You must be registered for see images
☪ Open Battle (Kenjutsu/Taijutsu only)
☪ Rei's R&R
☪ Official
☪ Customs allowed
☪ Terrain: On a misty lake, the waters below us stirring rampantly with strong winds and rain. After eight (8) posts into the battle, the mist thickens and visibility becomes extremely low, the water stills itself and the strong winds and rain cease.
☪ Rei's R&R
☪ Official
☪ Customs allowed
☪ Terrain: On a misty lake, the waters below us stirring rampantly with strong winds and rain. After eight (8) posts into the battle, the mist thickens and visibility becomes extremely low, the water stills itself and the strong winds and rain cease.
Note: Indented portions indicate a shift to first person point of view. I haven't roleplayed with this biography in about a year, so this will be a RP heavy battle. Don't expect replies to be quick.
"Do not tempt me, boy!" Howled the furious farmer to the man with his cane raised ready to strike him - A man who could not have been any more than nineteen years young mind you. The old one carried a booming and harsh voice, yet it was his appearance that truly spoke volumes. He had fallen prey to anger - Such a useless emotion, as evidenced by the trembling of his closed fists and the intensity of his breath. A single cold bead of sweat ran swiftly down the side of his face, as the scowl he had managed to hold soon gave way to one final, drawn out sigh, revealing a much more forgiving countenance than the one he had adopted only moments ago. The old one lowers his cane and places one hand on the young man's shoulder softly, almost whispering at first: "The storm's nearly here, and the last thing I need is for some kid talking back, acting as if he knows more about protecting these crops than me!" *Smack* He swipes the young man in the face with his cane unimaginably fast, as they both begin to move away from the vast field into their unimpressively dull but warm home.
At a short distance away in hiding, the
You must be registered for see links
listens into their quarrel with an emotionless bearing. Yes, he had come for the old one; Despite his relative harmlessness (Bar his cane combined with the excessive passion for growing food of course), the old man had fled the Koga Region after attempting to steal the life of the Daimyo. Genji Ryu, the clan head of the Yakuza shortly after tasked Ulquiorra with bringing the old man back - Alive, preferably, so that he may be publicly executed. And yet in spite of carrying the weight of a mission on his shoulders, the Espada couldn't help but ponder as to why the old one restrained himself from hurting the young man more severely. In truth, the old man was a murderer whose' reputation for a short temper preceded him, so why? Why spare the life of this trash, this boy who had inadvertently felled the old man's precious crops and insulted him? No. This was enough. Ulquiorra no longer wished to wrestle with these pointless thoughts. And so, as the dark clouds began to loom over the muddied, somber area, producing the first pitters and patters of water, Ulquiorra casually zipped up his coat and confronted the old one, appearing before the two individuals seemingly in an instant. Ulquiorra, mere feet away from the two, addresses him as the rain begins to pick up, yet, regardless of the fact that he had previously decided to keep these... festering thoughts to himself, asks a question that appeared to have crawled directly out of his subconscious and into the world of spoken word; "...Why have you spared that man's life?" He points toward the young man, holding this position as he awaits for a response. "What the **** are you going on about? Get out of our way." The old man replies, prompting Ulquiorra to swiftly grab the young man, unsheathe one of his wakizashi and point it toward the neck of his now petrified hostage. "I will not ask you again." He presses the short-sword into the boy's neck slightly, drawing blood as the boy shrieks in pain. "OKAY OKAY OKAY, calm down! I don't know what you're talking about, I-I-I-I'm sorry just please let my son go!" You could practically feel the compassion and concern from the old man's voice... and this utterly confused Ulquiorra. "...You are Iwahara Togai, a man wanted in the Koga Region on multiple counts of murder and attempted murder on the life of our current Daimyo. When this man crossed you, you fixated on him with killing intent... but then stopped. Why? "...I... H-he's my son, I would never do such a thing to my own kin! L-look just let him go, have a heart will y-..."For a brief moment, only the sound of rainfall crashing onto the cold, mucked earth can be heard. But if one could peer in and listen ever so closely enough, they would hear the faint, faint exhaling of a man's final conscious breath.
The old one falls on the frigid, sopping ground - motionless. The Espada had without warning struck him in the back of the neck with but the flick of his left wrist.
"A heart?" Says Ulquiorra, "A heart is nothing but a faint and delicate ember waiting to be snuffed out by the powerful winds that possess this world - that are in charge of this world. Your eyes are blinded by the illusions of this "heart" - But my eyes see everything. Nothing can escape it. What it doesn't see doesn't exist. That’s how I've always fought. That's how I've always lived. What is a heart? If I rip open your chest, will I find it there?" He presses into the old man's flesh with his bare fingers. "If I crack open your skull, will I find it there?" Grabbing the unconscious man by the head and lifting him up as he says this, Ulquiorra takes one more look at him almost as if awaiting for a response before throwing the body over his shoulder. Now, these kinds of things would seldom happen to Ulquiorra, but it appeared that he had been so absorbed in his conversation with the unconscious man that he had failed to take note of the young one screaming his lungs out directly in front of him.
"FATHER! What do you want with him?! I-I'll kill you!" The boy charges toward Ulquiorra tiredly, terrified, and trembling, causing the Espada to unsheathe one of his short-sword once more and point it toward the one who had now stopped and stood right before him: "Are you afraid? There's no one here to protect you. If you choose to come toward me once more, it's over. You will die. Alone here, where no one can touch you." The young man simply quivered and stared at him in response, as the rain continued to pour down and the winds abruptly picked up in speed. Ulquiorra sheathed his sword and disappeared from the area as a flash of lightning and crash of thunder rolled over the land.
