings and battles. Eventually, he decided to pair sound release with his interest in kenjutsu. After several months, he found ways to flow sound chakra into his swords by using a unique method of manipulating waves of sound created by sword strikes.

However, Selendrile noticed the main drawback was the amount of time the movements took. Producing sound became a hindrance, and so he attempted to find a way to produce the sound without actively doing it. Eventually, he had specially made swords that allowed him to efficiently produce sound waves in a shorter amount of time. Selendrile then trained for years to perfect this style of combat. Thus, the Wailing Sword Style was born.

Description on the Abilities and Inner Workings of the Style:

This style of combat revolves mainly around the use of a basic “dao” or a bladed broadsword. However, the sword is bifurcated; two halves are combined to create a single blade. This construction allows the two halves of the blades to grate against each other when moving. This creates a rasping sound that serves as a medium for sound release techniques. The uses of other weapons within this style are also possible for certain techniques. There are two main categories of releasing sound waves used in this style. Both styles are also capable of combining sound genjutsu with close quarter combat techniques.

Direct Sound: This is the standard method of utilizing sound waves from the clash of weapons or from flesh. For example, if the user attacks the opponent with their weapon, the user utilizes the clash as a medium for the sound. This is also the method the practitioner uses when they clang their own two, separate weapons together to generate the sound. Additionally, a secondary use of the bifurcated dao is to separate the two blades, striking them together to produce the necessary sound waves when not striking against another surface. Bladed weapons such as basic swords, tantos, sabers, or anything of the like can also be used, but must be struck together to produce the necessary sound waves.

Secondary Sound: This the secondary method of utilizing sound waves from the sounds of the dao rasping together. This allows the user to release sound waves with a simple swing of their sword in the intended direction.

The swords in this style are infused with sound chakra, which enables the swords to vibrate with such intensity that it easily surpasses the vibration intensity of lightning release. The sound then can either be released upon contact with the selected object, or on the whim of the user, which causes huge shockwaves of sound chakra to be released depending on the individual technique utilized, while maintain a variety of effects. This ranges from simple blasts of sound, to currents, omnidirectional releases, and even sound genjutsu.

Additionally, practitioners of this style unconsciously flow small amounts of sound chakra whenever a bladed object is within their hand. This is due to the psychological effect of learned behavior upon the user. Throughout the training required for this style, the practitioner is taught to constantly flow sound chakra into the blade, no matter what the situation. Practitioners are habitually beaten – more often than not to near death – in order to train them to continue the flow of chakra even on the brink of oblivion. Eventually, after years of practice, the user of the style unconsciously releases small amounts of sound chakra into their blades, causing it to vibrate at a moderate intensity due to their previous training. This intensity goes unnoticed by the practitioner, but is capable of producing numbing/stinging effects when a sword connects with other weapons or human flesh. This vibration also functions similar to lightning release in that it increases the piercing power and speed of strikes, allowing a practitioner of this style to be easily able to cut through sheets of metal.

The sword movements used within this style are flowing and smooth. There are little “choppy” or single motion movements. Each movement flows into the next to produce a flowing style of kenjutsu.

Example Techniques:

(Ken o Nageki: )- Wailing Sword Style:
Type: Offensive
Rank: A
Range: Short
Chakra cost: 30
Damage points: 60
Description: The user unsheathes his dao blade, using the sound of the blade exiting it's sheathe as a medium, channeling chakra as he does so. The act of unsheathing the sword causes such a loud rasping sound that the waves bounce along the inside of the metal sheathe, amassing pressure and force behind the blade, pushing it out faster, which in turns creates a louder sound. This pressure causes the sword to be released faster, resulting in a loud audible sound as the sword is swung, a wave of sound released behind the sword, waves vibrating along it, enhancing the sword's lethality and sharpness. The shrill sound itself becomes increasingly painful, going from slight annoyance to physically injuring, causing the ears to bleed from inner ear damage as well as causing paralysis from the sound, lasting until the sword is completely drawn. However, due to the pressurized sound waves within the sheathe, it causes the sword to be unsheathed with great speed, comparable to that of Iado.

(Ken o Nageki: )- Wailing Sword Style:
Type: Supplementary
Rank: A
Range: Short
Chakra cost: 30
Damage points: N/A
Description: The user will channel sound chakra into a sword that he wields. As contact is made with said sword, the sound of metal clashing against whatever object it hits releases a high frequency wave. This wave triggers an illusion, causing the sound to resonate very loudly, echoing as the waves paralyze a foe. As the sound echoes, it becomes louder to the foe, the sounds of war echoing with it. As the screams of victims and swords clashing ring, the target is plagued with visions of those he has injured and killed, their screams injuring his mind. However long it seems in his mind, the process only lasts a second, the resonating sound wave released from the sword clash, causing a lapse in the user's mind. This momentary lapse is ideal for allowing the user to deliver a quick punch or kick to their undetected enemy, ending the genjutsu on contact.

Additional effects and Restrictions:
- Wielded weapons possess constant, moderate, and passive vibration factor
- The user’s strikes and sword movements are highly superior and stronger than a normal kenjutsu master
- Practitioners of this style must possess sound release, and have both genjutsu and kenjutsu mastered

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 Declined  I like it and I agree with it as long as you remove the genjutsu part (makes it too powerful) and either make a CW of this special sword or make it so that normal swords can be used. As its not a normal sword, it would need to be custom made as in a custom weapon. To avoid that, you can use your normal sword.

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​

Removed genjutsu aspect, and re-worked the sword aspect as well.
______

(Bureido no Serenāde)- Serenade of the Blade
Type: Soundkenjutsu
Background:

After uncovering the secrets of sound release, Selendrile began experimenting with ways to incorporate the element into his daily trainings and battles. Eventually, he decided to pair sound release with his interest in kenjutsu. After several months, he found ways to flow sound chakra into his swords by using a unique method of manipulating waves of sound created by sword strikes.

However, Selendrile noticed the main drawback was the amount of time the movements took. Producing sound became a hindrance, and so he attempted to find a way to produce the sound without actively doing it. Eventually, he had specially made swords that allowed him to efficiently produce sound waves in a shorter amount of time. Selendrile then trained for years to perfect this style of combat. Thus, Serenade of the Blade was born.

Description on the Abilities and Inner Workings of the Style:

This style of combat revolves mainly around the use of a sword (the specific variant is left up to the user). The uses of other bladed weapons within this style are also possible for certain techniques (both single and dual wielding). There are two main categories of releasing sound waves used in this style:

Direct Sound: This is the standard method of utilizing sound waves from the clash of weapons or from flesh. For example, if the user attacks the opponent with their weapon, the user utilizes the clash as a medium for the sound. This is also the method the practitioner uses when they clang their own two, separate weapons together to generate the sound. Bladed weapons such as basic swords, tantos, sabers, or anything of the like can also be used, but must be struck together to produce the necessary sound waves.

Secondary Sound: This the secondary method of utilizing sound waves from the sound of the user's blade as it travels through the air. When a sword is swung, a whistle-like sound is produced. The user manipulates the sound-waves from that movement to initiate a technique. This allows the user to release sound waves with a simple swing of their sword in the intended direction. Bladed weapons such as basic swords, tantos, sabers, or anything of the like can also be used.

The swords/weapons in this style are infused with sound chakra, which enables the swords to vibrate with such intensity that it easily surpasses the vibration intensity of lightning release. The sound then can either be released upon contact with the selected object, or on the whim of the user, which causes huge shock-waves of sound chakra to be released depending on the individual technique utilized, while maintain a variety of effects. This ranges from simple blasts of sound, to currents, omindirectional releases, and a multitude of other applications.

Additionally, practitioners of this style unconsciously flow small amounts of sound chakra whenever a bladed object is within their hand. This is due to the psychological effect of learned behavior upon the user. Throughout the training required for this style, the practitioner is taught to constantly flow sound chakra into the blade, no matter what the situation. Practitioners are habitually beaten – more often than not to near death – in order to train them to continue the flow of chakra even on the brink of oblivion. Eventually, after years of practice, the user of the style unconsciously releases small amounts of sound chakra into their blades, causing it to vibrate at a moderate intensity due to their previous training. This intensity goes unnoticed by the practitioner, but is capable of producing numbing/stinging effects when a sword connects with other weapons or human flesh. This vibration also functions similar to lightning release in that it increases the piercing power and speed of strikes, allowing a practitioner of this style to be easily able to cut through sheets of metal.

The sword movements used within this style are flowing and smooth. There are little “choppy” or single motion movements. Each movement flows into the next to produce a flowing style of kenjutsu.

