Melanin
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You do understand that Sakura's spiritual energy is disrupts Ino's Jutsu? But anyway your listen is delusional lol
How would you guys honestly rate the konoha 11?
- Thread starter Pigmyz
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You do understand that Sakura's spiritual energy is disrupts Ino's Jutsu? But anyway your listen is delusional lol
Darth AniCetuS
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Lmao...Oxygen > Sakura
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Char Aznable
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What spiritual power do you speak of? You are the delusional one, methinks.
Mind Destruction Jutsu, gg.
Dannie
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It will never reach. She needs her teammates for that.
In a straight out brawl, she can't beat Sakura.
Char Aznable
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You're confusing Mind Destruction, for Mind Transfer. Destruction is what Inochi used against Oro's Sound Ninja to make them attack each other.
King Of Pop
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mine is like this except ill swap neji for sakura, and put chouji at number 2.
lol because hes a hater, isnt that obvious? you can tell them by their post.
FemmeFatale
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Having Sakura at anything other than number 1 is trolling
Lee can produce the damage she can not can he kill her, why she is below the likes of tenten and ino is laughable, someone said because ino controls minds
Then Ino > Naruto
Lee can produce the damage she can not can he kill her, why she is below the likes of tenten and ino is laughable, someone said because ino controls minds
Then Ino > Naruto
Melanin
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Inner Sakura us spiritual energy, The Mind Transfer Tech is simply it's caster sending their spirit into another persons body.
Need the databook explanation?
Char Aznable
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I said Mind Destruction, not Mind Transfer.
Also the Databook is unreliable.
Blow away the universe, Raikiri can pierce anything, Yata Mirror can defend against any attack.
Melanin
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No it's call Mind Body Switch Technique and the databook is totally reliable becuase it correlates with the manga, it's funny when ever their an argument isn't in the naysayers favor they begin to omit manga facts.
The databook saying Temari can blow away the universe is called a hyperbole.
Hyperbole, like other figures of speech, is used to communicate ideas, emotions, and images in a more efficient way than through plain language. For example, an author might want to say that Mary lives in a large house. The reader knows that Mary lives in a big house, but that is all. No other context is given to explain how big the house is.
We know Temari cannot blow the universe away, but we know that her wind release is strong enough to blow away things on a large scale. You seriously get that right?
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Char Aznable
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No. It's called the Mind Disturbance Technique. Mind Body involves send your consciousness into another's body. Mind Disturbance sends chakra into an opponents body, disrupting their nervous system and makes them a pawn of whoever has made the seal.
Note the different seals.
Mind Body Switch
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Mind Disturbance
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The databook saying Temari can blow away the universe is called a hyperbole.
Hyperbole, like other figures of speech, is used to communicate ideas, emotions, and images in a more efficient way than through plain language. For example, an author might want to say that Mary lives in a large house. The reader knows that Mary lives in a big house, but that is all. No other context is given to explain how big the house is.
We know Temari cannot blow the universe away, but we know that her wind release is strong enough to blow away things on a large scale. You seriously get that right?
So what you're saying is, Kakashi's Raikiri CAN pierce Itachi's ultimate defense, the Yata Mirror?
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Melanin
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What Ino used on Sakura was the Mind Body Switch Technique.
Databook.
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Translation.
NINJUTSU; Shintenshin no jutsu (Mental Permutation technique)
User: Yamanaka Ino
Supplementary; Close, Medium ranges, Rank: C
Main text
A jutsu where one releases their own mind, forcing it into the subject, thus usurping the opponent's body. Success with this bold move will instantly determine the issue of a battle. The risk is just as great, though, as the caster's body is defenseless during its utilisation, on top of which damage to the possessed opponent will be reflected upon the caster's real body. Originally, this ninjutsu is suited for intelligence-gathering missions rather than battle.
Caption
-Her heart and spirit* fly into the air and steal away the enemy's body!!
Picture comments
-Because she propels all of her mental energy, the shooting range and number of hits are considerably limited.
-Should the jutsu succeed, the possessed body of her opponent is hers to manipulate as she pleases.
