I get that it’s cool to be anti feminist. But, why does it piss you off to see a female “anything” .
I don't think it is that people are angry to see a female. In many cases, men prefer strong female leads. The ideal female in the eyes of most men is a woman who can be an equal partner in their daily work/activities - that means something of a tomboy.
What irritates people is that, in this age of 'feminism' - groups of social predators have seen fit to try and convert every conceivable thing to have a female host, star, cast, crew, etc - with absolutely no concern for the integrity of the role. No one has an issue with a story about ghost busters who are all female. What they have a problem with is that a series with an established lore was taken hostage by a 'movement' that has a history of creating very poor plots and doing poor casting of characters - which was then foisted upon them as a turd endlessly polished by the ball-tonguing media.
Here is the thing about the original Indiana Jones movies. Everyone played their natural roles as human beings. Indi- being the brash young man, was the drive for the plot. He did most of the heavy lifting and was a positive model for many young males. He took care of business. There were women in the story - many of whom played very upstanding and competent roles while supporting the lead character at key moments. Which is precisely how it plays out in the real world in most cases. These women may meet some "ha, a girl!" cracks - and there is usually some kind of crotch-kick moment. Again - because men idealize women as mutual partners for work.
What happens when feminists take these things over is the entire plot typically becomes "men bad, woman good." It's not a show about a woman or women truly being strong and independent - it is always about an escape from a world of persecution that simply does not exist in society - unless you are talking about the Islamic areas, but rewind to the 1950s and most of them were on the same page, too.
I know you will say, why don’t they just make their own franchise. Well, because that’s not how tent pole movies work. You create the name brand and then you keep popping out movies with it. It’s just good business.
Ghost Busters with a female cast:
No reboot (which was ignored in the trailer).
In another city, a group of girls dabbling in the dark arts begin realizing that something is amiss. In their studies, they come across the Ghost Busters (since we have the Internet, now) - and begin a quest to conquer an emerging evil within their city... or perhaps a smaller town setting.
See how that works?
You haven't attempted to replace the originals and have a platform for creating a more natural arrangement of the character cast. Ghost Busters was originally about the comedy - a huckster looking to make money leading, effectively, a washed out research department on a capital venture that turned real. Attempting to recycle this plot into a cast of female characters can be done, but female P.T. Barnums are an extremely rare sight, particularly in academia. You could, perhaps, work with that prompt to construct an alternate start where a woman running a local circus happens across some paranormal researchers and some stuff happens to draw the group into a partnership - but you're still looking at a very different plot.
Likewise with Indiana Jones. As I am not all that familiar with this particular installment, I can't comment as in-depth, but it is typically a 'kiss of death' when feminists take over a project. Mass Effect Andromeda, for example.
Lora craft is not female Indi, why? Because Lora craft is not fun, campy, go lucky. With dumb scenes.
That is debatable.
Though, I would argue Laura Croft is a far more impressive example of a female lead role. Particularly when you take her with the reboot.
Again, maybe they can pull off a good female Indiana Jones. The problem seems to be, however, that these 'feminists' believe they can simply place a woman into a role and adapt their lunch-table jokes or drama into an appropriate format for the show. Again, just as female P.T. Barnum is a rare sight in the real world, so is a female Indiana Jones.
To put it more bluntly, many men can write a competent Indiana Joanna. Many men can write competent female ghost busters. Second and Third wave Feminists, including the soy boys among them, are the victims of a pattern of abuse and have a distorted picture of society and relationships. They are, therefor, incapable of writing engaging character dialogue or coherent plot narratives as they have merely opted to continue the pattern of abuse, rather than treat and overcome it.