Example Techniques:

(Bureido no Serenāde: )- Serenade of the Blade:
Type: Offensive
Rank: A
Range: Short
Chakra cost: 30
Damage points: 60
Description: The user unsheathes his blade, using the sound of the blade exiting its sheathe as a medium, channeling chakra as he does so. The act of unsheathing the sword causes such a loud rasping sound that the waves bounce along the inside of the metal sheathe, amassing pressure and force behind the blade, pushing it out faster, which in turns creates a louder sound. This pressure causes the sword to be released faster, resulting in a loud audible sound as the sword is swung, a wave of sound released behind the sword, waves vibrating along it, enhancing the sword's lethality and sharpness. The shrill sound itself becomes increasingly painful, going from slight annoyance to physically injuring, causing the ears to bleed from inner ear damage as well as causing paralysis from the sound, lasting until the sword is completely drawn. However, due to the pressurized sound waves within the sheathe, it can cause the sword to be unsheathed with great speed, comparable to that of Iado.

Additional effects and Restrictions:
- Wielded weapons possess constant, moderate, and passive vibration factor
- The user’s strikes and sword movements are highly superior and stronger than a normal kenjutsu master
- Practitioners of this style must possess sound release and have kenjutsu mastered

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✦ Pending, leaving for Scorps ✦

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 Declined  Vaslty superior? And remove the constant vibration aspect. Then its good to go.

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​

 

[Panthalassa]

Re: Custom Fighting Styles Submission

Spoiler

Pharaoh Sickles ( Oukouchuu Toujutsu)

Type: Aburame Bukijutsu

Background: During his travels through the One Desert of the country of Wind, Panthalassa discovered the ancient tombs of the Beetle Civilization. Reading up their history, Panthalassa soon discovered much of the mythology revolved around the arts of warfare and insects, much alike the culture of the Aburame themselves. They would use the sacred beetle's exoskeletons and dissolved them into their rawest organic compounds, which we now know to be keratin, and produced weapons and shields made of it. They would breed these insects for adoration and for war-craft, and inspire in them to make their design.

Reading through their ruins, Panthalassa tried to apply these teachings to himself, the way they handled the articulated beetle-like armour and how they manoeuvred all sorts of blades and weapons. But, most of all, he utilized the abundance of beetle-like insects that he already had living in his body and home, to gather, store and manipulate a base of dead organic material, as the insect's life comes to a term, instead of merely absorb and metabolize it in his body, and then expel it ( by natural means, without getting too specific )

Description on the Abilities and Inner Workings of the Style: Being an Aburame, the user is used to have a great deal of insects inside and outside his body. While they are used for war, and any other specific tasks the user has, mediated by his own chakra, the insects still carry out their natural chakra, shedding their exoskeleton and even dying. Both the surrounding insects and even the host himself will then take this dead organic matter and absorb it upon themselves, so that their own digestive system can deal with them.

The exoskeletons of the beetles are, naturally, quite strong in relation to it's size, and light. It is mostly composed of Chitin though it can be enhanced by calcium compounds. The user of this style is able to select the abundance of this material from his own dead insects and, through chakra manipulation, pick this source of material to create condensed structures around his skin, to enhance his own close-quarters combat. The chakra merely moves the already rich source of chitin, it cannot produce or materialize it, differing from actual Nature Conversion.

The constructs of chitin that the user from this style is capable of executing are then used to make specific weapons and warfare materials, inspired by the ancient Beetle-Worshipping Civilization. They prefer small articulated armour and shields, to protect some parts of the body without hindering flexibility and mobility, and prefer small blades and curved swords and scythes, instead of the longsword and maces, though the style is indeed capable of constructing those, if the user is proficient in handling them outside the style of combat that this civilization provided.

The motions are fast and fluid, aiming for accurate points instead of a more spread out and blunt damage, and pertain for the maximization of the usage of daggers and scythes, rather than other types of weapons, and motions that counter big and strong opponents with minimal effort and strength, rather than countering them fist by fist.

Example Techniques:

Description: The user shifts chitin from his body, create a large cycle made of condensed chitin from his hand, with which the user can slash and tear his opponent.

Description: The user shifts the chitin around his body into his hands, producing two blades from his wrist made of condensed chitin, allowing the user to slash and impale the opponent.

Description: The user crosses both arms over his head or torso, shifting chitin into condensed armbands that strengthen the guard. These can be spiked for greater damage.

Additional effects and Restrictions: Condensing chitin into weapons allows the user to create a material that is extremely strong and light, capable of piercing and protection a great deal better than steel. It's made of organic material and chakra, making it one step stronger than Raw Ninjutsu, creating a chakra-interaction neutrality with all Nature Transformation techniques, or Elemental Ninjutsu, of the same rank, and making it stronger than basic Ninjutsu.

The user can access the storage of chitin from his own body, a pouch or other storage cases or even a scroll, he cannot produce it with chakra alone. The user is able to move the raw chitin quite fast, spreading it around his body or moving it to specific body parts. The constructions appear fluidly and at great speed, to allow for a continuous motion in close-quarters, creating a more efficient draw than elemental ninjutsu in a taijutsu encounter. These constructs can then be de-arranged and re-absorbed, and then moved somewhere else effortlessly.

Only Aburame are capable of utilizing this style, even if the user is capable of storing chitin somewhere else. It is strongly reliant on the accostumization of the user's own body with the insect's natural cycle and by-products, at a level than other organisms would reject.

Mastering this style allows for the constructs to acquire a stronger defence, becoming stronger than Basic Elements and Advanced Elements that use only one Basic Element, while retaining their neutrality to all others.

---

? Declined, for one the jutsu section needs to be fully written out, not just single line descriptions. This CFS itself isn't approvable and it's easy to see why; looking at the colored portion, you seem to imply that the user can absorb chitin into their being, which is already a clear no as summoning/user hybrids are strictly not allowed. In addition to this, you talk about increasing it's power through calcium compounds, but Calcium itself is a CE and unless you know it, you aren't manipulating Calcium at all. That or be a Kaguya clan member. Regardless of how you word it, this is still basic ninjutsu and if using ninjutsu with a bug's armor makes it neutral to an element, then they wouldn't be defeated as easily enough to even use this CFS, but that's a small, unimportant thing. Producing it from your own body is also a no; I could write multiple reasons for this but the simplest is: You arent these bugs that produce chitin and reabsorbing or whatever is not being allowed with this, nor is that last note. This isnt becoming stronger than same rank elemental ninjutsu. ?

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Pharaoh Sickles ( Oukouchuu Toujutsu)

Type: Aburame Bukijutsu

Background: During his travels through the One Desert of the country of Wind, Panthalassa discovered the ancient tombs of the Beetle Civilization. Reading up their history, Panthalassa soon discovered much of the mythology revolved around the arts of warfare and insects, much alike the culture of the Aburame themselves. They would use the sacred beetle's exoskeletons and dissolved them into their rawest organic compounds, which we now know to be keratin, and produced weapons and shields made of it. They would breed these insects for adoration and for war-craft, and inspire in them to make their design.

Reading through their ruins, Panthalassa tried to apply these teachings to himself, the way they handled the articulated beetle-like armour and how they manoeuvred all sorts of blades and weapons. But, most of all, he utilized the abundance of beetle-like insects that he already had living in his body and home, to gather, store and manipulate a base of dead organic material, as the insect's life comes to a term, instead of merely absorb and metabolize it in his body, and then expel it ( by natural means, without getting too specific )

Description on the Abilities and Inner Workings of the Style: Being an Aburame, the user is used to have a great deal of insects inside and outside his body. While they are used for war, and any other specific tasks the user has, mediated by his own chakra, the insects still carry out their natural chakra, shedding their exoskeleton and even dying. Both the surrounding insects and even the host himself will then take this organic matter and create an amorphous pool of chitin and other skin shedding remains, and hide it around the user's body and clothes.

The exoskeletons of the beetles are, naturally, quite strong in relation to it's size, and light. It is mostly composed of Chitin. The user of this style is able to select the abundance of this material from his own dead insects and, through chakra manipulation, pick this source of material to create condensed structures around his skin, to enhance his own close-quarters combat. The chakra merely moves the already rich source of chitin, it cannot produce or materialize it, differing from actual Nature Conversion.

The constructs of chitin that the user from this style is capable of executing are then used to make specific weapons and warfare materials, inspired by the ancient Beetle-Worshipping Civilization. They prefer small articulated armour and shields, to protect some parts of the body without hindering flexibility and mobility, and prefer small blades and curved swords and scythes, instead of the longsword and maces, though the style is indeed capable of constructing those, if the user is proficient in handling them outside the style of combat that this civilization provided.

The motions are fast and fluid, aiming for accurate points instead of a more spread out and blunt damage, and pertain for the maximization of the usage of daggers and scythes, rather than other types of weapons, and motions that counter big and strong opponents with minimal effort and strength, rather than countering them fist by fist.

