KameSennin
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Sasori had wide greyish brown eyes which he inherited from his mother, and short, mousy red hair which he inherited from his father. He was usually seen with a hazy, dreamy look to his appearance. As a child, Sasori wore dark green robes with a pale poncho around them. As a teenager, while living in Sunagakure, he wore a purplish robe with the Sunagakure forehead protector. After leaving the village he was seen wearing the Suna flak jacket with a sleeveless undershirt, bandages around both arms, brown pants with an attached colster where he held his puppet summoning scroll, and brown shinobi sandals. After joining the Akasuki and conversing himself into a puppet in the likeness of his original body, Sasori's hair became slightly more messy, and wore his Akatsuki robe along with a purple Akatsuki ring on his left thumb that bears the kanji for "jewel" or "sphere" (玉, gyoku). He also wore teal nail polish on his fingernails. Even though Sasori still possessed his Sunagakure forehead protector that was slashed out in the middle, he kept it on his person instead of wearing it. Sasori's puppet body consisted of a pair of spinning claws attached to his lower back, a holder for four scrolls on his back, a stinger in the empty and open stomach cavity, a compartment in his right chest, and a 'core of living flesh' (生身の核, namami no kaku) in the left which had the kanji for "scorpion" (蠍, sasori) painted on it. In his exposed state, Sasori's eyes would also be wide open in a maniacal way, as opposed to his normal calm looking eyes. Personality Sasori grew up in a sad and lonely environment due to the absence of parental love. When introduced to the art of puppetry by his grandmother, Chiyo, he grew a little happier. He eventually created puppets in the likeness of his parents, but when he realised that the puppets couldn't give him the actual love that he desired, he became cold and aloof. This led to his maintaining little regard for human life. Sasori even went so far as to state that he would feel nothing if Chiyo died, as he claimed that his heart had become like his puppet body: without any emotions. Neither did Sasori had any loyalty for his village, as he defected to pursue personal interests and even kidnapped the Third Kazekage, the latter act causing severe consequences for Sunagakure, and then attacking the village again twenty years after leaving. Despite his cruel and nihilistic nature, Sasori was also known to possess a very down-to-earth outlook on life, rarely getting worked up over obstacles that impeded his way. He rarely gave way to any strong emotions, and such instances that happened were often short-lived. Sasori and his second partner in Akatsuki, Deidara, both had conflicting views on art, and they frequently argued about their differing perspectives. Deidara maintained his belief that art was something transient that departs quickly, where as Sasori believed that fine art was everlasting and remained far into the future. This reflected their individual natures; Deidara made clay sculptures which exploded, while Sasori created long-lasting puppets out of humans that never died. Nevertheless, although Deidara outwardly seemed to respect Sasori's beliefs, Sasori never respected Deidara's. Sasori's ambition was to become an exquisite piece of art himself by turning his body into one of his own puppet works. Sasori adhered so strongly to his belief that true art was ever-lasting that he even went as far as to have his spy retrieve information on the Summoning: Impure World Reincarnation and human experiments. Sasori abandoned this ambition after Kankurō told him that it was his creations that he put his heart and soul into that would last forever. After accepting Kankurō's view on eternal art, he entrusted his Mother and Father puppets to Kankurō and told him to pass them on to the next generation after he dies. In this moment, Sasori is shown to have an emotional side as well. Sasori was also willing to accept the views of others on certain topics in contrast to Deidara, who stubbornly stood by his beliefs until the end. Sasori spared Kankurō during their first confrontation after the latter made a last attempt to attack him, but he notes that Kankurō's envenomed state would eventually lead to his death.
