[Gen] Pekoms

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Pekoms

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Thanks for the training, Adachi-sensei!

*Stops walking and proceeds to take a seat on a nearby boulder*

Urasan: Well... this seems like the right place, yes brother?
Saki: You fool... do you really have that much trouble reading a map?
Urasan: Well... you're the one hitchhiking from within my body, the least you could do is guide me.
Saki: *Draws his hand from Urasan's right shoulder and proceeds to slap his brother*
Urasan: What the hell was that for?
Saki: I'm not just any hitchhiker, I'm your older brother. Respect your elders...
Urasan: Wow, ten seconds difference and yet your ego is sooo inflated...
Saki: Your damn right... Anyways... What do you recall about the fellow we came all this way to meet?
Urasan: Hmm? His name is Adachi, if I recall, he's quite reputed. He's both capable and strong.
Saki: Well, I'd hope so... we did travel three days with minimum rest from Kirigakure to get here.
Urasan: Oi oi, don't talk like that. We need training in genjutsu and he's been so kind as to oblige us.
Saki: Fair enough, with his tutelage... soon we'll be able to protect both ourselves and the village.

*Both brothers continue with their ramblings whilst patiently awaiting their new sensei*


 
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Adachi

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Re: Genjutsu with Adachi

As I did not belong in any village, I often received quest from outsiders for request of my knowledge, which I seemed to be known for at this point. As of the letter I had gotten this time, it came from a curious individual - or, rather, two shinobis in one. Perhaps an ancestor of Sakon and Ukon from Orochimaru's odd village, but I did not know.

I caught sight of them arguing on a bolder in a distance, and waited for them to notice my presence before extending a hand and introducing myself. "I'm Adachi," I emphasized brightly. "I presume you wanted me to teach you Genjutsu?"
 

Pekoms

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Re: Genjutsu with Adachi


Just a question, does one need to acquire toads to eventually specialize in genjutsu?

Urasan: Yes, Adachi-sensei. We have traveled far and wide in search of someone who can teach us genjutsu.
Saki: Not more than a few weeks ago, it came to our attention that you could teach us in the arts of illusions.

*Both brothers get on their knees and proceed to bow before Adachi-sensei*

Both: Please teach us everything you know about genjutsu!​
 

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Re: Genjutsu with Adachi

Well, it depends on what you mean by "specialize".
---
The response was rather unexpected, and I stood there rather stumped for a moment. Then I chuckled lightly, still taken aback by the eagerness of the twins.

"Of course, of course," I intoned. "I will teach you all I know, but keep in mind that Genjutsu is as powerful as the user makes it." I frowned for a moment, pondering on my words, then nodded to myself. "And that is precisely the topic we will start on. Two questions, if I may."

Drawing out a scroll from my back pocket, I inserted chakra into it, causing a whiteboard to appear, complete with a black marker on the bottom. Then taking the marker into my hand, I drew a human brain, labeling the five human senses around it. "How exactly does Genjutsu work?" I asked. "Also, why is creativity so important in this art?"
 

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Re: Genjutsu with Adachi


Specialize, like people do for taijutsu and the elements in their bios.

*Urasan, glancing at the whiteboard for a moment, turns to Adachi and points at it*

Urasan: Genjutsu is no different from this whiteboard; it's an open slate that's filled in with one's creativity.
Urasan: What's also important is that it is as realistic as possible, in order to keep the enemy at the user's mercy.

*Tapping the diagram drawn by Adachi-sensei*

Urasan: It is created when one disrupts the chakra flow of their enemy's cerebral nervous system, affecting their senses.
Saki: Thus, all five senses; hearing, olfaction, taste, touch, and vision, can be manipulated at the user's whim.
Saki: Well, I hope that answers your two questions, sensei.​
 