Example Techniques:

Spoiler

( Oukouchuu Toujutsu: Suna Ken ) Pharaoh Sickles: Desert Sickle

Type: Offensive
Rank: C
Range: Short
Chakra Cost: 15
Damage Points: 30
Description: The user shifts chitin from his body, creating a large sickle made of condensed chitin from his hand, with which the user can slash and tear his opponent.

( Oukouchuu Toujutsu: Suna Katana ) Pharaoh Sickles: Desert Blades

Type: Offensive
Rank: B
Range: Short
Chakra Cost: 20
Damage Points: 40
Description: The user shifts the chitin around his body into his hands, producing two blades from his wrist made of condensed chitin, allowing the user to slash and impale the opponent.

( Oukouchuu Toujutsu: Suna Tate ) Pharaoh Sickles: Desert Shield

Type: Defensive/Ofensive
Rank: B
Range: Short
Chakra Cost: 20
Damage Points: 40
Description: The user crosses both arms over his head or torso, shifting chitin into condensed armbands that strengthen the guard. These can be spiked for greater damage.

Additional effects and Restrictions: Condensing chitin into weapons allows the user to create a material that is extremely strong and light, capable of piercing and protection a great deal better than steel. It's made of organic material and chakra, making it one step stronger than Raw Ninjutsu, though retaining it's weakness in chakra-interaction with all Nature Transformation techniques, or Elemental Ninjutsu, of the same rank, with the exception of soft organic elements, like Wood, similar to Aburame elemental S&W. These constructs are also stronger than Aburame bugs.

The user can access the storage of chitin from around his body, a pouch or other storage cases or even a scroll, he cannot produce it with chakra alone. The user is able to move the raw chitin quite fast, spreading it around his body or moving it over specific body parts. The constructions appear fluidly and at great speed, to allow for a continuous motion in close-quarters, creating a more efficient draw than elemental ninjutsu in a taijutsu encounter. These constructs can then be de-arranged and re-sheathed, and then moved somewhere else effortlessly.

Only Aburame are capable of utilizing this style, even if the user is capable of storing chitin somewhere else. It is strongly reliant on the accostumization of the user's own body with the insect's natural cycle and by-products, at a level than other organisms would reject.

P a t e n t C e r t i f i c a t e

Panthalassa, our loyal member, gave on the 30th of March 2015, a request for a Patent on the Custom Fighting Style Pharaoh Sickles ( Oukouchuu Toujutsu ). I, Madāra Uchiha of the Custom Fighting Style Bureau, by the power invested in me by Caliburn, after reading the submission, have decided that the submitted style satisfies all requirements, and am therefore giving him rightfully earned patent on this style by the following;


Pharaoh Sickles | Oukouchuu Toujutsu
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Copyright 2015, Panthalassa, NarutoBase.net

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[Cursed Prince]

Re: Custom Fighting Styles Submission

-Removed anything having to do with Shadow clones
-Reworded some stuff
-Removed the list and the ranks

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Tranformation Malevolence | Henkan Akui
Type: Nin-Kenjutsu
Background: Transformation Malevolence was created by the skilled ninja Black Star and his Soma No Ko partner, Tsubaki. Tsubaki used an advanced transformation technique to turn herself into various weapons, all giving them access to special abilities, giving to them by sharing chakra and matching their chakra ratio's. They were know for being the strongest weapon users, even capable of outmatching samurai. They started a Demon Weapon Meister academy that taught other ninja with their KG how to use this style
Description on the Abilities and Inner Workings of the Style: Transformation Malevolence is performed by the demon weapon (SnK partner) transforming into a special ninja weapon, usually with ornate designs, making them appear to be special weapons, which they are. Because they are partners, they can focus their chakra and build it up on a single points, release chakra waves, combine 2 elemental natures, or make the weapon durable. Every weapon they transform into, they will use their chakra to make it twice as powerful as a normal weapon. They can also turn themselves back into human form in a moments notice, making powerful combo's possible. The ability to control and use each others chakra due to having the same chakra ratio's, and the demon weapon still being able to manipulate and control chakra in this form, is the main concept. (The techs will have most of the info)
Example Techniques:

Spoiler

Tranformation Malevolence | Severed Shadow (Henkan Akui | San no Kata Zetsuei)
Type: Offensive/Weapon
Rank: A
Range: Short-Long
Chakra: 30
Damage: 60
Description: The user's demon weapon will transform themselves into a large black kunai-style dagger with white ornate patterns and a long strap of cloth tied to it, and 2 holes mean for the finger to be placed inside of it. The kunai is extremely sharp, a direct hit can easily pierce through flesh. The real power of course, is the ability for the user to coat the kunai in chakra, and the demon weapon will manipulate the chakra, making it a thin aura over the kunai, this drastically decreases the wind resistance when it is thrown by absorbing all of the drag and friction in the air, allowing it to sail through air much faster than any other known weapon projectile. The user will throw the kunai with tremendous force, making it move at x2 the current speed of the user. It has a passive damage ability of 30
Can only be thrown with enhanced speed 4 times per battle
It's passive damage capability is 30
Kunai moves at x2 the current speed of the user

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Additional effects and Restrictions:
Must have mastered Kenjutsu
Can be used by a Soma No Ko bio or by someone that knows the shadow clone jutsu
The demon partner can communicate with the user in weapon form telepathically. They can also "see" through the eyes of the user but can also see all around

---

Declined
Okay, nice. The SnK partner turning into the weapon is fine, a good idea that's useful. But, how will the weapons be used? Simply turning them into swords and releasing bursts of chakra, raw or elemental, isn't as viable as it used to be in the past. Perhaps something related to the SnK ability more?

Re-vamping almost the entire thing.

( Oni Buki Busō ) - Demon Weapon Armaments
Type: Kekkai Genkei-Taijutsu/Kenjutsu
Background: Demon Weapon Armaments is a style only able to be practiced by ninja with the unique body structure of the Soma No Ko Kekkei Genkai. It allows both Soma No Ko partners to become 'Demon Weapons'. It was created by a man known as Death who mastered transformation techniques and experimented on himself to gain the Soma No Ko's genetic structure. It has since been in the hands of the masters Black Star, Justin Law, and Franken Stein
Description on the Abilities and Inner Workings of the Style: The style is only possible with knowledge of the Henge No Jutsu and the assimilate all creation technique. With intense practice and meditation, as well as the natural ability of those of the Soma No longer clan to control their bodies, they are able to effortlessly become a weapon. They are also able to mix and mold chakra together. To make the style easier to learn, the Soma no Ko partners train in different aspects of this style. One Demon Weapon is the Meister while the other is the Kishin. Meisters wield the Kishins as their weapon and the Kishin functions as that weapon. The Demon Weapons Armaments consists of 3 type of transformations

Full Demon Weapon - A Full Demon Weapon is the most basic transformation. It is the transformation of a Kishin into a weapon that must be held by the Meister to be affective. The Kishin can replicate many different weapons while being even more durable and powerful than the weapon would normally be. In weapon form the Kishin has a mental connection with only his Meister. He is able to control himself in weapon form as if it were his own body: to a Kishin the many different sections of a weapon can be like joints or muscles, he can control his movement easily. He is also able to use chakra to change his length, shape and size in his weapon form. The abilities of these weapons vary and cannot be generically defined, but they are not elemental in nature, and the weapons used are not common or sometimes real. They may also not be exactly as the weapon that they replicated

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Death Weapon - The Death Weapon transformation is a half-weapon, half-demon transformation. This transformation is different from the Full Demon Weapon transformations as in his weapon form the Kishin is capable of fighting independently. The transformation commonly takes up the entire body with the exception of the head, which takes on a demon-like shape. The weapon in this form has a vaguely human structure, because of the need to maneuver. The weapons that can be transformed into are mostly huge, unorthodox weapons such as a guillotine or ballista. Weapons with mechanism requiring their working are able to be transformed into, but modern weapons are not usable.

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Arata - Arata is a transformation done between both the meister and the kishin. The kishin would merge into the Meister’s body while transforming into a specialized armor form known as Arata. Arata protects the Meister’s body while also being a part of the body, if it happens to be damaged it can be regenerated. It turns the Meister into a physical tank, giving him a resistance to a certain amount of damage and latent regenerative powers. While using Arata he can buff his own speed and strength by absorbing the physical power of his Kishin, having the Kishin give him his nutrients and adrenaline.

