To get Back Up to the Shining World [Pekoms]

House

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House sitting in a meditating position, listening to the voices of nature. Both wrist placed on their adjacent knees, listening to the songs of the wind that has been carried through thousands of years. Not bothering that his kimono is blown a little off, focusing on the energy of nature. House listens to the steps his disciple takes far in the distance, awaits his arrival.

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Pekoms

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Having traversed a great deal of wilderness, Ithnan's journey was halted only upon observing an idle person. As he drew closer and closer, out of curiosity, Ithnan saw that the individual was a middle-aged male whom was sitting in a meditative position. "I don't mean to intrude unnecessarily, but wonder if perhaps you are the one I seek. You are sensei, aren't you?" said Ithnan, as he surmised by the man's appearance. "I beg of you, please, teach me everything you know of taijutsu."​
 

House

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Having traversed a great deal of wilderness, Ithnan's journey was halted only upon observing an idle person. As he drew closer and closer, out of curiosity, Ithnan saw that the individual was a middle-aged male whom was sitting in a meditative position. "I don't mean to intrude unnecessarily, but wonder if perhaps you are the one I seek. You are sensei, aren't you?" said Ithnan, as he surmised by the man's appearance. "I beg of you, please, teach me everything you know of taijutsu."​
Begging one does not mean success, stamina and diligence does.

House creates a normal pillar infront of him with a square shaped piece of earth that one can just barely stand on.

(Doton No Jutsu) - Earth Release Technique
Rank: D
Type: Attack/Defence
Range: Short-Mid
Chakra cost: 10
Damage Points: 20
Descripton: Creates small pillars of earth, small tools, and small shields of earth

House seeing the man's stance and body, he seemed like he had previous training in this mastery but House wanted to add more to his student's knowledge, a lot more on balance, momentum, and stance. Watches him carefully, he instructs the youngling~

Rest yourself ontop of the piece of earth without trying to stay on the earth then let the nature flow through your kimono. Don't fight the winds... let them fight you!
 

Pekoms

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"It is true that begging is but a trite gesture, however, stamina and diligence do not give me the means to form and technique. The key to my aspirations is knowledge; that which I lack, I must acquire. Now.." said Ithnan as he deftly leapt atop the small pillar and assumed the meditative pose he'd seen sensei using earlier. Emptying his mind of all conscious thought, he replaced them with the voice of nature; the wind, no longer perceived as a disturbance, was silently embraced.​
 

House

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"It is true that begging is but a trite gesture, however, stamina and diligence do not give me the means to form and technique. The key to my aspirations is knowledge; that which I lack, I must acquire. Now.." said Ithnan as he deftly leapt atop the small pillar and assumed the meditative pose he'd seen sensei using earlier. Emptying his mind of all conscious thought, he replaced them with the voice of nature; the wind, no longer perceived as a disturbance, was silently embraced.​
Seeing Ithnan meditating ontop of the earth figure, Dante begins his lecture~

As you may know, throughout the training, we'll be learning Strong Fist. Strong Fist is blunt, strong, and slower then Gentle Fist which is much more gentle and faster. While Gentle Fist may be more fluent and faster, Strong Fist has its advantages also.

Now tell me, why did I sat you on that piece of platform? Think about doing things subconsciously also. The momentum, The Flow, The Capacity and the meaning of letting the air fight you, What did I mean by that? I also want you to somewhat explain to me what I do I mean by the natural weaknesses of the body.
 

Pekoms

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"If I were to take a guess, I would suppose my sitting on this earthen pillar is for two distinct reasons in particular. In mentioning the subconscious, I believe that you are emphasizing that taijutsu is an art that goes beyond mental fortitude and even what one has immediate control over, in regards to physiology. We have muscles that we can consciously contract, and some that happen regardless of whether or not we are even aware of their existence. Though it is important to understand the relation of our bodies to nature and taijutsu, there is also underlying significance in core tenant of both, which is balance. As we are walking, are being pushed, or are fighting, our center of balance is very crucial in keeping us physically capable of even the most mundane of physical tasks. The same is applicable to powerful air currents, where balancing oneself in tandem with the surrounding nature and their given positioning is crucial. When you speak of such things as flow, I instinctively think of t'ai chi, and also, the slow movements oft associated with it, which may have significance since you've mentioned Strong Fist as comparatively slower to Gentle Fist, yet not without its own advantages."​
 

House

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"If I were to take a guess, I would suppose my sitting on this earthen pillar is for two distinct reasons in particular. In mentioning the subconscious, I believe that you are emphasizing that taijutsu is an art that goes beyond mental fortitude and even what one has immediate control over, in regards to physiology. We have muscles that we can consciously contract, and some that happen regardless of whether or not we are even aware of their existence. Though it is important to understand the relation of our bodies to nature and taijutsu, there is also underlying significance in core tenant of both, which is balance. As we are walking, are being pushed, or are fighting, our center of balance is very crucial in keeping us physically capable of even the most mundane of physical tasks. The same is applicable to powerful air currents, where balancing oneself in tandem with the surrounding nature and their given positioning is crucial. When you speak of such things as flow, I instinctively think of t'ai chi, and also, the slow movements oft associated with it, which may have significance since you've mentioned Strong Fist as comparatively slower to Gentle Fist, yet not without its own advantages."​
Yes, exactly. What I mean by acting subconsciously is that your body will act by reflex and not by thinking. Acting out of reflex happens a split second and much faster then by acting out of a thought process. By achieving this state of mind, you'll be able to act faster and I want you to know this. Learn it like how you put your hand on a hot stove and without thinking, you're pulling away from it by reflex. Going beyond mental fortitude and learning to act by instincts/ by your reflex. When an incoming right hand is coming in, I want you to reflexively react to it by your defensive means (raising your left hand to push it away etc.)

What I meant by balance on the piece of earth while the wind is blowing at you is you'll obviously move your weight by your upper body to balance yourself so you won't fall off because of the wind currents. See how balance is crucial? See how it keeps you on that skinny piece of rock? Good.

Since you have a basic understanding of what is crucial for martial arts, I want to go over some anatomy and the natural weaknesses of the body. Since you didn't really go dept in there, I assume you know little.

I want you to talk to me about some points you view crucial on protecting or striking on a body. What is a most effective strike mean to you? If you know little, it's okay to try. You can even give me scenario as how you see comfortable.
 

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"Well, I'm quite uncertain as to what places are most effective to strike.. In any case, the most important thing to defend, in my opinion, would be the spinal cord and the given vertebrae, followed by the head. Essentially, I feel there are two reasons why it is imperative that fighters do not turn their backs on any given opponent; (1) they will be exposed and unable to safely guard and (2) the spinal cord is so integral to basic mobility and other things, that damage to it should always be minimized. Striking the head is always useful, as it can easily disorientate the opponent and go beyond just potentially rendering them unconscious, but significant short/long term issues depending on damage to certain lobes and the cerebellum. I'm fairly certain that striking either the liver or the solar plexus are also viable alternatives, as well as the neck for obvious reasons. In some martial arts, the most widely assumed fighting posture is to have the knees slightly bent, with weight more so on the rear leg, and raise both arms up so that they can quickly protect the upper body (especially the head/neck) from incoming blows. One must be careful with their legs because they provide support and mobility, which an enemy may desire to greatly limit throughout a given fight, so consistent movement can be useful, in addition to stances."​
 
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