Background Information History Sasori (サソリ, Sasori), renown as Sasori of the Red Sand (赤砂のサソリ, Akasuna no Sasori), was an S-rank missing-nin from Sunagakure's Puppet Brigade and a member of Akatsuki, where he was partnered with Orochimaru and later, Deidara. When he was young, his father and mother were killed by Sakumo Hatake in battle, leaving him under the care of his grandmother, Chiyo. In an attempt to cheer him up, she taught him puppetry at age five. He posessed quite the innate proficiency for the art, and so he began to devise many ways to erase the weakness of a puppeteer in battle. His skills also allowed him to create two puppets in the image of his father and mother in attempt to erase the terrible lonliness he felt. He also created many other ingenious works, such as Crow, Black Ant and Salamander which are all now in the posession of Kankuro. During the Third Shinobi World War, the effectiveness of his puppets in spilling enemies' blood on the sand gave rise to Sasori's moniker Sasori of the Red Sand. Twenty years before his introduction in the series, Sasori left Sunagakure at age fifteen after he secretly kidnapped the Third Kazekage and made him into one of his human puppets. Sasori also transferred his heart into a puppet body modelled after himself to increase his own offensive capabilities and prolong his life. Other Information Puppet MasteryTrained by his powerful grandmother, Chiyo, in the art of puppetry, Sasori was an extremely powerful puppeteer and had great skill in creating and controlling his puppets. He created a number of ingenious ones including the three main puppets that Kankurō uses. His status as a puppet master offered him a tremendous advantage against other puppeteer shinobi, especially if the puppets they were using happened to be ones that he created, as seen in his battle against Kankurō. As puppets are usually installed with long-range weapons, Sasori was an expert at fighting at long distances. He had tremendous skill with chakra threads, suppressing them to the point that they became invisible, and could, from his fingertips, control upwards to 100 puppets — a feat thought impossible for ordinary shinobi. Sasori's puppets were unique in that they were made from the still-living bodies of humans. These human puppets were more versatile than regular puppets, since, in addition to having many dangerous devices installed within them (as is common with regular puppets), they were also able to use chakra and perform any techniques or kekkei genkai abilities that they possessed during their life. Puppet Body: Although Sasori was thirty-five years old, he maintained the appearance of a teenage boy. His unnaturally young appearance was a product of the immortalisation of his design. Aside from his core, Sasori's body was actually a puppet. Although Sasori was thirty-five years old, he maintained the appearance of a teenage boy. His unnaturally young appearance was a product of the immortalisation of his design. Aside from his core, Sasori's body was actually a puppet. In place of his intestines was a thick cable coiled around a pole, allowing him to use it as a stinger and retract it if necessary. Attached to his back was a scroll holder, containing several scrolls that stored extra armament, and aided him with Fuuinjutsu. The first scroll allowed him to expel powerful streams of fire, and the second scroll was used to store numerous puppets for the Red Secret Technique: Performance of a Hundred Puppets. The capabilities of the third and fourth scrolls were not revealed in the manga, though in the anime, the fourth scroll was used to fire jets of water with enough force to cut through rock. In addition to these scrolls, Sasori makes sure to keep others, especially pre-prepared scrolls to seal elemental jutsu with. Sasori also has a pair of poles attached to the back of his hips, each equipped with five large blades that could spin like a propeller, granting him both an equipage for greater speed and a monstrous close combat weapon. Sasori also had pipes on each of his palms that could spew out intense fire, hot enough to melt rock, or, in the anime, powerful water jets with such pressure that they were capable of cutting through rock. Being a fully-armed puppet himself, Sasori did not suffer the weakness of being vulnerable to close-range combat that other puppeteers suffer. Furthermore, every weapon he had at his disposal was coated with a powerful poison. Because Sasori's core was the only living part of his body that he still contained, his puppet body was virtually indestructible, allowing him to survive the poison mist Kankurō bombarded him with, as well as the impact from Sakura's punches. He was also able to fight for extended periods of time without hindrances that would normally affect a human's body, such as fatigue, muscle failure, loss of blood, wounds, or pain. When smashed apart, he could simply draw the pieces back together. Additionally, Sasori could transfer his core to other puppets in a split second, allowing him to abandon a body that was damaged beyond repair or incapacitated. Pictures
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---Theme Song & Background Music
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Ending Notes
Dropping
Dropping
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Approved~
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