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Re: Genjutsu with Adachi

I don't believe so...no extra benefits or anything.
---
Listening to the twin's responses for a moment, I slowly tapped my foot, then nodded in response. "Everything you said was precisely correct. Since Genjutsu is not reality, there will always be some flaws within it - it is then that we need to find a way to mask these flaws and trick our opponent. However, what is important about the creativity is the fact that it allows you to do anything you wish."
I picked up the whiteboard eraser, wiping off the drawings. "I can draw anything. A dog, a cat, a dying man. Anything. And what is scary here, are the possibilities in itself."
Placing it back down, I turned back to the twin. "Genjutsu also does indeed disrupt the natural flow of our chakra. It enters the area of our brain, the prosencephalon structure of our brain, which controls all our senses. You MUST remember to manipulate all five senses any time you start a genjutsu..." My words trailed off as I gazed at them quizzically. "So, now that we know how Genjutsu works, in what ways might one counter them?"
 

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Re: Genjutsu with Adachi


Okay, how about mastering genjutsu? Is that lone S-rank genjutsu required for one to have mastered it?


Urasan: Well, from what information we have become aware of... Hmph, I believe there are three standard methods.

*After speaking, Urasan proceeds to draw his right hand towards his mouth before biting down on his index finger*

Urasan: You can see the blood, yes? Though nothing more than a superficial wound, the pain is what's important.
Urasan: When wounded, your body experiences a brief period of shock; when that occurs, your chakra flow is disrupted.

*Urasan suddenly finds his voice cut off by Saki's left hand covering his mouth*

Saki: Only with your help or another sensei's can we hope to be able to use the second common method of countering.
Saki: This method is done by forcefully creating a surge of chakra in your body by spiking your spiritual energy.
Saki: Two common techniques that do so are Genjutsu: Kai and Raiton: Chidori Nagashi.

*Urasan proceeds to knock Saki's hand aside and then slaps his brother's head with some force.*

Urasan: Thanks for interrupting... The final method requires the introduction of foreign chakra (SM) or energies (CM).
Urasan: Through your own power or an ally's aid, your chakra flow becomes altered/unbalanced and thus releases it.

Saki: All of these methods produce a reset-like effect on your chakra flow, making it return to normal.​
 
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Re: Genjutsu with Adachi

I nodded, running through my mind everything the twins had said. "You typically covered everything I was looking for," I responded, satisfied. "With that put aside, we shall start simple. As we said earlier, Genjutsus tend to control all five senses - that is exactly what I want you to do now."

With a single hand, I tapped the back of my head, where the main core of my nervous system lay. "Utilize your chakra to target my chakra system. Focus on taking over all five of my senses, being sure to state how you manipulate them such so that I am led to believe I am in a completely different place."
 

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Re: Genjutsu with Adachi

Urasan: o_O, I can't wait to give it a try... I think I have something nice for you to experience... xD

*After his statement, Urasan begins to knead his chakra whilst taking time to think of just what exactly he wants his lovely sensei to perceive upon being caught in a simple illusion. After a brief moment, which culminates in him establishing his goal, he then releases his accumulated chakra and directs it towards Adachi. As the chakra enters Adachi's body, it travels through sensei's chakra network and disrupts the flow of chakra found in the cerebral nervous system. From that moment on, as far as Adachi is concerned... The ground below where sensei stands has become rather muddy, and more so as it suddenly begins to rain extremely heavily (greatly reducing sight). As if things weren't already bad, Adachi begins to hear the sound of someone slowly treading through the mud behind his current location... which turns out to be Madara (LoK), as Adachi can now also hear the nagging voice of the Uchiha ancestor who is repetitiously questioning why Adachi doesn't love him. As Madara gets closer - enough so that a confused Adachi can make out his outline - the whining man reaches for a small bag and flings its contents directly at Adachi. To Adachi's annoyance, it turns out to be a great deal of human "waste" that strikes him directly in the face, overloading Adachi's olfactory senses with the atrocious smell of feces.*​
 
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Re: Genjutsu with Adachi

"Oh, God!" I winced, raising a hand to my face to avoid the stinking and smelly mixture of glob that had seemed to glue itself upon it. "What is this- (pls no Pekoms!)" It was only after a brief moment that I realized it was the Genjutsu I had commanded the twins to attempt on me. And no doubtedly, their idea of "creative" was quite twisted...