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Example Techniques:

Spoiler

Oni Buki Busō: | Demon Weapon Armaments: Leaf Of The Moonlit Night
Type: Offensive
Rank: A
Range: Short-Long
Chakra: 30(-5 per turn)
Damage: N/A
Description: Leaf Of The Moonlit Night is a Full Demon Weapon transformation done by the kishin. The Kishin will transform their self into a large four pointed shuriken star constructed from four vaguely leaf-like blades with ornate white patterns on them extending outwards from a wide, circular ring acting as the weapons centre. This is where it is held and thrown by. The Kishin in this form is hard and durable, needing to take C rank or above damage before being reverted back to human form. The Meister can throw the shuriken star with the power of a B rank technique, at the cost of a move. The Kishin itself, in it's weapon form is capable of molding chakra and using that to change directions after being thrown. Bursts of chakra at the end of one of the shuriken's blade will allow it to change directions multiple times with only one use. This ability can be used twice, the burst giving it the power of an A ranked technique

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Oni Buki Busō: | Demon Weapon Armaments: Demon Chain
Type: Offensive
Rank: A
Range: Short-Mid
Chakra: 30 (-5 per turn)
Damage: N/A (+20 Kenjutsu)
Description: The Demon Chain is a full body demon transformation done by the kishin. The Kishin will transform into a long and sharp sickle-like blade with white ornate patterns on the flat sides of the blade. It has a handle attached for the Meister to use that is accentuated by three short spikes. It has a long black chain on the end of his handle that circles him twice at all times and can lengthen up to long range. This weapon, though wielded by the Meister the kishin has a majority of control in this form. The long chain is able to be controlled as if every link of chain is a joint. The swords chain allows it to be extended up to long range, and through this Kenjutsu techniques are all lengthened up to long range and gain an increase in damage.

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Additional effects and Restrictions: Must be a member of the Soma No Ko Clan or have their DNA to use this style
To transform into any weapon form besides Arata they must be seperated

P a t e n t C e r t i f i c a t e

Cursed Prince, our loyal member, gave on the 31st of March 2015, a request for a Patent on the Custom Fighting Style Demon Weapon Armaments ( Oni Buki Busō ). I, Madāra Uchiha of the Custom Fighting Style Bureau, by the power invested in me by Caliburn, after reading the submission, have decided that the submitted style satisfies all requirements, and am therefore giving him rightfully earned patent on this style by the following;


Demon Weapon Armaments | Oni Buki Busō
Powered by Mādara Uchiha
Copyright 2015, Cursed Prince, NarutoBase.net

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[Twilight]

Re: Custom Fighting Styles Submission

(Shudan Bendingu) Way of Bending
Type: NinTaijutsu
Background: The style originated from a small town in Kirigakure many years ago when the small town was attacked by rogue ninjas and all their properties and possessions were stolen or destroyed. The elders of the town then decided to begin teaching the younger ninjas of the town Ninjutsu but all their Ninjutsu scrolls were destroyed during the attack so they developed a new style of Elemental Ninjutsu which they taught to all the young ninjas in the town. The style entails the ability of using simple Taijutsu moves like stomping, punching, jumping, kicking and all sorts to manipulate the elements in their environment for either attack or defense and with that, the town was now able to protect itself from rogue ninjas. When the town was about going into extinction, and they didn't want the style to go into extinction with them, they taught a few ninjas in Kirigakure and urged them to pass on the style to their younger ones so that the style won't go into extinction.
Description on the AbilitiesandInner Workings of the Style: The style entails the ability of the user to perfectly combine simple Taijutsu moves and sending chakra into the natural elements found in their environment to control the elemental structures in the terrain where the user is located. The Air in the terrain can be manipulated according to the wish of the user, If the user is standing on the ground, the ground below the user can be manipulated according to the user's wish, if a natural water source is in the terrain where the user is, the user can manipulate the water source according to their wish, if the sun is present in the terrain, the user can create fire from anywhere due to the energy from the sun and can be manipulated however the user wishes, if rain is falling in the terrain, the user can manipulate the lightning from the clouds however the user wishes.
Example Techniques:

Spoiler

(Shudan Bendingu: Suiton Bendingu) Way of Bending: Water Bending
Type: Supplementary/Attack/Defence
Rank: C-S
Range: Short-Long
Chakra: 15-40
Damage: 30-80
Description:
With a natural existing water source in the evironment, the user will make some hand movements and channel their chakra into the water source after which the user raises a part or all of the water from the water source and then manipulate the water for any purpose. The amount of water and the power of water used makes the jutsu a multiple ranked jutsu.
(Shudan Bendingu: Doton Bendingu) Way of Bending: Earth Bending
Type: Supplementary/Attack/Defence
Rank: C-S
Range: Short-Long
Chakra: 15-40
Damage: 30-80
Description:
The user stomps the ground with their feet which channelling their chakra into the ground to raise any body of earth from the ground at any area where the ground is present and use it for anything that the user wishes. The user can raise a chunk or earth in front of him and then punch it or kick it to launch it at the target with great speed. The size and power of the earth manipulated makes this jutsu a multiple ranked jutsu.

Additional effectsandRestrictions:
- Can only be taught by me.
- The user can only manipulate the natural existing element in their environment that has no chakra in it.
- The rank of the elemental bending depends on the current rank of training in the said element.
- The style can only be done by a Sannin ranked and above ninja.

---

✦ Declined, this isn't approvable; for one, both Earthbending and Waterbending already exist, both of which I have in my CJ thread. In addition to this, this isn't a CFS either way, simply advanced Ninjutsu. DNR ✦

 

[Pervyy]

Re: Custom Fighting Styles Submission

Arcane style Techniques - Seishou No Jutsu
Type: Pure chakra bursts
Background:
Arcane jutsu was a style of combat that was created long about by observing the techniques of the hyuuga clan. Seeing that is was possible to create a burst of chakra from the body, Jiraiya continued to release chakra from his body trying to form and shape it, much like minato's rasengan. But this wasn't enough, he wanted to take it a step further. So he practiced until he was able to create chakra bursts around him and not only from his body but also send concerntrated bursts of chakra outwards, away from his body, unlike the hyuuga where its within taijutsu range.

Description on the Abilities and Inner Workings of the Style:

The style is based on control of the users chakra creating it in locations in small bursts simililar to the hyuuga style but not from the body. See examples below.
The burst of chakra has like a dark chakra glow to it, being visible to all, but not burning like bijuu chakra, much like a grenade going off without the burnign explosion, just the force of the blast
Example Techniques:

Arcane relase - Arcane blast
Type: attack/defence
Rank: B
Range:short - long
Chakra: 20
Damage: 40
Description: The user will release their chakra to a location focussing it on one spot creating a burst from that location, sending a blast of chakra outwards in a short range shockwave. This can be used to throw the opponents offguard, sending them into the air.
Note: Useable 4 times
Additional effects and Restrictions:
Can only be used by those who have mastered all ninjutsu and the other basic elements.
Being a concerntrated form of chakra it is neither strong nor week against elemental jutsu.

---

✦ Declined, this isn't a CFS. CFS are based on either CQC or weapon usage. DNR ✦

 

[Erzo]

Re: Custom Fighting Styles Submission

Vibrating Fist | Shindō Ken

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​

Type: NinTaijutsu
Background:

A style created by Roy Mustang of the Kiyoshi clan, the idea of Vibrating Fist came as he learned Sound release from a traveller who has long left since then. He saw through one of the jutsus learned in Sound release training how vibration could have an effect on muscles and nerves of the body.

The idea of using Sound to make a unique fighting style which incorporates Taijutsu and Ninjutsu was not a new concept to him, having learned something of the sort before. As he made more techniques which use Sound vibrations to mimic other frequencies and induce genjutsu amongst other things, he decided to try see the effects of the vibrations if used on other humans during close quarter combat.

First testing it on dummies, Roy saw how the vibrations continued from the initial impact point to other nearby areas. This gave him the idea to create vibrating fist and see how it would affect muscles and nerves if the vibration was increased and used in different ways.

Description on the Abilities and Inner Workings of the Style:

Description of the style:​

​

​

Rooted in the usage of Ototon Chakra, the Vibrating Fist, combines the fluidity of a ninja with sound waves to cause muscle parlyzation and chakra path damage. Combining the ancient style of Varma Kamlai and Mantis as well as aspects of Crane style Martial Arts, the user weaves swift movements with unpredictable fluidity, creating an unpredictable chain of movement, allowing the user to maneuver around the foe with great agility, utilizing different flips, rolls, and low attacks. When Ototon chakra is utilized alongside this, it allows the user the ability to release sound waves through the fingertips of the user's body ( and alternately, kicks and in certain chains of movement, wrists, knees and elbows ). These waves, much like the ( Ototon: Oto no Ken ) - Sound Release: Sonic Fist technique, cause muscle and tissue pain, attacking key pressure points of the foe's body.

Advanced applications of the Vibrating Fist alter the movement and overall are of effect of the attacks as well. This is divided over two different fields aptly named Crane style and Mantis style, respectively having different aspects of effectiveness.

