Gobi teaches Kerrah

Kerrah

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Channelling Chakra through my circulatory system, I o
first overload the 2nd gate in my brain with chakra, opening it. From there, I overload the gate located on my spinal cord, and force it to open, effectively opening the third gate. From there, I repeat the same procedures as before, darting towards my opponent but this time for cool effects and shiz I lift my left knee up as I slightly jump in the air, the force effectively sending him flying high up in the sky. Following on I appear right behind him in the air as before, and spin on the point I am, effectively creating strong winds around me which I then use to propel myself straight into my opponent, knocking him into the ground.
 

Gobi Gobletsson

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Oki, doki. Will do.
(Hitori Omote Renge) - One-Man Front Lotus
Type: Offensive
Rank: A-Rank
Range: Short-Mid
Chakra: 30
Damage: 60
Description:
A singular version of its parent technique, the Front Lotus, the user instead starts spinning by himself creating strong air currents around him after having jumped high enough, and dives down on the opponent rather than with them. The effect is drastic as the momentum the user carries and the massive rotating vortex of air around him can create a crater upon impact on the ground. This technique can be used to fight on equal grounds with elemental techniques, using the air vortex produced by the fast spinning to clash with the technique with the user as the driving force beneath the attack.
Note: the user needs to have opened at least up to the 3rd Gate

Okay then another gate directly below it(The one you just opened). If you don't die thats good, if you die doing it thats great. Open it.
 

Kerrah

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Having my third gate opened, I again elegantly begin tl channel chakra around my entire body, focusing it to a previous point i already had; the spinal cord. However, now to a chakra point directly beneath that of the third, and by overloading the point with stable chakra, i cause it to open and effectively open the 4th gate
 

Kerrah

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Hmph; get ready old man.

*Darting towards you with incredible speed, I jump up in the air and wrap my legs around your head, locking them together by the feet, I then fall downwards so that I'm hanging upside down, whilst simultaneously placing my palms on the ground and using my legs to pick your body up and throw you above and over me while in a hand-stand like position*
 

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Hmph; get ready old man.

*Darting towards you with incredible speed, I jump up in the air and wrap my legs around your head, locking them together by the feet, I then fall downwards so that I'm hanging upside down, whilst simultaneously placing my palms on the ground and using my legs to pick your body up and throw you above and over me while in a hand-stand like position*
Pft.

Leaning somewhat backwards allowing you to easily pass over me, I proceed by making a half backflip, landing on my hands, very much like yourself. Your feet would grab nothing and you would land in hand stance, and so would I. We would be facing eachother. However, you might have your back turned. Nonetheless, I watch you simply.
 

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My legs, passing through the air and missing the target, causes me to lose control over the balance of my body and due to my posture, I land in a hand-stand like position with my back facing you, however; easily being able to interpret your location due to the change of your body position I waste no time to keep you on the pressure. By using the ground as a sort of spring I push myself off it and towards you, spinning vigorously in the air to build up some sort of air pressure around me that cascades me in cutting winds and forms a somewhat piercing drill aimed straight towards you
 

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Observing you, I allow myself to merely fall down flat on my back. As you pass by me, I raise my right leg, a soft kick yet using the mometum of thouself, it leaves a bruise on your cheek as you continue to sprawl along the floor past me. I make a backwards somersault, getting back onto my knees.

Good pressure. But, you miss the element of surprise - Aslong as you allow me to read your movements, you can't do much.
 

Kerrah

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Taking the kick I'm brought to the plain fact of reality, I was at a disadvantage in terms of strength and speed, you could read my moves open as a book; getting up from the ground now I try out a different tactic, brushing off the grains of Earth scattered on my body as well as dusting myself off now, I blast towards you again.

Initially, I withdraw my left hand backwards and as I'm drawing near, I release it outwards intended for a devastating punch to your face, however it wasn't that, as when it was released I quickly ducked my body, whilst using my left hand to wrap around your head from your right shoulder, and grabbing onto it with my right hand from under your right arm, locking them tight, from there I then use my left foot to kick your left ankle, disrupting your balance and allowing me to slam your back onto the ground.
 