I sighed, forming the Kai sign, rapidly dispelling the Genjutsu. Frankly, dealing with a lovestruck Chris was the last thing I wanted...

Choking on my words, I shook my head as the smell of disgusting feces somehow still lingered within the air. "Alright...that was...decent for a first try..." Coughing, I sat myself down on a nearby tree trunk. "However, let us take into account elements and their potential impact on the situation. Certain elements counter other elements, as you know. Now, how might you create a situation with Genjutsu that can force your opponent to counter a certain element, but instead, the Genjutsu is 'masking' the counter of that counter?"
 

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Re: Genjutsu with Adachi

Elements? Are you suggesting that feces aren't good enough? I can understand if you don't think Chris will do much.. Scratching his head, Ithnan takes a moment to consider his sensei's words, and what he knows of various genjutsu techniques he'd read about. Might you be referring to such things as Demonic Illusion: False Surroundings and Demonic Illusion: Double False Surroundings Technique? In regards to the former technique, I could have trees seem to sprout from beneath the opponent, which would in their mind block their line of sight to me and restrict their movements. They might feel the urge to use kenjutsu or a fire technique in an attempt to escape it, which would be a good time for me to use a strong, concussive water technique. Ithnan takes a brief pause to rub the back of his neck and contemplate the rest of his elaboration. The more advanced variation of the same technique, I might have the first layer make a very dense, crimson fog. Once the opponent realizes they're under an illusion and releases the initial layer, the secondary one would be a large fireball about to strike them. Should they utilize a water technique, the most obvious counter, I'd have actually used a strong earth technique to overpower it and strike the opponent in their confusion. A counter to a counter, indeed.​
 
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Re: Genjutsu with Adachi

I nodded, imagining the events told occurring with my head. "You are precisely correct," I responded, accompanied with a brief nod. "A counter to a counter would be the appropriate nickname for this underused jutsu. I presume, you shall use it well, no?"
With those words,I reached towards the pouch strapped next to me, taking out a scroll. It was then rapidly unfurled to show a brief chart of all 44 handseals.
"I am quite sure you know of these handseals," I commented. "Now, what do you know of their importance and how they contribute to the pace of a battle?"
( Magen: Kokoni Arazu no Jutsu ) - Demonic Illusion: False Surroundings Technique
Rank: D
Type: Supplementary
Range: Short-Mid
Chakra Cost: 10 (+5 if you use it double)
Damage Points: N/A
Description: The user casts an illusion over an area that allows him to manipulate the way an area looks to fool an opponent. He can only change the way the terrain looks, and not any other feature.
 

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Re: Genjutsu with Adachi

Hand-seals are gestures highly ingrained in the ninja way, as they are commonly utilized in many different fields of ninjutsu, including kekkei genkai and hidden arts, as well as genjutsu. There are twelve basic hand-seals that are all widely used, and they aid in distributing the precise amount of chakra needed for a technique and may even help in shaping it, as most techniques require different hand-seals and orders. In regards to what you are inquiring about, it is fairly evident that some techniques require more hand-seals than others. The significance, in say two colliding elemental blasts, is that one may require a single hand-seal and the other one, five hand-seals, which impacts how long it takes to make either an offensive or defensive response. One can easily expect the technique that requires just one hand-seal to be activated far more quickly than the other technique, this why a great deal of emphasis is placed on affinities; everyone wants to be able to use an element or genjutsu on the spur of the moment, whether to make a fast offense or defense. In battle, hand-seals can affect what someone might do under pressure or when they some time, so they are integral to the pace of battle.​
 

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Re: Genjutsu with Adachi

"An excellent response..." I responded, after a long pause of processing the information. "It seems you would make a great lecturer...(even better than my mom, and that's saying something, joking, joking)"
Stepping several feet away from the twins, I gesture at the distance placed between us. "We are now at mid range," I informed Urasan and Saki. "Anything past mid range, at this very point, would not be able to affect your opponent, most Genjutsus can not reach that far. Now, I want to form five handseals for concentration (does not state which ones in the description, so choose what you like) and direct your chakra into me to trick me into thinking you have dissolved into many cherry blossom petals that then fly over to me, blocking my vision. For what purpose might this hold?"
 

