Alternative
Active member
Awards
You must be registered for see images
Basic Information;
Name: Ryūnosuke Heisa, 閉鎖 龍之介
Nickname: Ryuu-kun
Gender: Male
Age: 21
Clan: /
Looks: Over the years, Ryūnosuke's appearance has changed quite drastically. As of growing up as a fine shinobi, he appeared short, weak and somewhat fragile, nothing like he is now. He had jet-black hair which parts to the left, unkempt like it was normal for a kid of his age, and pale skin. He was more the typical kid who didn't like wearing much; white tank top, plain coloured shorts with only a couple pockets and sneakers. Due to his weak and fragile look though, he was more prone to accidents which went away over the years as he grew older and more immune. He wears a white bandage on the right side of his chin, a place which was common for him to get hurt.
Nowadays in his older age and status within his village of Kirigakure, Ryūnosuke has become much more grown up than what he used to be. His image has changed drastically from when he was a kid, appearing with a large muscular frame from years of working out. His hair remained roughly the same length as it always has, and remained unkempt like akways, except he now has a bit of a beard growing around his face, cleanly cut most of the time. Ryūnosuke's eyes glimmer with a tinge of green, and his skin is much more tan than what it used to be when he was a kid. It should be noted that he grew much later in life; hitting his growth spurt towards when he was 18.
When on missions and working for his village, he wears a standard issue shinobi flak-jacket in a blue colour, representing his village, filled with all sorts of tools and scrolls for him to use at his disposal. Due to his larger size, he wears it open for comfort. Underneath he wears a plain t-shirt with nothing special about it other than the fact that it's navy blue, and standard issue shinobi trousers. It's never been noted that he wears a village forehead protector, but rather has the symbol of Kirigakure tattooed on his right bicep. In addition to this one, he has two more tattoos: a larger teal symbol plated on his left shoulder swearing his allegiance to the Buzzard contract, and a smaller yellow symbol tattooed on upper-right pectoral. On days off, they transpose to something similar to his childhood: an incredibly loose white collared shirt to suit his size, a dark blue undershirt, and casual shorts along with open-toe sandals.
Personality: By his appearance, Ryūnosuke does seem to be more rugged with a tough exterior, but there is nothing like that to his name. In fact, he's seen as a more cheerful, charming individual amongst other shinobi. Outside to others, people have considered him to be quite charismatic and a powerful leader, despite himself not thinking to have those qualities. People all over the place consider him to be a friendly person in general, and could even be considered someone's typical senpai. This also stems a rather overprotective nature of his friends and family, not wanting to see them get hurt ever. Though because of his difficult past life, it's not who he really is, and is considered a show for the audience to put them off from what he really feels; a wall of sorts which is erected.
This facade of Ryūnosuke defines who he really is. His rough exterior displays someone as friendly, charming, extroverted and cheerful, but deep inside he's had to suffer the trauma of not having any real family or friends to rely on. Ryūnosuke wanted to embrace his roots, as a puppeteer and took that on as his main focus, dedicating most of his life into the art. Historical figures in his life including Monzaemon Chikamatsu, Tobirama Senju and so on gave him something to do in his spare time; as well as being affluent in the art of puppetry, he held a strong passion and interest for historical figures and relics. A few of his dreams are to see the fabled Ten Puppet Army of Chikamatsu and Tobirama's Sword of Lightning, as well as other ancient artifacts. These few traits alone weren't approved by his strict father (moreso the puppetry) and was emotionally abandoned at a young age.
Because of this, Ryūnosuke lacks the human intimacy that he so craves. One of his many goals in life is to find people; comrades who will accept him for who he truly is, without the need of hiding anything. He's constantly searching for people that he can rely on and confide in without fear or remorse, for he really treasures friendships and bonds created. That could possibly be one of the reasons he uses puppets as a main weapon, because of the lack of a real family or person to rely on, he uses these dolls as a means of pseudo-interaction. He finds it hard to open up completely to people because of his past, and will generally use the mental charade of his happy-go-lucky self in order to speak with people. Spending time on his own without someone to confide in produced a bad habit of him talking to his puppets, even when he's not alone, treating them like people. He knows their usage and that they can't reply back or anything, but it's a bad habit he hasn't been able to break free of yet and doesn't really want to either. To him, they're more than just weapons, but his own form of intimacy.
