Liliana vs Mugiwara [EIG Master Entry Exam of Doom, in order to Join the NB EIG Ma...

Lili-Chwan

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Long ass tittle O_O

All the Rules for Normal EIG test stands, there's only one restriction Hasashi told me to add:

no jutsulist taijutsu
must be made from scratch

Kay, I start by doing the handseals and expell a Forbidden Rank Fireball at you, which completly obliterates your side of the world O_O
 

Mugiwara

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Long ass tittle O_O

All the Rules for Normal EIG test stands, there's only one restriction Hasashi told me to add:

no jutsulist taijutsu
must be made from scratch

Kay, I start by doing the handseals and expell a Forbidden Rank Fireball at you, which completly obliterates your side of the world O_O

Mugen Kiyoshi bio.
*holds dual katana in both hands, holding them in reverse position so that the tips are behind me, you know what I mean ;)*
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*using incredible speed, I instantly appear below your field of vision in front of your legs, with my knees bent, with my left hand, I use the katana in the hand to stab your right foot, and using the momentum from stabbing your foot, and since my knees arm bent, I use that momentum upwards to do an upward slash with my right hand on your left side, giving you a very deep wound almost hitting your heart*

*As I do the slash, I jump up on the katana that is stabbed in your right foot, stepping on it, using it to jump, I jump up and do a wall-flip on your face, sending you backwards and the foot I stabbed you in gets ripped in half because being pinned down by the katana, since I stepped on the katana, it goes deeper into the ground, and because of the kick I did during the wallflip, it rips your foot.*
 

Lili-Chwan

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Mugen Kiyoshi bio.
*holds dual katana in both hands, holding them in reverse position so that the tips are behind me, you know what I mean ;)*
You must be registered for see images

*using incredible speed, I instantly appear below your field of vision in front of your legs, with my knees bent, with my left hand, I use the katana in the hand to stab your right foot, and using the momentum from stabbing your foot, and since my knees arm bent, I use that momentum upwards to do an upward slash with my right hand on your left side, giving you a very deep wound almost hitting your heart*

*As I do the slash, I jump up on the katana that is stabbed in your right foot, stepping on it, using it to jump, I jump up and do a wall-flip on your face, sending you backwards and the foot I stabbed you in gets ripped in half because being pinned down by the katana, since I stepped on the katana, it goes deeper into the ground, and because of the kick I did during the wallflip, it rips your foot.*

As soon as you appear in front of me, I immediatly twirl on my right heel, as I spin the foot clockwise, describing a 90ยบ angle. At the same time, i spin my arms, bent close to my body, and lift my left knee, bent close to my body,

The movement I make is swift, steady and fast. Using my arms to gain momentum, I twist my body clockwise, I keep my right leng slighty bent and my left leg high, projecting my knee outwards.

The initial foot twirl evades your first katana, making it lodge in the ground, instead of my right feet. Using my knee and tight, I hit your rising arm, deflecting it to the side, aswell as pushing your body to the left, putting your range away from me.

Without a second notice, I lock my body motionless, standing in one leg (the right one) and immediatly shift my body weight, enabling me to stretch my left leg out (as the swirl ends, my foot is aimming your face directly (In this case, because you're pushed to the side, it aims the right side of your face)), and effectively manage to retrieve an heavy strike, if connected, pushing you way.
 

Mugiwara

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As soon as you appear in front of me, I immediatly twirl on my right heel, as I spin the foot clockwise, describing a 90ยบ angle. At the same time, i spin my arms, bent close to my body, and lift my left knee, bent close to my body,

The movement I make is swift, steady and fast. Using my arms to gain momentum, I twist my body clockwise, I keep my right leng slighty bent and my left leg high, projecting my knee outwards.

The initial foot twirl evades your first katana, making it lodge in the ground, instead of my right feet. Using my knee and tight, I hit your rising arm, deflecting it to the side, aswell as pushing your body to the left, putting your range away from me.