-The damage dealt to the target's body befalls the caster in a similar fashion.
*The Kanji spell "mind/spirit", but the furigana disagree and propose "heart" as a pronunciation.
User: Yamanaka Ino
Supplementary; Close, Medium ranges, Rank: C
Main text
A jutsu where one releases their own mind, forcing it into the subject, thus usurping the opponent's body. Success with this bold move will instantly determine the issue of a battle. The risk is just as great, though, as the caster's body is defenseless during its utilisation, on top of which damage to the possessed opponent will be reflected upon the caster's real body. Originally, this ninjutsu is suited for intelligence-gathering missions rather than battle.
Caption
-Her heart and spirit* fly into the air and steal away the enemy's body!!
Picture comments
-Because she propels all of her mental energy, the shooting range and number of hits are considerably limited.
-Should the jutsu succeed, the possessed body of her opponent is hers to manipulate as she pleases.
-The damage dealt to the target's body befalls the caster in a similar fashion.
*The Kanji spell "mind/spirit", but the furigana disagree and propose "heart" as a pronunciation.
Scan's.
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Your wrong, she didn't disturb her mind, she took over it.
Here's the facts.
You copied that from wiki but even with that being said and edited the explanation using your own words, it's incorrect, here's the databook explanation of the Mind Disturbance Tech.
NINJUTSU; Shinranshin no jutsu (Mentally Deranged Physical Treachery technique)
User: Yamanaka Inoichi
Supplementary; Close, Medium ranges, Rank: B
Main text
A ninjutsu where one sends their chakra into the subject's nervous system, thus operating their body at will. The opponents this jutsu is cast upon are completely under control, their bodies disconnected from their will, their movements stolen from them. This ninjutsu, used by Inoichi is definitely different from the Shintenshin no jutsu* his daughter Ino employs.
The difference is, the caster is able to retain their consciousness. Thanks to this, one can mind the safety of their own body even during the course of the jutsu's activation. Situations of numerical superiority for the adversary are precisely where Shinranshin no jutsu - which freely manipulates human beings - will display its efficiency, by getting the enemies to kill one another.
Caption
-Those captured are entwined in the coils of madness!
Picture comment
-Control can be exerted even from a distance. This jutsu is arguably the most suitable to confuse the enemy.
*Oh, God! So many puns. So many different meanings. A real translator's nightmare. Somehow I managed
User: Yamanaka Inoichi
Supplementary; Close, Medium ranges, Rank: B
Main text
A ninjutsu where one sends their chakra into the subject's nervous system, thus operating their body at will. The opponents this jutsu is cast upon are completely under control, their bodies disconnected from their will, their movements stolen from them. This ninjutsu, used by Inoichi is definitely different from the Shintenshin no jutsu* his daughter Ino employs.
The difference is, the caster is able to retain their consciousness. Thanks to this, one can mind the safety of their own body even during the course of the jutsu's activation. Situations of numerical superiority for the adversary are precisely where Shinranshin no jutsu - which freely manipulates human beings - will display its efficiency, by getting the enemies to kill one another.
Caption
-Those captured are entwined in the coils of madness!
Picture comment
-Control can be exerted even from a distance. This jutsu is arguably the most suitable to confuse the enemy.
*Oh, God! So many puns. So many different meanings. A real translator's nightmare. Somehow I managed
The difference between this and the Mind Body Switch Technique is that the caster doesn't project their consciousness into the enemies' bodies. Situations of numerical superiority for the adversary are precisely where this technique, which freely manipulates human beings, will display its efficiency, by getting the enemies to turn on one another. Control can be exerted even from long distances.
I'll find the Databook page...
Incorrect, refer to the information I've previously posted.
Again, it called a Hyperbole - exaggerated statements or claims not meant to be taken literally.
The hyperbole is perhaps one of the most widely recognized forms of figurative language and one that permeates everyday life through the advertising and entertainment industries. Hyperbole is the use of exaggeration for extra effect. The author can use hyperbole to add extra drama or comedy to a situation or even for the purpose of propaganda.