As a shinobi, he would be by nature required to kill people for the sake of the mission. Ryūnosuke strongly opposes killing people, but understands that it is simply a part of the job description and will do it out of ruling by his good friend: Yoshimitsu Kiyoshi. The warrior was one of the first people in Ryūnosuke's life who really accepted him for who he is, and is indebted to him. He even fashioned a puppet out of his comrade, as a memento of sorts to remember him by. He is not a man without "moments" so to speak where rage is induced, blinding his emotions and causing a relentless outrage. Usually he's good at keeping this under wraps because he personally fears what he'll become if that ever happens that he'll blindly kill someone, which has happened before. It's incredibly difficult to attract this out of him, but seeing his friends and family physically hurt will pull the trigger. If this happens, he has slight control over himself, and will only really kill someone out of "self-defense". Of course, there are extreme cases where talking bad and really making him angry can induce the same effects, of course under the same circumstances that hurt his friends.
Nickname: Ryuu-kun
Gender: Male
Age: 21
Clan: /
Looks: Over the years, Ryūnosuke's appearance has changed quite drastically. As of growing up as a fine shinobi, he appeared short, weak and somewhat fragile, nothing like he is now. He had jet-black hair which parts to the left, unkempt like it was normal for a kid of his age, and pale skin. He was more the typical kid who didn't like wearing much; white tank top, plain coloured shorts with only a couple pockets and sneakers. Due to his weak and fragile look though, he was more prone to accidents which went away over the years as he grew older and more immune. He wears a white bandage on the right side of his chin, a place which was common for him to get hurt.
Nowadays in his older age and status within his village of Kirigakure, Ryūnosuke has become much more grown up than what he used to be. His image has changed drastically from when he was a kid, appearing with a large muscular frame from years of working out. His hair remained roughly the same length as it always has, and remained unkempt like akways, except he now has a bit of a beard growing around his face, cleanly cut most of the time. Ryūnosuke's eyes glimmer with a tinge of green, and his skin is much more tan than what it used to be when he was a kid. It should be noted that he grew much later in life; hitting his growth spurt towards when he was 18.
When on missions and working for his village, he wears a standard issue shinobi flak-jacket in a blue colour, representing his village, filled with all sorts of tools and scrolls for him to use at his disposal. Due to his larger size, he wears it open for comfort. Underneath he wears a plain t-shirt with nothing special about it other than the fact that it's navy blue, and standard issue shinobi trousers. It's never been noted that he wears a village forehead protector, but rather has the symbol of Kirigakure tattooed on his right bicep. In addition to this one, he has two more tattoos: a larger teal symbol plated on his left shoulder swearing his allegiance to the Buzzard contract, and a smaller yellow symbol tattooed on upper-right pectoral. On days off, they transpose to something similar to his childhood: an incredibly loose white collared shirt to suit his size, a dark blue undershirt, and casual shorts along with open-toe sandals.
Personality: By his appearance, Ryūnosuke does seem to be more rugged with a tough exterior, but there is nothing like that to his name. In fact, he's seen as a more cheerful, charming individual amongst other shinobi. Outside to others, people have considered him to be quite charismatic and a powerful leader, despite himself not thinking to have those qualities. People all over the place consider him to be a friendly person in general, and could even be considered someone's typical senpai. This also stems a rather overprotective nature of his friends and family, not wanting to see them get hurt ever. Though because of his difficult past life, it's not who he really is, and is considered a show for the audience to put them off from what he really feels; a wall of sorts which is erected.