Without a second notice, I lock my body motionless, standing in one leg (the right one) and immediatly shift my body weight, enabling me to stretch my left leg out (as the swirl ends, my foot is aimming your face directly (In this case, because you're pushed to the side, it aims the right side of your face)), and effectively manage to retrieve an heavy strike, if connected, pushing you way.

As you deflect my rising arm, I don't let go of the katana I planted in the ground with my left arm, so your knee and thigh to deflect my rising arm and send me to the left, I don't get sent so far, and are easily able to recover,
As you stop your spin, I drop the katana in my left hand and stealthy grab a explosive note from my pouch and lift my arms up near my face to get ready to block your leg, reducing the impact of the kick, planting the explosive note on your leg without letting you notice, and I fly backwards from the kick, as I fly backwards, I use the katana in my right arm planting it into the ground to stop me from flying further back, while at the same time grabbing a kunai with my left hand and shoot it at you. Right after I do that, I land on the ground and take the katana out of the ground.
 

Lili-Chwan

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As you deflect my rising arm, I don't let go of the katana I planted in the ground with my left arm, so your knee and thigh to deflect my rising arm and send me to the left, I don't get sent so far, and are easily able to recover,
As you stop your spin, I drop the katana in my left hand and stealthy grab a explosive note from my pouch and lift my arms up near my face to get ready to block your leg, reducing the impact of the kick, planting the explosive note on your leg without letting you notice, and I fly backwards from the kick, as I fly backwards, I use the katana in my right arm planting it into the ground to stop me from flying further back, while at the same time grabbing a kunai with my left hand and shoot it at you. Right after I do that, I land on the ground and take the katana out of the ground.

That was actually not the effect I was hopping for my knee strike xd I intended to press your arm against your body, while pressing your body to the side (That's why I'm out of your range, not because I pushed you away). Thus you wouldn't have enough free space to move your arm as you did (placing a tag on my foot, as you stretch it frontwards to muffle my kick)

It was my mistake for not being clear about the strength of the strike nor the behaviour of the strike, so I'll go along what you described.

The fact that the our distance was already increase with the first blow, which was what I intended, and you had enough space to maneuver, which messes with my attack, instead of stretching my leg outwards, I take three kunai with my right hand.

Pushing my body upwards with my right foot, I leap to side, now spinning counter-clock wise, quickly preforming a 360ยบ rotation, and moving to the side. As I do that, I shoot the three kunai simultaneously, horizontally, aimming the center piece to your torso.

I finish the spin facing you straigth forward, with 2 paper bomb kunais on my hand (oposite to the one that threw the plain kunais
 

Mugiwara

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That was actually not the effect I was hopping for my knee strike xd I intended to press your arm against your body, while pressing your body to the side (That's why I'm out of your range, not because I pushed you away). Thus you wouldn't have enough free space to move your arm as you did (placing a tag on my foot, as you stretch it frontwards to muffle my kick)

It was my mistake for not being clear about the strength of the strike nor the behaviour of the strike, so I'll go along what you described.

The fact that the our distance was already increase with the first blow, which was what I intended, and you had enough space to maneuver, which messes with my attack, instead of stretching my leg outwards, I take three kunai with my right hand.

Pushing my body upwards with my right foot, I leap to side, now spinning counter-clock wise, quickly preforming a 360ยบ rotation, and moving to the side. As I do that, I shoot the three kunai simultaneously, horizontally, aimming the center piece to your torso.

I finish the spin facing you straigth forward, with 2 paper bomb kunais on my hand (oposite to the one that threw the plain kunais

I took out the explosive note when you stopped spinning, so when you leap to the side, I use my incredible speed (Lees speed without weights, read bio) as soon as your start spinning, to appear behind your head in the air right after you finish your 360 spin, so when you regain your vision of where I once stood, I am no longer there, when I'm in the air, I use the arm that I had the explosive note in and grab your head, planting the explosive note on it, and planting my feet on the ground, while hurling backwards on my left side, since I grabbed your head with my left hand. As soon as your out of range, I make the explosive note explode.