Inner Workings of the Style:​

Based on the core concepts behind ( Ototon: Oto no Ken ) - Sound Release: Sonic Fist which allows the user to target muscle and tissue and cause limited paralysis on contact due to the releasing of a powerful high frequency wave, Vibrating Fist allows the user to use this principle on advanced stages, narrowing the area of effect in an attempt to cause stronger effects. Channeling Ototon chakra to the fingertips alone allows the user to creates a stronger gathering of Sound waves in a smaller, more compact area. By striking the foe, these attacks release high levels of sound waves into a very small and specific area, causing a great incapacitation of the afflicted area, capable of causing deep muscle paralysis, preventing usage of that limb section, such as an attack that strikes a pressure point in the opponents wrist, causing pain and muscle paralyzation at the same time, preventing swift and elaborate movements regarding the wrist and hands, or a direct two finger strike to a foe's lower leg, preventing extended use by the leg below the knee for a short period of time ( all of which are dependent on the attack itself ).

This further divides into two different sections, aptly named Sou and Ki styles. While both styles are reliant on manueverability and agility, allowing the user to perform swift flips and agile rolls while dodging the foe's attacks and counterstriking ( almost as if it were a more agile version of the Drunken Fist, replacing druken staggers for smooth dodges ), the Sou and Ki styles take these attacks and offer different methods of attacking.

The Sou-style makes heavy use of linear-motion attacks and pressure point finger strikes, kicks, or knees/elbow, dealing primarily with pain points, nerve endings that when struck, cause muscle pain. Attacks of this style resemble attacks done by Jyuuken users, as well as attacks similar to the Seven Heavenly Breathes technique, which strike various pressure points with pure taijutsu to limit chakra flow. This style however alters this concept uniquely, instead offering blows that cause an uncontrollable flow of chakra from said limbs, increasing chakra output in the opponent's blows. This is done by the sound waves being released into the pressure points, resonating along the nearby tenketsu, causing an increase of chakra to flow through them without empowering the techniques used, creating a form of chakra lost for a set amount of time. Inversely, these waves can be made to resonate and restrict the flow of chakra, tightening the tenketsu to disallow large quantities of chakra to flow through them.

Inversely, in the Ki-style, which involves more mobility, swiping/clearing-motion attacks and unorthodox techniques, the user deals pressure point attacks with wider areas of attack, such as the palm, back of palm, or wrist. These attacks strike the opponent's reflex points, causing involuntary movements, for example, causing the hand to release its grip, the knees to buckle, the target to gag, or even for the person to be knocked unconscious. Most of these points require direct force and impact to trigger whereas the former strikes rely on speed rather than force. These attacks, while not being extremely painful, are more for supplementary use, being used to trigger hindering effects such as inncapacitation and even fainting.

Advanced sequences of this style allow the user to weave both substyles into one attack, causing a greater range of damage.


Example Techniques:

( Shindō Ken: Zetsuei ) - Vibrating Fist: Severing Shadow
Type: Offensive
Rank: S
Range: Short
Chakra Cost: 40
Damage Points: 80
Description: The user begins by channeling Ototon chakra to their fingertips, before dashing forwards towards the opponent, moving low as they perform this. Appearing to move directly towards the opponent, the user actually dashes past them with great speed, extending his fingers to strike them in their side, striking pressure points along their right arm as he passes by them, forcing them to rotate 180 degrees, facing him, as he quickly pivots and dashes back towards them, this time striking their left side, rotating them back 180 degrees as he attacks their pain points, causing great pain to the opponent on contact as their arms begin to lock up, their movement ending. Doing this two move times, the user strikes the opponent's upper body, moving from the arms inwards, causing upper body paralyzation, causing him to fall under the weight of his body, dropping to his knees from the impact.


A ranking system created within the style itself can be seen below.

Grandmaster

Mastered both paths

Master

Mastered one path and started training in a second

User

Decides on a path to travel down, Sou or Ki
​

Additional effects and Restrictions:
-User must have mastered Sound Release, basic Ninjutsu, and Taijutsu to learn.
-Masters of Vibrating Fist will have increased Agility, Reflexes, and Speed when compared to the average Strong Fist user, moving more gracefully.
-Must be of at least Sannin Rank to learn.

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 Declined  DNR. It collides with existing stuff. I have declined other CFS due to this same reason, including some attempts at this. I'm not going to allow a CFS based on this concept when this concept is used in the canon list.

---

​

 

[Lord of Kaos]

Re: Custom Fighting Styles Submission

Thread will reopen shortly.

 

[Lord of Kaos]

Re: Custom Fighting Styles Submission

So uhhh, yeah. Thread reopened z.z took a while but I was busy procrastinating. Same rules apply as always so have fun submitting.

 

[-Broly-]

Re: Custom Fighting Styles Submission


Type: FuuinTai
Background:
Description on the Abilities and Inner Workings of the Style: X Art is all about utilizing the user's, speed, momentum, stamina, power, and reflexes in his favor, while using that of the opponent's against them. X art can be used in 2 ways. The first is that through seals located around the user's wrists, he is able to focus chakra into them so as to summon a pair of chakra gloves (with each user having his own custom color) on his hands. This is usually done through a technique and is the best way to use X arts due to being able to quickly switch between having gloves and no gloves on in order to use handseals or other techniques. The second way is usually only done during training but can also be used on the battlefield if the user is in a pinch, this is to use actual physical boxing gloves. Obviously this method is less favorable due to not being able to take the gloves off as quickly and having your hands bound.

Seperating this style from regular taijutsu is the fact that all damage from this style stems from the Boxing/Chakra Gloves that the user wears and his punches. The rest of the user's body like the hips and feet are merely used to gather momentum and force in order to augment his punches. This means when it comes to things like blocking, this style only utilize the users arms and gloves. When using this style, the user also utilizes pure molded chakra in his gloves and body to further enhance his movements and punches. Through the use of chakra the user can even reshape his chakra glove (or in the case of users that prefer boxing gloves, add on to it) through either reeform or a technique (check restrictions for freeform usage). These can be things such as creating a spiked glove for piercing damage, or enlarging the glove for more coverage, however the augmentations must still maintain a "glove shape" and cant be things such as axes or swords. Furthermore, due to his intense training, the user's arms are so strong through that his punches are capable of pushing air currents with sheer force and speed similar to the "Leaf Dragon God" technique.

Unlike other Boxing styles found, this style relies purely on the user's on physical ability and not blasts of elements or things such as that.

The core of X arts is the style of fighter that one chooses to be. In X arts there are 3 styles. Each has their own strengths and weaknesses and each require different styles of fighting to use effectively. The styles are explained below

Jones Jr- Jones Jr, or Brawler, stance is all about the user trying to give crushing knockout blows at the expense of taking hits, thus the user must have a strong "chin" and be able to take damage. Jones Jr users are usually more predictable and their punches are the slowest out of all the fighting styles due to the pure power they bring. The Jones Jr stance looks not to strategy, but to simply out power and outlast their opponent in order to score the knockout.


Ali - The Ali, or Out Fighter stance, relies on range and quickness to disrupt their opponents moves. The Ali fighter tends to use lots of jabs and other quick punches in order to win the day. These moves lack power, but is made up for in how blindingly fast the user's hand speed and reflexes are. The Ali user wins with precision and speed.


Mayweather - The Mayweather, or Counter Puncher stance, relies on the opponent making a mistake before springing his trap. Mayweather users look to never be hit, and yet still hit his opponent whenever possible. Lots of dodging, rolling, blocking, and minimizing danger will take place with this style of boxer. Don't look for many strikes to hit when facing a Mayweather user.



Example Techniques:


The Stance
Type:Supplementary
Rank:B
Range:Short
Chakra:20
Damage:N/A
Description: The basis of X arts is the stance one uses whilst fighting. The stance you use determines which type of strategy works best for you in the heat of battle. Each stance offers different strengths and weaknesses, which the fighter must be aware of and work through in order to win his fight. As it is simply changing the way you stand and hold your hands up, the activation of this move is passive and takes no time up in the timeframe, so a change in stance can be used in conjunction with a powerful punch move if need be. The user however, may only activate one stance per turn and only one stance may be activated at one time.

Jones Jr: In this stance, the user focuses more on power and strength, therefore losing out on the speed of his punches. A Jones Jr user also gains more stamina due to needing it when he gets peppered with punches whilst trying to deliver some of his own. In the Brawler stance, the user fills his gloves and arms with tremendous amounts of chakra, making them heavier and more powerful, thus gaining +20 damage to all punches (freeform and techniques). The chakra in his gloves and arms also enhances their ability to block, thus when using a defensive move, all attacks that hit the user suffer -10 damage. Due to the weight of the gloves, however, the user loses 3 speed levels.

