Challenge to an Interesting Fight

BishamonSama

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*

*As I keep my pyramid shield pointing upwards (fighting against Enma if he tries to move my aim) as you jack-hammer against it, I quickly manipulate the sides of the pyramid, bringing them straight down, giving them a razor edge, severing all of the hands that are grasping me, as I basically encase my body in a type of capsule (the pyramid is no longer pointed, but it looks like I'm inside a pill.).

From inside the prison, I can't do much - but I focus more chakra into my left blade, repairing any damage the shield has sustained, as I focus the chakra outward, encasing myself in a dome within your prison. In addition to this, I finally succeed to severing one of Enma's hands, and I may also destroy the prison as well, as I believe the copies of the staffs are clones, and when materialize an arm, I should have done enough damage to disperse the clone, leaving only the true Enma - if this is the case, I immediately launch myself backwards while keeping my dome around me, in order to create distance.

In addition to this, I take a stance of mine, while still keeping the dome around me.

(Samurai Guntou no Jutsu) Samurai Sabre Technique
Rank: A
Type: Offensive
Range: Short - Long
Chakra cost: 30
Damage points: 60
Description: This technique is unique to samurai, which employs the concept of chakra flow techniques similar to the flying sparrow and Kusanagi: Chidori katana. Through the use of chakra flow the user channels their chakra through their swords his extends the reach and the cutting ability of the blade, and also allows the user to fire crescents of chakra whenever the blade is swung. This released chakra is capable of great destruction as shown from how it destroyed a stone pillar. The samurai have also shown the ability to use shape transformation, as they can form their chakra blades into giant buzz saws, broad swords, spiked shafts, and axes. This ability allows them to rely on smaller swords while retaining greater reach, damage, and surprise attacks as needed.(The technique is capable of countering Ninjutsu of A rank and below due to the chakra charge technique).
Note: Can only be taught and used by a Samurai Bio

(Kamei Gigei: Saisho no Inori: Hikaru Aki Hasira) Command Art: First Prayer: Shining Autumn Pillar
Rank: A
Type: Offense/Supplementary/Defense
Range: Self
Chakra: 30
Damage: N/A
Description: The first of the “Prayer” series of the Command Arts, Hikaru Aki Hashira, often called “Aki-gamae (autumn stance)” by its users, is a Kenjutsu stance instead of an actual attack. It is a variation of the Waki-gamae in that the user holds their blade at waist level, parallel to the ground, whether in its scabbard or not, a position best suited for quick-draw strikes. The user focuses their chakra throughout their entire body in a steady stream while in this stance, increasing their speed and strength by 25%. This increase in ability comes about from the chakra augmenting the muscles naturally, instead of forcefully, essentially putting the body in a natural “peak” condition. This chakra also coats the user’s blade and allows the counter-offensive nature of Aki come through. Whether sheathed or not, the user can swing their blade and dispel an incoming attack by disrupting it, allowing the user to protect themselves and then counter-attack. The method of blocking attacks is based upon the concept of an immovable pillar.
*The First Prayer can only shield the user from attacks of an equal or lower rank.
*Blocking an attack counts against one of the three allotted moves in a turn.
*As soon as your shield starts to expand to form your cocoon of chakra, Enma's hands release you, as he draws his arms back into the cage*

*At the same time as you begin to create your cocoon, I place the paper seal for the following technique on the tip of my halberd (while still 'jack-hammering' xd) so that when my halberd hits into the shield, it attached this seal to the shield*

(Chakra Haisui Fuin no Jutsu) – Chakra Suppression Seal Technique
Rank: B
Type: Offensive
Range: Short
Chakra cost: 20(-10 per turn for seal to remain active)
Damage points: 40 (-20 per turn whilst target remains on seal)
Description: The user will place a seal on a target, which will then begin to drain the targets chakra in which the user can then use it for his or her own techniques.
Note: Chakra draining only works whilst the target remains on the seal.

*Your shield slowly dissolves, and my continued jack-hammering weakens it further until it shatters and my attacks come into contact with you*

*While the shield is still weakening, I also use...*

(Fuinjutsu: Seikatsu Kekkai) – Sealing Technique: Living Barrier
Rank: A
Type: Supplementary
Range: Short
Chakra cost: 30 (-15 per turn active)
Damage points: N/A
Description: The user can use this technique to seal a portion of the targets chakra equivalent to 1 quarter of their chakra for a period of time reducing the level of techniques the opponent can use. Target with seal can only use up to B rank Level Techniques.
Note: Sealing Method lasts 2 turns.

(Note that this technique does not require physical contact )

*I seal your chakra, preventing you from using techniques over B-ranks and therefore preventing you from replenishing your shield and sword chakra*

Summary: Enma releases you as your shield begins to expand. I place a paper seal on the expanding shield to reverse its expansion and deplete it while still stabbing it with my halberd. As the shield begins to deplete, I seal off your chakra to prevent you from replenishing it as I continue my stabbing assault with my halberd, shattering the shield and (hopefully) killing you.
 