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Taking the kick I'm brought to the plain fact of reality, I was at a disadvantage in terms of strength and speed, you could read my moves open as a book; getting up from the ground now I try out a different tactic, brushing off the grains of Earth scattered on my body as well as dusting myself off now, I blast towards you again.

Initially, I withdraw my left hand backwards and as I'm drawing near, I release it outwards intended for a devastating punch to your face, however it wasn't that, as when it was released I quickly ducked my body, whilst using my left hand to wrap around your head from your right shoulder, and grabbing onto it with my right hand from under your right arm, locking them tight, from there I then use my left foot to kick your left ankle, disrupting your balance and allowing me to slam your back onto the ground.
The straight forward assault once more. Annoyed, I make a ''Quick and easy!'' stomp onto the ground before me, unleashing a cloud of dust, intercepting our views from one another. You being already forwarding yourself in your movement, I merely slide my right foot which I used to stomp with, forward causing my side to face you, being my right.

Simualtaneously, I extend my right hand in opened as a palm, outwards towards you. It will impact with you under the duration and cover of the dustcloud, mostly likely your chest area would be hit, and you would be sent backwards a couple of meters. (Your hand would miss my head, considering entering such a stance as I am, both my legs would be bent, and I would be a lower level of height that what you would have percieved.)

"We're playing with Gates here, you know?"
 

Kerrah

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Straight in the trap, hah.

Approaching you, it may seem as if I completely lung over you, but as my arm misses your head my attention is brought to what appears to be a dustcloud, and a slight movement of your feeting which was dictated by some sound.

As your hand then appears out of the dustclouds and is imminent to slam straight into my chest, my left hand wraps around the elbow joint as it was still on its path, due to mine being extended already. From there, I spin my body so that my back is facing you, whilst bringing my left hand onto your wrist and placing my right hand this time on your shoulder joint, and by pulling your entire hand over my right shoulder, I flip your body up and slam your back onto the ground.
 

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Straight in the trap, hah.

Approaching you, it may seem as if I completely lung over you, but as my arm misses your head my attention is brought to what appears to be a dustcloud, and a slight movement of your feeting which was dictated by some sound.

As your hand then appears out of the dustclouds and is imminent to slam straight into my chest, my left hand wraps around the elbow joint as it was still on its path, due to mine being extended already. From there, I spin my body so that my back is facing you, whilst bringing my left hand onto your wrist and placing my right hand this time on your shoulder joint, and by pulling your entire hand over my right shoulder, I flip your body up and slam your back onto the ground.
The wrap, unexpected. However using my already bent leg as a spring the moment you grap firmly around my elbow, before you can do the turn, wethever or not that you arms connect to my mine, is of little mention, as during the spring I would essentially push you backwards simualtaneously as using it as a sort of leverage, when I set off the ground to get 'onto' you, meaning my weight would be put down on you, pushing you against teh ground. Using my free fist, as we're crashing a left hook is directed at your nose.
 
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Kerrah

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As my plan suddenly fails, and your body weight is put onto me, whilst falling down to the ground I have to use this somehow to my advantage, and by throwing myself faster at the ground, so that before your punch lands I hit the ground with my entire body, inflicting some damage upon myself in the process and causing dust to spread across the area.

However, it was done for a reason, as when it occurred, the force released from the pressure causes our bodies to separate, with you bouncing off mine by a small amount, a feet to be precisely. And since my left hand was locked around your fist this entire time, this causes your body to stop in the air and your posture to be completely be lost, due to my hand stopping the momentum of the push from the force, from here then I jump off the ground and drag you towards me so we're both airborne, and deliver a singular punch above the bridge of your nose, sending you crashing into the ground
 

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As my plan suddenly fails, and your body weight is put onto me, whilst falling down to the ground I have to use this somehow to my advantage, and by throwing myself faster at the ground, so that before your punch lands I hit the ground with my entire body, inflicting some damage upon myself in the process and causing dust to spread across the area.