Short summary: As you stop spinning the first time, with your knee, I grab explosive note, and when you leap to the side, I quickly get up and launch myself behind you when you start spinning, so you can't see me disappear, I appear behind you after you finish ur 360 degree spin, facing your back. I grab your head with my left arm, plant the explosive note at the same time and throw your backwards on my left side, so that you fly backwards behind me, while I stand straight, comprende?
 

Lili-Chwan

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I took out the explosive note when you stopped spinning, so when you leap to the side, I use my incredible speed (Lees speed without weights, read bio) as soon as your start spinning, to appear behind your head in the air right after you finish your 360 spin, so when you regain your vision of where I once stood, I am no longer there, when I'm in the air, I use the arm that I had the explosive note in and grab your head, planting the explosive note on it, and planting my feet on the ground, while hurling backwards on my left side, since I grabbed your head with my left hand. As soon as your out of range, I make the explosive note explode.

Short summary: As you stop spinning the first time, with your knee, I grab explosive note, and when you leap to the side, I quickly get up and launch myself behind you when you start spinning, so you can't see me disappear, I appear behind you after you finish ur 360 degree spin, facing your back. I grab your head with my left arm, plant the explosive note at the same time and throw your backwards on my left side, so that you fly backwards behind me, while I stand straight, comprende?

I stomp your left foot with mine, and quickly turn around with my right leg stretched, striking your neck with my cap. Still pushing your neck downwards, I release your foot and slighty leap, dropping my weight on you.

My final position would be me, sitting on your left arm, with my right leg on your neck and my left leg on your belly. During the drop, I remove the tag from the back of my head and I violently facepalm it on your nose/in between your eyes, so that your face is crushed between my hand/tag and the ground (I use my right hand to do that)

Since it's your tag, I can't detonate it. Since you don't have both hands free, you can't detonate it.
 

Mugiwara

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I stomp your left foot with mine, and quickly turn around with my right leg stretched, striking your neck with my cap. Still pushing your neck downwards, I release your foot and slighty leap, dropping my weight on you.

My final position would be me, sitting on your left arm, with my right leg on your neck and my left leg on your belly. During the drop, I remove the tag from the back of my head and I violently facepalm it on your nose/in between your eyes, so that your face is crushed between my hand/tag and the ground (I use my right hand to do that)

Since it's your tag, I can't detonate it. Since you don't have both hands free, you can't detonate it.

As you stomp my left foot, I push your head down, to keep you down, controlling you so that you don't do any movement I don't want you to do, so when you try to strike me neck, I side step it, facing your leg, I can do that cause you only stomped my left foot, so I move my right foot clockwise, and use my right hand, which I have a katana in, to stab you in the back, while controlling your upper body with my left hand, since him holding your head, then I proceed to push you away, pushing you forward, and I quickly detonate the tag.

Summary, as soon as you stomp my left foot, I side step and at the same time stab your in the back with the katana in my right hand, while holding your head and controlling your movement, after stabbing your back, I push you forward, so that you move away from me and detonate the tag, and get a brain slushy on me.
 

Lili-Chwan

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As you stomp my left foot, I push your head down, to keep you down, controlling you so that you don't do any movement I don't want you to do, so when you try to strike me neck, I side step it, facing your leg, I can do that cause you only stomped my left foot, so I move my right foot clockwise, and use my right hand, which I have a katana in, to stab you in the back, while controlling your upper body with my left hand, since him holding your head, then I proceed to push you away, pushing you forward, and I quickly detonate the tag.

Summary, as soon as you stomp my left foot, I side step and at the same time stab your in the back with the katana in my right hand, while holding your head and controlling your movement, after stabbing your back, I push you forward, so that you move away from me and detonate the tag, and get a brain slushy on me.