This facade of Ryūnosuke defines who he really is. His rough exterior displays someone as friendly, charming, extroverted and cheerful, but deep inside he's had to suffer the trauma of not having any real family or friends to rely on. Ryūnosuke wanted to embrace his roots, as a puppeteer and took that on as his main focus, dedicating most of his life into the art. Historical figures in his life including Monzaemon Chikamatsu, Tobirama Senju and so on gave him something to do in his spare time; as well as being affluent in the art of puppetry, he held a strong passion and interest for historical figures and relics. A few of his dreams are to see the fabled Ten Puppet Army of Chikamatsu and Tobirama's Sword of Lightning, as well as other ancient artifacts. These few traits alone weren't approved by his strict father (moreso the puppetry) and was emotionally abandoned at a young age.
Because of this, Ryūnosuke lacks the human intimacy that he so craves. One of his many goals in life is to find people; comrades who will accept him for who he truly is, without the need of hiding anything. He's constantly searching for people that he can rely on and confide in without fear or remorse, for he really treasures friendships and bonds created. That could possibly be one of the reasons he uses puppets as a main weapon, because of the lack of a real family or person to rely on, he uses these dolls as a means of pseudo-interaction. He finds it hard to open up completely to people because of his past, and will generally use the mental charade of his happy-go-lucky self in order to speak with people. Spending time on his own without someone to confide in produced a bad habit of him talking to his puppets, even when he's not alone, treating them like people. He knows their usage and that they can't reply back or anything, but it's a bad habit he hasn't been able to break free of yet and doesn't really want to either. To him, they're more than just weapons, but his own form of intimacy.
As a shinobi, he would be by nature required to kill people for the sake of the mission. Ryūnosuke strongly opposes killing people, but understands that it is simply a part of the job description and will do it out of ruling by his good friend: Yoshimitsu Kiyoshi. The warrior was one of the first people in Ryūnosuke's life who really accepted him for who he is, and is indebted to him. He even fashioned a puppet out of his comrade, as a memento of sorts to remember him by. He is not a man without "moments" so to speak where rage is induced, blinding his emotions and causing a relentless outrage. Usually he's good at keeping this under wraps because he personally fears what he'll become if that ever happens that he'll blindly kill someone, which has happened before. It's incredibly difficult to attract this out of him, but seeing his friends and family physically hurt will pull the trigger. If this happens, he has slight control over himself, and will only really kill someone out of "self-defense". Of course, there are extreme cases where talking bad and really making him angry can induce the same effects, of course under the same circumstances that hurt his friends.
You must be registered for see images
Village Info;
Village of Birth: Sunagakure | Land of Wind
Village of Alliance: Kirigakure | Land of Water
Village of Alliance: Kirigakure | Land of Water
Rank/Chakra Info;
Ninja Rank: Sannin
Specialties: Water Release, Puppetry
Elements:
雷 Lightning Release | Mastered
風 Wind Release | Mastered
水 Water Release | Mastered
火 Fire Release | A-Rank
土 Earth Release | S-Rank
雨 Rain Release | Needs training
Your Ninjutsu:
忍 Ninjutsu | E-Rank (Rasengan)
幻 Genjutsu | Mastered
体 Taijutsu | C-Rank
剣 Kenjutsu | B-Rank
傀儡 Puppetry | Mastered
召喚 Summoning | Buzzards
Specialties: Water Release, Puppetry
The first main affinity Ryūnosuke was gifted with aside from his natural love for his puppert art was Water Release. Although not exactly the natural element of his birth country, it was strangely acute how he was drawn and attracted to it, and thus it became his major element. He's always had a knack for winter, and preferred staying in his current village just because of the colder temperatures which he enjoyed more than blistering winds. Some say this might have helped his affinity grow or maybe not, it was unknown as to why this was his affinity, especially considering his older brothers had stronger tastes in Wind (Daichi) and Fire (Suguru). As a result of his hard work and training, Ryuunosuke's capable of performing the primary hand seal only for Water techniques.
Studying from a young age about puppets, the origins of Monzaemon Chikamatsu, he developed a natural curiousity for historical figures. As such, in his older age he's a very skilled puppeteer, even if he is modest about it.
Studying from a young age about puppets, the origins of Monzaemon Chikamatsu, he developed a natural curiousity for historical figures. As such, in his older age he's a very skilled puppeteer, even if he is modest about it.