However, it was done for a reason, as when it occurred, the force released from the pressure causes our bodies to separate, with you bouncing off mine by a small amount, a feet to be precisely. And since my left hand was locked around your fist this entire time, this causes your body to stop in the air and your posture to be completely be lost, due to my hand stopping the momentum of the push from the force, from here then I jump off the ground and drag you towards me so we're both airborne, and deliver a singular punch above the bridge of your nose, sending you crashing into the ground
The halt throws me somewhat off, however being that I'm already trying to throw my own punch at this very moment, your fist would collide onto the forearm of my already punching fist. Though as I'm thrown off balance it would be slightly off-course. As they impact, I allow myself to move accordingly.

Turning clock-wise mid-air I land beside you, you still grapping onto my wrist of my right hand. However, as landing beside you(Imagine we're holdning hands while looking at the stars, just that... We're using our hands furtherest away from eachother.), I have my opened palm grasps firmly around your arm as well, as I start then rolling clock-wise on the ground.

Simualtaneously I allow my left elbow to fall down onto your adam's apple, keeping your head in check, as well, as somewhat choking you as we roll around.

This pulls you along with me, swinging you above me and against the ground as I roll onto you. Once ontop as I twist my right arm downwards in the act to immobilize yours, whilst bringing distracting pain. Of course at the sametime your throat is locked beneath my elbow/forearm.

I gaze at you.
 
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Kerrah

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Having thrown my punch it's met by your forearm, whereafter we're lying on the ground, glaring upon the beauty of the Earth, talking about the past and the future as we're cascaded by romanc- i mean pure violence arghh yeah vikings

Then, as you try to drive your elbow into my throat, simply tilt my head downwards, so that your elbow still does connect with my throat however most of the impact is absorbed, and my chin is simply touching your left elbow as well. Now, upon taking part of this lovely roll thingy, as you were to spin on the ground so to simply swing me over from side to side, I gently strike my feet down onto the ground, breaking the structure of the Earth just so that I'm positioned straight above you.

In doing so, the traction produced from my feet striking the ground causes me to stop moving, simply still above you with your elbow still on my throat and my your right hand locked on my left wrist, using this connection between us and my feet in the ground I pull myself up (kinda like that michael jackson move where he like bends his body so you think he's gonna fall but he doesn't really, imagine we're like that so i simply move upwards or some shit lol) and whilst doing that due to us holding each other you get pulled up with me, so that we're now both standing on the ground with our hands interlocked.

I then draw my attention to your eyes, stopping any movement as if it appears that I wasn't going to attack you any more, just simply gazing at your beauty, followed by a smirk as I nod my head forwards and deliver a headbutt to your forehead

<___>
 

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Having thrown my punch it's met by your forearm, whereafter we're lying on the ground, glaring upon the beauty of the Earth, talking about the past and the future as we're cascaded by romanc- i mean pure violence arghh yeah vikings

Then, as you try to drive your elbow into my throat, simply tilt my head downwards, so that your elbow still does connect with my throat however most of the impact is absorbed, and my chin is simply touching your left elbow as well. Now, upon taking part of this lovely roll thingy, as you were to spin on the ground so to simply swing me over from side to side, I gently strike my feet down onto the ground, breaking the structure of the Earth just so that I'm positioned straight above you.

In doing so, the traction produced from my feet striking the ground causes me to stop moving, simply still above you with your elbow still on my throat and my your right hand locked on my left wrist, using this connection between us and my feet in the ground I pull myself up (kinda like that michael jackson move where he like bends his body so you think he's gonna fall but he doesn't really, imagine we're like that so i simply move upwards or some shit lol) and whilst doing that due to us holding each other you get pulled up with me, so that we're now both standing on the ground with our hands interlocked.

I then draw my attention to your eyes, stopping any movement as if it appears that I wasn't going to attack you any more, just simply gazing at your beauty, followed by a smirk as I nod my head forwards and deliver a headbutt to your forehead

<___>
Getting up, I gaze back. What a wonderful, student. Better than expected. Soon after close to being greeted by a headbutt, I simply straigthen out my arm, as which elbow is connect to your throat, preventing you from ever reaching me, as well as pushing you slightly back and off me. Simualtaneously I vigoriously pull my hand intervined with yours, letting go off my grip, releasing myself from yours.

All this possible, and easily overpowering you being, that well.. I'm your Sensei, and a master in the Arts of EIGs. As it stands now, I'm just physically stronger than you, still.

I create distance, by taking two steps back.

I think you're getting used to it. Your call?
 
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