KeotsuEclipse

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*As soon as your shield starts to expand to form your cocoon of chakra, Enma's hands release you, as he draws his arms back into the cage*

*At the same time as you begin to create your cocoon, I place the paper seal for the following technique on the tip of my halberd (while still 'jack-hammering' xd) so that when my halberd hits into the shield, it attached this seal to the shield*

(Chakra Haisui Fuin no Jutsu) – Chakra Suppression Seal Technique
Rank: B
Type: Offensive
Range: Short
Chakra cost: 20(-10 per turn for seal to remain active)
Damage points: 40 (-20 per turn whilst target remains on seal)
Description: The user will place a seal on a target, which will then begin to drain the targets chakra in which the user can then use it for his or her own techniques.
Note: Chakra draining only works whilst the target remains on the seal.

*Your shield slowly dissolves, and my continued jack-hammering weakens it further until it shatters and my attacks come into contact with you*

*While the shield is still weakening, I also use...*

(Fuinjutsu: Seikatsu Kekkai) – Sealing Technique: Living Barrier
Rank: A
Type: Supplementary
Range: Short
Chakra cost: 30 (-15 per turn active)
Damage points: N/A
Description: The user can use this technique to seal a portion of the targets chakra equivalent to 1 quarter of their chakra for a period of time reducing the level of techniques the opponent can use. Target with seal can only use up to B rank Level Techniques.
Note: Sealing Method lasts 2 turns.

(Note that this technique does not require physical contact )

*I seal your chakra, preventing you from using techniques over B-ranks and therefore preventing you from replenishing your shield and sword chakra*

Summary: Enma releases you as your shield begins to expand. I place a paper seal on the expanding shield to reverse its expansion and deplete it while still stabbing it with my halberd. As the shield begins to deplete, I seal off your chakra to prevent you from replenishing it as I continue my stabbing assault with my halberd, shattering the shield and (hopefully) killing you.
~_~ Never knew Fuunin was so difficult to fight against.

*Watching you as I start to form my shield, and seeing you place a tag on the bottom of your halberd, I quickly sheathe Muramasa as I see the chakra being sucked form the shield, after the tag has fallen to the ground as the last one - about that time, my chakra is locked as well.

However, as that's happening, I quickly start watching the prison walls as well as you, and seeing that the prison is a type of grid, I simply watch for which hole your aiming at and use my speed to move out of the way, basically dancing around inside the prison, keeping Masamune out in-case Enma tries something.

However, using my now free left hand, I pull and explosive tag out of my pouch and slap it onto the shaft of your halberd as it comes down by my side - when you pull the halberd back up, I detonate the tag at the point that is closest to you.*
 

BishamonSama

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~_~ Never knew Fuunin was so difficult to fight against.

*Watching you as I start to form my shield, and seeing you place a tag on the bottom of your halberd, I quickly sheathe Muramasa as I see the chakra being sucked form the shield, after the tag has fallen to the ground as the last one - about that time, my chakra is locked as well.

However, as that's happening, I quickly start watching the prison walls as well as you, and seeing that the prison is a type of grid, I simply watch for which hole your aiming at and use my speed to move out of the way, basically dancing around inside the prison, keeping Masamune out in-case Enma tries something.

However, using my now free left hand, I pull and explosive tag out of my pouch and slap it onto the shaft of your halberd as it comes down by my side - when you pull the halberd back up, I detonate the tag at the point that is closest to you.*
*as you start dancing around, Enma reaches an arm out from the very bottom of the cage and grabs one of your feet, causing you to trip. As you start to fall, one of his feet shoots out of the top of the cage and pins your sword arm to the ground, as my halberd shoots down and stabs you.*

o.o
 

KeotsuEclipse

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*as you start dancing around, Enma reaches an arm out from the very bottom of the cage and grabs one of your feet, causing you to trip. As you start to fall, one of his feet shoots out of the top of the cage and pins your sword arm to the ground, as my halberd shoots down and stabs you.*

o.o
*As I quickly scan around me, watching for both you and the annoying Monkey King's arms, I see one of his arms jut out, out of the corner of my eye - coming from down low, its obvious he's going for my legs or feet.

With this, I quickly do a quick pivot -a pirouette, while swinging my blade downwards - this rotation allows me to dodge your halberd should it have been coming down, but more importantly, this time I finally do sever Enma's arm as he grabs a hold of my foot, and if his feet still try to come out - as they were coming from in front of me - I use my free left hand and push them out of the way, to my left, by grasping the outer leg and deflecting, before trying to slash at the legs as well, to damage them.

The next time your halberd comes down, though, I quickly draw a katana from my case in an attempt of something - I use my blade to stop your halberd - as it starts to go back up, I slash at locking my blade against your own before releasing it - my blade gets dragged upwards with your halberd, but can't fit through the bars, thus it locks into place, and halts your halberd's upward momentum, if all goes according to plan.