Hyperbole, like other figures of speech, is used to communicate ideas, emotions, and images in a more efficient way than through plain language. For example, an author might want to say that Mary lives in a large house. The reader knows that Mary lives in a big house, but that is all. No other context is given to explain how big the house is. Characteristics like size are often relative to the experiences of the reader and may not accurately portray what the author intends. For example, for a wealthy person who has lived in a mansion for all his life, a large house may mean something completely different than what a person with very little money may imagine. In this example, the author may want to use a hyperbole to frame his idea and give it context in order to allow the reader to better understand what he intends. In this case, the author may write, “Mary’s house is so big that the entire population of the city can fit into it.” By exaggerating the size of Mary’s house so dramatically, there is no question in the reader’s mind about how large Mary’s house is.
Hyperbole has been used throughout literature for many centuries. Heroic dramas, which are dramas with an emphasis on grandeur and excess, often make use of hyperbole to extend the effect and epic nature of the genre. Modern tall tales also make use of hyperbole to exaggerate the feats and characteristics of their protagonists. For example, the American tall tale about Paul Bunyan relies heavily on hyperbole to establish Bunyan’s giant stature and abilities. Hyperbole is also frequently used in comedy to offer a humorous description of somebody or something.
The fields of advertising and propaganda use hyperbole almost exclusively, which has led to it having a somewhat negative connotation. Typically advertisers or those writing propaganda use hyperbole to exaggerate the benefits or claims of their products in order to the boost sales, increase the image of, or increase the popularity of whatever they are advertising. The modern term “hype” is a shortened derivation of the term.
Hyperboles can often be combined successfully with similes and metaphors to increase their effectiveness, although an author must be careful not to use common phrases at the risk of being cliché. Also, exaggerations are only effective if the extent of it is outlandishly wild, otherwise, there would be no hyperbole. Like all figures of speech, when used correctly and in the proper context, hyperboles can be used to better express an author’s intentions and meaning.
Hyperbole, like other figures of speech, is used to communicate ideas, emotions, and images in a more efficient way than through plain language. For example, an author might want to say that Mary lives in a large house. The reader knows that Mary lives in a big house, but that is all. No other context is given to explain how big the house is. Characteristics like size are often relative to the experiences of the reader and may not accurately portray what the author intends. For example, for a wealthy person who has lived in a mansion for all his life, a large house may mean something completely different than what a person with very little money may imagine. In this example, the author may want to use a hyperbole to frame his idea and give it context in order to allow the reader to better understand what he intends. In this case, the author may write, “Mary’s house is so big that the entire population of the city can fit into it.” By exaggerating the size of Mary’s house so dramatically, there is no question in the reader’s mind about how large Mary’s house is.
Hyperbole has been used throughout literature for many centuries. Heroic dramas, which are dramas with an emphasis on grandeur and excess, often make use of hyperbole to extend the effect and epic nature of the genre. Modern tall tales also make use of hyperbole to exaggerate the feats and characteristics of their protagonists. For example, the American tall tale about Paul Bunyan relies heavily on hyperbole to establish Bunyan’s giant stature and abilities. Hyperbole is also frequently used in comedy to offer a humorous description of somebody or something.
The fields of advertising and propaganda use hyperbole almost exclusively, which has led to it having a somewhat negative connotation. Typically advertisers or those writing propaganda use hyperbole to exaggerate the benefits or claims of their products in order to the boost sales, increase the image of, or increase the popularity of whatever they are advertising. The modern term “hype” is a shortened derivation of the term.
Hyperboles can often be combined successfully with similes and metaphors to increase their effectiveness, although an author must be careful not to use common phrases at the risk of being cliché. Also, exaggerations are only effective if the extent of it is outlandishly wild, otherwise, there would be no hyperbole. Like all figures of speech, when used correctly and in the proper context, hyperboles can be used to better express an author’s intentions and meaning.
Char Aznable
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Hyperbole in a resource that you claim should be taken as unquestionable fact.
Which is it? Take it seriously, or unseriously?