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Re: Genjutsu with Adachi

The twins are no more, now I am but a humble puppeteer by the name of Ithnan. ;p

"Well, this is probably one way for me to live out my desire for an invisible cloak", said Ithnan, after a brief daydream. "It's useful for two reasons in particular, (1) it conceals your presence from the opponent(s) and (2) it serves to limit their visual capacity in general. One never wants to be locked onto by an angry ninja, ever. Perhaps, I should confirm my points for you, with a nice demonstration now." Making one random hand-seal after another, until a sequence of five had been performed, Ithnan directs his chakra towards his idle sensei, with the intent to manipulate Adachi's nervous system. Though it takes very little time for the chakra to reach Adachi, even at mid-range, Ithnan's primary concern is correctly manipulating Adachi to see exactly what he desires, nothing more or less. With a great deal of focus, Ithnan has his chakra impact Adachi's visual input and makes it seem as though he has spontaneously dissolved into cherry blossom petals that are rapidly approaching, blocking his sensei's sight as all the petals come to perpetually swirl all around him person.​
 
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Re: Genjutsu with Adachi

Even as the twins spoke, I saw them dissolving into petals of cherry blossom petals that rapidly flew towards me - instinctively, I closed my eyes as I felt them brush across my eyelids, floating delicately in the space around my head. "Good, good," I responded as I listened to Ithnan's response to my questions. "You are precisely correct. Covered everything I was looking for, in fact. It is with the eyes that we gather the most information, so disabling that is definitely a huge bonus in any fight."

Reaching into my pocket, I drew out a curious folded paper, a single Kanji character scrawled across it, namely "爆". "This is an explosive tag," I told the twins. "There are many ways that this could work. Could you tell me how to detonate this from a distance and also some manner of tactics that one might utilize with this helpful ninja tool?"

( Genjutsu: Kahen Tonsou ) - Illusion Technique: Flower Petal Escape
Rank: D
Type: Supplementary
Range: Short-Mid
Chakra Cost: 10
Damage Points: N/A
Description: The user makes five handseals, appearing to dissolve into a shower of cherry blossom petals. These petals surround the opponent, blocking his vision. This allows the user to mask his movement effectively.
 

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Re: Genjutsu with Adachi

"A simple way of utilizing the explosive tag from afar would be to place the opponent under an illusion, before crumpling the tag into a small ball and flinging it towards the unsuspecting opponent," said Ithnan as he took a brief moment to mull over the possibilities. "Perhaps.. a distraction of some sort, such as the image of me gradually approaching the opponent would suffice, as they would be fairly wary, but only in regards to the approaching, intangible mass of chakra that resembles me. The explosive tag, itself, is quite straightforward in its application, as all one needs to do is place it in the desired location and make a simple hand-seal to detonate it. More oft than not, it is tied to a kunai or planted as a barrier."​
 

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Re: Genjutsu with Adachi

"A distraction, yet, it still does a good D-Rank Fire damage," I confirmed. "Very well said. As such, it can be placed in many places, even when interacting in close range combat with your enemy, you can potentially sneak one onto your opponent." From the seals held within my hand, I handed them to the twins.

"The next step is simple," I continued. "Attach the paper bomb to something solid, such as a kunai or fold it up for mass. Then, proceed to affect my clone with a Genjutsu - 'mask' the paper bomb such that it appears to be a clone advancing towards him whilst timing the thrown paper bomb with the illusion itself. Right as the 'clone' reaches my clone, detonate it with the Snake handseal."
 

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Re: Genjutsu with Adachi

You must be registered for see images


*ahem* Now pick from the following list of people, which one you'd like to train you

Shin Yamanaka
Ayane
Hanya Oniwaban
Ieyasu Uchiha
Nekana of Kiri
Ryu Hayabusa
 
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