Even if that doesn't work, I'm still near the center of the cage, holding my blade, ready to react.*
 

BishamonSama

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*As I quickly scan around me, watching for both you and the annoying Monkey King's arms, I see one of his arms jut out, out of the corner of my eye - coming from down low, its obvious he's going for my legs or feet.

With this, I quickly do a quick pivot -a pirouette, while swinging my blade downwards - this rotation allows me to dodge your halberd should it have been coming down, but more importantly, this time I finally do sever Enma's arm as he grabs a hold of my foot, and if his feet still try to come out - as they were coming from in front of me - I use my free left hand and push them out of the way, to my left, by grasping the outer leg and deflecting, before trying to slash at the legs as well, to damage them.

The next time your halberd comes down, though, I quickly draw a katana from my case in an attempt of something - I use my blade to stop your halberd - as it starts to go back up, I slash at locking my blade against your own before releasing it - my blade gets dragged upwards with your halberd, but can't fit through the bars, thus it locks into place, and halts your halberd's upward momentum, if all goes according to plan.

Even if that doesn't work, I'm still near the center of the cage, holding my blade, ready to react.*
*As you pivot to slash down low at Enma's hand, his other arm shoots out of the top of the cage and grabs the wrist of your sword-bearing arm, stopping your motion and allowing the rest of my previous move to occur*

o-o

You can tell that I really want to kill you in this monkey cage.
 

KeotsuEclipse

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*As you pivot to slash down low at Enma's hand, his other arm shoots out of the top of the cage and grabs the wrist of your sword-bearing arm, stopping your motion and allowing the rest of my previous move to occur*

o-o

You can tell that I really want to kill you in this monkey cage.
*As I see the other arm come out, coming to grasp at my arm mid-strike, I thrust my left arm forward, intercepting it, since it's still free at that point, allowing me to continue on with my move, since after that I'll simply alter my move slightly by cutting upwards with my blade to sever this second arm. Then, again, continuing with my move of trying to stop your move.*

~_~" Yeah...I lost the moment I was trapped in this cage...but I'm not going to make it easy.
 

BishamonSama

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*As I see the other arm come out, coming to grasp at my arm mid-strike, I thrust my left arm forward, intercepting it, since it's still free at that point, allowing me to continue on with my move, since after that I'll simply alter my move slightly by cutting upwards with my blade to sever this second arm. Then, again, continuing with my move of trying to stop your move.*

~_~" Yeah...I lost the moment I was trapped in this cage...but I'm not going to make it easy.
*Enma's other foot shoots out of the cage and knocks back your left arm as you move it forward*

xd
 

KeotsuEclipse

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*Enma's other foot shoots out of the cage and knocks back your left arm as you move it forward*

xd
~.~"

*Since Enma's foot is coming towards my left arm, and my left arm is headed towards the second arm of Enma, I'm assuming that means Enma's foot is coming from near where the second arm is.

Since Enma's arm is moving forward as is my own, that should meet a second before his foot comes out - however, his foot never stops my arm, as when I see his foot come out, I simply carry through the momentum of my pirouette slightly more, allowing him to kick the side of my arm, but not preventing me from doing everything else.*

@_@ He's gotta be practically not a staff anymore by this point, with most of his limbs solid. .-."
 

BishamonSama

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~.~"

*Since Enma's foot is coming towards my left arm, and my left arm is headed towards the second arm of Enma, I'm assuming that means Enma's foot is coming from near where the second arm is.

Since Enma's arm is moving forward as is my own, that should meet a second before his foot comes out - however, his foot never stops my arm, as when I see his foot come out, I simply carry through the momentum of my pirouette slightly more, allowing him to kick the side of my arm, but not preventing me from doing everything else.*

@_@ He's gotta be practically not a staff anymore by this point, with most of his limbs solid. .-."
I sort of meant it as Enma's foot blocks your arm from blocking his arm from grabbing your wrist xd

You know what, do you just want to stop? xd We're getting into too small a time frame for it to be fun anymore - we're just dancing around in a cage, and I feel like the end is just a few more nit-picky moves/sealing jutsus/kunais connected by wire away xd
 

KeotsuEclipse

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I sort of meant it as Enma's foot blocks your arm from blocking his arm from grabbing your wrist xd

You know what, do you just want to stop? xd We're getting into too small a time frame for it to be fun anymore - we're just dancing around in a cage, and I feel like the end is just a few more nit-picky moves/sealing jutsus/kunais connected by wire away xd
Yeah, I'm good. xd I'll chock this up as a win in your favor - I can't do anything from inside the cage, so it's basically seeing if I can stalemate you at some point. @_@

Thank you for allowing me the honor of sparring. ^_^
 

BishamonSama

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Yeah, I'm good. xd I'll chock this up as a win in your favor - I can't do anything from inside the cage, so it's basically seeing if I can stalemate you at some point. @_@

Thank you for allowing me the honor of sparring. ^_^
Thank you ^_^ This was probably the best mainly-Taijutsu fight I've had in years :D
 
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