- Joined
- Oct 17, 2014
- Messages
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source NF translation organicdinosaur & scan darkhope
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* From the first meeting with Kishimoto, they decided for him to be the main character.
They thought about something that was lacking in Naruto, and decided that it was “romantic feelings”.
And so, they concluded that the work would be a romance movie instead of an action film.
* When they got the idea of the muffler (/scarf) , he really liked it, and thus it became a main item.
It later inspired the scene where Naruto and Hinata’s memories are projected onto the bubbles as they both walk through them.
* He goes on to say that their memories were projected as flashbacks like a revolving lantern, with lovely images for fans of Naruto.
* They immediately drew up the image- board and called it “「思い出空間」(Memory Room / Memory Space)
* They had to think about how to incorporate this scene (how to lead up to it or tie it to the storyline).
* The visuals are a complete change from what they’ve previously done, as a “brush up”.
The colour and art was modernized.
* Since the Hyuuga residence was an important scene in the beginning, they referenced it from the original work. They also did location scouting of old mansions to rebuild the setting.
* In the conversation scene between Hanabi and Hinata, the art was lovely.
They used an atypical colour for the electrical lighting.
They liked how the atmosphere was「陰翳礼賛」(Shadow Appreciation)
* In the confession scene with the blue springs and golden butterflies, it was inspired by the colours of Vincent van Gogh.
They thought about something that was lacking in Naruto, and decided that it was “romantic feelings”.
And so, they concluded that the work would be a romance movie instead of an action film.
* When they got the idea of the muffler (/scarf) , he really liked it, and thus it became a main item.
It later inspired the scene where Naruto and Hinata’s memories are projected onto the bubbles as they both walk through them.
* He goes on to say that their memories were projected as flashbacks like a revolving lantern, with lovely images for fans of Naruto.
* They immediately drew up the image- board and called it “「思い出空間」(Memory Room / Memory Space)
* They had to think about how to incorporate this scene (how to lead up to it or tie it to the storyline).
* The visuals are a complete change from what they’ve previously done, as a “brush up”.
The colour and art was modernized.
* Since the Hyuuga residence was an important scene in the beginning, they referenced it from the original work. They also did location scouting of old mansions to rebuild the setting.
* In the conversation scene between Hanabi and Hinata, the art was lovely.
They used an atypical colour for the electrical lighting.
They liked how the atmosphere was「陰翳礼賛」(Shadow Appreciation)
* In the confession scene with the blue springs and golden butterflies, it was inspired by the colours of Vincent van Gogh.
right side =>
* Back when Naruto was oblivious to love and then realized Hinata’s feelings in the dream scene, they arranged the scene to not be in chronological order, but at random.
They thought that the impression of it like being a puzzle was interesting.
* They had to think about different patterns for the assembly of the scene where the current (grown-up) Naruto is wandering in his Academy days, watching Hinata write down the name of who she wanted to be with if the world ended.
* At first, Toneri’s image was inspired by a young Johnny Depp as “Edward Scissorhands”.
Toneri's lack of romantic feelings is different from the way Naruto doesn’t experience them.
This is because Toneri was isolated on the moon, and thus doesn’t understand the feelings of another person.
* He had Kishimoto check scenarios.
Even though he was busy during serialization, he cordially advised in various ways, and really appreciated the input.
* Again, he mentions talking particularly about the muffler (/scarf).
Important dialogue was made because of it.
* Mentions being inspired to show Hinata’s face in profile.
* Pays tribute/ hommage to other works, including Alfred Hitchcock’s “Vertigo”and Nobuhiko Obayashi’s “Lonely Heart”
* Says that he would be happy if fans keep this work in a corner of their hearts, forever, as a memory.
They thought that the impression of it like being a puzzle was interesting.
* They had to think about different patterns for the assembly of the scene where the current (grown-up) Naruto is wandering in his Academy days, watching Hinata write down the name of who she wanted to be with if the world ended.
* At first, Toneri’s image was inspired by a young Johnny Depp as “Edward Scissorhands”.
Toneri's lack of romantic feelings is different from the way Naruto doesn’t experience them.
This is because Toneri was isolated on the moon, and thus doesn’t understand the feelings of another person.
* He had Kishimoto check scenarios.
Even though he was busy during serialization, he cordially advised in various ways, and really appreciated the input.
* Again, he mentions talking particularly about the muffler (/scarf).
Important dialogue was made because of it.
* Mentions being inspired to show Hinata’s face in profile.
* Pays tribute/ hommage to other works, including Alfred Hitchcock’s “Vertigo”and Nobuhiko Obayashi’s “Lonely Heart”
* Says that he would be happy if fans keep this work in a corner of their hearts, forever, as a memory.