Ali: In this stance the user is able to get more range and focuses on his quickness and ability to disrupt the opponent with it. Due to focusing on the this, the user loses a great deal of power. In the Ali stance, the user enhances his footwork with chakra and empties his chakra gloves of all chakra but that which is absolutely necessary. More chakra is given to his punches to act like "fuel" which extends its range by 1 range (will be explained in each technique). Due to the user enhancing his feet with chakra and emptying all but the bare necessities from his gloves (thus making them very light), he is able to move much faster, gaining 4 speed levels but suffering a -20 damage loss to all of his techniques due to his gloves packing the lightest power possible.

Mayweather: In this stance, the user becomes a more defensive fighter, relying on speed, dodging, and blocking in order to draw an opponent into a mistake. While using the Counter Puncher Stance, the user enhances all of his movements with chakra and focuses a great deal of chakra into his arms and gloves in order to absorb damage if needed. In this stance, any technique that hits the user whilst using a defensive move suffers a loss of -20 damage. After using a defensive move, the Counter puncher may passively use certain punches (described in the actual technique of the punch) at a reduced rank immediately after, representing his speed in countering whatever is thrown at him. The range of his defensive moves also increases, which manifests differently depending on the technique.


The Jab
Type:Offensive
Rank: B
Range:Short- Mid
Chakra:20
Damage:40
Description: The Jab is the basic tool of the fighting style. It consists of simply throwing a straight right or left hand at your enemy while pivoting towards them and turning your hips to generate power. While it is the foundation of all X arts moves, different boxers use the jab in different ways. When the user starts this technique the user will focus chakra into the seals on his wrist to summon the chakra gloves onto his hands if he has not already through another technique unless the user is using boxing gloves.

Jones Jr - When in the Jones Jr stance the user is able to generate so much power and strength when they utilize the jab that they push air currents forward in the exact shape of their boxing glove towards the opponent. Of course, being a slower mover than the rest of the styles, this move becomes more deadly for the Brawler the closer they are. However, with the power they generate, they are able to use the jab as far as Short Range (5 meters) away.

Ali - When in the Ali stance the user uses the Jab with great speed and precision. A jab from the Ali user is released with such speed that it will push air currents forward in the exact shape of their boxing glove to the opponent. Being a ranged fighter and using his chakra to fuel the technique to move further, the Ali user is the only one who is able to use the Jab at mid range. With his speed, the Ali user's jab is so fast that it is able to disrupt the opponent's handseals with ease, disabling them and briefly knocking them back. The only downside is that while fast, the out fighter's jab lacks the power to do any real damage.

Mayweather- The Mayweather user uses the Jab in order to quickly pop the opponent with a hit after he has lured them into his trap. While in the Mayweather stance the user is able to use the Jab passively (once per turn) immediately after using a defensive move, at the cost of the Jab losing 1 rank in power.


Additional effects and Restrictions:
Whilst using this style, the user MUST have his chakra gloves or boxing gloves on or else none of the moves of the style will work.

Any freeform alterations to the user's gloves can only be a maximum of 2x the size of the regular glove. Anymore than that will require a move to be used. Whilst using a technique, these freeform alterations remain and manifest through the type of damage dealt (with spiked gloves the jab becomes piercing damage etc)

There are three ranks in X arts and each rank follows certain restrictions on the route to becoming a true master of the art

Featherweight
In this rank the user is only able to utilize one stance

Welterweight
In this rank the user is only able to utilize 2 stances. There may only be 2 Welterweights. If a user wishes to become a welterweight while being a Featherweight, they must defeat a Welterweight in a tai match in the ring where X art must be used.

Heavyweight
In this rank the user may utilize all 3 stances to his advantage. There may only be 2 Heavyweights. If a user wishes to become a heavyweight while one of the other ranks, they must defeat a heavyweight in a tai match in the ring where X art must be used by both combatants.

Champion - The creator of the style who is allowed to use all 3 stances​

---

✦ Declined, no name nor background, don't have to go any further. ✦

 

[Six Paths]

Re: Custom Fighting Styles Submission

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✣ (Rinyūaru Tekondō) Renewal Taekwondo ✣​

Type: Nin-Taijutsu

Background: Taekwondo, an ancient Martial Art, created in a far off Land during a great war between rival countries. Tales of it’s power and unrivaled skill spread far and wide, and it’s practice soon spread to every corner of the world. But as the world grew smaller, and more advanced Taijutsu Styles were developed, with specialized capabilities in more diverse fields, soon Taekwondo’s practice was dying out, all of it’s practitioners moving on to newer horizons, leaving only a few loyal members to carry the Style into the future. No matter how many times the devoted practitioners of Taekwondo tried to improve upon it’s formula, their efforts never uncovered any success, until only a single person was courageous enough to call themselves a practitioner of Taekwondo. That man was Jin Tae-Jin, and this is his story. His… Renewal.

From the moment he began practicing in the art of Taekwondo, he knew it was a Style destined for greatness, despite his fellow practitioners eventual abandonment of the Style, claiming it was a dead art. From a very young age, he fought many battles, even outright challenging his master, suffering many swift and brutal losses in rapid succession. Being the strongest Taekwondo practitioner, Jin’s Master saw him as nothing more than a child with his head into the clouds, but eventually Jin Tae-Jin defeated his master in a brutal display of Taekwondo’s true strength. However not even that stopped his fellow Taekwondo Practitioner’s from abandoning the art.

Jin Tae-Jin’s devotion didn’t stop at Taekwondo though, he was also a very skilled Shinobi, well trained in the Art of Nature Manipulation, specifically Earth Release. He was a master of the art of weight manipulation through Earth Release, and one day it struck him that by training while weighed down by the effects of Earth Release, he could increase his physical strength in relation to the amount of times he multiplied his weight. Jin immediately went into the mountains to train, multiplying his body’s weight ten fold. This proved to be a mistake, as the mountains immediately crumbled under his now overwhelming weight, and Jin fell to what he presumed to be his death. But Jin survived this fall, and what’s more, realized that by falling with his weight multiplied by the tremendous force of Earth Release, the earth released a shockwave just as powerful. This was Jin Tae-Jin’s second revelation, that the “Third Law of Motion” was the answer he had been seeking. The key to Taekwondo’s revival. Jin Tae-Jin created a new branch of Taekwondo, even stronger and more powerful than it’s predecessor. Renewal Taekwondo. Immediately rumors spread far and wide of this new Fighting Style, honed by the one true master of Taekwondo. People begged him to teach them it, even his former Taekwondo practitioners, but all of them were turned down. Jin Tae-Jin only ever passed the Fighting Style on to his grandson, Jin Mo-Ri, who set about revealing the true strength of Renewal Taekwondo to the world.

Description on the Abilities and Inner Workings of the Style:

This Fighting Style is based on the concept of Newton’s Third Law of Motion, which states that every action has an equal and opposite reaction. In the simplest terms, if you will punch a wall with X amount of force, the same force will be extruded in the opposite direction, creating a balanced equilibrium between the two opposing forces. We know that the energy moves through matter in form of a wave, forcing the particles to push each other slowly from one end towards the other. This is the basic law of how energy moves through any solid material or mass. The particles push each other until the energy reaches the opposite end, where the energy is ultimately released. These core concepts, the 3rd Law of Motion and how energy travels through matter, are the basis of this Fighting Style.

This Fighting Style also incorporates the usage of (Doton: Kajūgan no Jutsu): Earth Style: Added Weight Rock Technique and the advanced variation of the aforementioned technique to increase the user’s weight for a brief moment. In this moment, the user will generate a massive amount of force against the surface they are standing on. This increase to the users mass will only remain for a brief instant, as any longer, and it will have detrimental effects on the user’s body, such as extreme strain on the user’s muscles and bones, to complete and total shattering of the bones if the users weight is multiplied enough, exponentially increasing the force gravity exudes on the user’s body. Due to Newton’s Third Law of Motion, the Earth will respond accordingly, producing an equal amount of force in the opposing direction. The user then returns their weight to normal and absorbs the force generated by the surface, using their Chakra to redirect it through, or store it temporarily inside, their own body. This process is performed at the start of every Renewal Taekwondo Technique, and the force generated by this process is used up in the proceeding technique. The technique’s of Renewal Taekwondo are all categorized by the level of weight manipulation required in, and subsequent force generated by, this process. The rankings are as follows:

☷ D-Rank: 2x Body’s Natural Weight.
☷ C-Rank: 5x Body’s Natural Weight.
☷ B-Rank: 10x Body’s Natural Weight.
☷ A-Rank: 20x Body’s Natural Weight.
☷ S-Rank: 50x Body’s Natural Weight.
☷ Forbidden Rank: 100x Body’s Natural Weight.​

We have seen in the series that Chakra has the power to direct and control both matter and energy. A perfect example of this would be any Ninjutsu Technique (Elemental or not) that is controlled via the user’s Chakra, but does not directly interact with the user through physical contact or general interaction. Apt examples related to this Fighting Style would be any Earth technique which can move rock without direct contact to designated medium, such as in the case of (Doton: Yama Eikyō) - Earth Release: Mountain Smash, where the user, through basic Elemental manipulation, raises two mountainous rock formations, only using their Chakra, which is channeled through the ground. This level of control displayed by such a technique proves it would be relatively simple for the user to control and direct the energy/ force created through the process of this Fighting Style.