Elements:
雷 Lightning Release | Mastered
風 Wind Release | Mastered
水 Water Release | Mastered
火 Fire Release | A-Rank
土 Earth Release | S-Rank
雨 Rain Release | Needs training
Your Ninjutsu:
忍 Ninjutsu | E-Rank (Rasengan)
幻 Genjutsu | Mastered
体 Taijutsu | C-Rank
剣 Kenjutsu | B-Rank
傀儡 Puppetry | Mastered
召喚 Summoning | Buzzards
Background Information;
Even at a young age, Ryūnosuke was an outcast in his family. He was the youngest of three brothers in his small family, the Heisa family. It was customary for members of the family to be in a physically fit condition, either athletic or muscular (depending on the person). However, Ryūnosuke wasn't like this at all, and didn't value this at all. From a young age, he was enthrawled in masses of historical people. Though because of this behaviour, his father made the executive decision to neglect him more than his older brothers, while he focused moreso on puppetry.
A few years had passed, and Ryūnosuke had come of age to leave home from the neglect of his family; he wasn't so much welcomed there anymore. He moved to a small rainy village known as Amegakure, for a short while. It was here which he focused moreso on mastering his art of puppetry before going home.
While he didn't go straight back home, he instead went to the land of the mist and made that his permanent living space. His time in the rain village had let for him to adjust to the colder atmosphere which Sunagakure didn't have, except for nights, so Kirigakure felt more comfortable for him. Though he was starting to feel insecure about himself; he wanted to go home and see the rest of his family. But they wouldn't accept him as the puppeteer he was, and so he decided to train, and grow physically stronger. Athleticism was out of the question for him, so he focused moreso on the alternate pathway of building muscle for strength, which he did solidly for a few years.
Those years went by fast, and Ryūnosuke had traveled back home, as a new adult man. His newer stature which his family wasn't so used to was a shock, and he was accepted into the home again. Though he didn't feel like it was his place there, as he was destined to be the next head of the family, and not fully believing in their philosophy, decided to let his oldest brother do that instead, who firmly wanted to look after the family. After his acceptance back into his family, he got a tattoo on his chest and went back to Kirigakure.
A few years had passed, and Ryūnosuke had come of age to leave home from the neglect of his family; he wasn't so much welcomed there anymore. He moved to a small rainy village known as Amegakure, for a short while. It was here which he focused moreso on mastering his art of puppetry before going home.
While he didn't go straight back home, he instead went to the land of the mist and made that his permanent living space. His time in the rain village had let for him to adjust to the colder atmosphere which Sunagakure didn't have, except for nights, so Kirigakure felt more comfortable for him. Though he was starting to feel insecure about himself; he wanted to go home and see the rest of his family. But they wouldn't accept him as the puppeteer he was, and so he decided to train, and grow physically stronger. Athleticism was out of the question for him, so he focused moreso on the alternate pathway of building muscle for strength, which he did solidly for a few years.
Those years went by fast, and Ryūnosuke had traveled back home, as a new adult man. His newer stature which his family wasn't so used to was a shock, and he was accepted into the home again. Though he didn't feel like it was his place there, as he was destined to be the next head of the family, and not fully believing in their philosophy, decided to let his oldest brother do that instead, who firmly wanted to look after the family. After his acceptance back into his family, he got a tattoo on his chest and went back to Kirigakure.
You must be registered for see images
Other;
Notable techniques:
Pictures: /
Theme Song and Background Music:
Battles
Won: /
Lost: /
(Kugutsu No Jutsu) - Puppetry Technique
Rank: D
Type: Attack/Defense/Supplementary
Range: Short-Mid
Chakra Cost: 10(-4 each turn its used after wards)
Damage Points: N/A
Description: The user makes threads of chakra that are used to control puppets.