Following your downwards press, I immediatly use my right hand to grab yours, pressing your knife edge, in the pinky side, and I begin to twist it towards my right, making your body follow. Give your body stance and your sword grip, your already limited range is now completly off limits.

Now quickly, with my left hand ( has I pass your arm over my head), I come as if I was going to shake you hand and keep your hand fairly close to my center and down, with your arm now completly twisted and bent, and I turn towards you, preforming a torquing motion, wich is very painfull, as I now have your wrist locked.

Now, I just bring my hands down, snapping your wrist, and making you faceplant the ground, still holding your hand. Now requiring only one hand to bent your's and hold the wrist lock. Forcing your body to the ground, I quickly heel your occipital ridge, knocking you out.
 

Mugiwara

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Following your downwards press, I immediatly use my right hand to grab yours, pressing your knife edge, in the pinky side, and I begin to twist it towards my right, making your body follow. Give your body stance and your sword grip, your already limited range is now completly off limits.

Now quickly, with my left hand ( has I pass your arm over my head), I come as if I was going to shake you hand and keep your hand fairly close to my center and down, with your arm now completly twisted and bent, and I turn towards you, preforming a torquing motion, wich is very painfull, as I now have your wrist locked.

Now, I just bring my hands down, snapping your wrist, and making you faceplant the ground, still holding your hand. Now requiring only one hand to bent your's and hold the wrist lock. Forcing your body to the ground, I quickly heel your occipital ridge, knocking you out.

Meh -.-
As you go to grab my right arm, I put pressure on my first gate, opening it by the time you get hold of my hand, having increased my strength 5 times of normal, I use my leg to push you away, letting go of your head, and detonate the tag on your head with my left hand, using the burst of opening the first gate to give me a level of protection, giving my skin burns on my right side of the body, as well as burning my right hand badly since you were holding it.
 

Lili-Chwan

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Meh -.-
As you go to grab my right arm, I put pressure on my first gate, opening it by the time you get hold of my hand, having increased my strength 5 times of normal, I use my leg to push you away, letting go of your head, and detonate the tag on your head with my left hand, using the burst of opening the first gate to give me a level of protection, giving my skin burns on my right side of the body, as well as burning my right hand badly since you were holding it.

Tags require both hands to detonate. Since you acknowledged my hand grab, your kick only serves to get you even more off balance, and you're easier to knock over. Give the motion I'm making you do, your kick misses me, and you faceplant faster...
 

Mugiwara

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Tags require both hands to detonate. Since you acknowledged my hand grab, your kick only serves to get you even more off balance, and you're easier to knock over. Give the motion I'm making you do, your kick misses me, and you faceplant faster...

No, wrong.
3rd Hokage did it simply by pointing his hand like a gun on it.

Anyway, i think it'll be enough.. I'll have the other EIG masters review this.

Thank you for the fight, you've been an strong opponent.
 
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Lili-Chwan

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No, wrong.
3rd Hokage did it simply by pointing his hand like a gun on it.

Anyway, i think it'll be enough.. I'll have the other EIG masters review this.

Thank you for the fight, you've been an strong opponent.

If I fail, I'll come for you head again

*grabs by brain parts and puts them back on my skull, putting the lid on top of it again*
 

Mugiwara

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If I fail, I'll come for you head again

*grabs by brain parts and puts them back on my skull, putting the lid on top of it again*

Sound exciting :D Although if you came for some other part of my body, it would be more exciting U_U

Joking ^^
 

Lili-Chwan

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Sound exciting :D Although if you came for some other part of my body, it would be more exciting U_U

Joking ^^

I could come for your toe, but saying head is much more epic... IMO, of course

Ya naughty, naughty boy
 

~Hasashi~

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Pass.

Congratulations, welcome to the Eight Inner Gates Masters.
Kaos will send you an invite.
 

Lili-Chwan

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Yay!

*jumps of excitement, while small brain parts fall off my skull*

Ups?
 
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