All that was left for Ulquiorra to complete his mission was to return to the Land of Iron with the man he had been lugging over his shoulder. And regardless of the fearsome winds and heavy rain, he had determined that the quickest path to reach his destination was a shortcut across a vast lake located within the isle of Eko Shima. As the Espada travels across the restless waters which proved to be quite difficult, he spots a figure at a distance, though he could not make sense of what they looked like in detail due to the natural mist obscuring his vision from a distance.
He knew the figure would come to approach him, and so he simply stood there, waiting for this mysterious encounter to begin.
Type: Weapon
Rank: S
Range: Short
Chakra: N/A (40 per turn while using the ability)
Damage: N/A
Description: Murushierago, Kakomare te i masu Koutsubasa no Shinseidesu is a katana said to have been forged within the Land of Iron by a legendary sword-smith named Gorō Nyūdō Masamune. It is said to have kept the ruling Shogun in power for hundreds of years by making them invincible in battle, however; the beauty of the sword rests not in its appearance, but in the way it was originally forged. A hammered and folded blade, comprised of millions of layers of steel with a carbon content that's off the charts, each layer only atoms thick. It was lost in history for decades and the incomplete blade was discovered within a dig site in Ekō Shima, an island located northeast of Kirigakure no Shima. The High Officials of Kirigakure no Shima then decided to offer the sword to the Land of Iron's presently ruling Shogun in a ceremony until it was stolen from the embassy where it was being housed before the presentation. At the time, Murushierago was being stored without a piece critical to its construction: the tsuba, a disk shaped guard between the blade and the handle which was not found within the Ekō Shima dig site, but was known to have been in the possession of an antiques dealer in Hābāairando, a harbor located westward of Kirigakure no Sato. The tsuba was then presented to the Sogun as a symbol of peace between the Water Country and the Land of Iron. Half a decade later, the curator of a museum recognized the sword that had been presented to the Land of Iron as the mate to the tsuba in the museum's collection and offered to reunite the two pieces at the gifting ceremony that was going to take place. The tsuba was brought to Kirigakure's ANBU building for safe keeping until the ceremony. When implosions struck the building and the ceremony was cancelled, the tsuba was scheduled for return to the museum before the pieces could be reunited. The tsuba was eventually recovered and reunited with the blade at Umi no Shima, an island southwest of Kirigakure no Shima. Rumor has it that the blade is so perfectly forged that its balance and alignment make it possible for light to split in its path and go around the person holding it, rendering them invisible.
Murushierago embodies the typical structure of a katana, with a signature curved, single edged blade. The scabbard is an emerald green with a gold tribal design wrapped around it and its guard is an emerald green as well. The grip has an emerald green braid with gold rayskin and the ornament at the bottom of the the grip depicts the head of Mizuchi, a river dragon and water deity in Japanese mythology.
Abilities:
Helios' Muffled Silence - Murushierago's main ability; The blade's unique design is the result of Masamune's copious studies in relation to the refraction of light. The master sword-smith understood that in order for refraction to occur light would not only have to pass the boundary between two media, but that the boundary must also be created in oblique angles. Along these lines, as Masamune tempered the millions of layers of steel he would intricately fold them at precise angles so that the incoming light-waves would be able to propagate around the wielder of the sword entirely. Furthermore, in order to satisfy the second media required Masamune reasoned that raw chakra could easily be manipulated by the wielder to guide the light, and that, most importantly, the wielder would have the capability to inflect the chakra consistently in order to attain the desired effect. When a light source is near, the sword's edge naturally guides the waves of light through inward, omnidirectional arcs. Through the use of the wielder's chakra they are able to take this a step further by steering these light waves around their bodies, and, since the user is taking control of these light waves themselves, this is the reason as to why the size of the individual does not play a factor in complete envelopment. Finally, the light waves are bent inwards due to the oblique angles from which the edges were tempered to, and this has been done so that the sword, instead of the wielder, would have to bend the light backward toward its owner's body. The pinnacle of covert abilities, invisibility is often considered to be the supreme form of camouflage, as it does not reveal to the viewer any kind of vital signs, visual effects, or any frequencies of the electromagnetic spectrum detectable to the eye. Thus, following a similar effect to that of the Hiding with Camouflage Technique, the user's shadow and body are suppressed, although the opponent may still distinguish deviations around their environments to perceive the user's location through the sound of footsteps and air current disturbances. The most prominent downside to this skill is the inability to use any elemental techniques whatsoever; Whereas raw chakra simply requires the mixture of both spiritual and physical energy, elemental chakra, which involves the altering of the chakra's properties and characteristics, disrupts the user's inflection competency. Should the user so much as begin channeling any elemental chakra the refraction ceases and the user's visibility is returned once again. It is because of this that the sword is deemed more suitable for samurai and not shinobi, as non-elemental based kenjutsu and taijutsu do not impede the sword's ability to refract the light around the user.
Indestructibility - The sword's strength comes from the folding of millions of layers of steel, masterfully forged with an extremely high carbon content, with each layer only atoms thick. As such, the sword has been deemed indestructible.
Restrictions:
Note: Light Refraction counts toward one of the three move slots, costs forty chakra to activate and ceases at the end of every turn.
Note: Refraction ability may only be used thrice per match
Note: No chakra can be molded or focuses while the swords ability is at play (this means no Fuuinjutsu, no Genjutsu, no Ninjutsu, etc etc can be used while the swords ability is being used)
Note: Only kenjutsu and taijutsu techniques which abide by the rest of the weapon's restrictions are allowed to be utilized while the main ability is activated.
Note: Helios' Muffled Silence has no other effect other than the invisibility; its effects can be pierced by doujutsu, sensing techniques, enhanced hearing, etc
Note: The light refraction is short range, and can only provide invisibility to the wielder.
Note: May only be passed down by Mudo or those he allow.