The user directs this energy into one of their legs, therefore increasing the force that leg will be able to generate in any single motion, through which, all the energy generated is used up. The user can expend this energy in any means they see fit, allowing a wide variety of usages to the fighting style, including but not limited to increasing the force of a basic attack, extremely fast but linear evasive motions and even defensive actions made possible by using the force of an incoming solid attack against itself. Though, as a side effect, the user will not be able to keep this energy stored for long, 1 Turn Max, as the energy will start to become unstable, and may cause similar effects to those generated in the first step of the Fighting Style (the increase to the user’s weight).

The user combines the force generated by the sudden increase in mass with a very distinctive Fighting Style known as Taekwondo, a Fighting Style that focuses on strong, fast kicks. Taekwondo also incorporated a great many number of high-kicks, spinning kicks and even jumping kicks, most of which focused on attacking the targets head in an attempt to knock them out, in fact, in martial arts tournaments, it is encouraged to perform such attacks, netting the participant more points in the process. To facilitate these high-targeting centric kicks, the user takes a more narrower stance than in other traditional Fighting Styles, such as Karate, where the user’s feet are usually shoulder length apart. While this stance made practitioners of Taekwondo much more agile, it also made them far more likely to lose their stability or balance during combat, thus making Taekwondo less effective against Fighting Styles that put powerful defensive stances above offensive stances, however practitioners of Taekwondo agreed that this was a fair price to pay.

After it’s “fall from grace”, one of the few remaining practitioners of Taekwondo discovered the secrets of the Third Law of Motion, he added it’s effects to Taekwondo, thus creating a brand new, more appealing Fighting Style, signalling the “revival” of Taekwondo. A renewed Taekwondo. Renewal Taekwondo. The creator of RE Taekwondo discovered that adding the “3rd Law” would not just increase the Offensive Capabilities of this Fighting Style, but also the agility of the practitioners as well as supporting the weakest part of Taekwondo, the lack of balance created by the narrower stance. The weight added during the moment the user prepares to strike using Renewal Taekwondo grants them a wider center of gravity, thus requiring more force to throw off balance. In addition to this, using more power in their offensive movements, the body naturally moulds itself into a more balanced state, while the defensive purposes provide the user with the means to throw their opponent off balance, harnessing the force exuded by the opponent’s attacks and returning it back to them.

Example Techniques:

Spoiler

(Rinyūaru Tekondō: Jeonmyeon Geod-Eocha) Renewal Taekwondo: Renewal Front Kick
Type: Offensive/ Defensive
Rank: D-Rank - B-Rank
Range: Short
Chakra: 10 - 20
Damage: 20 - 40
Description: The user starts by manipulating their weight to generate the desired amount of force, between x2 & x10. Alternatively, the user may gather the force generated by an incoming physical attack, effectively using it’s own force against itself, making it an equal counter. The user stores this energy in the desired leg, and releases it in any single kick from a number of kicks in Taekwondo. This include, but are not limited to, high-kicks, jumping-kicks, low-sweeping-kicks, ground-kicks, round-kicks, etc. This allows any Renewal Taekwondo user to user their art in a freeform manner.

(Rinyūaru Tekondō: Bo-Bup) Renewal Taekwondo: Way of Walking
Type: Supplementary
Rank: D-Rank/ B-Rank/ A-Rank
Range: Short - Long
Chakra: 10 - 30
Damage: N/A
Description: The user begins this technique as they would any technique from RE Taekwondo, by increasing their weight by a certain amount, in relation to the amount of energy they wish to generate. They then use the energy produced by the ground, in accordance with the 3rd Law of Motion, to “kick” off the ground with a tremendous amount of force, propelling the user at extremely fast speeds in a linear direction. This technique has 3 stages, each with their own Rank and distance it allows the user to traverse.

D-Rank: Weight Manipulation costs 10 Chakra, and allows the user to move up to 5m.
B-Rank: Weight Manipulation costs 20 Chakra, and allows the user to move up to 15m.
A-Rank: Weight Manipulation costs 30 Chakra, and allows the user to travel up to 30m.

Note: If the A-Rank variant is used, this technique cannot be used for 2 turns.

(Rinyūaru Tekondō: Hoe Hook) Renewal Taekwondo: Guard Breaker
Type: Offensive/ Supplementary
Rank: B-Rank
Range: Short
Chakra: 20
Damage: 40
Description: The user starts by multiplying their body’s natural weight by 10x. The user then stores the energy provided by the “3rd Law” and uses a particularly effective stance in Taekwondo known as Hoe Hook (or Guard Breaker). This stance is used to either grab the opponent using the muscle strength of the users legs, thereby holding the target in a grappled formation, allowing the user to push or pull them in a variety of ways, or to use this grab in more Offensive situations, such as breaking a targets guard. The user, once they have “hooked” the opponent in the desired manner, will release the stored energy from “3rd Law”, which they use to create large openings in the opponent’s defenses, or to throw them in a desired direction, such as slamming them against the ground, with great speed and force.

Note: This technique can only be performed once every 2 turns.

(Rinyūaru Tekondō: Jin Hoechook) Renewal Taekwondo: Truth Tornado
Type: Offensive
Rank: Forbidden
Range: Short - Long
Chakra: 50
Damage: 90 (-20 to the user)
Description: The user begins by initiating the first step in any Renewal Taekwondo technique, increasing their mass in direct relation to the force they wish to generate by the technique. Jin Hoechook is one of the most powerful Renewal Taekwondo techniques even invented, requiring the user to push their body to the absolute furthest limit possible, multiplying their body’s natural weight by 100x. The user will then gather the force generated by the opposing surface, and perform one of Taekwondo’s signature high-kicks. The kick is performed by leaping off the ground while simultaneously rotating one’s body, releasing the force generated by the “3rd Law” in the form of a massive blast of compressed air that rotates with a great deal of force and ferocity.The direction of the rotation is dependant on which direction the user rotated their body (clockwise or counter-clockwise).The blast from Jin Hoechook was able to completely decimate an entire mountain in an instant, but left it’s user extremely weakened, due to the increased effect gravity had on the users body.

Note: This technique can only be performed once, due to the strain it places on the user’s body.
Note: Masters of Renewal Taekwondo may use this technique a 2nd time, after which, they collapse, due to the force exuded on their body’s.
Note: Upon it’s use, the user cannot perform Taijutsu above C-Rank for 3 turns.

Additional effects and Restrictions:

☷ Must be taught by Six Pāths.

☷ Must have finished Earth Release and Basic Taijutsu.

☷ Users of this Fighting Style naturally develop a stronger bodily structure, an effect of their bodies weight being heavily manipulated during the short bursts required of Renewal Taekwondo Techniques. This makes the body, especially the bones, of any user of Renewal Taekwondo difficult to break, as they are used to extreme conditions on a regular basis, such as the 100x weight found in the Forbidden Renewal Taekwondo Techniques.

☷ Due to the nature of Taekwondo itself, including it's stance and emphasis on quick, powerful strikes, users of Renewal Taekwondo are naturally stronger and faster than the average Strong Fist user.​

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✦ Declined, I really dislike scientific shit... remove everything about Newton and his Laws of Motion, I and most others know what they are and if you have to start talking about science in your CFS, I'm not approving it likely. Also the part about stronger body structure needs to go, you are not a Kaguya or medjutsu user, you aren't increasing your skeletal figure or anatomy through this. The example jutsus you listed show that you intend to use the style as a way to just either avoid things through fast movement or just simple kicks that are supposed to be empowered or sped up through releasing chakra to move swiftly. Overall, you need to remove everything about Newton and his laws, keep science where it is and out of an anime based RP. ✦

 

[Zaphkiel]

Re: Custom Fighting Styles Submission

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Flow of The White Spider | Shiroi Kumo Ryū | 白いクモ流


Type: NinTaijutsu
Background: In addition to signing the Spider Contract unknowingly Miles also gained a considerable amount of knowledge of his contract patrons and how they perceive the world around them. His mentor, Ākādo, a mere 7 mm Jumping Spider, was quite the intelligent strategist, more so than many humans Miles had come into contact with. Ākādo taught him all he knew of spiders, their weaknesses, strengths and how he could incorporate these into his fighting style. The training sessions would last hours each day, ending every time with Miles on his back and breathing heavily. That tiny spider would always beat him, despite him landing the most brutal of blows, the spider seemed unscathed.

