[CJ] Getting wired up

Roy

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You rock \o\

Wire Arts: Outer Extension | Waia Gigei: Uwa Shinten
Rank: C
Type: Supplementary/Defensive
Range: Short -Mid
Chakra Cost: 15
Damage Points: N/A
Description: This is a much lesser version of "Wrath of Gods". The user, using the wires wrapped around his wrists or legs, will channel chakra through the wires, capable of controlling it within a certain extent. The user is capable of using the wires as if was the extension of it's own limbs, and can control up to 5 threads per hand/feet. This technique is used simply to bind the opponent at a much quicker rate, or to be used as a mechanism to pull things towards the user or pull the user towards an object. The reason why the technique is so much weaker, is that the wire isn't charged with a "cutting" effect, therefore it can only bind into things. The attack lacks any kind of momentum to cause actual damage, and it's able to easily be snapped the use of a kunai or sharped item. Once the threads extend, chakra is further used to wrapped the wires back, but this occurs rather quickly (depends on range too).
-Wires are difficult to pinpoint for lower ranked ninjas but can be easily seen by experienced ninjas or Dojuutsu users.
-The use of chakra to control the wires is similar to how samurai are capable of using Samurai Sabre Technique to control the shape of their chakra, therefore the technique is feasible by either samurai or shinobi.
-The user is able to make handseals after capturing the enemy, though is incapable of doing so when the wires are being used.
-The user cannot use wires from his hands and from his legs simultaneously, as it requires strong concentration.
-Can only be taught by Gin-San.
Wire Arts: Wrath of Gods | Waia Gigei: Doki no Kamigami
Type: Attack
Rank: A
Range: Short-Mid
Chakra Cost: 30
Damage: 60
Description: The art of this technique comes from quick flick movements in order to release wires at great speeds toward the opponent, entrapping them. The user, having wire on their hands (previously wrapped around their hands and risks), will hold the end of the wires with their index and middle finger against the thumb. With a quick flick of the fingers and by moving the arm downward at great speed, the user will release ninja wire at great speeds toward the desired target (The threads can be send directly or they can race through the ground).
If there is ninja wire wrapped around the user's legs, the user is able to use the wire with the same skill as if he is using it with his hands. The user will make a quick small rotation, untangling the wire, then by using proper body motion will send the ninja wire the same way as if he had send it with his hands.
The user can channel invisible chakra though the wires in order to make them stronger, making them capable of cutting through solid rock. When it reaches the opponent (in front of him or on his sides) the user will make a swift motion with his arms, wrapping the opponent at great speed, entrapping them. The user can further more pull the strings backward, cutting the opponent.
-Wires are difficult to pinpoint for lower ranked ninjas but can be easily seen by experienced ninjas or Dojuutsu users.
-The user is able to make handseals after capturing the enemy, though is incapable of doing so when the wires are racing through the ground as it requires great concentration to control the direction of the technique.
-The user cannot use wires from his hands and from his legs simultaneously, as it requires strong concentration.
-This technique cannot defend against elemental ninjutsu, though is able to cut through B-ranked and below Earth.
-Can only be taught by Gin-San
 
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Gin-San

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Gintoki throws some wires at the man, telling him. "Well wrap your legs and arms with those, come on I dont have all day!"
 

Roy

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"Yes sir!" I sort out the wires, dividing them in four equal amounts and I grab one some of the wires with my right hand and begin my wrapping wires around my left foot, followed by my right foot. I then wrap wires around my hands aswell.
 

Roy

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"Oops!" I unroll the wires from my hands and wrap them on my wrists instead, chuckling awkwardly as I finish.
 

Roy

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"On it!" I channel my chakra into the wires around my wrists, basically 'wrapping' my chakra around them and through manipulation of the chakra used I slowly begin moving it however at my first attempt there is no movement at all detected in the wires. I keep trying, slowly focusing the chakra around the wires until I succeed in moving them after which I unravel the wires moving them with my chakra. "Like this?"
 

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I manipulate the chakra coating of the wires further, compressing the chakra to make the edges thinner basically giving the wires a sharp, chakra based edge to give them cutting properties.
 

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First exercise is grabbbing onto a tree and pulling your body there. Second is to grab onto the next tree and cut it in half.
 

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I use my chakra to unravel a wire from my right wrist, carefully focusing on the chakra to properly control the wire. I then slighly move my hand to the right, quickly flicking it back towards the left as I extend the wire towards the tree. As the wire reaches the tree I maintain my focus and manipulate the wire, wrapping it around the tree and give it a small pull to make sure it's stuck. I then hop off the ground and manipulate the wire to gradually return to my wrist and thus pulling myself to the tree.

Then I grab a single kunai, cutting the wire and transmit chakra into the next one however, this one is held more carefully to be able to execute more momentum in the movements by pressing my index and middle fingers onto my thumb with the wire inbetween them. I then coat the wire with chakra, compressing the chakra to give the wire a sharpened edge as I begin by flicking my wrist to the right, unraveling the wire as it extends towards the tree and then with a quick pull to the left I wrap the wire around the tree however, as the wire wraps itsself around the tree I keep tightening the wire's grip of the tree, cutting through the bark into the tree itsself effectively cutting the tree in half.
 
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