(Karasu) Crow
Rank: C
Type: Supplementary
Range: N/A
Chakra Cost: 15
Damage Points: N/A
Description: Crow is the very first puppet we see in the series. It was created by Sasori, but is later used by Kankurou. Crow is a three eyed, four armed humanoid. Crow is one of the more basic puppets, but he is able to detach any of its body parts for deadly attacks, almost every joint having a blade at the end, allowing Crow to shoot his arms towards the opponent, and then have them return back to it. Even his head has a blade that can be extended out from the bottom of its neck when detached. This ability made it and Black Ant a very deadly combination. It also has the ability, like most puppets do, to release poison-tipped darts and smokescreens, which sometimes have poisonous gas mixed with them.
Note: Can only be used by a Suna puppet user
(Kuroari) Black Ant
Rank: C
Type: Supplementary
Range: N/A
Chakra Cost: 15
Damage Points: N/A
Description: Black Ant, created by Sasori, is a puppet that is often used in conjunction with Crow and, later on, Salamander. It has a bucket-shaped face with two red horns and a total of six arms. It, like Crow, has three eyes. Its body resembles a very large barrel, and it is hollow on the inside, making its main use to be that of trapping, while weapons enter the many slots on its body. At any time, Black Ant can literally open its stomach, and trap an opponent, able to extend the two halves of its stomach so that it stretches out and over the opponent from a very fair distance (approximately mid range) and then retracts the stomach back to its original form, closing it with the opponent inside. Its arm segments contain hidden saw-blades. Like Crow, Black Ant can detach its arms for attacks.
Note: Can only be used by a Suna puppet user
(Sanshōuo) Salamander
Rank: C
Type: Supplementary
Range: N/A
Chakra Cost: 15
Damage Points: N/A
Description: Salamander is a defensive puppet, though not on the level of defense as that of Hiruko. Salamander, as its name suggests, is built in the form of a large salamander, being one of the largest puppets seen thus far, and though it is not more powerful defensively than Hiruko, it is larger than the other puppet. Salamander is able to rise up a large area on its back to be used as a shield, making a black shield over its head. It, like some other puppets, is hollow, and it can open its back at any time and then rise up its large tail over its head, stretching it out and therefore allowing the puppet user to jump inside of it for protection. Salamander can also spew out fire equal to C rank. Salamander can only be destroyed by one who knows its weak spots, being a weak joint on its side that holds the shield in place and afterwards simply striking it on its back, or by a move of A rank or higher.
Note: Can only be used by a Suna puppet user
(Suiton: Ja No Kuchi) - Water Release: Water Snakes Mouth
Rank: B
Type: Offensive
Range: Short-Long
Chakra cost: 20
Damage Points: N/A
Description: After performing the required hand seals Monkey → Rat → Tiger → Dragon → Horse → Dragon it then allows the user to generate a spinning column of water which will take the form of a snake with a gaping jaw. This snake can twist and follow its targets and swallow them. After it has swallowed them, it turns into a river that carries the enemy away.
(Suiton: Bakusui Shōha) - Water Release: Exploding Water Colliding Wave
Rank: B
Type: Offensive, Supplementary
Range: Short - Long
Chakra cost: 20
Damage points: 40
Description: The user performs the snake hand seal and creates a large volume of water from their mouth spilling it toward the ground and lifting them up into the air. The user can also ride the wave, allowing him to travel at high speeds and attacking the enemy. The user can create a small ocean worth of water even in barren conditions and can use the water for additional techniques.
(Suiton: Suiryū Kōbaku ) - Water Release: Water Dragon Biting Explosion
Rank: A
Type: Offensive
Range: Short - Long
Chakra cost: 30
Damage points: 60
Description: The user creates a large pool of water that gushes upwards lifting the opponent into the air, after firing the enemy into the air, the user shoots numerous water bullets at them from the pool of water and then finishes by forming the water bullets into a water dragon which attacks the target, sending them crashing into the ground.
Rank: D
Type: Attack/Defense/Supplementary
Range: Short-Mid
Chakra Cost: 10(-4 each turn its used after wards)
Damage Points: N/A
Description: The user makes threads of chakra that are used to control puppets.