However, Miles soon got to learn that Ākādo was actually adept at Ninjutsu. Being a specialist in that specific area himself Miles learned that the tiny spider, was actually donning a shell of web silk that mimicked its exoskeleton flawlessly. And through adequate techniques was able to combat Miles on level terms with both defense in the form of a silk suit and offense in terms of chakra infused webs. But not all the times were Ākādo's legs in contact with Miles, sometimes, he would use his web as a medium of his Ninjutsu techniques. And that was when Miles realized the true inner workings of the fighting style...

Description on the Abilities & Inner Workings of the Style: The Flow of the White Spider utilizes web projections from the practitioner's hands, feet, and even mouth and skin. This paves the way for alternative transportation mediums as well as a complex fighting the style. Upon getting selected to learn the prestigious fighting style practitioners will learn how to weave the webs they produce into an intricate, personal suit dubbed the 'Spider Suit'. This a full body covering made of tightly woven chakra enforced web silk. Unlike the other web associated moves that comes with Spider Ninjutsu this full body web structure appears alive. By continuously coursing chakra through it the suit is able to react to stimuli and pressure in a fashion much like the user's skin. It allows the user to feel and function without restraint, as if it was his own skin. How this works is by having the webbing pour from his very skin and crawl over any garments the user would be wearing. When faced with physical interactions the suit augmenting the damage of physical attacks with precisely timed hardening characteristics as well as mitigating the damage with timed absorbing characteristics. However, through extensive training with the Spider Suit (this CFS) the chakra infused webbing doesn't interfere with regular Ninjutsu and begins to act like a non-Newtonian liquid thickening to rock hard status when faced with a great amount of stress in a short period of time and loosening to a flexible state when not under the influence of pressure, this can be done in separate areas and allows the user to effectively defend and attack at the same time effectively working in tandem with regular Taijutsu for devastating effects. When the suit is hardened one would naturally expect harder hitting moves and more effective defense and similarly, when the suit is in its fluid like state it is able to dissipate physical force equally around the suit until its small enough to ignore, how this works is by using the fluid like webbing to take the force of an attack and ripple along the user's body as it divides the force met into smaller and numerous packets to be rippled over the body. This can allow a user to be hit head on with say a punch and won't feel a thing. However, momentum behind physical attacks aren't absorbed so that means a punch would still move the user but the damage would be negligible. Alternatively, when the suit is hardened physical damage is not dissipated but retarded. This means, the suit hardens just enough to relay a force equal to that being met, like punching a wall. However, in this hardened state the user's flexibility and mobility are severely hampered. Again, momentum is not affected and forces can still move the user. Another key element of the woven suit is the ability, in its fluid like state, to transfer the user's body weight from one area of his body and either distribute it evenly across the rest of the body or transfer it in its entirety to another area for the purpose of inhuman levels of balance and coordination. For example, standing on his hands the user can carry all his body weight, using the fluid like properties of his suit, into his hands to stay in the upside down position. Essentially, this makes it difficult to near impossible for the user to fall or lose his balance to the point where he stumbles greatly which paves the way for unpredictable and moves in awkward positions, similar to Drunken Fist Taijutsu. This is not to be confused with weight/density reduction or addition. This is merely moving one's body weight around the capabilities of the suit using its fluid like characteristics as a medium and can cause the user to appear heavier or lighter than usual but in reality its just his body weight going different places. Which means simple somersaults stretching to up to 4 revolutions instead of the humanly possible of 1-2 by continuously shifting the body weight inwards while spinning which creates a centrifugal force, which can sustain the spin. This complex weight shifting can come into play in various other Taijutsu movements, not just flips and spins. This means, if the user had a weight say 100kg inside the suit the max amount of weight he can shift is still 100kg and that is a constant which will last throughout unless augmented by a technique like Added Weight Technique. The combat involving the suit will see the user nimbly angling his body around, under, and about his opponents, shifting his own body weight with the use of the fluid like suit to pull off the most intense and complicated of gymnastic maneuvers.

In addition to web constructs the users of the style gain the ability to tie elemental and non-elemental Ninjutsu in the composition of the webs, this leads to chakra enforced webs that adopt the characteristics of the type of chakra infused within it. Raiton chakra, when surged through the webs give them a distinctive vibrating property that allows them to cut through most solid objects as well as numb and restrict victims but these webs only last for a moment as the Raiton naturally breaks down the silk, Katon chakra heats the webs to a red hot color giving the illusion of fiery whips that serve to scorch victims as well as melt some materials given the right amount of time and pressure is kept, the webs are also destroyed after this kind of usage due to the nature of the release and the fragility silk naturally carries. With Doton chakra the webs last the longest as well as becoming more resilient to pressure and force and are given a near indestructible status, but also leaves them two times more susceptible to Raiton techniques. Futon chakra can't be channeled through the webs unfortunately, but raw non-elemental chakra can.

Example Techniques:
(Shiroi Kumo Ryū: Kumo Sagi)- Flow of The White Spider: Spider Deception

Spoiler

Type: Supplementary
Rank: B
Range: Short
Chakra cost: 20
Damage: 40
Description: An advanced form of Spider Ninjutsu combined with regular Ninjutsu the user will assume a position, focusing his chakra through the Spider Suit he will cause the web encasing to jump from his body while he releases a short flash of light. The light is made through Raiton chakra and only serves to mask the actual movements of the suit from his body for less than a second. As he leaves the suit he appears behind the opponent to strike them in the blind spot while the suit stays where he left it to distract the victim.

(Shiroi Kumo Ryū: Yari Ryū)- Flow of The White Spider: Flow Spear

Spoiler

Type: Offensive
Rank: B
Range: Short-Mid
Chakra cost: 20
Damage: 40
Description: The user will fire a string of Raiton infused web from his hand with a uniquely spear tipped edge for the purpose of piercing objects and opponents. The lightning running through the web allows it to appear as a flash of blue light as it slings through the air, vibrating as well. With the piercing and numbing abilities of Raiton allows it to dig deep into flesh with the use of speed and force while rendering the opponent lifeless as the current overrides his nervous system paralyzing him. The user will then yank his hand towards his chest or torso and reel in the latched paralyzed opponent towards him. He will then channel all his body weight into his dominant had and follow up with either a devastating punch, also hardened by the characteristics of the spider suit, to the skull sending their body downwards or a lateral kick to the temple sending them hurling to the side in which the kick follows. This can also be done mid air to reel the user to the opponent with a bone crushing hardened kick to the chest. If the user is familiar with a popular gaming franchise he might yell "Get over here!"

Spoiler

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(Shiroi Kumo Ryū: Rokkā o kizutsuke)- Flow of The White Spider: Hurt Locker

Spoiler

Type: Offensive/Supplementary
Rank: A
Range: Short
Chakra cost: 30
Damage: 60
Description: Using control over his weight the user will quickly drop low, using his right hand as anchor as he swings his entire body around counter clockwise, feet outstretched while the suit guides all his body weight into his legs. Then, at the right moment, he'll harden the webbing around his foot and deliver a bone breaking kick to the opponent's shin bones of both feet, knocking them into the air as well. As they go airborne the user will then, with increased toughness still in his foot, perform a back flip kick, knocking them higher while also causing more pain to the chest area. As the opponent is high enough the user will then shoot two strings of web from both hands grabbing them on both shoulders and then pull them in at very fast rate. As the opponent is pulled towards the user he will extend a knee and while releasing the hardened state of his legs he'll harden his knee area instead, smashing the opponent's face into the knee cap, with its increased rigidity this can render the opponent unconscious for a turn with a broken nose and disfigured face.

Additional effects:

• User's Taijutsu speed and reflexes are above that of a Strong Fist Master

• Due to elemental channeling the webs techniques of this style gain the accompanying S/W of Elemental Ninjutsu. E.g Raiton channeled webs are strong to Doton but weak to Futon and so on. Neutral webbing however is equal to raw chakra but one rank weak to elemental chakra.

Restrictions:

• Users must have signed the Spider Contract and be of at least Sannin rank as well as mastered Ninjutsu
• Must have learned the technique (Kumo Senshi) Spider Suit.

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✦ Declined, I was with this until I got to the parts about how the webbing can be used to redirect and shift body weight and dissipate the force and damage behind attacks, the colored and parts based around it. This is basically saying an A rank taijutsu attack could strike you and you'd be immune to the actual kick, just pushed backwards depending on how much speed/momentum was behind it. You're basically creating an immunity to Taijutsu through that. The hardened webbing being offensive could easily be used to create a coating strong enough to defend some levels of taijutsu, that's not too much but I cant allow the softening of the webbing and your body to spread damage out so it does nothing to you. That part was too much. Also, your speed/reflexes won't be higher than that of a SF Master, that's saying your able to move at increased speeds/heightened tracking. Also, I think basic webs are weak to elemental attacks, i.e. A rank Web ninjutsu < A rank elemental ninjutsu, just to keep in mind. ✦