(Karasu) Crow
Rank: C
Type: Supplementary
Range: N/A
Chakra Cost: 15
Damage Points: N/A
Description: Crow is the very first puppet we see in the series. It was created by Sasori, but is later used by Kankurou. Crow is a three eyed, four armed humanoid. Crow is one of the more basic puppets, but he is able to detach any of its body parts for deadly attacks, almost every joint having a blade at the end, allowing Crow to shoot his arms towards the opponent, and then have them return back to it. Even his head has a blade that can be extended out from the bottom of its neck when detached. This ability made it and Black Ant a very deadly combination. It also has the ability, like most puppets do, to release poison-tipped darts and smokescreens, which sometimes have poisonous gas mixed with them.
Note: Can only be used by a Suna puppet user
(Kuroari) Black Ant
Rank: C
Type: Supplementary
Range: N/A
Chakra Cost: 15
Damage Points: N/A
Description: Black Ant, created by Sasori, is a puppet that is often used in conjunction with Crow and, later on, Salamander. It has a bucket-shaped face with two red horns and a total of six arms. It, like Crow, has three eyes. Its body resembles a very large barrel, and it is hollow on the inside, making its main use to be that of trapping, while weapons enter the many slots on its body. At any time, Black Ant can literally open its stomach, and trap an opponent, able to extend the two halves of its stomach so that it stretches out and over the opponent from a very fair distance (approximately mid range) and then retracts the stomach back to its original form, closing it with the opponent inside. Its arm segments contain hidden saw-blades. Like Crow, Black Ant can detach its arms for attacks.
Note: Can only be used by a Suna puppet user
(Sanshōuo) Salamander
Rank: C
Type: Supplementary
Range: N/A
Chakra Cost: 15
Damage Points: N/A
Description: Salamander is a defensive puppet, though not on the level of defense as that of Hiruko. Salamander, as its name suggests, is built in the form of a large salamander, being one of the largest puppets seen thus far, and though it is not more powerful defensively than Hiruko, it is larger than the other puppet. Salamander is able to rise up a large area on its back to be used as a shield, making a black shield over its head. It, like some other puppets, is hollow, and it can open its back at any time and then rise up its large tail over its head, stretching it out and therefore allowing the puppet user to jump inside of it for protection. Salamander can also spew out fire equal to C rank. Salamander can only be destroyed by one who knows its weak spots, being a weak joint on its side that holds the shield in place and afterwards simply striking it on its back, or by a move of A rank or higher.
Note: Can only be used by a Suna puppet user
(Suiton: Ja No Kuchi) - Water Release: Water Snakes Mouth
Rank: B
Type: Offensive
Range: Short-Long
Chakra cost: 20
Damage Points: N/A
Description: After performing the required hand seals Monkey → Rat → Tiger → Dragon → Horse → Dragon it then allows the user to generate a spinning column of water which will take the form of a snake with a gaping jaw. This snake can twist and follow its targets and swallow them. After it has swallowed them, it turns into a river that carries the enemy away.
(Suiton: Bakusui Shōha) - Water Release: Exploding Water Colliding Wave
Rank: B
Type: Offensive, Supplementary
Range: Short - Long
Chakra cost: 20
Damage points: 40
Description: The user performs the snake hand seal and creates a large volume of water from their mouth spilling it toward the ground and lifting them up into the air. The user can also ride the wave, allowing him to travel at high speeds and attacking the enemy. The user can create a small ocean worth of water even in barren conditions and can use the water for additional techniques.
(Suiton: Suiryū Kōbaku ) - Water Release: Water Dragon Biting Explosion
Rank: A
Type: Offensive
Range: Short - Long
Chakra cost: 30
Damage points: 60
Description: The user creates a large pool of water that gushes upwards lifting the opponent into the air, after firing the enemy into the air, the user shoots numerous water bullets at them from the pool of water and then finishes by forming the water bullets into a water dragon which attacks the target, sending them crashing into the ground.
Pictures: /
Theme Song and Background Music:
Battles
Won: /
Lost: /
-------------------------------------------------
Updating this bio:
Passed Rain Test:
Updating this bio:
You must be registered for see links
Passed Rain Test:
You must be registered for see links
~Approved~
Last edited by a moderator:
